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Michael Praetorius

1571 - 1621 Hymnal Number: 48 Arranger of "ES IST EIN' ROS'" in The Presbyterian Hymnal Born into a staunchly Lutheran family, Michael Praetorius (b. Creuzburg, Germany, February 15, 1571; d. Wolfenbüttel, Germany, February 15, 1621) was educated at the University of Frankfort-an-der-Oder. In 1595 he began a long association with Duke Heinrich Julius of Brunswick, when he was appointed court organist and later music director and secretary. The duke resided in Wolfenbüttel, and Praetorius spent much of his time at the court there, eventually establishing his own residence in Wolfenbüttel as well. When the duke died, Praetorius officially retained his position, but he spent long periods of time engaged in various musical appointments in Dresden, Magdeburg, and Halle. Praetorius produced a prodigious amount of music and music theory. His church music consists of over one thousand titles, including the sixteen-volume Musae Sionae (1605-1612), which contains Lutheran hymns in settings ranging from two voices to multiple choirs. His Syntagma Musicum (1614-1619) is a veritable encyclopedia of music and includes valuable information about the musical instruments of his time. Bert Polman

Brian A. Wren

b. 1936 Person Name: Brian Wren Hymnal Number: 104 Author of "Christ Is Risen! Shout Hosanna!" in The Presbyterian Hymnal Brian Wren (b. Romford, Essex, England, 1936) is a major British figure in the revival of contemporary hymn writing. He studied French literature at New College and theology at Mansfield College in Oxford, England. Ordained in 1965, he was pastor of the Congregational Church (now United Reformed) in Hockley and Hawkwell, Essex, from 1965 to 1970. He worked for the British Council of Churches and several other organizations involved in fighting poverty and promoting peace and justice. This work resulted in his writing of Education for Justice (1977) and Patriotism and Peace (1983). With a ministry throughout the English-speaking world, Wren now resides in the United States where he is active as a freelance lecturer, preacher, and full-time hymn writer. His hymn texts are published in Faith Looking Forward (1983), Praising a Mystery (1986), Bring Many Names (1989), New Beginnings (1993), and Faith Renewed: 33 Hymns Reissued and Revised (1995), as well as in many modern hymnals. He has also produced What Language Shall I Borrow? (1989), a discussion guide to inclusive language in Christian worship. Bert Polman

