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Friedrich Silcher
1789 - 1860 Person Name: Friedrich Silcher, 1789-1860 Hymnal Number: 661 Composer of "GOTT EIN VATER" in Trinity Hymnal
Friedrich Silcher
Samuel Rutherford
1600 - 1661 Person Name: Samuel Rutherford, 1600-1661 Hymnal Number: 599 Author of "The sands of time are sinking" in Trinity Hymnal
Samuel Rutherford
Edward Shippen Barnes
1887 - 1958 Hymnal Number: 109 Arranger of "TERRA BEATA" in Trinity Hymnal Edward Shippen Barnes was an American organist and composer. He was born 9 September 1887 in Seabright, NJ and died 2 February 1958 in Idyllwild, CA. He studied at Yale University with Horatio Parker and Harry Jepson, then continued his studies in Paris. He worked as an organizt at Church of the Incarnation in New York, Rutgers Presbyterian Chruch in New York, St. Stephen's Episcopal Church in Philadelphia and the First Presbyterian Church in Santa Monica. He is known for his organ syvmphonies.
Dianne Shapiro
Edward Shippen Barnes
Edward F. Rimbault
1816 - 1876 Hymnal Number: 599 Arranger of "RUTHERFORD" in Trinity Hymnal Edward Francis Rimbault PhD LLD United Kingdom 1816-1876. Born in Soho, London, England, son of an organist and composer of French descent, he was taught music by his father., Samuel Wesley, and Wiliam Crotch. At age 16 he became organist of the Swiss Church in Soho. He later became organist at various churches, including St Peter’s, Vere Street, and St John’s Wood Presbyterian Church. He edited many collections of music, journals, and publications of music, and arranged music compositions. In addition to editing or arranging contemporary operas, he had a strong interest in editing or arranging earlier English music. He studied the musical treatises in the library of Archbishop Tenison, one of the oldest public libraries in London. In 1838, At age 22 he began lecturing about the history of English music, and was in much demand due to the interest aroused. He did editorial work for the Percy Society, the Camden Society, the Motet Society, and the Handel Society. For the latter he edited the “Messiah”, “Saul”, and “Samson” He was elected a Fellow of the Society of Antiquaries, and was granted membership in the Academy of Music in Stockholm, Sweden. Gottingen University also conferred upon him a PhD. His reputation was such that he was offered a teaching position at Harvard University in the U.S., which he turned down. In 1848 he was given an honorary degree by the University of Oxford. In 1849 he published a collection of English nursery rhymes and the tunes to which they were sung. Rimbault authored 76 books, a few named here include : “Bibliotheca madrigaliana” (1847); “The pianoforte” (1860); “Early English organ builders and their works” (1865). In 1855 he co-authored “The organ- its history and construction” with John Hopkins. He did a small amount of composing as well. He wrote an operetta in 1838, and a musical drama. He also composed a large number of pianoforte scores for operas by others. He was an admirable harmonium player. Traveling to various auctions for years, he accumulated a rare collection of books. After his death his extensive collection was auctioned off in 1877, with many items going to the British Library. About 300 items were sold to an individual, and upon his death in 1888, the ‘Drexel collection’ was bequeathed to the Lenox Library (precursor of the New York Public Library). Today, the collection is part of the Music Division of the NY Public Library for the Performing Arts. He was an author, editor, arranger, composer, lithographer, translator, scribe, adapter, and bookseller. He died at London, England. No information found regarding a family.
John Perry
Edward F. Rimbault
Albert Midlane
1825 - 1909 Hymnal Number: 297 Author of "Revive thy work, O Lord" in Trinity Hymnal Midlane, Albert, was born at Newport, Isle of Wight, Jan. 23, 1825, and was engaged in business in that town for many years. To his Sunday school teacher he ascribes the honour of prompting him to poetic efforts: and the same teacher did much to shape his early life. His first printed hymn, "Hark! in the presence of our God," was written in September, 1842, at Carisbrooke Castle, and printed in the Youth’s Magazine in November of the same year. Since then he has written over 300, and of these a large proportion are in common use. They appeared in magazines and small mission hymn-books, including:—
(1) The Youth's Magazine; (2) The British Messenger; (3) The London Messenger; (4) Trotter's Evangelical Hymn Book, 1860; (5) The Ambassador's Hymn Book, 1861; (6) Second edition of the same, 1868; (7)Hymn Book for Youth; (8) Good News for the Little Ones, 1860; (9) William Carter's Gospel Hymn Book, 1862; and several other works of a similar kind.
In addition to several small works in prose, Mr. Midlane has gathered his verse together from time to time and published it as:—
(1) Poetry addressed to Sabbath School Teachers, 1844; (2) Vecta Garland, 1850; (3) Leaves from Olivet, 1864; (4) Gospel Echoes, 1865; (5) Above the Bright Blue Sky, 1867; (6) Early Lispings, 1880.
Of the hymns contained in these works nearly 200 have been in common use from 1861 to 1887, the most popular being "There's a Friend for little children." The hymn-books, however, in which many of them are found are usually very small, are used in what are commonly known as Gospel Missions, and have gradually given way to other and more important collections. We therefore append only those hymns which are at the present time in use in official or quasi-official hymn-books, or such collections as have a wide circulation. Those hymns which are omitted from the following list may be found in the works given above, and especially in the Gospel Echoes. The bracketed dates below are those of the composition of the hymns.
i. Given in Trotter's Evangelical Hymn Book, 1860.
1. How sweet the cheering words. (Aug. 1860.) The Gospel.
2. Lord Jesus, save! (July 1860.) Lent.
ii. Given in The Ambassador's Hymn Book, 1861.
3. Angels rejoice o'er sinners saved. (Aug. 1860.) Joy in Heaven over Repenting Sinners.
4. Come to the royal feast. (Aug. 1860.) The Gospel Feast.
5. Father, bless the heavenly message. (Aug. 1860.) Divine blessing implored.
6. How vast, how full, how free. (Aug. 1860.) Divine Mercy.
7. I am not told to labour. (June 25, 1860.) Salvation by Faith.
8. Jesus died upon the tree. (Aug. 13, 1860.) Good Friday.
9. Lord, prepare the hearts of sinners. (Aug. 28, 1861.) Preparation of the heart.
10. Not all the gold of all the world. Peace through Jesus.
11. Now we'll render to the Saviour. (Sept. 1, 1861.) Praise for Salvation.
12. O what a gift the Father gave. (Aug. 22, 1860.) The Gift of The Son.
13. O what a Saviour is Jesus the Lord. (Aug. 29, 1861.) Jesus the Saviour.
14. Passing onward, quickly passing. (Sept. 10, 1861.) Prepared?
15. Salvation, Lord, is Thine. (Aug., 1860.) Salvation through Jesus.
16. Sinner, where is room for doubting? (Sept., 1861.) Expostulation.
17. Soft the voice of mercy sounded. Grace.
18. The perfect righteousness of God. (Sept. 21, 1861.) God our Righteousness.
19. There is a throne of grace. (Sept. 14, 1860.) The Throne of Grace.
20. We speak of the mercy of God. (Sept. 19, 1861.) Divine Mercy.
iii. Given in W. Carter's Gospel Hymn Book, 1863.
21. Can any say, I do believe ? (Aug., 1860.) Assurance in Christ.
22. If Jesus came to seek and save. (Oct., 1861.) Salvation in Jesus.
iv. Given in Leaves from Olivet, 1864.
23. See the blessed Saviour dying. (Oct. 5, 1860.) Good Friday.
24. Sweet the theme of Jesus' love. (April 22, 1862.) The Love of Jesus.
v. Given in Gospel Echoes, 1865.
25. Come and welcome to the Saviour. (June 8, 1862) Invitation.
26. God be gracious to a sinner. (May 21, 1861.) Lent.
27. God speaks from heaven; in love He speaks. (July, 1860.) Love and Mercy of God.
28. Hark! the cry, Behold He cometh. (June 8, 1862.) Advent.
29. He saves because He will. (April 20, 1862.) The "I Wills" of Jesus.
30. How solemn are the words. (Aug. 1, 1865.) The New Birth.
31. Himself He could not save. (Sept. 1861.) Good Friday.
32. I once was bound in Satan's chains. Pardon.
33. Jesus lived. He lived for sinners. (Jan. 4, 1862.) Easter.
34. Jesus never answered "Nay." (May 13, 1862.) Jesus always the same.
35. Jesus the blessed centre is. (June 8, 1862). Father glorified in the Son.
36. Jesus, the risen Saviour. (July 31, 1862.) Easter.
37. Jesus, the soul that trusts in Thee. (May 7, 1864.) Salvation through Jesus.
38. Look, poor sinner, look to Calvary. Good Friday.
39. Lord, when I think upon the love. (Oct. 1, 1860.) The Love of Jesus.
40. Peace with God ! How great a treasure (Oct. 18, 1861.) Peace.
41. Salvation! What a precious word. (Nov. 22, 1861.) Salvation.
42. Scripture says Where sin abounded. (March 3, 1862.) Abounding Grace.
43. Shall Jesus' love be spoken? (May 4, 1862.) Love of Jesus.
44. The Lamb was slain, the blood was brought. (Aug. 24,1862.) The Passover.
45. The silver trumpets sounding. (May 7, 1862.) The Year of Jubilee.
46. There is a rest for weary souls. (Dec. 4, 1863.) Rest. Peace in Jesus.
47. 'Tis the voice of mercy calls thee. (Nov. 5, 1861.) Mercy.
