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Our God, Our Help in Ages Past
Author: Isaac Watts Meter: 8.6.8.6 Appears in 1,236 hymnals Matching Instances: 362 Lyrics: 1 Our God, our help in ages past,
our hope for years to come,
our shelter from the stormy blast,
and our eternal home:
2 Under the shadow of your throne
your saints have dwelt secure;
sufficient is your arm alone,
and our defense is sure.
3 Before the hills in order stood,
or earth received her frame,
from everlasting you are God,
to endless years the same.
4 A thousand ages in your sight
are like an evening gone;
short as the watch that ends the night
before the rising sun.
5 The busy tribes of flesh and blood,
with all their lives and cares,
are carried downward by your flood,
and lost in foll'wing years.
6 Time, like an ever-rolling stream,
bears all its sons away;
they fly forgotten, as a dream
dies at the op'ning day.
7 Our God, our help in ages past,
our hope for years to come:
O be our guard while troubles last,
and our eternal home.
Topics: Funerals; Reformation Day; God His Eternity; God Defender; Life Brevity of; Opening and Closing of the Year; Preservation of Christians; Tribulation and Suffering Prayer in Scripture: Psalm 90 Used With Tune: ST. ANNE (Croft)
Our God, Our Help in Ages Past
O Where Are Kings and Empires Now
Author: Arthur Cleveland Coxe Meter: 8.6.8.6 Appears in 300 hymnals Matching Instances: 107 First Line: O where are the kings and empires now Lyrics: 1 O where are kings and empires now
Of old that went and came?
But, Lord, Thy Church is praying yet,
A thousand years the same.
2 We mark her goodly battlements,
And her foundations strong;
We hear within the solemn voice
Of her unending song.
3 For not like kingdoms of the world
Thy holy Church, O God;
Though earthquake shocks are threatening her,
And tempests are abroad,
4 Unshaken as eternal hills,
Immovable she stands,
A mountain that shall fill the earth,
A house not made by hands.
Amen. Topics: Church, The; Church, The Church Triumphant Scripture: Psalm 48:12-13 Used With Tune: ST. ANNE
O Where Are Kings and Empires Now
The Son of God goes forth to war
Author: Reginald Heber, 1783 - 1826 Meter: 8.6.8.6 Appears in 835 hymnals Matching Instances: 18 Used With Tune: ST. ANNE
The Son of God goes forth to war
எல்லையில்லா எம் ஆண்டவா
Author: Isaac Watts; S. John Barathi Hymnal: The Cyber Hymnal #15648 Lyrics: 1 எல்லையில்லா எம் ஆண்டவா,
வெறும் புழுக்கள் யாம்,
படைப்புக்கள் எல்லோருமாய்
உம்மை போற்றுகின்றோம்.
2 உம் சிம்மாசனம் நின்றதே,
விண்மீன்கள் தோன்றுமுன்,
என்றும் வாழ்வீர் நீர் ஆண்டவா
எல்லோரும் மாண்டாலும்.
3 உம் முன்னே யாவும் மாயையே,
மகா மகத்துவம் நீர்,
பிரபஞ்சம் உருவாகும் முன்
தீ மாய்க்கும் நாள்வரை.
4 முன் பின்னான எக்காலமும்,
உம் கண்கள் முன்பன்றோ?
ஏதும் நீர் காணா காட்சியோ?
புதிதேதுமுண்டோ?
5 திகிலாம் எங்கள் வாழ்விலே,
சோர்ந்தே அயர்ந்தோமே,
உம் ஞானம் காலம் கடந்தே,
நகர்ந்தே செல்லுதே.