Thomas Aquinas

1225 - 1274 Hymnal Number: 519 Author of "Thee We Adore, O Hidden Saviour, Thee" in The Presbyterian Hymnal Thomas of Aquino, confessor and doctor, commonly called The Angelical Doctor, “on account of," says Dom Gueranger, "the extraordinary gift of understanding wherewith God had blessed him," was born of noble parents, his father being Landulph, Count of Aquino, and his mother a rich Neapolitan lady, named Theodora. The exact date of his birth is not known, but most trustworthy authorities give it as 1227. At the age of five he was sent to the Benedictine monastery at Monte Cassino to receive his first training, which in the hands of a large-hearted and God-fearing man, resulted in so filling his mind with knowledge and his soul with God, that it is said the monks themselves would often approach by stealth to hear the words of piety and wisdom that fell from the lips of the precocious child when conversing with his companions. After remaining at Monte Cassino for seven years, engaged in study, St. Thomas, "the most saintly of the learned, and the most learned of the saints," returned to his family, in consequence of the sack of the abbey by the Imperial soldiers. From thence he was sent by his parents to the University of Naples then at the height of its prosperity, where, becoming intimate with the Fathers of the Dominican Order, and being struck, probably, by the devotedness and ability of the Dominican Professors in the University, he was induced to petition for admission into that order, though he was at that time not more than seventeen years of age. This step gave such umbrage to his mother that she caused him to be waylaid on the road to Paris (whither he was being hurried to escape from her), and to be kept for more than two years in prison, during which time his brothers, prompted by their mother, used all means, even the most infamous, to seduce him from religion. At last the Dominicans' influence with the Pope induced the latter to move the Emperor Frederick to order his release, when St. Thomas was at once hurried back to Naples by the delighted members of his order. He was afterwards sent to Rome, then to Paris, and thence to Cologne. At Cologne his studies were continued under the celebrated Albertus Magnus, with whom, in 1245, he was sent by the Dominican Chapter once more to Paris for study, under his direction, at the University. In 1248, when he had completed his three years' curriculum at Paris, St. Thomas was appointed, before he was twenty-three years of age, second professor and “magister studentium,” under Albertus, as regent, at the new Dominican school (on the model of that at Paris), which was established by the Dominicans in that year at Cologne. There he achieved in the schools a great reputation as a teacher, though he by no means confined himself to such work. He preached and wrote; his writings, even at that early age, were remarkable productions and gave promise of the depth and ability which mark his later productions. His sermons also at that time enabled him to attract large congregations into the Dominican church. In 1248 he was directed to take his degree at Paris; and though his modesty and dislike of honour and distinction made the proposal distasteful to him, he set out and begged his way thither; but it was not until October 23rd, 1257, that he took his degree. The interval was filled by such labours in writing, lecturing, and preaching, as to enable him by the time he became a doctor to exercise an influence over the men and ideas of his time which we at this time can scarcely realise. So much was this the case that Louis IX. insisted upon St. Thomas becoming a member of his Council of State, and referred every question that came up for deliberation to him the night before, that he might reflect on it in solitude. At this time he was only thirty-two years of age. In 1259 he was appointed, by the Dominican Chapter at Valenciennes, a member of a Commission, in company with Albertus Magnus and Pierre de Tarentaise, to establish order and uniformity in all schools of the Dominicans. In 1261 the Pope, Urban IV., immediately upon his election to the Pontifical throne, sent for St. Thomas to aid him in his project for uniting into one the Eastern and Western Churches. St. Thomas in that same year came to Rome, and was at once appointed by the General of his Order to a chair of theology in the Dominican College in that city, where he obtained a like reputation to that which he had secured already at Paris and Cologne. Pope Urban being anxious to reward his services offered him, first the Patriarchate of Jerusalem, and then a Cardinal's hat, but he refused both. After lecturing, at the request of the Pope, with great success at Vitervo, Orvieto, Perugia, and Fondi, he was sent, in 1263, as "Definitor," in the name of the Roman Province, to the Dominican Chapter held in London. Two years later Clement IV., who succeeded Urban as Pope, appointed him, by bull, to the archbishopric of Naples, conferring on him at the same time the revenues of the convent of St. Peter ad Aram. But this appointment he also declined. In 1269 he was summoned to Paris—his last visit— to act as "Definitor" of the Roman Province at the General Chapter of his Order, and he remained there until 1271, when his superiors recalled him to Bologna. In 1272, after visit¬ing Rome on the way, he went to Naples to lecture at the University. His reception in that city was an ovation. All classes came out to welcome him, while the King, Charles I., as a mark of royal favour bestowed on him a pension. He remained at Naples until he was summoned, in 1274, by Pope Gregory X., by special bull, to attend the Second Council of Lyons, but whilst on the journey thither he was called to his rest. His death took place in the Benedictine Abbey of Fossa Nuova in the diocese of Terracina, on the 7th of March 1274, being barely forty-eight years of age. St. Thomas was a most voluminous writer, his principal work being the celebrated Summa Theologiae, which, although never completed, was accepted as such an authority as to be placed on a table in the council-chamber at the Council of Trent alongside of the Holy Scriptures and the Decrees of the Popes. But it is outside the province of this work to enlarge on his prose works. Though not a prolific writer of hymns, St. Thomas has contributed to the long list of Latin hymns some which have been in use in the services of the Church of Rome from his day to this. They are upon the subject of the Lord's Supper. The best known are:— Pange lingua gloriosi Corporis Mysterium; Adoro te devote latens Deitas; Sacris sollemniis juncta sint gaudia; Lauda Sion Salvatorem; and Verbum supernum prodiens. The 1st, 3rd, and 5th of these are found in the Roman Breviary, the 2nd, 4th, and 5th in Newman's Hymni Ecclesiae; the 4th in the Roman Missal; all of them appear in Daniel; the 2nd and 4th in Mone; and the 2nd, 4th, and 5th in Königsfeld. Of these hymns numerous translations have been made from time to time, and amongst the translators are found Caswall, Neale, Woodford, Morgan, and others. [Rev. Digby S. Wrangham, M.A.] -- Excerpts from John Julian, Dictionary of Hymnology (1907)