48. When the Saviour said "'Tis finished" (Oct. 1861.) Good Friday.
49. When God begins His gracious work. (Dec. 27, 1860.) God Unchangeable.
50. Who can praise the blessed God ? (Oct. 1861.) Praise for Salvation.
51. Why those fears, poor trembling sinner. Safety in Jesus.
vi. Given in the Ambassador's Hymn Book, 2nd ed., 1868.
52. Life from the dead, eternal life. (Oct. 11, 1867.) Work of the Holy Spirit.
53. Stern justice cries for blood. (March 2, 1867.) The Atonement.
vii. Various.
54. Apart from every worldly care. (June 1866.) Prayer Meetings. Written for Spurgeon's Our Own Hymn Book 1866.
55. Be not weary, toiling Christian. (Feb. 1857.) Encouragement. In the British Messenger, Sept. 1857.
56. Eighteen hundred years ago. (Aug. 1859.) Fulness of Time. In the London Messenger, April, 1861.
57. Father, for Thy promised blessing. (Feb. 20, 1860.) Outpouring of the Spirit desired. In The Revival, July, 1860.
58. God bless our Sunday School. Sunday School Anniversary. First printed in the Baptist Children's Magazine, July, 1844. It has passed into numerous collections for children, but usually st. ii. is omitted, thus reducing it to 3 st.
59. He comes! He comes! the Bridegroom comes. (Sept. 9, 1850.) Advent. In The Present Testimony, 1851.
60. Kept by the power of God. (May 6 ,1858.) Security in God. In the London Messenger, Sept., 1860.
61. Let the waves of blessing roll. (Jan. 6, 1868.) Missions. In the Enlarged London Hymn Book, 1873.
62. Lord, 'our waiting spirits bow. (June, 1866.) Prayer Meetings. Written for Spurgeon's Our Own Hymn Book 1866.
63. Love us freely, blessed Jesus. (July 2, 1858.) Lent. In the Churchman's Penny Magazine. Oct., 1858.
64. Never perish! words of mercy. Mercy in Christ. Printed in the monthly Girdle, June, 1857, and in the British Messenger, Aug. 1857, in 4 double st. In the collections it is reduced to the first two stanzas.
65. No separation, O my soul. (May 6, 1863.) Perseverance. In the British Herald, Aug., 1863.
66. Nought but the voice of God can speak. (Jan. 29, 1863.) All things are of God. In the 1873 Appendix to Snepp's Songs of Grace & Glory.
67. Now, O joy, my sins are pardoned. Pardon and Peace. (Nov. 9, 1860). Printed in the London Messenger, March, 1861, then in the Gospel Echoes, 1865; and then in several hymn-books. The original began, "Once I sang, but not in earnest." Usually st. ii., iii., of 8 l, are given as "Now, O joy, &c."
68. O art thou an heir of glory? (June 4, 1861.) Cautions. In Hymn Book for Youth, 1862.
69. O what a glorious truth is this. (Aug. 3, 1860.) Jesus Died. In the London Messenger, Sept., 1860.
70. Once it was mine, the cup of wrath. (Aug. 8, 1860.) Wrath and Pardon. In the London Messenger, Oct., 1861.
71. Onward, upward, heavenward. (Feb. 7, 1860.) Pressing Onward. In the London Messenger, March, 186l.
72. Perennial spring of pure delight. (March 17, 1864.) Jesus All in All. In the London Messenger, Jan., 1865.
73. Sheltered by the [Thy] sprinkled blood. (Sept. 23, 1863.) Safety in Jesus. In the London Messenger, Feb. 1864.
74. Showers of blessing, gracious promise. (April 19, 1862.) Missions. In the London Messenger, Aug., 1862, and Leaves from Olivet, 1864.
75. The Church of God, amazing, precious thought. (July 6, 1857.) The Church. In The Present Testimony, 1858, and Leaves from Olivet, 1864.
76. The whispers of Thy love divine. (May 3, 1868.) Love of God. In the Island Greeting, Oct., 1872.
77. Though billows round me roll. (April 2, 1853.) Trust. In Food for Christ's Flock, 1853.
78. 'Tis finished, cried the dying Lamb. (Feb. 21, 1850.) Good Friday. In the Baptist Children's Magazine, 1850).
79. Tis heaven where Jesus is. (Oct. 23, 1862.) Joy and Peace in Jesus. In the Enlarged London Hymn Book, 1873.
80. Together all things work for good. (Aug. 14, 1860.) All work for Good. In the Enlarged London Hymn Book, 1813.
81. Waiting for Jesus, and loving while waiting. (Jan. 9, 1872.) Second Advent desired. In the 1873 Appendix to Snepp's Songs of Grace & Glory.
82. Without a cloud between. (Mar. 18,1862.) Jesus, Face to Face. In the London Messenger, June, 1862.
83. Yet awhile; how sweet the thought. (Dec, 1864.) Second Advent desired. In theLondon Messenger, 1865.
The collections in which these hymns are mainly found are Spurgeon's Our Own Hymn Book, 1866; Snepp's Songs of Grace & Glory, 1872-3; Hurditch's Enlarged London Hymn Book, 1873, and smaller books for Evangelical mission work. Of Mr. Midlane's hymns as a whole, Miher's estimate that "His hymns are full of spiritual thought, careful in their wording, and often very pleasing without reaching the highest form of poetical excellence " (Singers and Songs, p. 572), is just. A marked feature of these hymns is the constant and happy use of Scripture phraseology.
--John Julian, Dictionary of Hymnology (1907)
========================
Midlane, A., p. 733, ii. Mr. Midlane published in 1901 The Bright Blue Sky Hymn Book, of 315 of his hymns, and the same year The Gospel Hall Hymn Book, for use in the Gospel Hall, Newport, I.W., with 218 additional, making 533 original compositions. A broad-sheet of seven special hymns for Jewish children, in connection with the Mildmay Mission to the Jews, was also issued in December, 1904. Other publications previously noticed give, with these, over 800 hymns to Mr. Midlane as his contribution to the hymnody of the Church.
--John Julian, Dictionary of Hymnology, New Supplement (1907)
Albert Midlane
Lawrence Tuttiett
1825 - 1897 Hymnal Number: 243 Author of "O quickly come, dread Judge of all" in Trinity Hymnal Laurence Tuttiett was born at Colyton, Devon, in 1825; was educated at Christ Hospital, and at King's College, London; ordained Deacon, 1848, Priest, 1849; entered upon the living of Lea Marston, Coleshill, 1854, and subsequently was appointed Curate of S. Paul's, Knightsbridge, London. He is the author of several volumes and tracts.
--Annotations of the Hymnal, Charles Hutchins, M.A. 1872.
==================
Tuttiett, Lawrence, son of John Tuttiett, surgeon in the R.N., was born at Cloyton, Devonshire, in 1825, and educated at Christ's Hospital, and King's College, London. It was originally purposed that he should follow the medical profession, but, abandoning it for the ministry, he took Holy Orders in 1848. In 1854 he became vicar of Lea Marston, Warwickshire; and in 1870 incumbent of the Episcopal Church of St. Andrews, Scotland. He was also preferred to a prebendaryship in St. Ninian's Cathedral, Perth, in 1880. He is the author of several manuals of prayers, published by the Society for Promoting Christian Knowledge and other prose works, and also of:—
(1) Hymns for Churchmen, 1854; (2) Counsels of a Godfather, 1861; (3) Hymns for the Children of the Church, 1862; (4) Germs of Thought on the Sunday Services, 1864; (5) Through the Clouds; Thoughts in Plain Verse, 1866.
From those works and other sources the following hymns have come into common use:—
1. As calmly in the glowing west. Evening.
2. Come, our Father's voice is calling. Confirmation. Appeared in his Hymns for the Children of the Church, 1862, in 6 stanzas of 4 lines. It passed into Mrs. C. Brock's Children's Hymn Book, 1881.
3. Grant us Thy light that we may know. Divine Guidance. Included in his Germs of Thought, &c, 1864, in 6 stanzas of 4 lines. In Horder's Congregational Hymn Book, 1884; the Universal Hymn Book, 1885, it begins, “O grant us light that we may know."
4. I come, 0 Father kind. Holy Communion.
5. Lo, like a bride, in pure array. Septuagesima.
6. No sign we ask from heaven above. After Holy Baptism. Published in his Hymns for Churchmen, 1854, in 4 stanzas of 6 lines. It has passed into several collections, includ¬ing the S. P. C. K. Church Hymns, 1871, Thring's Collection, 1882, &c.
7. Now, eternal Father, bless. Holy Baptism. In his Hymns for the Children of the Church, 1862, in 3 stanzas of 6 lines, and Mrs. Brock's Children's Hymn Book, 1881. In the latter it is attributed to Bishop Maclagan in error.
8. 0 happy Christian children. Divine Protection. From his Hymns for the Children of the Church, 1862, into Mrs. Brock's Children's Hymn Book, 1881, &c.
9. 0 Jesu, ever present. The Good Shepherd. Published in his Germs of Thought, 1864; the S. P.C. K. Church Hymns, 1871, and many others.
10. Shepherd, good and gracious. The Good Shepherd. In his Hymns for the Children of the Church, 1862; Mrs. Brock's Children's Hymn Book, 1881, &c.
