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Lift up your heart, lift up your voice
Author: Charles Wesley, 1707-88 Meter: 6.6.6.6.8.8 Appears in 742 hymnals First Line: Rejoice, the Lord is King Lyrics: 1 Rejoice, the Lord is King;
your Lord and King adore;
let all give thanks and sing,
and triumph evermore;
Refrain:
Lift up your heart, lift up your voice.
Rejoice, again I say, rejoice!
2 Jesus the Saviour reigns,
the God of truth and love;
when he had purged our stains,
he took his seat above: [Refrain]
3 His kingdom cannot fail,
he rules o'er earth and heaven;
the keys of death and hell
are to our Jesus given: [Refrain]
4 He sits at God's right hand,
till all his foes submit,
and bow to his command,
and fall beneath his feet: [Refrain]
5 Rejoice in glorious hope;
Jesus the judge shall come,
and take his servants up
to their eternal home:
We soon shall hear the archangel's voice;
the trump of God shall sound, Rejoice! Topics: Ascension; Christ tne King Sunday; Consummation in Christ; Eternal Life; Hope; Jesus Christ Lordship; Jesus Christ Redeemer; Jesus Christ Reign; Jesus Christ Return; Joy; Kingdom of God; Salvation Scripture: 1 Corinthians 15:51-54 Used With Tune: GOPSAL
Lift up your heart, lift up your voice
Christ is our Corner-stone
Appears in 186 hymnals Topics: General Hymns Used With Tune: GOPSAL
Christ is our Corner-stone
Arise, my soul, arise
Meter: 6.6.6.6.8.8 Appears in 885 hymnals Lyrics: 1 Arise, my soul, arise,
Shake off thy guilty fears;
The bleeding Sacrifice
In my behalf appears;
Before the throne my Surety stands,
My name is written on His hands.
2 He ever lives above
For me to intercede;
His all-redeeming love,
His precious blood to plead;
His blood atoned for all our race,
And sprinkles now the throne of grace.
3 Five bleeding wounds He bears,
Received on Calvary;
They pour effectual prayers,
They strongly speak for me;
Forgive him, O forgive, they cry,
Nor let that ransomed sinner die!
4 The Father hears Him pray,
His dear Anointed One;
He cannot turn away
The presence of His Son;
His Spirit answers to the blood,
And tells me I am born of God.
5 My God is reconciled,
His pardoning voice I hear;
He owns me for His child,
I can no longer fear;
With confidence I now draw nigh,
And Father, Abba Father! cry. Topics: Adoption; Christ Intercession of Used With Tune: HANDEL'S 148TH PSALM
Arise, my soul, arise
Jerusalem on high
Author: S. Crossman, 1624-1683 Hymnal: Hymns and Chorales #21 (1892) Languages: English Tune Title: GOPSAL
Jerusalem on high
Rejoice, the Lord Is King
Author: Charles Wesley Hymnal: Ecumenical Praise #32 (1977) First Line: Rejoice, the Lord is King! Refrain First Line: Lift up your heart, Lift up your voice Lyrics: 1 Rejoice, the Lord is King!
Your Lord and King adore;
Mortals, give thanks and sing,
And triumph evermore:
Lift up your heart,
Lift up your voice;
Rejoice; again I say, rejoice.
2 Jesus the Savior reigns,
The God of truth and love;
When He had purged our stains,
He took his seat above:
Lift up your heart,
Lift up your voice;
Rejoice; again I say, rejoice.
3 His kingdom cannot fail,
He rules o'er earth and heaven;
The keys of death and hell
Are to our Jesus given:
Lift up your heart,
Lift up your voice;
Rejoice; again I say, rejoice.