6 எல்லையில்லா எம் ஆண்டவா,
வெறும் புழுக்கள் யாம்,
படைப்புக்கள் எல்லோருமாய்
உம்மை போற்றுகின்றோம். Languages: Tamil Tune Title: [எல்லையில்லா எம் ஆண்டவா]
எல்லையில்லா எம் ஆண்டவா
අතීතයේදිද මතුන්
Author: Isaac Watts; John Simon De Silva Hymnal: The Cyber Hymnal #15443 Lyrics: 1 අතීතයේදිද මතුන්
අපගේ එකම
පැතුමද උපකාරෙත්
ඔබයි හිමිතූම
2 ඔබ සිහසන් සෙවනේ
සැපතින් වසමු
ඔබස සුරතින් පමණේ
ඇතොත් සුරැකෙමු
3 කඳු හෙල් සාදන්ටත් පෙර
ඔබ දෙවිඳුය
ඊයෙත් අදත් සදාකල්හීත්
වෙනස් නොවන්නේය
4 දහස් වසක් ඔබ හට
දවසක් ලෙස වේ
පෙර හිරු පායන්නට
උදේ යාම මෙන් වේ
5 කාලය සැඩ පාරක් මෙන්
ගෙනයයි සත් සැම
රෑදුටු සීනේ විලසින්
වේ උන් තුරන් වීම
6 අතීතයේදීද මතුත්
අපේ පැතුම වෙත්
දෙවිඳුනි අග දක්වාත්
රකින් අප නිතින් Languages: Sinhala Tune Title: [අතීතයේදිද මතුන්]
අතීතයේදිද මතුන්
ഇന്നെയോളം തുണച്ചോനെ
Author: Isaac Watts; Simon Zachariah Hymnal: The Cyber Hymnal #14458 Lyrics: 1 ഇന്നെയോളം തുണച്ചോനെ
ഇനിയും തുണക്ക!
ഇഹ ദുഃഖേ രക്ഷയും നീ
ഈ എന്‍ നിത്യ ഗൃഹം
2 നിന്‍ സിംഹാസന നിഴലില്‍
നിന്‍ ശുദ്ധര്‍ പാര്‍ക്കുന്നു
നിന്‍ ഭുജം മതിയവര്‍ക്കു
നിര്‍ഭയം വസിപ്പാന്‍
3 പര്‍വ്വതങ്ങള്‍ നടും മുമ്പേ
പണ്ടു ഭൂമിയെക്കാള്‍
പരനെ നീ അനാധിയായ്
പാര്‍ക്കുന്നല്ലോ സദാ
4 നിന്‍ ആജ്ഞയാല്‍ മൃത്യു വരും
ഉയര്‍പ്പിക്കും വീണ്ടും
രാഷ്ട്രങ്ങളോ വാഴും പിന്നെ
മണ്ണടിയും വീണ്ടും*
5 ആയിരം വര്‍ഷം നിനയ്ക്കു
ആകുന്നിന്നലെപോല്‍
ആദിത്യോദയമുംബിലെ
അല്പ യാമം പോലെ
6 ജീവനുറ്റ ജാതി ജനം
ജീവ ഭാരമൊപ്പം
പ്രളയത്താല്‍ നശിച്ചു പോയി
മറന്നുപോയ്‌ കാലം.*
7 നിത്യ നദി പോലെ കാലം
നിത്യം തന്‍ മക്കളെ
നിത്യത്വം പൂകിപ്പിക്കുന്ന
നിദ്ര പോലെ അത്രേ
8 സാമ്രാജ്യങ്ങള്‍ പൂക്കള്‍ പോലെ
ഉദിച്ചു നില്‍ക്കുന്നു
തോട്ടക്കാരന്‍ പറിക്കുമ്പോള്‍
അന്ധകാരം ചുറ്റും.*
9 ഇന്നെയോളം തുണച്ചോനെ!
ഇനിയും തുണക്ക
ഇഹം വിട്ടു പിരിയുമ്പോള്‍
ഈ എന്‍ നിത്യ ഗ്രഹം. Languages: Malayalam Tune Title: [ഇന്നെയോളം തുണച്ചോനെ]
ഇന്നെയോളം തുണച്ചോനെ
William Croft
1678 - 1727 Person Name: W. Croft, 1678-1727 Composer of "ST. ANNE (Croft)" in Evangelical Lutheran Hymnary William Croft, Mus. Doc. was born in the year 1677 and received his musical education in the Chapel Royal, under Dr. Blow. In 1700 he was admitted a Gentleman Extraordinary of the Chapel Boyd; and in 1707, upon the decease of Jeremiah Clarke, he was appointed joint organist with his mentor, Dr. Blow. In 1709 he was elected organist of Westminster Abbey. This amiable man and excellent musician died in 1727, in the fiftieth year of his age. A very large number of Dr. Croft's compositions remain still in manuscript.