11. Sometimes o'er our pathway. In time of Trouble. From his Hymns for the Children of the Church, 1862, in 3 st. of 8 1., into Mrs. Brock's Children's Hymn Book, 1881.
12. When the world is brightest. Litany to the Saviour. Published in his Through the Clouds, &c, 1866, in 10 stanzas of 8 lines, with the note :—"Those words were written for the music of a Roman Litany 'Ave Stella Maria.'" This Litany is in extensive use.
13. Who is this? the long expected. Advent.
In addition to these, several of Mr. Tuttiett's hymns are annotated under their respective first lines, the most popular of which are, "Father, let me dedicate"; "Go forward, Christian soldier"; and "0 quickly come, dread Judge of all." Mr. Tuttiett's hymns are characterised by smoothness of rhythm, directness of aim, simplicity of language, and deep earnestness. Those for special services and seasons are of great merit. He died May 21, 1897.
-- John Julian, Dictionary of Hymnology (1907)
==================
Tuttiett, L., p. 1188, ii. He was born at Colyton, not Cloyton, Devonshire, in 1825. His hymns "As now Thy children lowly kneel (For the Young), and "Give light. O Lord, that we may learn" (The Light of Life) are in Hymns Ancient & Modern, 1904.
--John Julian, Dictionary of Hymnology, New Supplement (1907)
=====================
See also in:
Hymn Writers of the Church
Lawrence Tuttiett
Arthur Cottman
1842 - 1879 Hymnal Number: 360 Composer of "DALEHURST" in Trinity Hymnal Born: Circa November 1841, Ringwood, Hampshire, England.
Died: Circa May 1879, Brentford, Middlesex, England.
Cottman was a solicitor and amateur musician. His works include:
Ten Original Tunes, 1874
Music:
CATERHAM
COTTMAN
DALEHURST
EVERSLEY
MIRFIELD
MORN OF GLADNESS
--www.hymntime.com/tch
Arthur Cottman
Robert Archibald Smith
1780 - 1829 Person Name: Robert A. Smith Hymnal Number: 195 Harmonizer of "MARTYRDOM" in Trinity Hymnal Although largely self-taught, Robert A. Smith (b. Reading, Berkshire, England, 1780; d. Edinburgh, Scotland, 1829) was an excellent musician. By the age of ten he played the violin, cello, and flute, and was a church chorister. From 1802 to 1817 he taught music in Paisley and was precentor at the Abbey; from 1823 until his death he was precentor and choirmaster in St. George's Church, Edinburgh. He enlarged the repertoire of tunes for psalm singing in Scotland, raised the precentor skills to a fine art, and greatly improved the singing of the church choirs he directed. Smith published his church music in Sacred Harmony (1820, 1825) and compiled a six-volume collection of Scottish songs, The Scottish Minstrel (1820-1824).
Bert Polman
Robert Archibald Smith
Jemima Luke
1813 - 1906 Person Name: Jemima T. Luke Hymnal Number: 650 Author of "I think when I read that sweet story of old" in Trinity Hymnal Luke, Jemima Thompson, the wife of Rev. Samuel Luke, an Independent minister of England, was the daughter of Thomas 422 Thompson, a philanthropist, and was born at Colebrook Terrace, Islington, August 19, 1813. When only thirteen years of age she began writing for the Juvenile Magazine. She published a volume titled The Female Jesuit in 1851 and A Memoir of Eliza Ann Harris, of Clifton, in 1859, but her name is known to the Christian world almost wholly through the one hymn found in this volume. Mrs. Luke died February 2, 1906.
I think when I read that sweet 682
Hymn Writers of the Church, 1915, Charles Nutter
===============
Luke, Jemima, née Thompson, daughter of Thomas Thompson, sometime of Bath, was born at Colebrooke Terrace, Islington, Aug. 19, 1813, and was married to the late Samuel Luke, a Congregational Minister, in 1843. She was an anonymous contributor to The Juvenile Magazine at the age of 13, and subsequently pub. several works, including The Female Jesuit, 1851; A Memoir of Eliza Ann Harris, of Clifton, 1859, &c. Mrs. Luke is known to hymnody through her hymn:—
I think when I read that sweet story of old. [The Love of Jesus.] It is recorded that this hymn was composed in a stage coach in 1841, and was designed for use in the village school, near her father's seat, Poundsford Park. It was published anonymously in the Leeds Hymn Book, 1853, No. 874, in 3 stanzas of 8 lines, and has since come into use through children's hymn-books in most English-speaking countries.
--John Julian, Dictionary of Hymnology (1907)
Jemima Luke
John E. Gould
1821 - 1875 Hymnal Number: 497 Composer of "PILOT" in Trinity Hymnal John Edgar Gould USA 1821-1875. Born in Bangor, ME, he became a musician. He managed music stores in New York City and Philadelphia, PA., the latter with composer partner, William Fischer. He married Josephine Louisa Barrows, and they had seven children: Blanche, Marie, Ida, John, Josephine, Josephine, and Augusta. He compiled eight religious songbooks from 1846 thru 1869. He died while traveling in Algiers, Africa, and was buried in Philadelphia, PA.
John Perry
John E. Gould
James Langran
1835 - 1909 Hymnal Number: 467 Composer of "LANGRAN" in Trinity Hymnal James Langran (b. St. Pancras, London, England, November 10, 1835; d. Tottenham, London, England, June 8, 1909) studied organ as a youth but did not receive his Bachelor of Music degree from Oxford until he was forty-nine years old. He had several organist positions–the longest was at St. Paul's Church, Tottenham, England, from 1870 to 1909. He also taught music at St. Katherine's Training College for Schoolmistresses (1878-1909). Music editor of theNew Mitre Hymnal (1875), Langran composed around fifty hymn tunes and contributed several of them to early editions of Hymns Ancient and Modern.
Bert Polman
James Langran
Maria Straub
1838 - 1898 Person Name: Maria Straub, 1838-1898 Hymnal Number: 635 Author of "He loves me too, he loves me too" in Trinity Hymnal
Maria Straub
David Dickson
1583 - 1663 Person Name: David Dickson, 1583-1663 Hymnal Number: 603 Alterer of "O Mother dear, Jerusalem" in Trinity Hymnal Dickson, David, the reputed author of "Jerusalem, my happy home," in the form of "O mother dear, Jerusalem," was a Scottish Presbyterian Minister born at Glasgow in 1583, and for some time Professor of Divinity at Glasgow (1610), and then (1650) in the University of Edinburgh. He was deprived of his office at the Restoration for refusing the Oath of Supremacy, and died in 1663. His Life was published by Robert Wodrow in 1726. His connection with the Jerusalem hymn is given under Jerusalem, my happy home, q.v.
-- John Julian, Dictionary of Hymnology (1907)
David Dickson
Johann Christian Jacobi
1670 - 1750 Person Name: John Christian Jacobi Hymnal Number: 246 Translator of "Holy Ghost, dispel our sadness" in Trinity Hymnal Jacobi, John Christian, a native of Germany, was born in 1670, and appointed Keeper of the Royal German Chapel, St. James's Palace, London, about 1708. He held that post for 42 years, and died Dec. 14, 1750. He was buried in the Church of St. Paul's, Covent Garden. His publications included :—
(1) A Collection of Divine Hymns, Translated from the High Dutch. Together with their Proper Tunes and Thorough Bass. London: Printed and Sold by J. Young, in St. Paul’s Churchyard; . . . 1720. This edition contains 15 hymns. Two years later this collection, with a few changes in the text and much enlarged, was republished as (2) Psalmodia Germanica; or a Specimen of Divine Hymns. Translated from the High Dutch. Together with their Proper Tunes and Thorough Bass. London: J. Young . 1722. This edition contained 62 hymns, of which 3 ("He reigns, the Lord our Saviour reigns"; "Is God withdrawing"? "Shepherds rejoice") and the first stanza of another ("Raise your devotion, mortal tongues," from "Hosannah to the Prince of Life") were taken from I. Watts. A second part was added in 1725, and was incorporated with the former part in 1732. London, G. Smith. After Jacobi's death the Psalmodia Germanica was republished, in 1765, by John Haberkorn, with a Supplement of 32 pieces.
[George Arthur Crawford, M.A.]
-- John Julian, Dictionary of Hymnology (1907)
Johann Christian Jacobi
John H. Gower
1855 - 1922 Hymnal Number: 184 Composer of "MEDITATION" in Trinity Hymnal
John H. Gower
Henry Ware
1794 - 1843 Person Name: Henry Ware, Jr. 1794-1843 Hymnal Number: 627 Author of "Happy the home when God is there" in Trinity Hymnal Henry Ware was born in Hingham, Massachusetts, in 1793. His father was a Unitarian minister; afterwards a Professor in Harvard College. Young Ware graduated at Harvard, studied theology, and became minister of the Second Unitarian Society, in Boston, in 1817. After a ministry of twelve years, he made a foreign tour, and on his return was elected "Parkman Professor of Pulpit Eloquence and Pastoral Theology" in Harvard College. In this position he obtained eminence. He died in September, 1843. His collected works in four volumes, were edited after his death, by the Rev. Chandler Robbins.