Cleland Boyd McAfee

1866 - 1944 Hymnal Number: 527 Author of "Near to the Heart of God" in The Presbyterian Hymnal Cleland Boyd McAfee (September 25, 1866 – February 4, 1944) was an American theologian, Presbyterian minister and hymn writer, best known for penning the gospel hymn, "Near to the Heart of God," and its tune called "McAfee". He wrote the song after the concurrent deaths of two of his young nieces, caused by diphtheria. McAfee was born in Ashley Missouri, in 1866, as one of five children. His father, John A. McAfee, was the founder of Park College in Parkville, Missouri. The younger McAfee graduated from Park College in 1884, and later graduated from Union Theological Seminary in New York. McAfee went on to serve as a professor of philosophy, choir director, pastor and dean of Park College until 1901, when he left to minister at the First Presbyterian Church of Chicago. McAfee moved from First Presbyterian in 1904, to pastor the Lafayette Avenue Church of Brooklyn, in Brooklyn, New York. McAfee also taught systematic theology at McCormick Theological Seminary, from 1912 to 1930. In 1912, McAfee authored the treatise, "The Greatest English Classic: A Study Of The King James Version Of The Bible." He was moderator of the General Assembly of Presbyterian Church in the United States, and led the Presbyterian Board of Foreign Missions from 1930 to 1936. He died in 1944. On August 10, 1892, McAfee married Harriet "Hattie" Lawson Brown; they had three children, Ruth Myrtle, Katharine Agnes, and Mildred Helen. Mildred Helen McAfee Horton went on to become the first director of WAVES (Women Accepted for Volunteer Emergency Service) in the United States Navy. --en.wikipedia.org/wiki/Cleland_Boyd_McAfee

Christian H. Bateman

1813 - 1889 Person Name: Christian Henry Bateman Hymnal Number: 150 Author of "Come, Christians, Join to Sing" in The Presbyterian Hymnal Bateman, Christian Henry, son of John Bateman, was born Aug. 9, 1813, at Wyke, near Halifax. After studying in the Moravian Church and exercising his ministry there for a time, he became, in 1843, minister of Richmond Place Congregational Church, Edinburgh. After 1846 he was successively Congregational minister at Hopton, in Yorkshire, and Beading, in Berkshire. On taking Holy Orders in the Church of England he became, 1869-71, curate of St. Luke's, Jersey, and Chaplain to the Forces; 1871-75, Vicar of All Saints, Childshill, Middlesex; 1877-84, curate of St. John's, Penymynydd, Hawarden. His hymns appeared mainly in:— The Sacred Song Book (Edin., Gall & Inglis, subsequently published as Sacred Melodies for Children; and as 200 Sacred Melodies for Sunday Schools and Families, was edited by himself, with the Rev. James Gall, and latterly with Mr. Robert Inglis, the publisher. First pub. 1843 as 25; enlarged by a second part, 1846, to 60; revised and enlarged, 1854, to 80; 1862, to 130; and 1872, to 200; it reached a circulation of a million and a half before 1862, four millions before 1872, and above six millions before 1881. It was for many years the hymnbook for Sabbath School use in Scotland. (2) The Children's Hymnal and Christian Year (London., J. Hodges, 1872), including 11 original hymns, with others from many sources. His best known hymn is: “Come, children, join to sing" (q. v.). [Rev. James Mearns, M.A.] -- John Julian, Dictionary of Hymnology (1907) ======================= Bateman, C. H., p. 116, i. He finally resided at Carlisle without a charge, and died there in July, 1889. --John Julian, Dictionary of Hymnology, Appendix, Part II (1907)