Cathedral chants of the XVI, XVII & XVIII centuries, ed. by Edward F. Rimbault, London: D. Almaine & Co., 1844
William Croft
Isaac Watts
1674 - 1748 Person Name: I. Watts, 1674-1748 Author of "O God, Our Help in Ages Past" in Evangelical Lutheran Hymnary Isaac Watts was the son of a schoolmaster, and was born in Southampton, July 17, 1674. He is said to have shown remarkable precocity in childhood, beginning the study of Latin, in his fourth year, and writing respectable verses at the age of seven. At the age of sixteen, he went to London to study in the Academy of the Rev. Thomas Rowe, an Independent minister. In 1698, he became assistant minister of the Independent Church, Berry St., London. In 1702, he became pastor. In 1712, he accepted an invitation to visit Sir Thomas Abney, at his residence of Abney Park, and at Sir Thomas' pressing request, made it his home for the remainder of his life. It was a residence most favourable for his health, and for the prosecution of his literary labours. He did not retire from ministerial duties, but preached as often as his delicate health would permit.
The number of Watts' publications is very large. His collected works, first published in 1720, embrace sermons, treatises, poems and hymns. His "Horae Lyricae" was published in December, 1705. His "Hymns" appeared in July, 1707. The first hymn he is said to have composed for religious worship, is "Behold the glories of the Lamb," written at the age of twenty. It is as a writer of psalms and hymns that he is everywhere known. Some of his hymns were written to be sung after his sermons, giving expression to the meaning of the text upon which he had preached. Montgomery calls Watts "the greatest name among hymn-writers," and the honour can hardly be disputed. His published hymns number more than eight hundred.
Watts died November 25, 1748, and was buried at Bunhill Fields. A monumental statue was erected in Southampton, his native place, and there is also a monument to his memory in the South Choir of Westminster Abbey. "Happy," says the great contemporary champion of Anglican orthodoxy, "will be that reader whose mind is disposed, by his verses or his prose, to imitate him in all but his non-conformity, to copy his benevolence to men, and his reverence to God." ("Memorials of Westminster Abbey," p. 325.)
--Annotations of the Hymnal, Charles Hutchins, M.A., 1872.
=================================
Watts, Isaac, D.D. The father of Dr. Watts was a respected Nonconformist, and at the birth of the child, and during its infancy, twice suffered imprisonment for his religious convictions. In his later years he kept a flourishing boarding school at Southampton. Isaac, the eldest of his nine children, was born in that town July 17, 1674. His taste for verse showed itself in early childhood. He was taught Greek, Latin, and Hebrew by Mr. Pinhorn, rector of All Saints, and headmaster of the Grammar School, in Southampton. The splendid promise of the boy induced a physician of the town and other friends to offer him an education at one of the Universities for eventual ordination in the Church of England: but this he refused; and entered a Nonconformist Academy at Stoke Newington in 1690, under the care of Mr. Thomas Rowe, the pastor of the Independent congregation at Girdlers' Hall. Of this congregation he became a member in 1693.
Leaving the Academy at the age of twenty, he spent two years at home; and it was then that the bulk of the Hymns and Spiritual Songs (published 1707-9) were written, and sung from manuscripts in the Southampton Chapel. The hymn "Behold the glories of the Lamb" is said to have been the first he composed, and written as an attempt to raise the standard of praise. In answer to requests, others succeeded. The hymn "There is a land of pure delight" is said to have been suggested by the view across Southampton Water. The next six years of Watts's life were again spent at Stoke Newington, in the post of tutor to the son of an eminent Puritan, Sir John Hartopp; and to the intense study of these years must be traced the accumulation of the theological and philosophical materials which he published subsequently, and also the life-long enfeeblement of his constitution.
Watts preached his first sermon when he was twenty-four years old. In the next three years he preached frequently; and in 1702 was ordained pastor of the eminent Independent congregation in Mark Lane, over which Caryl and Dr. John Owen had presided, and which numbered Mrs. Bendish, Cromwell's granddaughter, Charles Fleetwood, Charles Desborough, Sir John Hartopp, Lady Haversham, and other distinguished Independents among its members. In this year he removed to the house of Mr. Hollis in the Minories. His health began to fail in the following year, and Mr. Samuel Price was appointed as his assistant in the ministry. In 1712 a fever shattered his constitution, and Mr. Price was then appointed co-pastor of the congregation which had in the meantime removed to a new chapel in Bury Street. It was at this period that he became the guest of Sir Thomas Abney, under whose roof, and after his death (1722) that of his widow, he remained for the rest of his suffering life; residing for the longer portion of these thirty-six years principally at the beautiful country seat of Theobalds in Herts, and for the last thirteen years at Stoke Newington. His degree of D.D. was bestowed on him in 1728, unsolicited, by the University of Edinburgh. His infirmities increased on him up to the peaceful close of his sufferings, Nov. 25, 1748. He was buried in the Puritan restingplace at Bunhill Fields, but a monument was erected to him in Westminster Abbey.