--Annotations of the Hymnal, Charles Hutchins, M.A., 1872
===================
Ware, Henry, D.D., son of Dr. H. Ware, pastor of the Unitarian congregation at Hingham, Massachusetts, and afterward Hollis Professor of Divinity at Cambridge, U.S.A., was born at Hingham, April 21, 1794. Before going to Harvard College, in 1808, he was under the care of Dr. Allyn, at Duxbury, and then of Judge Ware, at Cambridge. He graduated at Harvard in high honours, in 1812; and was then for two years an assistant teacher in Exeter Academy. He was licensed to preach by the Boston Unitarian Association, July 31, 1815; and ordained pastor of the Second Church of that city, Jan. 1, 1817. In 1829, in consequence of his ill health, he received the assistance of a co-pastor in the person of Ralph Waldo Emerson. In the same year Ware was appointed Professor of Pulpit Eloquence and Pastoral Care in the Cambridge Theological School. He entered upon his duties in 1830, and resigned in 1842. He removed to Framingham, and died there, Sept. 25, 1843. His D.D. degree was conferred upon Memoir, published by his brother John Ware, M.D., were numerous and on a variety of topics. He edited the Christian Disciple, which was established in 1813, and altered in title to the Christian Examiner in 1824, for some years before the change of title, and gave it his assistance subsequently. The Rev. Chandler Robbins collected his works and published them in four volumes, in 1847. His hymns, many of which are of more than usual excellence, are given in vol. i. Of these the following are in common use:
1. All nature's works His praise declare. Opening of an Organ. Dated Nov. 9, 1822. It is in Horder's English Congregational Hymns, 1884.
2. Around the throne of God The host angelic throngs. Universal Praise. Dated 1823, and printed in the Christian Disciple, vol. v., and in Putnam, 1874. A fine hymn of praise.
3. Father of earth and heaven, Whose arm upholds creation. Thanksgiving for Divine Mercies. Appeared in Cheever's American Common Place Book, 1831; and in Lyra Sacra Americana, 1868.
4. Father, Thy gentle chastisement. In Sickness. Dated March, 1836; and in Lyra Sacra Americana, 1868.
5. Great God, the followers of Thy Son. Ordination. Written for the Ordination of Jared Sparks, the historian, as pastor of the Unitarian Church, Baltimore,
1819. Given in Lyra Sacra Americana, 1868, and Putnam, 1874.
6. In this glad hour when children meet. Family Gatherings. Dated Aug. 20, 1835. In Lyra Sac. Americana, 1868, and Putnam, 1874.
7. Lift your glad voices in triumph on high. Easter. Dated 1817, and was published in the Christian Disciple of that year, in 2 stanzas of 8 lines. It is in Lyra Sac. Americana, 1868; Putnam, 1874, and numerous hymnbooks. Sometimes stanza ii. is given separately as, "Glory to God, in full anthems of joy."
8. Like Israel's hosts to exile driven. American National Hymn. Written for the Centennial Celebration of the Boston Thursday Lecture, Oct. 17,1833, and given in Lyra Sac. Americana, 1868, and Putnam, 1874. It is a quasi American National Hymn in praise of the Pilgrim Fathers.
9. 0 Thou in Whom alone is found. Laying Foundation Stone of a Place of Worship. In Lyra Sacra Americana, 1868, and Thring's English Collection, 1882.
10. 0 Thou Who on Thy chosen Son. Ordination. Written for an Ordination, March, 1829. In Putnam, 1874, and Dale's English Hymn Book, 1874.
11. Oppression shall not always reign. Against Slavery. "This was Mr. Ware's last composition in verse. It bears date March 15, 1843. In its original form it is longer than as presented here [in 3 stanzas of 8 lines], and is unsuited to a church-book. The following stanzas, taken from one of the Collections [stanzas i., ii. are in Longfellow and Johnson's Book of Hymns, 1848] are a part of the original, altered and transposed, and thus adapted to sacred worship."
12. To prayer, to prayer; for the morning breaks. Prayer. This poem of 10 stanzas of 6 lines is dated 1826, and is given in Lyra Sac. Americana, 1868, and Putnam, 1874. Two centos therefrom are in common use The first begins with stanza i., adapting it for Morning, and the second with stanza ii., "To prayer, for the glorious sun is gone," for Evening.
13. We rear not a temple, like Judah of old. Dedication of a Place of Worship. This is dated 1839, and is given in Putnam, 1874.
14. With praise and prayer our gifts we bring. Opening of a Place of Worship. In Dale's English Hymn Book. 1874.
With American Unitarians Dr. Ware ranks very high, and by them his hymns are widely used. [Rev. F. M. Bird, M.A.]
-- John Julian, Dictionary of Hymnology (1907)
==================
Ware, H., p. 1233, i. Another of his hymns in common use is "Great King of all, our nation's God" (National Humiliation). His hymn "To prayer, to prayer," is in Cheever's American Common-Place Book of Poetry, 1831.
--John Julian, Dictionary of Hymnology, Appendix, Part II (1907)
Henry Ware
Henry Baker
1835 - 1910 Hymnal Number: 507 Composer of "QUEBEC" in Trinity Hymnal Henry Baker, Mus. Bac., son of the Rev. James Baker, Chancellor of the diocese of Durham; born at Nuneham, Oxfordshire; educated at Winchester School; graduated Bachelor in Music at the University of Oxford in 1867. He also worked as a civil engineer.
Scottish Church Music, its composers and sources by James Love; William Blackwwod and Sons, Edinburgh and London, 1891
Henry Baker
George F. LeJeune
1841 - 1904 Hymnal Number: 460a Composer of "LOVE DIVINE (LE JEUNE)" in Trinity Hymnal George Fitz-Curwood Le Jeune, 1841-1904
Born: June 18, 1841, London, England.
Died: April 11, 1904, Staten Island, New York.
Buried: Moravian Cemetery, Staten Island, New York.
Le Jeune studied music under Joseph Barnby and George Macfarren in London. In 1863, he moved to Montréal, Canada, where he continued his studies with George Carter. He later moved to America, playing the organ in churches in Hartford, Connecticut, and Philadelphia, Pennsylvania. He became the organist at St. John’s Chapel of Trinity Parish, New York City, in 1876, and also directed the choir there.
Sources:
Hughes, p. 471
--www.hymntime.com/tch
George F. LeJeune
Henry F. Chorley
1808 - 1872 Hymnal Number: 617 Author of "God the All-terrible! King, who ordainest" in Trinity Hymnal Chorley, Henry Fothergill, was born at Blackleyhurst, Lancashire, Dec. 15, 1808, and educated at the Royal Institution, Liverpool. In 1834 he was engaged as a member of the staff of the London Athenaeum. This connection he retained for 35 years. He died Feb. 15, 1872. He published some novels and a large number of songs.
--John Julian, Dictionary of Hymnology, Appendix, Part II (1907)
============
Born: December 15, 1808, Blackley Hurst, near Billinge, Lancashire, England.
Pseudonym: Paul Dell.
Died: February 16, 1872, London, England.
Buried: Brompton Cemetery, London, England.
Son of an iron worker and lock maker, Chorley moved with his family to Liverpool after his father’s death in 1816. He was educated by private tutors in Liverpool and at the school of the Royal Institution. His youth was shaped partly by time spent in the household of the wealthy and intellectual Mrs. Benson Rathbone of Green Bank, and he became a close friend of her son Benson, who died in an accident in 1834.
Chorley began writing for the London Athenæum in 1830, and was the paper’s music critic and literary reviewer until 1868. He also became music critic for the London Times and wrote, for these and other journals, reviews and musical gossip columns, discussing composers and performers in Britain and on the European continent. He was quite conservative, and was a persistent opponent of innovation, but was a lively chronicler of London life. In the Athenæum and elsewhere, Chorley often criticized the music of Schumann and Wagner for what he called "decadence." In 1850 and 1851, Chorley edited the Ladies’ Companion, which covered fashion and domestic women’s issues.
Chorley was also a journalist, novelist, playwright, and poet, and opera librettist. One of his best known pieces was his obituary of Turgenev, mistakenly written while the Russian was still very much alive. Turgenev was not offended by the error nearly as much as he was by the critical opinions of his work Chorley gave in the obituary.
Chorley was considered eccentric and abrasive, but was respected for his integrity and kindness. He enthusiastically gave and attended dinner parties, and cultivated friendships with Elizabeth Barrett, Felix Mendelssohn, Charles Dickens, Arthur Sullivan and Charles Santley. After the death of his brother, John Rutter Chorley (1806–1867), Henry inherited enough money to retire from the Athenæum, though he continued to contribute articles for that paper and for The Orchestra.
In spite of Chorley’s efforts to promote the music of Charles Gounod in England, the composer disliked Chorley intensely. When Gounod lived in England in the early 1870’s, he wrote a satirical piano piece intended to be a parody of Chorley’s personality. It greatly amused Gounod’s English patron, Georgina Weldon, who described Chorley as having a "thin, sour, high-pitched sopranish voice" and moving like a "stuffed red-haired monkey." Gounod intended to publish the piece with a dedication to Chorley, but died before this was possible. Weldon then invented a new program for the piece, which was re-titled Funeral March of a Marionette. It became popular as a concert piece, and in the 1950s, its opening phrases became well known as the theme music for the television program Alfred Hitchcock Presents.