Reginald Heber

1783 - 1826 Hymnal Number: 67 Author of "Brightest and Best of the Stars of the Morning" in The Presbyterian Hymnal Reginald Heber was born in 1783 into a wealthy, educated family. He was a bright youth, translating a Latin classic into English verse by the time he was seven, entering Oxford at 17, and winning two awards for his poetry during his time there. After his graduation he became rector of his father's church in the village of Hodnet near Shrewsbury in the west of England where he remained for 16 years. He was appointed Bishop of Calcutta in 1823 and worked tirelessly for three years until the weather and travel took its toll on his health and he died of a stroke. Most of his 57 hymns, which include "Holy, Holy, Holy," are still in use today. -- Greg Scheer, 1995 ==================== Heber, Reginald, D.D. Born at Malpas, April 21, 1783, educated at Brasenose College, Oxford; Vicar of Hodnet, 1807; Bishop of Calcutta, 1823; died at Trichinopoly, India, April 3, 1826. The gift of versification shewed itself in Heber's childhood; and his Newdigate prize poem Palestine, which was read to Scott at breakfast in his rooms at Brazenose, Oxford, and owed one of its most striking passages to Scott's suggestion, is almost the only prize poem that has won a permanent place in poetical literature. His sixteen years at Hodnet, where he held a halfway position between a parson and a squire, were marked not only by his devoted care of his people, as a parish priest, but by literary work. He was the friend of Milman, Gifford, Southey, and others, in the world of letters, endeared to them by his candour, gentleness, "salient playfulness," as well as learning and culture. He was on the original staff of The Quarterly Review; Bampton Lecturer (1815); and Preacher at Lincoln's Inn (1822). His edition of Jeremy Taylor is still the classic edition. During this portion of his life he had often had a lurking fondness for India, had traced on the map Indian journeys, and had been tempted to wish himself Bishop of Calcutta. When he was forty years old the literary life was closed by his call to the Episcopate. No memory of Indian annals is holier than that of the three years of ceaseless travel, splendid administration, and saintly enthusiasm, of his tenure of the see of Calcutta. He ordained the first Christian native—Christian David. His first visitation ranged through Bengal, Bombay, and Ceylon; and at Delhi and Lucknow he was prostrated with fever. His second visitation took him through the scenes of Schwartz's labours in Madras Presidency to Trichinopoly, where on April 3,1826, he confirmed forty-two persons, and he was deeply moved by the impression of the struggling mission, so much so that “he showed no appearance of bodily exhaus¬tion." On his return from the service ”He retired into his own room, and according to his invariable custom, wrote on the back of the address on Confirmation 'Trichinopoly, April 3, 1826.' This was his last act, for immediately on taking off his clothes, he went into a large cold bath, where he had bathed the two preceding mornings, but which was now the destined agent of his removal to Paradise. Half an hour after, his servant, alarmed at his long absence, entered the room and found him a lifeless corpse." Life, &c, 1830, vol. ii. p. 437. Heber's hymns were all written during the Hodnet period. Even the great missionary hymn, "From Greenland's icy mountains," notwithstanding the Indian allusions ("India's coral strand," "Ceylon's isle"), was written before he received the offer of Calcutta. The touching funeral hymn, "Thou art gone to the grave," was written on the loss of his first babe, which was a deep grief to him. Some of the hymns were published (1811-16) in the Christian Observer, the rest were not published till after his death. They formed part of a ms. collection made for Hodnet (but not published), which contained, besides a few hymns from older and special sources, contributions by Milman. The first idea of the collection appears in a letter in 1809 asking for a copy of the Olney Hymns, which he "admired very much." The plan was to compose hymns connected with the Epistles and Gospels, to be sung after the Nicene Creed. He was the first to publish sermons on the Sunday services (1822), and a writer in The Guardian has pointed out that these efforts of Heber were the germs of the now familiar practice, developed through the Christian Year (perhaps following Ken's Hymns on the Festivals), and by Augustus Hare, of welding