His learning and piety, gentleness and largeness of heart have earned him the title of the Melanchthon of his day. Among his friends, churchmen like Bishop Gibson are ranked with Nonconformists such as Doddridge. His theological as well as philosophical fame was considerable. His Speculations on the Human Nature of the Logos, as a contribution to the great controversy on the Holy Trinity, brought on him a charge of Arian opinions. His work on The Improvement of the Mind, published in 1741, is eulogised by Johnson. His Logic was still a valued textbook at Oxford within living memory. The World to Come, published in 1745, was once a favourite devotional work, parts of it being translated into several languages. His Catechisms, Scripture History (1732), as well as The Divine and Moral Songs (1715), were the most popular text-books for religious education fifty years ago. The Hymns and Spiritual Songs were published in 1707-9, though written earlier. The Horae Lyricae, which contains hymns interspersed among the poems, appeared in 1706-9. Some hymns were also appended at the close of the several Sermons preached in London, published in 1721-24. The Psalms were published in 1719. The earliest life of Watts is that by his friend Dr. Gibbons. Johnson has included him in his Lives of the Poets; and Southey has echoed Johnson's warm eulogy. The most interesting modern life is Isaac Watts: his Life and Writings, by E. Paxton Hood. [Rev. H. Leigh Bennett, M.A.]
A large mass of Dr. Watts's hymns and paraphrases of the Psalms have no personal history beyond the date of their publication. These we have grouped together here and shall preface the list with the books from which they are taken.
(l) Horae Lyricae. Poems chiefly of the Lyric kind. In Three Books Sacred: i.To Devotion and Piety; ii. To Virtue, Honour, and Friendship; iii. To the Memory of the Dead. By I. Watts, 1706. Second edition, 1709. (2) Hymns and Spiritual Songs. In Three Books: i. Collected from the Scriptures; ii. Composed on Divine Subjects; iii. Prepared for the Lord's Supper. By I. Watts, 1707. This contained in Bk i. 78 hymns; Bk. ii. 110; Bk. iii. 22, and 12 doxologies. In the 2nd edition published in 1709, Bk. i. was increased to 150; Bk. ii. to 170; Bk. iii. to 25 and 15 doxologies. (3) Divine and Moral Songs for the Use of Children. By I. Watts, London, 1715. (4) The Psalms of David Imitated in the Language of the New Testament, And apply'd to the Christian State and Worship. By I. Watts. London: Printed by J. Clark, at the Bible and Crown in the Poultry, &c, 1719. (5) Sermons with hymns appended thereto, vol. i., 1721; ii., 1723; iii. 1727. In the 5th ed. of the Sermons the three volumes, in duodecimo, were reduced to two, in octavo. (6) Reliquiae Juveniles: Miscellaneous Thoughts in Prose and Verse, on Natural, Moral, and Divine Subjects; Written chiefly in Younger Years. By I. Watts, D.D., London, 1734. (7) Remnants of Time. London, 1736.
454 Hymns and Versions of the Psalms, in addition to the centos are all in common use at the present time.
--Excerpts from John Julian, Dictionary of Hymnology (1907)
==================================
Watts, I. , p. 1241, ii. Nearly 100 hymns, additional to those already annotated, are given in some minor hymn-books.
--John Julian, Dictionary of Hymnology, Appendix, Part II (1907)
=================
Watts, I. , p. 1236, i. At the time of the publication of this Dictionary in 1892, every copy of the 1707 edition of Watts's Hymns and Spiritual Songs was supposed to have perished, and all notes thereon were based upon references which were found in magazines and old collections of hymns and versions of the Psalms. Recently three copies have been recovered, and by a careful examination of one of these we have been able to give some of the results in the revision of pp. 1-1597, and the rest we now subjoin.
i. Hymns in the 1709 ed. of Hymns and Spiritual Songs which previously appeared in the 1707 edition of the same book, but are not so noted in the 1st ed. of this Dictionary:—
On pp. 1237, L-1239, ii., Nos. 18, 33, 42, 43, 47, 48, 60, 56, 58, 59, 63, 75, 82, 83, 84, 85, 93, 96, 99, 102, 104, 105, 113, 115, 116, 123, 124, 134, 137, 139, 146, 147, 148, 149, 162, 166, 174, 180, 181, 182, 188, 190, 192, 193, 194, 195, 197, 200, 202.
ii. Versions of the Psalms in his Psalms of David, 1719, which previously appeared in his Hymns and Spiritual Songs, 1707:—
On pp. 1239, U.-1241, i., Nos. 241, 288, 304, 313, 314, 317, 410, 441.
iii. Additional not noted in the revision:—
1. My soul, how lovely is the place; p. 1240, ii. 332. This version of Ps. lxiv. first appeared in the 1707 edition of Hymns & Spiritual Songs, as "Ye saints, how lovely is the place."