Chorley’s works include:
Music and Manners in France and Germany, 1841
Pomfret, 1845
Roccabella, 1859
The Prodigy, 1866
--www.hymntime.com/tch/
Henry F. Chorley
Heinrich Albert
1604 - 1651 Hymnal Number: 142 Composer of "GODESBERG" in Trinity Hymnal Alberti, or Albert, Heinrich, son of Johann Albert, tax collector at Lobenstein, in Voigtland (Reuss), born at Lobenstein, June 28, 1604. After some time spent in the study of law at Leipzig, lie went to Dresden and studied music under his uncle Heinrich Schutz, the Court Capellmeister. He went to Konigsberg in 1626, and was, in 1631, appointed organist of the Cathedral. In 1636 he was enrolled a member of the Poetical Union of Konigsberg, along with Dach, Roberthin, and nine others. He died at Konigsberg, Oct. 6, 1651. His hymns, which exhibit him as of a pious, loving, true, and artistic nature, appeared, with those of the other members of the Union, in his Arien etliche theils geistliche, theils iceltliche zur Andacht, guten Sitten, Keuscher Liebe und Ehrenlust dienende Lieder, pub. separately in 8 pts., 1638-1650, and in a collected form, Konigsberg, 1652, including in all, 118 secular, and 74 sacred pieces. Of the 78 sacred melodies which he composed and published in these 8 pts., 7 came into German common use (Koch, iii. 191-197; Allg. Deutsche Biog., i. 210-212, the latter dating his death, 1655 or 1656). Two of his hymns have been translated into English, viz.:
i. Der rauhe Herbst kommt wieder. [Autumn.] 1st pub. as above in pt. viii., 1650, No. 9, in 9 stanzas of 6 lines, entitled "On the happy departure, Sep. 2, 1048, of Anna Katherine, beloved little daughter of Herr Andreas Hollander," of Kneiphof. Included, as No. 731, in the Unverfalschter Leidersegen, 1851, omitting st. iii., viii., ix.
The translations are:—
(1) "The Autumn is returning," by Miss Manington, 1863, p. 175. (2) "Sad Autumn's moan returneth," in E. Massie's Sacred Odes, vol. ii. 1867, p. 1.
ii. Gott des Himmels und der Erden. [Morning.] First pub. as above in pt. v. 1643, No. 4, in 7 stanzas of 6 lines, included as No. 459 in the Unv. L. S., 1851.
Of this hymn Dr. Cosack, of Konigsberg (quoted in Koch,viii. 186), says:—
"For two hundred years it is hardly likely that a single day has greeted the earth that has not, here and there, in German lands, been met with Alberti's hymn. Hardly another morning hymn can be compared with it, as far as popularity and intrinsic value are concerned, if simplicity and devotion, purity of doctrine and adaptation to all the circumstances of life are to decide."
Sts. ii., iii., v. have been special favorites in Germany, st. v. being adopted by children, by brides, by old and young, as a morning prayer.
The fine melody (in the Irish Church Hymnal called "Godesberg") is also by Alberti.
Translations in common use:—
1. God, the Lord of what's created, in full in J. C. Jacobi's Div. Hymns 1720. p. 35. In his 2nd ed. 1732, p. 169, altered to—" God, the Lord of the Creation " ; and thence slightly altered as No. 478 in part i. of the Moravian Hymn Book, 1754, with a doxology as in the Magdeburg G. B., 1696. In 1789, No. 743, altered to—"God, omnipotent Creator"; with st. ii., iv., vii., omitted; st. iii., viii. being also omitted in the 1801 and later ed. In 1868, st. iii.—v. were included as No. 511 in the Pennsylvania Lutheran Ch. Bk., with st. ii., vi., vii. from A. T. Russell.
2. God, Thou Lord of Earth and Heaven, in full, by H. J. Buckoll in his H. from the German, 1842, p. 22. His translations of st. iv.-vi. beginning—" Now the morn new light is pouring," were included as No. 3 in the Rugby School Hymn Book, 1843 (ed. 1876, No. 4), and of st. v., vi., altered to "Jesus! Lord! our steps be guiding," as No. 130 in Dr. Pagenstecher's Collection, 1864.
3. God, who heaven and earth upholdest. A good tr. omitting st. iv. and based on Jacobi, by A. T. Russell, as No. 64 in the Dalston Hospital Collection, 1848. In his own Psalms & Hymns, 1851, No. 3, the translations of st. vi., vii. were omitted, and this was repeated as No. 218, in the New Zealand Hymnal, 1872. The Pennsylvania Lutheran Church Book takes st. i. partly from Miss Winkworth.
4. God who madest earth and heaven, Father, Son, and Holy Ghost. A good and full tr. by Miss Winkworth in her Lyra Germanica, 1st ser., 1855, p. 213 (later ed., p. 215, slightly altered). In full in R. M. Taylor's Par. Church Hymnal 1872, No. 27. A cento from st. i., 11.1-4; v., 11. 1-4; vi., 11. 1-4; with v., 11. 5, 6; and vii., 11. 5, 6, was included as No. 23 in the Irish Church Hymnal 1873. In 1868, included in L. Rehfuess' Church at Sea, p. 79, altered to—"Creator of earth and heaven." In 1863 it was altered in metre and given as No. 160 in the Chorale Book for England. From this Porter's Church Hymnal 1876, No. 54, omits st. iii. Also in the Ohio Lutheran Hymnal, 1880, No. 293.
5. God who madest earth and heaven. A good translation omitting st. vii., and with st. i., 11. 1-4, from Miss Winkworth, contributed by R. Massie, as No. 501, to the 1857 ed. of Mercer's Church Psalms & Hymns (Ox. ed. 1864, No. 7, omitting st. v.).
6. God of mercy and of might. A good translation (omitting st. v., vi,) by Dr. Kennedy, as No. 811, in his Hymnologia Christiana, 1863, repeated in Dr. Thomas's Aug. Hymn Book 1866, No. 510; and, omitting the translations of st. vii., as No. 31, in Holy Song, 1809.
--John Julian, Dictionary of Hymnology (1907)
Heinrich Albert
Henry K. Oliver
1800 - 1885 Hymnal Number: 171 Composer of "FEDERAL STREET" in Trinity Hymnal Henry Kemble Oliver (b. Beverly, MA, 1800; d. Salem, MA, 1885) was educated at Harvard and Dartmouth. He taught in the public schools of Salem (1818-1842) and was superintendent of the Atlantic Cotton Mills in Lawrence, Massachusetts (1848-1858). His civic service included being mayor of Lawrence (18591861) and Salem (1877-1880), state treasurer (1861-1865), and organizer of the Massachusetts Bureau of Statistics and Labor (1867-1873). Oliver was organist at several churches, including Park Street Congregational Church in Boston, North Church in Salem, and the Unitarian Church in Lawrence. A founder of the Mozart Association and several choral societies in Salem, he published his hymn tunes in Hymn and Psalm Tunes (1860) and Original Hymn Tunes (1875).
Bert Polman
Henry K. Oliver
Johann Rudolf Ahle
1625 - 1673 Person Name: Johann R. Ahle Hymnal Number: 112 Composer of "NUREMBERG" in Trinity Hymnal Johann Rudolph Ahle, b. Mühlhausen, 1625; Ahle studied theology at Erfurt University. Little is known about his musical education, but be became well known as an organist while he was in Erfurt. He returned to Mühlhausen and became an organist at St. Blasius Church, he composed organ music but is know for his sacred choral music. He was the father of Johann Georg, who was also a composer and succeeded his father as organist at St. Blasius Church. Johann Rudolf became mayor of Mühlhausen late in his life and died there in 1673.
Dianne Shapiro (from Bach Cantatas Website www.bach-cantatas.com/Lib/Ahle-Johann-Rudolf.htm)
Johann Rudolf Ahle
James Oren Thompson
1834 - 1917 Person Name: J. O. Thompson Hymnal Number: 668 Author of "Far and Near the Fields are Teeming" in Trinity Hymnal Born June 9, 1834 in Waldo, ME. He was a minister before joining the army and fighting in the Civil War. After the war he joined the Methodist Episcopal Maine Conference in 1866. He transferred to the Providence, RI conference and retired in 1886. He moved to Keyser, WV and edited The Mountain Echo. He then moved to Charleston, WV and served as secretary of the Agriculture. In 1905 he moved to St. Petersburg, FL where he was the minister at the First Ave. Methodist Church. He died Sept. 28, 1917.
From Hymn Studies http://homeschoolblogger.com/hymnstudies/
James Oren Thompson
The Venerable Bede
673 - 735 Person Name: The Venerable Bede, 673-735 Hymnal Number: 212 Author of "A hymn of glory let us sing" in Trinity Hymnal Bede (b. circa 672-673; d. May 26, 735), also known as Saint Bede or the Venerable Bede, was an English monk at Northumbrian monastery at Monkwearmouth (now Jarrow). Sent to the monastery at the young age of seven, he became deacon very early on, and then a priest at the age of thirty. An author and scholar, he is particularly known for his Ecclesiastical History of the English People, which gained him the title “Father of English History.” He also wrote many scientific and theological works, as well as poetry and music. Bede is the only native of Great Britain to have ever been made a Doctor of the Church. He died on Ascension Day, May 26, 735, and was buried in Durham Cathedral.