together sermon, hymnal, and liturgy. Heber tried to obtain from Archbishop Manners Sutton and the Bishop of London (1820) authorization of his ms. collection of hymns by the Church, enlarging on the "powerful engine" which hymns were among Dissenters, and the irregular use of them in the church, which it was impossible to suppress, and better to regulate. The authorization was not granted. The lyric spirit of Scott and Byron passed into our hymns in Heber's verse; imparting a fuller rhythm to the older measures, as illustrated by "Oh, Saviour, is Thy promise fled," or the martial hymn, "The Son of God goes forth to war;" pressing into sacred service the freer rhythms of contemporary poetry (e.g. "Brightest and best of the sons of the morning"; "God that madest earth and heaven"); and aiming at consistent grace of literary expression.. Their beauties and faults spring from this modern spirit. They have not the scriptural strength of our best early hymns, nor the dogmatic force of the best Latin ones. They are too flowing and florid, and the conditions of hymn composition are not sufficiently understood. But as pure and graceful devotional poetry, always true and reverent, they are an unfailing pleasure. The finest of them is that majestic anthem, founded on the rhythm of the English Bible, "Holy, Holy, Holy, Lord God Almighty." The greatest evidence of Heber's popularity as a hymnwriter, and his refined taste as a compiler, is found in the fact that the total contents of his ms. collection which were given in his posthumous Hymns written and adapted to the Weekly Church Service of the Year. London, J. Murray, 1827; which included 57 hymns by Heber, 12 by Milman, and 29 by other writers, are in common in Great Britain and America at the present time. [Rev. H. Leigh Bennett, M.A.] Of Bishop Heber's hymns, about one half are annotated under their respective first lines. Those given below were published in Heber's posthumous Hymns, &c, 1827. Some of them are in extensive use in Great Britain and America; but as they possess no special histories they are grouped together as from the Hymns, &c, 1827:— 1. Beneath our feet, and o'er our head. Burial. 2. Creator of the rolling flood. St. Peter's Day, or, Gospel for 6th Sunday after Trinity. 3. Lo, the lilies of the field. Teachings of Nature: or, Gospel for 15th Sunday after Trinity. 4. 0 God, by Whom the seed is given. Sexagesima. 6. 0 God, my sins are manifold. Forgiveness, or, Gospel for 22nd S. after Trinity. 6. 0 hand of bounty, largely spread. Water into Wine, or, Gospel for 2nd S. after Epiphany. 7. 0 King of earth, and air, and sea. Feeding the Multitude; or, Gospel for 4th S. in Lent. 8. 0 more than merciful, Whose bounty gave. Good Friday. 9. 0 most merciful! 0 most bountiful. Introit Holy Communion. 10. 0 Thou, Whom neither time nor space. God unsearchable, or, Gospel for 5th Sunday in Lent. 11. 0 weep not o'er thy children's tomb. Innocents Day. 12. Room for the proud! Ye sons of clay. Dives and Lazarus, or, Gospel for 1st Sunday after Trinity. 13. Sit thou on my right hand, my Son, saith the Lord. Ascension. 14. Spirit of truth, on this thy day. Whit-Sunday. 15. The feeble pulse, the gasping breath. Burial, or, Gospel for 1st S. after Trinity. 16. The God of glory walks His round. Septuagesima, or, the Labourers in the Marketplace. 17. The sound of war in earth and air. Wrestling against Principalities and Powers, or, Epistle for 2lst Sunday after Trinity. 18. The world is grown old, her pleasures are past. Advent; or, Epistle for 4th Sunday in Advent. 19. There was joy in heaven. The Lost Sheep; or, Gospel for 3rd S. after Trinity. 20. Though sorrows rise and dangers roll. St. James's Day. 21. To conquer and to save, the Son of God. Christ the Conqueror. 22. Virgin-born, we bow before Thee. The Virgin Mary. Blessed amongst women, or, Gospel for 3rd S. in Lent. 23. Wake not, 0 mother, sounds of lamentation. Raising the Widow's Son, or, Gospel for 16th S. after Trinity. 24. When on her Maker's bosom. Holy Matrimony, or, Gospel for 2nd S. after Epiphany. 25. When through the torn sail the wild tempest is streaming. Stilling the Sea, or, Gospel for 4th Sunday after Epiphany. 26. Who yonder on the desert heath. The Good Samaritan, or, Gospel for 13th Sunday after Trinity. This list is a good index of the subjects treated of in those of Heber's hymns which are given under their first lines, and shows that he used the Gospels far more than the Epistles in his work. --John Julian, Dictionary of Hymnology (1907)

