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FEDERAL STREET
Meter: 8.8.8.8 Appears in 633 hymnals Composer and/or Arranger: Henry K. Oliver Hymnal Title: The Lutheran Hymnal Tune Key: F Major Incipit: 33343 55434 44334 Used With Text: Jesus! and Shall It Ever Be
FEDERAL STREET
Unto the Calmly Gathered Thought
Author: John G. Whittier Appears in 7 hymnals Hymnal Title: A Hymnal for Friends First Line: Unto the calmly gather'd thought Used With Tune: FEDERAL STREET
Unto the Calmly Gathered Thought
Happy the man who finds the grace
Author: Charles Wesley Meter: 8.8.8.8 Appears in 127 hymnals Hymnal Title: African Methodist Episcopal hymn and tune book Used With Tune: FEDERAL STREET
Happy the man who finds the grace
How blest the righteous when he dies!
Author: Barbould Meter: 8.8.8.8 Appears in 466 hymnals Hymnal Title: African Methodist Episcopal hymn and tune book Used With Tune: FEDERAL STREET
How blest the righteous when he dies!
Unto the Calmly Gathered Thought
Author: John G. Whittier Hymnal: A Hymnal for Friends #32 (1942) Hymnal Title: A Hymnal for Friends First Line: Unto the calmly gather'd thought Languages: English Tune Title: FEDERAL STREET
Unto the Calmly Gathered Thought
Unto the Calmly Gathered Thought
Author: John G. Whittier Hymnal: A Hymnal for Friends #87 (1955) Hymnal Title: A Hymnal for Friends First Line: Unto the calmly gather'd thought Tune Title: FEDERAL STREET
Unto the Calmly Gathered Thought
Jesus, and Shall It Ever Be
Author: Joseph Grigg, c. 1720-1768; Benjamin Francis, 1734-1799 Hymnal: A. M. E. C. Hymnal #45 (1954) Hymnal Title: A. M. E. C. Hymnal Languages: English Tune Title: FEDERAL STREET
Jesus, and Shall It Ever Be
John Bowring
1792 - 1872 Person Name: Sir John Bowring Hymnal Title: African Methodist Episcopal hymn and tune book Author of "How sweetly flowed the gospel's sound" in African Methodist Episcopal hymn and tune book James Bowring was born at Exeter, in 1792. He possessed at an early age a remarkable power of attaining languages, and acquired some reputation by his metrical translations of foreign poems. He became editor of "The Westminster Review" in 1825, and was elected to Parliament in 1835. In 1849, he was appointed Consul at Canton, and in 1854, was made Governor of Hong Kong, and received the honour of knighthood. He is the author of some important works on politics and travel, and is the recipient of several testimonials from foreign governments and societies. His poems and hymns have also added to his reputation. His "Matins and Vespers" have passed through many editions. In religion he is a Unitarian.
--Annotations of the Hymnal, Charles Hutchins, M.A., 1872
=======================================
Bowring, Sir John, LL.D., a distinguished man of letters, was born at Exeter, Oct. 17, 1792. His studies extended to philology, poetry, politics, and other branches of learning, whilst as editor of the Westminster Review for some years (he received the appointment in 1825) he did considerable work as a reviewer. He held several official appointments under the Government as Commissioner to France on commercial matters (1831-5); British Consul at Hong Kong (1849); and Governor of Hong Kong (1854). He was twice Member of Parliament, and was knighted in 1854. He died Nov. 23rd, 1872. His published works are very numerous, and display an astonishing acquaintance with various languages. Those specially bearing on poetry include:—
(1) Russian Anthology, with Biographical and Critical notices of the Poets of Russia, 1821; (2) Specimens of the Russian Poets, 1823; (3) Ancient Poetry and Romance of Spain, 1824; (4) Batavian Anthology, or Specimens of Dutch Poets, 1824; (5) Servian Popular Poetry, 1821; (6) Specimens of Polish Poets, 1827; (1) Poetry of the Magyars, 1830; (8) History of the Poetical Literature of Bohemia, 1832, &c.
In addition to these works, which are mainly translations, Sir John Bowring wrote original verse. This was published interspersed with a few translations, as follows:—
(1) Matins and Vespers with Hymns and Occasional Devotional Pieces, Lond., 1823; 2nd edition, enlarged, 1824; 3rd edition, again enlarged, 1841; and the 4th, still further enlarged, in 1851. (2) Hymns: as a Sequel to the Matins, 1825. In addition he contributed to a few Unitarian hymnals, especially that of the Rev. J. R. Beard of Manchester, 1837. In that Collection many of the hymns added to the 3rd edition of Matins, &c, 1841, were first published A selection from these, together with a biographical sketch, was published by Lady Bowring in 1873, as a Memorial Volume of Sacred Poetry. This work contains hymns from the Matins and Vespers, together with others from Periodicals, and from his manuscripts.