Laura de Jong
==========================
Bede, Beda, or Baeda, the Venerable. This eminent and early scholar, grammarian, philosopher, poet, biographer, historian, and divine, was born in 673, near the place where, shortly afterwards, Benedict Biscop founded the sister monasteries of Wearmouth and Jarrow, on an estate conferred upon him by Ecgfrith, or Ecgfrid, king of Northumbria, possibly, as the Rev. S. Baring-Gould, Lives of the Saints (May), p. 399, suggests, "in the parish of Monkton, which appears to have been one of the earliest endowments of the monastery." His education was carried on at one or other of the monasteries under the care of Benedict Biscop until his death, and then of Ceolfrith, Benedict's successor, to such effect that at the early age of nineteen he was deemed worthy, for his learning and piety's sake, to be ordained deacon by St. John of Beverley, who was then bishop of Hexham, in 691 or 692. From the same prelate he received priest's orders ten years afterwards, in or about 702. The whole of his after-life he spent in study, dividing his time between the two monasteries, which were the only home he was ever to know, and in one of which (that of Jarrow) he died on May 26th, 735, and where his remains reposed until the 11th century, when they were removed to Durham, and re-interred in the same coffin as those of St. Cuthbett, where they were discovered in 1104.
He was a voluminous author upon almost every subject, and as an historian his contribution to English history in the shape of his Historia Ecclesiastica is invaluable. But it is with him as a hymnist that we have to do here.
I. In the list of his works, which Bede gives at the end of his Ecclesiastical History, he enumerates a Liber Hymnorum, containing hymns in “several sorts of metre or rhyme." The extant editions of this work are:—
(1) Edited by Cassander, and published at Cologne, 1556; (2) in Wernsdorf's Poetae Latin Min., vol. ii. pp.239-244.
II. Bede's contributions to the stores of hymnology were not large, consisting principally of 11 or at most 12 hymns; his authorship of some of these even is questioned by many good authorities.
While we cannot look for the refined and mellifluous beauty of later Latin hymnists in the works of one who, like the Venerable Bede, lived in the infancy of ecclesiastical poetry; and while we must acknowledge the loss that such poetry sustains by the absence of rhyme from so many of the hymns, and the presence in some of what Dr. Neale calls such "frigid conceits" as the epanalepsis (as grammarians term it) where the first line of each stanza, as in "Hymnum canentes Martyrum," is repeated as the last; still the hymns with which we are dealing are not without their peculiar attractions. They are full of Scripture, and Bede was very fond of introducing the actual words of Scripture as part of his own composition, and often with great effect.
That Bede was not free from the superstition of his time is certain, not only from his prose writings, but from such poems as his elegiac "Hymn on Virginity," written in praise and honour of Queen Etheldrida, the wife of King Ecgfrith, and inserted in his Ecclesiastical History, bk. iv., cap. xx. [Rev. Digby S. Wrangham, M.A.]
-- Excerpts from John Julian, Dictionary of Hymnology (1907)
The Venerable Bede
Joachim Magdeburg
1525 - 1587 Hymnal Number: 558 Author (st. 1) of "Who trusts in God, a strong abode" in Trinity Hymnal Magdeburg, Joachim , was born circa 1525 at Gardelegen in the Altmark. He matriculated at the University of Wittenberg, April, 1544, and in 1546 was appointed rector of the school at Schöningen, near Helmstädt, Brunswick. He became pastor of Dannenberg in Lüneburg in 1547, but being unable to exist on his slender income resigned in 1549, and in the same year became pastor of Salzwedel in the Altmark. But refusing to adopt the Roman ceremonies prescribed by the Act of Interim he was, in 1552 (Easter Sunday, April 17) banished from the Electorate of Brandenburg. About May, 1552, by the influence of Johann Aepinus, Superintendent of Hamburg, he was appointed diaconus of St. Peter's Church in Hamburg, and there became acquainted with Flacius Illyricus [Matthias Flach, Extreme Lutheran, church historian, &c, died at Frankfurt-am-Main, March 11, 1575]. After the death of Aepinus, May 13, 1553, Paulus von Eitzen, his successor, was not so friendly, and when, during the controversy in 1558 regarding Holy Communion, Magdeburg published a tractate without submitting it to the revision of Eitzen, the latter obtained the removal of Magdeburg from his post, May 25, 1558. He then went to Magdeburg to help his friend Flacius as one of the compilers of the Church history known as the Magdeburg Centuries. Shortly thereafter he was appointed pastor of Ossmanstedt in Thuringia; but, as a follower of Flacius, was dispossessed in 1562. He then stayed for longer or shorter periods with Count von Mansfeld, Baron von Schönburg and others, until, after the Emperor Maximilian II. had once more permitted Protestant preachers in Austria, he was, at Count von Mansfeld's recommendation, appointed by the commandant of Raab in Hungary as regimental chaplain at Raab in 1564, and, after his house there was burnt, at the castle of Gräfenworth (east of Krems), to the German-speaking Austrian troops. There he had to contend with the machinations of the Roman clergy, and after joining with nineteen others of the Evangelical clergy in Austria in presenting a Confession of Faith to an Austrian Diet (Landtag), was compelled to leave; and in 1571 we find him living at Erfurt. In 1581 he was preacher at Efferding in Austria; but in 1583 was expelled as an adherent of Flacius. His later history is unknown (Koch, i. 446; Allgemeine Deutsche Biographie, xx., 53, &c). Wachernagel, iii. pp. 1035-1042, gives five pieces under his name. The only one translation into English is:—
Wer Gott vertraut, hat wohl gebaut. Trust in God. Founded on Ps. lxxiii. 25, 26. Wachernagel, iii. p. 1042, prints st. i. from Magdeburg's Christliche und tröstliche Tischgesenge, mit vier Stimmen, Erfurt, 1572 (where it is the hymn for Saturday evening); and thinks it probable, though not certain, that it is an original by Magdeburg. In S. Calvisius's Harmonia cantionum ecclesiasticarum, Leipzig, 1597, st. ii. and iii., are first found. Lauxmann in Koch, viii., 373, thus sums up the evidence:—
”From these circumstances it seems evident that the hymn originally consisted only of the first stanza, but that Magdeburg's authorship, in opposition to other claims [it has been ascribed to J. Kolross and to J. Mühlmann] is beyond doubt."
The text of 1597 is repeated in Wachernagel, iii. p. 1043, and the Unverfälschter Liedersegen, 1851, No. 642, in 3 st. of 8 (or 12) lines. Translated as:—
1. Who trusts in God, his work abides. By A. T. Russell, of st. i., ii., as No. 230, in his Psalms & Hymns, 1851.
2. Who puts his trust in God most just. A good and full translation by Miss Winkworth, in her Lyra Germanica, 2nd Service, 1858, p. 192, and her Chorale Book for England, 1863, No. 145. Repeated, slightly altered, in the Pennsylvania Lutheran Church Book, 1568.
3. Who trusts in God a strong abode. A good but free translated by Dr. B. H. Kennedy, as No. 486, in his Hymnologia Christiana, 1863, repeated in J. L. Porter's Collection 1876, and others. In Morrell and How's Psalms & Hymns, 1864, No 208, it was considerably altered by Bishop How, and this form is repeated in the Society for Promoting Knowledge’s Church Hymns, 1871; Thring's Collection, 1882, and others; the Baptist Hymnal, 1879, omitting the last four lines, and ascribing it, in error, to M. Luther.
Another translation is: "Who lives in God has safe abode." By Dr. H. Mills, 1856, p. 244. [Rev. James Mearns, M.A.]
-- John Julian, Dictionary of Hymnology (1907)
Joachim Magdeburg
Elizabeth Codner
1824 - 1919 Hymnal Number: 527 Author of "Lord, I hear of show'rs of blessing" in Trinity Hymnal CODNER, Elizabeth (née Harris) was born in Dartmouth, Devon in 1823. Croydon, Surrey, 28 March 1919. She was interested in the mission field from an early age, and two of her early publications were entitled The Missionary Ship (1853) and The Missionary Farewell (1854) relating to the Patagonia Mission (later the South American Missionary Society). She married William Pennefather at the Mildmay Protestant Mission in London, and edited the mission’s monthly Woman’s Work in the Great Harvest Field. At age 17, she was editing a magazine for the Patagonia Mission, later the South American Missionary Society. She died in Croydon, Surrey on 28 March 1919.
NN, Hymnary
Elizabeth Codner
Edwin Hodder
1837 - 1904 Person Name: Edwin Hodder Hymnal Number: 257 Author of "Thy Word is like a garden, Lord" in Trinity Hymnal Hodder, Edwin, published in 1863 The New Sunday School Hymn Book, and in 1868 a New and Enlarged edition of the same. To this collection he contributed 27 hymns, each of which is headed with his name. Of these nearly one half have passed into other hymnals for children, including Major; the Baptist Sunday School Hymn Book, 1880 ; the Sunday School Union Voice of Praise, 1886, and others. Born in 1838.
--John Julian, Dictionary of Hymnology, Appendix, Part II (1907)
=======================
Hodder, Edwin, p. 1571, i., was b. Dec. 13, 1837, at Staines, Middlesex, and went to New Zealand in 1856. After his return he joined the English Civil Service in 1861, retiring in 1897, and finally resided at Henfield, Sussex. He d. March 1, 1904. He was the author of many works, biographical, devotional and other, the earliest being Memories of New Zealand Life, 1862, and the latest The Life of a Century, 1900. His hymns appeared in his New Sunday School Hymn Book, 1863, and 2nd ed. 1863, including:—
1. Father, give us now Thy blessing. Close of School.
2. Lord, we bring our work to Thee. Christian Service.
3. The night was wild, and stormy winds. It is I.
4. The Saviour loves all children. Jesus the Children's Friend.
5. Thy Word is like a garden, Lord. Holy Scripture.
Of these Nos. 1, 3, 5, appeared in 1863, Nos. 2, 4 were added in 1868. [Rev. James Mearns, M.A.]