Ernest Warburton Shurtleff

1862 - 1917 Person Name: Ernest W. Shurtleff Hymnal Number: 447 Author of "Lead On, O King Eternal" in The Presbyterian Hymnal Before studying at Andover, Ernest W. Shurtleff (Boston, MA, 1862; d. Paris, France, 1917) attended Harvard University. He served Congregational churches in Ventura, California; Old Plymouth, Massachusetts; and Minneapolis, Minnesota, before moving to Europe. In 1905 he established the American Church in Frankfurt, and in 1906 he moved to Paris, where he was involved in student ministry at the Academy Vitti. During World War I he and his wife were active in refugee relief work in Paris. Shurtleff wrote a number of books, including Poems (1883), Easter Gleams (1885), Song of Hope (1886), and Song on the Waters (1913). Bert Polman =============== Shurtleff, Ernest Warburton, b. at Boston, Mass., April 4, 1862, and educated at Boston Latin School, Harvard University, and Andover Theo. Seminary (1887). Entering the Congregational Ministry, he was Pastor at Palmer and Plymouth, Mass., and is now (1905) Minister of First Church, Minneapolis, Minn. His works include Poems, 1883, Easter Gleams, 1883, and others. His hymn, "Lead on, O King Eternal" (Christian Warfare), was written as a parting hymn to his class of fellow students at Andover, and was included in Hymns of the Faith, Boston, 1887. It has since appeared in several collections. [M. C. Hazard, Ph.D]. --John Julian, Dictionary of Hymnology, New Supplement (1907)

Marty Haugen

b. 1950 Hymnal Number: 583 Composer of "[Threefold Amen] (Haugen)" in The Presbyterian Hymnal Marty Haugen (b. 1950), is a prolific liturgical composer with many songs included in hymnals across the liturgical spectrum of North American hymnals and beyond, with many songs translated into different languages. He was raised in the American Lutheran Church, received a BA in psychology from Luther College, yet found his first position as a church musician in a Roman Catholic parish at a time when the Roman Catholic Church was undergoing profound liturgical and musical changes after Vatican II. Finding a vocation in that parish to provide accessible songs for worship, he continued to compose and to study, receiving an MA in pastoral studies at the University of St. Thomas in St. Paul Minnesota. A number of liturgical settings were prepared for the Evangelical Lutheran Church in America and more than 400 of his compositions are available from several publishers, especially GIA Publications, who also produced some 30 recordings of his songs. He is composer-in-residence at Mayflower Community Congregational Church in Minneapolis and continues to compose and travel to speak and teach at worship events around the world. Emily Brink

