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SEVEN JOYS OF MARY
Meter: 8.7.8.7 D Appears in 11 hymnals Composer and/or Arranger: John L. Bell (b. 1949) Tune Sources: English carol melody Tune Key: G Major Incipit: 51112 32113 37671 Used With Text: When I receive the peace of Christ
SEVEN JOYS OF MARY
When I receive the peace of Christ
Author: Michael Mair (b. 1942) Meter: 8.7.8.7 D Appears in 2 hymnals Topics: Our Response to Christ In Devotion; The Church Celebrates Holy Communion; God peace of; Holy Communion; Human Dignity; Loneliness Scripture: John 14:27 Used With Tune: SEVEN JOYS OF MARY
When I receive the peace of Christ
One human family God has made
Author: Rosemary Wakelin, b. 1932 Meter: 8.6.8.6 D Appears in 1 hymnal Topics: Human Life and Relationships; Life and Unity in the Church; The Communion of Saints Scripture: Luke 22:42 Used With Tune: THE SEVEN JOYS OF MARY
One human family God has made
When Jesus saw the fishermen
Author: Edith Agnew (b. 1897) Meter: 8.6.8.6 D Appears in 8 hymnals Topics: Life in Christ Christ Incarnate - Public Ministry; Discipleship Scripture: Genesis 1:28-30 Used With Tune: THE SEVEN JOYS OF MARY
When Jesus saw the fishermen
The Seven Joys of Mary
Hymnal: The Hymnal for Boys and Girls #37 (1936) Meter: 8.6.8.6 D First Line: The first good joy that Mary had Lyrics: 1 The first good joy that Mary had,
It was the joy of one;
To see the blessed Jesus Christ
When He was first her son:
Chorus:
When He was first her son, good man:
And blessed may He be,
Both Father, Son, and Holy Ghost,
To all eternity.
2 The next good joy that Mary had,
It was the joy of two;
To see her own son, Jesus Christ
To make the lame to go:
Chorus:
To make the lame to go, good man:
And blessed may He be,
Both Father, Son, and Holy Ghost,
To all eternity.
3 The next good joy that Mary had,
It was the joy of three;
To see her own son, Jesus Christ
To make the blind to see;
Chorus:
To make the blind to see, good man:
And blessed may He be,
Both Father, Son, and Holy Ghost,
To all eternity.
4 The next good joy that Mary had,
It was the joy of four;
To see her own son, Jesus Christ
To read the Bible o'er:
Chorus:
To read the Bible o'er, good man:
And blessed may He be,
Both Father, Son, and Holy Ghost,
To all eternity.
5 The next good joy that Mary had,
It was the joy of five;
To see her own son, Jesus Christ
To bring the dead alive:
Chorus:
To bring the dead alive, good man:
And blessed may He be,
Both Father, Son, and Holy Ghost,
To all eternity.
6 The next good joy that Mary had,
It was the joy of six;
To see her own son, Jesus Christ
Upon the crucifix:
Chorus:
Upon the crucifx, good man:
And blessed may He be,
Both Father, Son, and Holy Ghost,
To all eternity.
7 The next good joy that Mary had,
It was the joy of seven;
To see her own son, Jesus Christ
To wear the crown of heaven:
Chorus;
To wear the crown of heaven, good man,
And blessed may He be,
Both Father, Son, and Holy Ghost,
To all eternity.