--John Julian, Dictionary of Hymnology, New Supplement (1907)
Edwin Hodder
Daniel Batchellor
1845 - 1934 Person Name: Daniel Betchellor Hymnal Number: 659 Composer of "ONSLOW" in Trinity Hymnal Daniel Batchellor United Kingdom 1845-1934. Born in London and educated in Brighton, he was a Quaker who wrote children's songs and musical instruction books. He emigrated to America in 1877, arriving in Boston. He worked at the New England Conservatory and the Oratory at Boston University. He promoted the Tonic Sol-Fa singing method, but the movement failed to establish itself. In 1920, a widower, he lived with his daughter, Marion, and her family in Baltimore, and later in Washington, D.C. He died in Philadelphia.
John Perry
Daniel Batchellor
Emily Sullivan Oakey
1829 - 1883 Person Name: Emily Sullivan Oakey, 1829-1853 Hymnal Number: 647 Author (attributed to) of "I am so glad that Jesus loves me" in Trinity Hymnal A graduate of Albany Female Academy in New York. Taught rhetoric, composition, and foreign languages there for 24 (or 25) years. Contributed to at least 11 magazines. Published a book of poetry, At the Foot of Parnassus.. Wrote the hymn, “Sowing the Seed” in 1850. Originally published in “a western paper,” altered as it traveled from hand to hand. Popularized by Ira Sankey. Published in Gospel Hymns and Songs. Frequently requested from Edison Records, and recorded by them in 1904. According to Sankey, she was “a frail, delicate woman, always an invalid,mnever having known, as she once said, an hour of health in all her life.”
E. Adams
Sources:
Sankey, Ira D. My Life and Sacred Songs (1906), 138-143, 281-284.
Moore, Wendell. The Edison Phonograph Monthly (Mar 1904- Feb 1905), 8.
Library of Congress. Catalog of Copyright Entries Part 3: Musical
Compositions, Vol. 16, Part 2, Nos. 8-13 (Washington, D.C.: 1921), 1512.
Oakey, Emily S. At the Foot of Parnassus (Albany: 1883), 45-46.
Abbott , Edward and Madeline Vaughan Abbott Bushnell. The Literary World: A
Monthly Review of Current Literature, Vol. X (Boston: 1879), 63.
Munsell, J. Circular and Catalogue of the Albany Female Academy (1870), 2.
Exercises of the Alumnae of the Albany Female Academy (1880), 12-14.
Historical Sketch of the Albany Female Academy (1884), 19.
Butterworth, Hezekiah and Theron Brown. The Story of the Hymns and Tunes
(New York: 1906) 435-436. Archive.org.
Emily Sullivan Oakey
William Daman
1540 - 1591 Hymnal Number: 412 Composer of "SOUTHWELL" in Trinity Hymnal Aliases: Damon; Damano; Demaunde; Damond; Dymond
Born: ca.1540
Died: 1591
Damon was a foreign composer resident in England. He arrived probably in England in 1566 as a servant of Sir Thomas Sackville. In 1576 he became a recorder player at the Court of Elizabeth I.
He was described as having been born in "Luke" and "Lewklande" and, on the assumption that these names refer to Luik or Liège, it has been inferred that he was a Walloon. However contemporary London records describe him as an Italian and a later reference refers to him having been born in "Luke in Italy", i.e. Lucca. His unanglicised name may have been Gulielmo (or Gulielmus) Damano.
Daman died from the effects of an ulcer and was buried at St Peter-le-Poer, London, on 26 March 1591.
List of choral works:
Beati omnes qui timent Dominum
Confitebor tibi Domine
Miserere nostri Domine
Omnis caro gramen sit
Praedicabo laudes tuae Domine
Spem in alium
Publications:
The Psalmes of David in English Metre (1579)
The Former Booke of Musicke of M. William Damon (1591)
The Second Booke of Musicke of M. William Damon (1591)
--www3.cpdl.org/wiki/index.php/
William Daman
Thomas B. Southgate
1814 - 1868 Hymnal Number: 73 Composer of "BROOKFIELD" in Trinity Hymnal Southgate, Thomas Bishop, born at Hornsey, Middlesex, June 8, 1814; educated in the school of the Chapel Royal, where he was a chorister; studied harmony under Thomas Attwood and Sir John Goss, and the organ under Samuel Wesley; organist of Hornsey Church from 1834 to 1853, and of St Anne's, Highgate Rise, London, from the latter year until his death, which occured at Highgate, November 3, 1868.
EVENSONG, No. 320 F.C.H., was published in sheet form in 1858, set to the words "God that madest earth and heaven."
--James Love, Scottish Church Music: Its Composers and Sources (1891)
Thomas B. Southgate
George Walker Whitcomb
Person Name: George W. Whitcomb Hymnal Number: 692 Author of "Is It the Crowning Day?" in Trinity Hymnal Pseudonym. See also Ostrom, Henry.
George Walker Whitcomb
William Hayman Cummings
1831 - 1915 Person Name: William H. Cummings Hymnal Number: 168 Arranger of "MENDELSSOHN" in Trinity Hymnal William H. Cummings (b. Sidbury, Devonshire, England, 1831; d. Dulwich, London, England, 1915) had a lifelong love of Felix Mendelssohn, sparked when he sang at age sixteen in the first London performance of Elijah, which was directed by Mendelssohn himself. As a young boy, Cummings had been a chorister at St. Paul's Cathedral and later sang in the choirs of the Temple Church, Westminster Abbey, and the Chapel Royal. Cummings became a famous tenor–he sang in oratorios and was especially known for his evangelist role in the Bach passions. He taught voice at the Royal Academy of Music and the Royal Normal College and School for the Blind in London and was also an accomplished organist. Cummings wrote books and articles on music history, wrote a biography of Henry Purcell and edited his music, and composed many choral pieces.
Bert Polman
William Hayman Cummings
S. L. Findlater
1823 - 1907 Person Name: Sarah B. Findlater Hymnal Number: 233 Translator of "Rejoice, all ye believers" in Trinity Hymnal Sarah Laurie Borthwick Findlater United Kingdom 1823-1907. Born in Edinburgh, Scotland, sister of Jane Laurie Borthwick, she married Erick John Findlater, a pastor in the Free Church of Scotland at Lochearnhead, Perthshire, and they had three daughters: Sarah Jemima, Mary Williamina, and Jane Helen. Findlater and her sister Jane's translations were collected in “German hymns from the land of Luther”, appearing in four volumes (1854-1862). As an author, Sarah wrote fiction, juvenile works, music scores, anthems, and musical parts. She died at Torquay, Devon, England.
John Perry
S. L. Findlater
Lewis H. Redner
1831 - 1908 Hymnal Number: 152 Composer of "ST. LOUIS" in Trinity Hymnal Lewis Henry Redner (1831-1908) was born in Philadelphia, where he became a real estate agent and served on weekends as an organist and Sunday School Superintendent. He spent nineteen years at Holy Trinity church where Phillip Brooks was rector, and is credited with increasing attendance at the Sunday School from thirty-one to more than a thousand. In 1868 Brooks asked him to write a tune for his new text for children inspired by his recent trip to Bethlehem. Redner composed the tune the night before it was to be sung in worship on Sunday morning. The text and tune were first published in 1894 in The Church Porch, where the tune was named ST. LOUIS, possibly after the composer’s name. Redner is remembered today because of this one tune that has remained a Christmas favorite.
Emily Brink
Lewis H. Redner
George Smart
1776 - 1867 Person Name: Sir George Smart, 1776-1867 Hymnal Number: 77d Composer of "WILTSHIRE" in Trinity Hymnal
George Smart
Heinrich Theobald Schenk
1656 - 1727 Person Name: Heinrich T. Schenk Hymnal Number: 602 Author of "Who are these like stars appearing" in Trinity Hymnal Schenk, Heinrich Theobald, son of Simon Schenk, pastor at Heidelbach, on the Schwalm, near Alsfeld, Hesse, was born at Heidelbach, April 10, 1656. He entered the Padagogium at Giessen, in 1670, and then pursued his studies at the University (M.A. 1676). In 1676 he returned to the Padagogium, as one of the masters; and was, from 1677 to 1689, "præceptor classicus." On Dec. 27, 1689, he was ordained as Town preacher and "definitor," at the Stadtkirche in Giessen. He died at Giessen, April 11, and was buried there April 15, 1727…The registers at Giessen give the date of his funeral, but not of his death; but say, that at his death he was aged 71 years less 10 days, which would rather suggest April 21 as the date of his birth.) Only one hymn is known by him, but it is a hymn which is found in almost all recent German hymn-books; and, through translations, in many recent English collections. It is:—
Wer sind die vor Gottes Throne. Eternal Life. This is found in the Neuvennehrtes Gesangbilchlein, Frankfurt-am-Main, 1719, No. 362, p. 341… It is a beautiful hymn on the Church Triumphant (i.-xiii.), and on the aspirations of the Church Militant to attain the same victorious glory. Translated as:—
1. Who are these like stars appearing. By Miss Cox, in her Sacred Hymns from the German, 1841, p. 89, being a very good translation of st. i.—vi., ix.-xi., xiv.-xvii., xx. This has come into extensive use in the cento adopted in Alford's Psalms & Hymns, 1844; and repeated in Hymns Ancient & Modern, 1861; being the trs. of st. i., iii.-v., ix. Other centos are found in Rorison's Hymns & Anthems, 1851, &c. Other forms may also be noted:—
(1) "Lo! a multitude appearing." This, in T. Darling's Hymns for Ch. of England, 1874, is based on Miss Cox's st. i., iv., v., with two additional stanzas.