Richard Frederick Littledale

1833 - 1890 Hymnal Number: 313 Translator of "Come Down, O Love Divine" in The Presbyterian Hymnal Richard Frederick Littledale (b. Dublin, 1833; d. London, 1890) entered Trinity College, Dublin, as a foundation scholar, graduated with a bachelors degree in classics, a Masters of Divinity in 1858, then a Bachelors and Doctorate in Civil Law at Oxford in 1862. From 1856 to 1857 he was the curate of St. Matthew in Thorpe Hamlet, Norfolk, and from 1857 to 1861 was the curate of St. Mary the Virgin, in Soho, London. For the remainder of his life he suffered from chronic illness and spent most of his time writing. He authored many books and pamphlets on Anglican liturgy, theology, and the church’s engagement with society, and completed his good friend John Mason Neale’s work on the psalms after Neale died in 1866. Laura de Jong ================ Littledale, Richard Frederick, LL.D., D.C.L., son of John Richard Littledale, merchant, was born at Dublin on the 14th of Sept, 1833, and was educated at Bective House Seminary, and Trinity College, Dublin. His University course was distinguished. In 1852 he became a University Scholar; in 1854 he was first class in Classics and gold medallist; in 1856 he won the Berkeley gold medal (for Greek), and other honours. He graduated B.A., 1855, M.A., 1858, LL.D., 1862, and D.C.L. at Oxford, 1862. Taking Holy Orders in 1856, he was Curate of St. Matthew's, in Thorpe Hamlet, Norwich, from 1856 to 1857, and of St. Mary the Virgin, Soho, London, from 1857 to 1861. Through ill-health he retired from parochial work in 1861, and devoted himself to literature. Dr. Littledale's publications amount to about fifty in all, and embrace Theological, Historical, Liturgical, and Hymnological subjects chiefly. His prose works include:— (1) Application of Colour to the Decoration of Churches, 1857; (2) Religious Communities of Women in the Early Church, 1862; (3) Catholic Ritual in the Church of England, 1861; (4) Continuation of Dr. Neale's Commentary on the Psalms, vols. ii., iii., iv., 1868-74; (5) Commentary on the Song of Songs, 1869; (6) The Petrine Claims, 1878-84; (7) Plain Reasons against joining the Church of Rome, 1880, &c.; (8) Short History of the Council of Trent; and several articles in the Encyclopaedia Britannica, 1882-88. His contributions to periodical literature have been also extensive and valuable. Dr. Littledale's Liturgical, Devotional, and Hymnological works include:— (1) Offices of the Holy Eastern Church, in the Original Greek, with translation into English, Notes, &c, 1863; (2) Carols for Christmas and Other Seasons, 1863; (3)The Priest's Prayer Book, with hymns, 1864, and with Brief Pontifical in 1870 and later editions; (4)The People's Hymnal, 1867 ; (5) The Children's Bread. A Communion Office for the Young, with hymns, 1868; (6) Primitive Liturgies and Translations, 1868-69; (7) Children at Calvary: being The Stations of the Cross in Metre for Singing, 1872; (8) the Christian Passover, 1873; (9) The Altar Manual, 1863-77. He was joint Editor of Nos. 3, 4, 8 and 9 with the Rev. J. E. Vaux; and of No. 6 with Dr. Neale. In addition to a large number of hymns, original and translated, in the above works, Dr. Littledale has also directly contributed original and translated hymns to:— (1) Lyra Eucharistica, 1863; (2) Lyra Messianica, 1864; (3) Lyra Mystica, 1865; (4) The Eucharistic Hymnal, 1877; (5) The Roman Breviary in English, by the Marquess of Bute, 1879; (6) The Altar Hymnal, 1884; (7) Supplement to Hymns Ancient & Modern, 1889; (8) to the Night Hours of the Church; (9) to the St. Margaret's Hymnal [East Grinstead], 1875; and (10) to the Church Times, The Guardian, &c, &c. Dr. Littledale's Hymnological works in verse consist of translations of Danish, Swedish, Greek, Latin, Syriac, German, and Italian hymns, together with original Carols, Hymns, and Metrical Litanies. His original hymns remain to be noted. These include the following:— i. In the Priest's Prayer Book, 1864 :— 1. Captain of Salvation. Christian Warfare. 2. Christ, on Whose Face the soldiers. Passiontide. 3. Christ, Who hast for sinners suffered. Passiontide. 4. God the Father, from on high. For the Sick. 5. Lord Jesu, by Thy passion. Passiontide. 6. Lord, Who in pain and weariness. Passiontide. 7. 0 Jesu, in Thy torture. Passiontide. In Meditations and Prayers on the Passion of Our Lord Jesus Christ, 1863. 8. 0 Lord, to Whom the spirits live. All Souls. 9. The clouds of sorrow rest upon mine eyes. For the Sorrowing. ii. In the People's Hymnal, 1867:— 10. Christ, our song we lift to Thee. Blessed Virgin Mary. 11. Christ, our Sun, on us arose. Whitsuntide. In Carols for Christmas, &c, 3rd series, 1864. 12. Christ, the Lord, Whose mighty hand. Prayer for Peace. 13. Day is past and gone. Evening. In the Church Times, Feb. 17, 1866. 14. Eternal Shepherd, God most high. Vacancy of a See or Parish. 15. Eternal Wisdom, God most high. Common of Doctors. 16. God eternal, infinite. Septuagesima. 17. Hidden Saviour, great High Priest. Holy Communion. 18. I believe in God the Father. The Creed. 19. I worship Thee, Lord Jesu. Holy Communion. In the Church Times, May 10, 1865. 20. In Paradise reposing. Burial of a Child. 21. In songs of glad thanksgiving. General Thanksgiving. 22. Lord, Whose goodwill is ever sure. In time of Famine. 23. Now the sun is in the skies. Morning. In the Church Times, Jan. 27, 1866. 24. 0 God of mercy, God of love. For Rain. 25. 0 God, Who metest in Thine hand. For those at Sea. 26. 0 God, Whose Sole-Begotten left. Almsgiving. 27. 0 sing to the Lord, Whose bountiful hand. Thanksgiving for Rain. 28. Set upon Sion's wall. Ember Days. 29. The Cedar of Lebanon, Plant of renown. Christmas. First published in Sedding's Christmas Carols, 1863. 30. The fight is o'er, the crown is won. Burial of a Sister of Mercy. 31. The wintry time hath ended. Thanksgiving for Fair Weather. 32. We are marching through the desert. Processional. 33. When the day hath come at last. The Judgment. In addition to these, a few of the more widely used of Dr. Littledale's original hymns, as "From hidden source arising," and others, are annotated under their respective first lines. In the People's Hymnal, 1867, Dr. Littledale adopted the following signatures:— A. L. P., i.e., A London Priest. B., i.e., An initial of a former address. B. T., i.e., The initials of a former address. D. L., i.e. Dr. Littledale. F., i.e., Frederick. F. R., i.e., Frederick Richard. L., i.e., Littledale. P. C. E., i.e., Priest of the Church of England. P. P. Bk., i.e., Priest's Prayer Book. Taken as a whole, Dr. Littledale's translations from the seven languages named above are characterised by general faithfulness to the originals, great simplicity of diction, good metre, smooth rhythm, and deep earnestness. His original compositions are usually on special subjects, for which, at th$ time they were written, there were few hymns, and are marked by the same excellent features of a good hymn as his translations. His main object throughout is to teach through Praise and Prayer. --John Julian, Dictionary of Hymnology (1907) ====================== Littledale, Richard F., p. 679, ii. He died at Red Lion Square, London, Jan. 11, 1890. --John Julian, Dictionary of Hymnology, Appendix, Part II (1907)