2. Shine, mighty God, on Britain shine; p. 1055, ii. In the 1707 edition of Hymns & Spiritual Songs, Bk. i., No. 35, and again in his Psalms of David, 1719.
3. Sing to the Lord with [cheerful] joyful voice, p. 1059, ii. This version of Ps. c. is No. 43 in the Hymns & Spiritual Songs, 1707, Bk. i., from which it passed into the Ps. of David, 1719.
A careful collation of the earliest editions of Watts's Horae Lyricae shows that Nos. 1, 7, 9, 10, 11, 12, 14, 16, p. 1237, i., are in the 1706 ed., and that the rest were added in 1709. Of the remaining hymns, Nos. 91 appeared in his Sermons, vol. ii., 1723, and No. 196 in Sermons, vol. i., 1721. No. 199 was added after Watts's death. It must be noted also that the original title of what is usually known as Divine and Moral Songs was Divine Songs only.
--John Julian, Dictionary of Hymnology, New Supplement (1907)
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See also in:
Hymn Writers of the Church
Isaac Watts
A. Cleveland Coxe
1818 - 1896 Person Name: Bishop A. Cleveland Coxe Author of "O where are kings and empires now" in Student Volunteer Hymnal Coxe, Arthur Cleveland, D.D. LL.D. One of the most distinguished of American prelates, and son of an eminent Presbyterian minister, the Rev. Samuel H. Cox, D.D., was born at Mendham, New Jersey, May 10,1818. Graduating at the University of New York in 1838, and taking Holy Orders in 1841, he became Rector of St. John's, Hartford, Connecticut, in the following year. In 1851 he visited England, and on his return was elected Rector of Grace Church, Baltimore, 1854, and Calvary, New York, 1863. His consecration as Bishop of the Western Diocese of New York took place in 1865. His residence is at Buffalo. Bishop Coxe is the author of numerous works. His poetical works were mostly written in early life, and include Advent, 1837; Athanasion, &c, 1842; Christian Ballads, 1840 (Preface to the English edition, April, 1848); Hallowe'en and Other Poems, 1844; Saul, a Mystery, 1845, &c. Some of Bishop Coxe's hymns are found in the collections of every religious body in America, except the official collections of his own. This is accounted for by his too scrupulous modesty. As a member of the Hymnal Committee, in 1869-71, he refused to permit the insertion of his own lyrics. As he has not preserved memoranda, and has no precise recollection of dates, several dates here given are somewhat uncertain.
1. Behold an Israelite indeed. St. Bartholomew. First appeared in "Poems," published with his Christian Ballads, 1840, and found in an altered form in the People's H. and the Hymnary.
2. Body of Jesus, 0 sweet Food. Holy Communion. Written at St. James's College, Maryland (since broken up by the Civil War), Ascension Day, 1858. It was first printed for private use, and then published in the Cantate Domino, Boston, 1859, No. 53, and again in other American collections. It is also in Schaff’s Christ in Song, 1869, and in The Churchman's Altar Manual, 2nd ed., 1883.
3. Breath of the Lord, 0 Spirit blest.Whitsuntide. Bishop Coxe considers this more worthy of being called a hymn than anything else from his pen. It was written long before it appeared in the New York Independent, Whitsuntide, 1878. It is in the Schaff-Gilman Library of Religious Poetry, 1881, and Brooke's Churchman's Manual of Private and Family Devotion, 1883.
4. Christ is arisen. Easter. This is suggested by, and partly translated from, the famous Easter Chorus in Goethe's Faust, "Christ ist erstanden" (see Goethe), and appeared in Hallowe'en, 1844.
5. He who for Christ hath left behind. St. Matthew. From his Christian Ballads, &c, 1840.
6. In the silent midnight watches. Christ knocking. From his Athanasion, &c, 1842; an impressive moral poem rather than a hymn on Christ knocking at the door, extensively used in America, and sometimes in England. Original text, Schaff's Christ in Song, 1869.
7. Lord, when Thou didst come from heaven. A hymn for Epiphany, on behalf of Western Missions, appeared among the "Lays "appended to Hallowe'en, 1844, and again in later editions of the Christian Ballad. It is sometimes abbreviated, as in Lyra Sac. Amer., " Westward, Lord, the world alluring."