4 Rejoice in glorious hope;
Jesus the Judge shall come,
And take His servants up
To their eternal home:
Lift up your heart,
Lift up your voice;
Rejoice; again I say, rejoice. Topics: Jesus Christ His Resurrection and Reign; The Church Kingdomtide Languages: English Tune Title: GOPSAL
Rejoice, the Lord Is King
Rejoice, the Lord is King
Author: C. Wesley (1707-88) Hymnal: A Missionary Hymn Book #35 (1922) Languages: English Tune Title: GOPSAL
Rejoice, the Lord is King
John Chandler
1806 - 1876 Person Name: Rev. John Chandler Translator of "Christ is our Corner-stone" in The Book of Common Praise John Chandler, one of the most successful translators of hymns, was born at Witley in Surrey, June 16, 1806. He was educated at Corpus Christi College, Oxford, B.A. 1827, M.A. 1830. Ordained deacon in 1831 and priest in 1832, he succeeded his father as the patron and vicar of Whitley, in 1837. His first volume, entitled The Hymns of the Primitive Church, now first Collected, Translated and Arranged, 1837, contained 100 hymns, for the most part ancient, with a few additions from the Paris Breviary of 1736. Four years later, he republished this volume under the title of hymns of the Church, mostly primitive, collected, translated and arranged for public use, 1841. Other publications include a Life of William of Wykeham, 1842, and Horae sacrae: prayers and meditations from the writings of the divines of the Anglican Church, 1854, as well as numerous sermons and tracts. Chandler died at Putney on July 1, 1876.
--The Hymnal 1940 Companion
===============
Chandler, John, M.A.,one of the earliest and most successful of modern translators of Latin hymns, son of the Rev. John F. Chandler, was born at Witley, Godalming, Surrey, June 16, 1806, and educated at Corpus Christi College, Oxford, where he graduated in 1827. He took Holy Orders in 1831, and became Vicar of Witley in 1837. He died at Putney, July 1, 1876. Besides numerous Sermons and Tracts, his prose works include Life of William of Wykeham, 1842; and Horae Sacrae; Prayers and Meditations from the writings of the Divines of the Anglican Church, with an Introduction, 1844. His translations, he says, arose out of his desire to see the ancient prayers of the Anglican Liturgy accompanied by hymns of a corresponding date of composition, and his inability to find these hymns until he says,
"My attention was a short time ago directed to some translations [by Isaac Williams] which appeared from time to time in the British Magazine, very beautifully executed, of some hymns extracted from the Parisian Breviary,with originals annexed. Some, indeed, of the Sapphic and Alcaic and other Horatian metres, seem to be of little value; but the rest, of the peculiar hymn-metre, Dimeter Iambics, appear ancient, simple, striking, and devotional—in a word in every way likely to answer our purpose. So I got a copy of the Parisian Breviary [1736], and one or two other old books of Latin Hymns, especially one compiled by Georgius Cassander, printed at Cologne, in the year 1556, and regularly applied myself to the work of selection and translation. The result is the collection I now lay before the public." Preface, Hymns of the Primitive Church, viii., ix.
This collection is:—
(1) The Hymns of the Primitive Church, now first Collected, Translated, and Arranged, by the Rev. J. Chandler. London, John W. Parker, 1837. These translations were accompanied by the Latin texts. The trsanslations rearranged, with additional translations, original hymns by Chandler and a few taken from other sources, were republished as (2) The Hymns of the Church, mostly Primitive, Collected, Translated, and Arranged/or Public Use, by the Rev. J. Chandler, M.A. London, John W. Parker, 1841.
From these works from 30 to 40 translations have come gradually into common use, some of which hold a foremost place in modern hymnals, "Alleluia, best and sweetest;" "Christ is our Corner Stone;" "On Jordan's bank the Baptist's cry;" "Jesus, our Hope, our hearts' Desire;" "Now, my soul, thy voice upraising;" "Once more the solemn season calls;" and, "O Jesu, Lord of heavenly grace;" being those which are most widely used. Although Chandler's translations are somewhat free, and, in a few instances, doctrinal difficulties are either evaded or softened down, yet their popularity is unquestionably greater than the translations of several others whose renderings are more massive in style and more literal in execution.
--John Julian, Dictionary of Hymnology (1907)
John Chandler
George Frideric Handel
1685 - 1759 Person Name: G. F. Handel Composer of "GOPSAL" in The United Methodist Hymnal George Frideric Handel (b. Halle, Germany, 1685; d. London, England, 1759) became a musician and composer despite objections from his father, who wanted him to become a lawyer. Handel studied music with Zachau, organist at the Halle Cathedral, and became an accomplished violinist and keyboard performer. He traveled and studied in Italy for some time and then settled permanently in England in 1713. Although he wrote a large number of instrumental works, he is known mainly for his Italian operas, oratorios (including Messiah, 1741), various anthems for church and royal festivities, and organ concertos, which he interpolated into his oratorio performances. He composed only three hymn tunes, one of which (GOPSAL) still appears in some modern hymnals. A number of hymnal editors, including Lowell Mason, took themes from some of Handel's oratorios and turned them into hymn tunes; ANTIOCH is one example, long associated with “Joy to the World.”
