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Text Identifier:"^o_god_unseen_yet_ever_near$"

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O God, unseen, yet ever near

Author: Edward Osler, 1798-1863 Appears in 134 hymnals Lyrics: 1 O God, unseen, yet ever near, Thy presence may we feel; And thus, inspired with holy fear, Before thine altar kneel. 2 Here may thy faithful people know The blessings of thy love; The streams that through the desert flow, The manna from above. A-men. 3 We come, obedient to thy word, To feast on heavenly food; Our meat the Body of the Lord, Our drink his precious Blood. 4 Thus may we all thy words obey, For we, O God, are thine; And go rejoicing on our way, Renewed with strength divine. Amen. Topics: Sacraments and Rites Holy Communion Used With Tune: ST. FLAVIAN

Tunes

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BELMONT

Meter: 8.6.8.6 Appears in 542 hymnals Tune Key: G Major Incipit: 53217 76155 54332 Used With Text: O God, Unseen Yet Ever Near
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BEDFORD

Meter: 8.6.8.6 Appears in 109 hymnals Composer and/or Arranger: W. Wheall Tune Key: E Flat Major Incipit: 53165 43251 76653 Used With Text: O God, unseen, yet ever near
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COVENTRY

Meter: 8.6.8.6 Appears in 56 hymnals Composer and/or Arranger: Benjamin Cuzens Incipit: 55117 16544 35556 Used With Text: O God unseen, yet ever near

Instances

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O God unseen, yet ever near

Author: E. Osler Hymnal: The Hymnal, Revised and Enlarged, as adopted by the General Convention of the Protestant Episcopal Church in the United States of America in the year of our Lord 1892 #221a (1894) Meter: 8.6.8.6 First Line: O God, unseen, yet ever near Lyrics: 1 O God, unseen yet ever near, Thy presence may we feel; And thus inspired with holy fear, Before Thine altar kneel. 2 Here may Thy faithful people know The blessings of Thy love, The streams that through the desert flow, The manna from above. 3 We come, obedient to Thy word, To feast on heavenly food; Our meat the Body of the Lord, Our drink his precious Blood. 4 Thus may we all Thy word obey, For we, O God, are Thine; And go rejoicing on our way, Renewed with strength divine. Amen. Languages: English Tune Title: [O God, unseen yet ever near]
TextPage scan

O God, unseen yet ever near

Author: E. Osler Hymnal: The Hymnal, Revised and Enlarged, as adopted by the General Convention of the Protestant Episcopal Church in the United States of America in the year of our Lord 1892 #221b (1894) Meter: 8.6.8.6 Lyrics: 1 O God, unseen yet ever near, Thy presence may we feel; And thus inspired with holy fear, Before Thine altar kneel. 2 Here may Thy faithful people know The blessings of Thy love, The streams that through the desert flow, The manna from above. 3 We come, obedient to Thy word, To feast on heavenly food; Our meat the Body of the Lord, Our drink his precious Blood. 4 Thus may we all Thy word obey, For we, O God, are Thine; And go rejoicing on our way, Renewed with strength divine. Amen. Languages: English Tune Title: [O God, unseen yet ever near]

O God, Unseen, Yet Ever Near

Author: Unknown Hymnal: Favorite Hymns No. 2 #227 (1942) Languages: English Tune Title: [O God, unseen, yet ever near]

People

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Authors, composers, editors, etc.

Thomas Tallis

1505 - 1585 Person Name: T. Tallis, 1520?-1858 Composer of "TALLIS'S ORDINAL" in Church Hymns Thomas Tallis (b. Leicestershire [?], England, c. 1505; d. Greenwich, Kent, England 1585) was one of the few Tudor musicians who served during the reigns of Henry VIII: Edward VI, Mary, and Elizabeth I and managed to remain in the good favor of both Catholic and Protestant monarchs. He was court organist and composer from 1543 until his death, composing music for Roman Catholic masses and Anglican liturgies (depending on the monarch). With William Byrd, Tallis also enjoyed a long-term monopoly on music printing. Prior to his court connections Tallis had served at Waltham Abbey and Canterbury Cathedral. He composed mostly church music, including Latin motets, English anthems, settings of the liturgy, magnificats, and two sets of lamentations. His most extensive contrapuntal work was the choral composition, "Spem in alium," a work in forty parts for eight five-voice choirs. He also provided nine modal psalm tunes for Matthew Parker's Psalter (c. 1561). Bert Polman

James Walch

1837 - 1901 Person Name: J. Walch Composer of "SAWLEY" in Church Hymns and Tunes James Walch was a musician and composer, born near Bolton, Lancashire, England in 1837. He spent his early life in the town and was organist in several churches there, including the parish church of St George’s. From 1870-1877, he was conductor for the Bolton Philharmonic Society. He also composed at least four published hymn tunes, the best known of which is called “Tidings”. Written in 1875, it’s usually used as the tune to a hymn called “O Zion Haste”. James Walch was a musical instrument dealer by trade, and moved to Barrow-in-Furness in 1877. He later moved to Llandudno Junction in North Wales, where he died in August 1901 and was buried locally. His wife later donated money to pay for the organs in two local churches, St Paul's Llandudno and All Saints Deganwy, in his memory. Three decades later, an article in the London Gazette reported on a dispute arising from his will, and mentioned that he had a son, Harry West Walch, who was a pianist and lived in Hereford. St Paul's Church, Llandudno newsletter; used by permission of Christ Dearden (Walch's wife paid for the organ at St. Paul's Church)

William Croft

1678 - 1727 Person Name: W. Croft Composer of "ST. ANNE" in The Academic Hymnal William Croft, Mus. Doc. was born in the year 1677 and received his musical education in the Chapel Royal, under Dr. Blow. In 1700 he was admitted a Gentleman Extraordinary of the Chapel Boyd; and in 1707, upon the decease of Jeremiah Clarke, he was appointed joint organist with his mentor, Dr. Blow. In 1709 he was elected organist of Westminster Abbey. This amiable man and excellent musician died in 1727, in the fiftieth year of his age. A very large number of Dr. Croft's compositions remain still in manuscript. Cathedral chants of the XVI, XVII & XVIII centuries, ed. by Edward F. Rimbault, London: D. Almaine & Co., 1844