8. Now pray we for our country. National Hymn. A stanza from Chronicles, or meditations on events in the history of England, called up by visiting her abbeys and cathedrals, and appeared in Christian Ballads, 1840. Originally it began, "Now pray we for our mother," and, with the succeeding stanza, was a call upon Americans to pray for their mother country. It is adopted by Dr. Martineau in his Hys., 1873.
9. 0 walk with God, and thou shalt find. Holiness. Appeared in his Hallowe’en, &c, 1844, and is found in Lyra Sac. Amer.
10. 0 where are kings and empires now! Church of God. The 6th stanza of his ballad "Chelsea," which appeared in the Churchman, 1839, and again in his Christian Ballads, 1840.
11. Saviour, sprinkle many nations. Missions. “Begun on Good Friday, 1850, and completed 1851, in the grounds of Magdalen College, Oxford." 1st published. in Verses for 1851, in Commemoration of the third Jubilee of the Society for the Propagation of the Gospel, edited by the Rev. Ernest Hawkins, 1851. It was subsequently appended to the English edition of his Christian Ballads. It is regarded as Bishop Coxe's best piece, and to many minds it is the loveliest of missionary hymns. Its use in England is very extensive. It is not found in the American Episcopal hymnal for the reason given above.
12. Still as our day our strength shall be. Temptation. Appeared in his Hallowe'en, &c, 1844, and Lyra Sac. Amer.
13. Soldier, to the contest pressing. Christian Conflict. From his Hallowe'en, &c, 1844, and Lyra Sac. Amer. It was written in 1834.
14. There is a land like Eden fair. From Hallowe'en, &c, into a few collections.
15. We are living, we are dwelling. Christian Soldiers. An impressive moral poem rather than a hymn, but extensively used. It appeared in his Athanasion, &c, 1840, and Lyra &xc.
16. Who is this, with garments gory. Passiontide. From his “Lays" appended to Hallowe'en, 1844, and again in his Christian Ballads. It is found in the Child's Christian Year, 4th ed. N.D., the People's Hymns, and other collections. It is in 4 stanza of 8 1. The last stanza is sometimes given as a separate hymn:—"Hail, all hail, Thou Lord of Glory."
17. When o'er Judea's vales and hills. Written cir. 1840, and published in his Hallowe'en, &c, 1844, and again, with the author's final corrections, made in 1869, in Schaff's Christ in Song (1870 ed. p. 112). Also in the English edition of his Christian Ballads. From this "Hymn to the Redeemer," two shorter hymns have been com¬piled : (1) " How beauteous were the marks divine." This is in almost universal American and occasional English use. (2) "O who like Thee, so calm, so bright," in the Hymnary, 1872.
Bishop Coxe has also translated the Pange lingua gloriosi corporis (q. v.), and is the author of the beautiful Christmas Carol, "Carol, carol, Christians," given in his Christian Ballads, &c. [Rev. F. M. Bird]
-- John Julian, Dictionary of Hymnology (1907)
A. Cleveland Coxe
Christian Classics Ethereal Hymnary
Publication Date: 2007 Publisher: Grand Rapids, MI: Christian Classics Ethereal Library
Christian Classics Ethereal Hymnary
Small Church Music
Editors: Isaac Watts Description:
The SmallChurchMusic site was launched in 2006, growing out of the requests from those struggling
to provide suitable music for their services and meetings. Rev. Clyde McLennan was ordained in mid
1960’s and was a pastor in many small Australian country areas, and therefore was acutely aware of
this music problem. Having also been trained as a Pipe Organist, recordings on site (which are a subset
of the smallchurchmusic.com site) are all actually played by Clyde, and also include piano and piano
with organ versions. All recordings are in MP3 format.
Churches all around the world use the recordings, with downloads averaging over 60,000 per
month.
The recordings normally have an introduction, several verses and a slowdown on the last verse.
Users are encouraged to use software: Audacity (http://www.audacityteam.org) or Song Surgeon (http://songsurgeon.com) (see http://scm-audacity.weebly.com for more information) to adjust the MP3 number of verses, tempo
and pitch to suit their local needs.
Copyright notice: Rev. Clyde McLennan, performer in this collection, has assigned his performer rights in this collection to Hymnary.org. Non-commercial use of these recordings is permitted. For permission to use them for any other purposes, please contact manager@hymnary.org.
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