Andrew Reed

1787 - 1862 Hymnal Number: 325 Author of "Spirit Divine, Attend Our Prayers" in The Presbyterian Hymnal Reed, Andrew, D.D., son of Andrew Reed, was born in London on Nov. 27, 1787, and educated for the Congregational Ministry at Hackney College, London. He was first the pastor of the New Road Chapel, St. George's-in-the-East, and then of the Wycliffe Chapel, which was built through his exertions in 1830. His degree was conferred by Yule College, America. He died Feb. 25, 1862. As the founder of "The London Orphan Asylum," "The Asylum for Fatherless Children," “The Asylum for Idiots” "The Infant Orphan Asylum," and "The Hospital for Incurables," Dr. Reed is more fully known, and will be longer remembered than by his literary publications. His Hymn Book was the growth of years. The preparation began in 1817, when he published a Supplement to Watts, in which were a few originals. This was enlarged in 1825; and entirely superseded by his collection The Hymn Book, prepared from Dr. Watts's Psalms & Hymns and Other Authors, with some Originals, in 1842 (Preface). His hymns, mostly of a plain and practical character, numbering 21, were contributed to these various editions, and were republished with those of his wife in the Wycliffe Supplement, 1872. The best known are "Ah Jesus, let me hear Thy voice” and ”Spirit Divine, attend our prayer." All Dr. and Mrs. Reed's hymns are anonymous in The Hymn Book, 1842, but are given with their names in the Wyclife Supplement, 1872. His hymns now in common use include, in addition to those annotated under their respective first lines :— 1. Come, let us strike our harps afresh. Praise. 2. Come, my Redeemer, come. Desiring Christ's Presence. 3. Gentle Saviour, look on me. Christ's protection Desired. 4. Gracious Lord, as Thou hast taught us. Public Worship. 5. Hark, hark, the notes of joy. Missions. 6. Holy Ghost, with light divine (1817). Prayer to the Holy Spirit. Sometimes given as "Holy Ghost, Thou light divine;" and again as "Holy Spirit, Light divine." 7. Listen, sinner, mercy hails you. Invitation. Generally given as "Hear, O Sinner, mercy hails you." 8. Rich are the joys of solitude. Retirement. Some-times given as "How deep and tranquil is the joy." 9. There [comes] is an hour when I must part. Death anticipated. 10. Ye saints your music bring. Praise of the Cross. --John Julian, Dictionary of Hymnology (1907)