(2) "Who are these in dazzling brightness. Bearing the victorious palm."
2. Who are these in light adoring. By A. T. Russell, as No. 145 in his Psalms & Hymns, 1851 ; being a tr. of st. i., iv., xi., xv.
3. Who are those before God's throne, What the crowned host I see. This is a good tr. of st. i.-vi., ix., x., xiv., xvii., xx., by Miss Winkworth in herLyra Germanica, 1st Ser., 1855, p. 207
Other translations are:—
(1) "Who are those before God's throne, What the countless." By J. D. Burns, in the Family Treasury, 1859, pt. i., p. 307; and his Memoir & Remains, 1869, p. 267. (2) " Who are those round God's throne stand-ing." By Miss Manington, 1863, p. 90. (3) "What is this host that round the throne." By Miss Warner, 1869, p. 20. [Rev. James Mearns, M.A.]
--Excerpts from John Julian, Dictionary of Hymnology (1907)
Heinrich Theobald Schenk
Claribel
1830 - 1869 Person Name: Charlotte A. Barnard Hymnal Number: 642 Composer of "BROCKLESBURY" in Trinity Hymnal Barnard [nee Pye], Charlotte Alington [Claribel]; b. Louth, Lincs., Dec. 23, 1830, d. Dover, Jan. 30, 1869; English ballad composer.
--Library of Congress Name Authority Record (see link)
Claribel
Jonathan Evans
1748 - 1809 Hymnal Number: 187 Author of "Hark! the voice of love and mercy" in Trinity Hymnal Evans, Jonathan, born at Coventry in 1748 or 1749. He was the son of a working man, and as a youth was employed in a ribbon manufactory. About 1778 he joined the congregation at Coventry, over which the Rev. G. Burder was pastor. He began preaching at Foleshill, near Coventry, in 1782, and in 1795 he began his stated ministry there, retaining the same to his death on Aug. 31, 1809. Two biographical notices of him appeared in the Evangelical Magazine (Oct. 1809, and March 1847), and also several of his hymns. Two of his hymns appeared in Burder's Collection, 1784, and another in the 2nd edition the same year. His best known hymns are, "Come, Thou soul-transforming Spirit,” and "Hark! the voice of love and mercy;" q.v. He published no poetical work or collection of hymns.
-- John Julian, Dictionary of Hymnology (1907)
Jonathan Evans
St. Anatolius. of Constantinople
? - 458 Person Name: Anatolius, 7th century Hymnal Number: 342 Author (attributed to) of "The day is past and over" in Trinity Hymnal Anatolius, one of the Greek hymn-writers. No details are known of him. From the fact that he celebrates martyrs who died in the 6th and early part of the 7th century, it is certain that he is not to be identified (as by Neale) with the patriarch who succeeded Flavian in 449, and afterward procured the enactment of the famous canon of the Council of Chalcedon, which raised Constantinople to the second place among the patriarchal sees (Dict. of Ch. Biog., i. p. 110). A letter is said to exist showing that he was a pupil of Theodore of the Studium (759-826). More than a hundred hymns, all of them short ones, are found in the Mensea and Octoechus. From this account, derived from Anth. Graec. Garm. Christ, p. xli, it will be seen that his poems cannot be considered "the spring-promise" of the age of the Canons (Neale). A few of his hymns have been translated by Dr. Neale in his Hymns of the Early Church, and Dr. Littledale, in the Offices of the Hymns of the Early Church: ("Fierce was the wild billow") and ("The day is past and over").
[Rev. H. Leigh Bennet, M.A.]
-- John Julian, Dictionary of Hymnology (1907)
St. Anatolius. of Constantinople
Charles Zeuner
1795 - 1857 Person Name: Heinrich C. Zeuner Hymnal Number: 67 Composer of "MISSIONARY CHANT" in Trinity Hymnal Also:
Zeuner, Heinrich Christoph, 1795-1857
Zeuner, Heinrich Christopher, 1795-1857
Charles Zeuner
Joseph Humphreys
b. 1720 Hymnal Number: 443 Author of "Blessed are the sons of God" in Trinity Hymnal Humphreys, Joseph, son of Asher Humphreys, minister at Burford, Oxfordshire, was born at Burford, Oct. 28, 1720, and educated at a grammar school at Fairford, and at an academy for the training of young men for the ministry in London. From the latter he was expelled, Dec. 25, 1739, because of his attachment to Whitefield. For a short time he associated with the Wesleys, but eventually joined G. Whitefield, and subsequently preached at Bristol, London, and Deptford. He died in London (date unknown), and was buried in the Moravian Cemetery at Chelsea.
He was a contributor to Whitefield's Christian History (1741-1748), 1742, &c, and published, 1742, An Account of Joseph Humphreys's Experiences, &c. As a hymnwriter he is not widely known. His hymns were contributed to J. Cennick'e Sacred Hymns for the Use of Religious Societies (Bristol), 1743, pt. ii., and are thus introduced: "These were done by Mr. Joseph Humphreys." Of these hymns, two only are in common use:—
1. Blessed are the sons of God. Adoption.
2. Come, guilty souls, and flee away. Invitation. These are given in Spurgeon's Our Own Hymn Book, 1866,
and other collections. No. 1 is the more popular of the two. It is sometimes abbreviated, and has the concluding lines of st. viii. added as a refrain to each stanza.
--John Julian, Dictionary of Hymnology (1907)
=================
Born: October 28, 1720, Burford, Oxfordshire, England.
Died: London, England.
Buried: Moravian Cemetery, Chelsea, England.
Joseph was the son of Asher Humphreys, Rector of Barton, Hertfordshire, and subsequently Burford, Oxfordshire. At age 10, Joseph was sent to a grammar school at Fairfield, Gloucestershire. His father died in 1732, and Joseph was sent, at age 12, to a theological school in London. In 1738, having been converted to the doctrines of the Wesleys, he began to preach at the Foundry, London, in Bristol, and elsewhere. He attached himself particularly to John Cennick, and accompanied him frequently on his evangelistic tours. Hatfield reports, "For his irregularities in these respects, he was expelled, December 25, 1739, from the school."
Following Cennick’s example, Humphreys separated from the Wesleys in April 1741 and became associated with Whitefield. The same year, he preached for the Moravians at Deptford, West Greenwich. He was also one of the four principal contributors to The Weekly History, just then established, in the interest of the new religious movement. Several of his "Letters to John Wesley," opposing his views, appeared in this journal.
Humphreys frequently preached at the Bowling Green, Bristol, and the Tabernacle, London. In January 1743, he united with several clergymen and lay preachers in organizing, near Cardiff, Wales, the first Calvinistic Methodist Society. In 1790, according to John Wesley’s journal, Humphreys left Whitefield and was ordained a Presbyterian minister. He later received an Episcopal ordination.
Humphreys’ works include:
A Letter to the Religious Societies, in Testimony Against the Errors of Universal Redemption and Sinless Perfection (Bristol, England: 1741)
An Account of Joseph Humphreys’ Experience at the Work of Grace upon His Heart (Bristol, England: 1742)
--www.hymntime.com/tch
Joseph Humphreys
T. C. L. Pritchard
1885 - 1960 Hymnal Number: 77c Harmonizer of "CRIMOND" in Trinity Hymnal Thomas Cuthbertson Leithead Pritchard
T. C. L. Pritchard
Ralph Harrison
1748 - 1810 Hymnal Number: 20 Composer of "WARRINGTON" in Trinity Hymnal
Ralph Harrison
Robert Murray
1832 - 1910 Hymnal Number: 368 Author of "Lord, thou lov'st the cheerful giver" in Trinity Hymnal Murray, Robert, Minister of the Presbyterian Church in Canada, born Dec. 25, 1832, is the author of "From ocean unto ocean" (National Hymn), and "Lord, Thou lov'st the cheerful giver" (Almsgiving), in the Scotch Church Hymnary, 1898. [Rev. James Bonar M.A.]
--John Julian, Dictionary of Hymnology, New Supplement (1907)
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Murray, Robert. (Earltown, Nova Scotia, December 25, 1832--December 12, 1910, Halifax, N.S.). Presbyterian. Study at Halifax's Free Church College yielded him a licence to preach, but instead of seeking ordination he edited (1855-1910) his denomination's principal periodical in the Maritimes, Presbyterian Witness. In its pages, and from pulpits, he strongly supported controversial causes like temperance, Sunday observance, and the Confederation of 1867 (which in Halifax was greeting with a day of public mourning). These interests are reflected in his four hymns included in Canadian Presbyterians' first Hymnal (1880)--though, as the sole native-born contributor, he attached to them only the initial "M." to avoid giving the impression of claiming equality with poets of the homeland.
--Hugh D. McKellar, DNAH Archives
Robert Murray
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