Bert Polman
George Frideric Handel
Samuel Crossman
1623 - 1684 Person Name: S. Crossman, 1624-1683 Author of "Jerusalem on high" in Hymns and Chorales Crossman, Samuel , B.D. From A. Wood's Athenae Oxonienses (1720, vol. ii. p. 730) we gather all that is known of this hymnwriter. Wood says concerning him:—
"Samuel Crossman, Bachelor of Divinity of Cambridge, and Prebendary of Bristol, son of Samuel Crossman, of Bradfield Monachorum, in Suffolk. He hath written and published several things, as The Young Man's Monitor, &c, London, 1664, 8vo., and several sermons, among which are two sermons preached in the Cathedral of Bristol, 30th Jan., 1679, and 30th Jan., 1680, being the days of public humiliation for the execrable murder of King Charles I, printed at London, 1681, &c.; also a sermon preached 23rd April, 1680, in the Cathedral Church of Bristol, before the Gentlemen of the Artillery Company newly raised in that City, printed at London, 1680, &c; and, "An Humble Plea for the quiet rest of God's Ark," preached before Sir Joh. Moore, Lord Mayor of London, at St. Mildred's Church in the Poultrey, 5th February, 1681, London, 1682, 4to, &c. He died 4th February, 1683, aged 69 years, and was buried in the South Aisle of the Cathedral Church in Bristol" [of which he had been appointed Dean a few weeks before].
Crossman's contributions to hymnody were given in a small pamphlet entitled:—
The Young Man's Meditation, or some few Sacred Poems upon Select Subjects, and Scriptures. By Samuel Crossman, B.D. London, Printed by J. H., &c, 1664.
This pamphlet, which was reprinted by D. Sedgwick, London, 1863, contains 9 sacred poems. Of these the following are in common use:—
1. My life's a shade, my days. Resurrection. This is in 6 stanzas of 4 lines, together with a chorus to each stanza of 4 Lines. It is sometimes given as "Life is a shade, my days," as in Kennedy, 1863.
2. Sweet place, sweet place alone, Pt. i. Jerusalem on high, Pt. ii. These two parts form one poem on Heaven. The most popular portion is Pt. ii. This is given in numerous collections in Great Britain and America. Part i. is not so extensively used. From the two parts the cento "Earth's but a sorry tent," in the Dutch Reformed Hymns of the Church, N. Y. 1869, is also taken.
3. Farewell, poor world, I must be gone. Death anticipated. This is given in the Comprehensive Rippon, 1844, and in a few of the older American hymnbooks.
4. My song is love unknown. In the Anglican Hymnbook, 1863
-- John Julian, Dictionary of Hymnology (1907)
Samuel Crossman
Small Church Music
Editors: Charles Wesley Description:
The SmallChurchMusic site was launched in 2006, growing out of the requests from those struggling
to provide suitable music for their services and meetings. Rev. Clyde McLennan was ordained in mid
1960’s and was a pastor in many small Australian country areas, and therefore was acutely aware of
this music problem. Having also been trained as a Pipe Organist, recordings on site (which are a subset
of the smallchurchmusic.com site) are all actually played by Clyde, and also include piano and piano
with organ versions. All recordings are in MP3 format.
Churches all around the world use the recordings, with downloads averaging over 60,000 per
month.
The recordings normally have an introduction, several verses and a slowdown on the last verse.
Users are encouraged to use software: Audacity (http://www.audacityteam.org) or Song Surgeon (http://songsurgeon.com) (see http://scm-audacity.weebly.com for more information) to adjust the MP3 number of verses, tempo
and pitch to suit their local needs.
Copyright notice: Rev. Clyde McLennan, performer in this collection, has assigned his performer rights in this collection to Hymnary.org. Non-commercial use of these recordings is permitted. For permission to use them for any other purposes, please contact manager@hymnary.org.
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Christian Classics Ethereal Hymnary
Publication Date: 2007 Publisher: Grand Rapids, MI: Christian Classics Ethereal Library
Christian Classics Ethereal Hymnary