Topics: Christmas Tune Title: JOYS SEVEN
The Seven Joys of Mary
Joys Seven
Hymnal: An American Christmas Harp #36 (2009) First Line: The first good joy that Mary had, it was the joy of one Languages: English Tune Title: JOYS SEVEN
Joys Seven
What Friends We All Can Be
Author: Mary Grace Martin Hymnal: Hymns for Primary Worship #140 (1946) First Line: My grocer comes from Italy Languages: English Tune Title: JOYS SEVEN
What Friends We All Can Be
John L. Bell
b. 1949 Person Name: John L. Bell (b. 1949) Arranger of "THE SEVEN JOYS OF MARY" in Church Hymnary (4th ed.) John Bell (b. 1949) was born in the Scottish town of Kilmarnock in Ayrshire, intending to be a music teacher when he felt the call to the ministry. But in frustration with his classes, he did volunteer work in a deprived neighborhood in London for a time and also served for two years as an associate pastor at the English Reformed Church in Amsterdam. After graduating he worked for five years as a youth pastor for the Church of Scotland, serving a large region that included about 500 churches. He then took a similar position with the Iona Community, and with his colleague Graham Maule, began to broaden the youth ministry to focus on renewal of the church’s worship. His approach soon turned to composing songs within the identifiable traditions of hymnody that began to address concerns missing from the current Scottish hymnal:
"I discovered that seldom did our hymns represent the plight of poor people to God. There was nothing that dealt with unemployment, nothing that dealt with living in a multicultural society and feeling disenfranchised. There was nothing about child abuse…,that reflected concern for the developing world, nothing that helped see ourselves as brothers and sisters to those who are suffering from poverty or persecution." [from an interview in Reformed Worship (March 1993)]
That concern not only led to writing many songs, but increasingly to introducing them internationally in many conferences, while also gathering songs from around the world. He was convener for the fourth edition of the Church of Scotland’s Church Hymnary (2005), a very different collection from the previous 1973 edition. His books, The Singing Thing and The Singing Thing Too, as well as the many collections of songs and worship resources produced by John Bell—some together with other members of the Iona Community’s “Wild Goose Resource Group,” —are available in North America from GIA Publications.
Emily Brink
John L. Bell
John Stainer
1840 - 1901 Person Name: John Stainer, 1840-1901 Arranger of "THE SEVEN JOYS OF MARY" in CPWI Hymnal
John Stainer
Herbert O'Driscoll
b. 1928 Person Name: Thomas Herbert O'Driscoll, 1928- Author of "When Jesus came from Nazareth" in CPWI Hymnal O'Driscoll, Herbert. (Cork, Ireland, October 17, 1928-- ). Anglican. Graduated from Trinity College, Dublin, 1951. Pastorates at Monkstown (Ireland), 1952-1954; Ottawa, Ontario, 1954-1957, 1962-1968; Dartmouth, Nova Scotia, 1957-1960 (naval chaplaincy); Carp, Ont., 1960-1962; Vancouver, British Columbia, (dean), 1968-1982. In 1982 he moved to Washington, D.C. to become the warden of the College of Preachers at Washington Cathedral, but returned to Canada after one year.
In both his hymns and his published sermons, he uses traditional techniques to set forth contemporary concerns, so that his work is unusually approachable.
--Hugh D. McKellar, DNAH Archives
Also:
O'Driscoll, T. Herbert (Thomas Herbert)
O'Driscoll, Thomas Herbert
Herbert O'Driscoll
Small Church Music
Description:
The SmallChurchMusic site was launched in 2006, growing out of the requests from those struggling
to provide suitable music for their services and meetings. Rev. Clyde McLennan was ordained in mid
1960’s and was a pastor in many small Australian country areas, and therefore was acutely aware of
this music problem. Having also been trained as a Pipe Organist, recordings on site (which are a subset
of the smallchurchmusic.com site) are all actually played by Clyde, and also include piano and piano
with organ versions. All recordings are in MP3 format.
Churches all around the world use the recordings, with downloads averaging over 60,000 per
month.
The recordings normally have an introduction, several verses and a slowdown on the last verse.
Users are encouraged to use software: Audacity (http://www.audacityteam.org) or Song Surgeon (http://songsurgeon.com) (see http://scm-audacity.weebly.com for more information) to adjust the MP3 number of verses, tempo
and pitch to suit their local needs.
Copyright notice: Rev. Clyde McLennan, performer in this collection, has assigned his performer rights in this collection to Hymnary.org. Non-commercial use of these recordings is permitted. For permission to use them for any other purposes, please contact manager@hymnary.org.
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