Of his hymns a very large percentage have come into common use. A few have been adopted by almost all denominations, as, "God is love, His mercy brightens;" "How sweetly flow'd the gospel sound;" "In the Cross of Christ I glory;" "Watchman, tell us of the night;"; and others, but the greater portion are confined to the Unitarian collections of Great Britain and America, of which denomination he was a member. In addition to the more important, which are annotated under their first lines, there are also the following in common use:—-
1. Clay to clay, and dust to dust. Burial. From his Hymns, 1825, into the Hymn & Tune Book, Boston, U.S., 1868, &c.
2. Come the rich, and come the poor. Divine Worship. Contributed to Beard's Collection, 1837, No. 290, and repeated in Bowring's Matins, &c., 3rd edition, 1841. It is in a few American collections.
3. Drop the limpid waters now. Holy Baptism. From Matins and Vespers, 3rd edition, 1841, into Kennedy, 1863.
4. Earth's transitory things decay. The Memory of the Just. From his Hymns, 1825, into Beard, 1837; the American Plymouth Collection, 1855; and the Songs for the Sanctuary, N.Y., 1865, &c.
5. Father, glorify Thy name. The Father glorified. Also from Hymns, 1825, into Beard, 1837; the Hymns of the Spirit, Boston, U.S., 1864, &c.
6. Father and Friend, Thy light, Thy love. Omnipresence. From Matins and Vespers, 2nd edition, 1824, into several collections, and sometimes in an abbreviated form.
7. Father of Spirits, humbly bent before Thee. Also in Hymns, 1825, and Dr. Martineau's Hymns of Praise & Prayer, 1873. In Longfellow and Johnson's Hymns of the Spirit, Boston, U.S., 1864, it is given as, "Father of Spirits, gathered now before Thee."
8. From all evil, all temptation. Preservation implored. Contributed to Beard's Collection, 1837.
9. From the recesses of a lowly spirit. Prayer of trust. From Matins and Vespers, 1st edition, 1823, into several American collections.
10. Gather up, 0 earth, thy dead. Published in his Matins & Vespers, 3rd ed., 1841, in 3 stanzas of 8 lines and repeated, slightly altered, in Kennedy, 1863, No. 753.
11. Gently the shades of night descends Evening. A cento from his poem on "Sunday Evening," in the Matins, &c, 1st edition, 1823, p. 6. It is given in the Boston Hymns of the Spirit, 1864; the Boston Hymn & Tune Book, 1868, and other collections.
12. How dark, how desolate. Hope. 1st published in his Matins, &c, 1823, p. 246. In Dr. Martineau's Hymns of Praise & Prayer, 1873, it is No. 515.
13. How shall we praise Thee, Lord of Light! Evening. A cento from the same poem as No. 7 above. It is given in the Hymns of the Spirit, 1864, and other American collections.
14. Lead us with Thy gentle sway. Divine Guidance desired. Hymns, 1825, into Hymns of the Spirit, 1864, and others.
15. Lord, in heaven, Thy dwelling-place. Praise. Contributed to Beard's Collection, 1837, No. 70, repeated in the author's Matins, &c, 3rd edition 1841, p. 235, and given in a few American collections. In the Hymns of the Spirit, 1864, it is altered to "Lord of every time and place."
16. 0 let my [thy] trembling soul be still. Resignation. From the 1st edition of the Matins, &c, 1823, p. 251, in 3 stanzas of 6 lines, into Beard's Collection, 1837; the Hymns of the Spirit, 1864, and others. It is sometimes given as, "0 let thy," &c.
17. 0, sweet it is to feel and know. Monday Morning. A poem in 16 stanzas of 4 lines, given in his Matins, &c, 1823, p. 60. In 1837 stanzas i.-iii. were given in Beard's Collection as No. 448, and entitled "God near in sorrow." In the 3rd edition of the Matins, &c, 1841, this cento was repeated (p. 245), with the same title, notwithstanding the full poem was in the same book.
18. On the dust I'm doomed to sleep. Resurrection. Appeared in his Matins, &c, 1st edition, 1823, p. 252, in 2 stanzas of 8 lines. In the 2nd edition, 1824, p. 232, it was altered to "In the dust," &c. This was repeated in 1841. In some hymnals it reads:—
19. The heavenly spheres to Thee, 0 God. Evening. This "Hymn to the Deity" appeared in the 2nd edition of his Matins, &c, 1824, pp. 235-6, in 4 stanzas of 4 double lines. It is also in the 3rd edition, 1841; the Boston Hymns of the Spirit, 1864 and other American collections.
20. When before Thy throne we kneel. Divine Worship. From his Hymns, 1825, into Beard's Collection, 1837, No. 93; the Boston Hymn & Tune Book, 1868, No. 21, and others.
21. Where is thy sting, 0 death! Death. Also from the Hymns, 1825, into the same collections as No. 20 above.
It will be noted that Beard's Collection, 1837, is frequently named above. The full title of that hymnal is—
A Collection of Hymns for Public and Private Worship. Compiled by John R. Board, Lond., John Green, 1837.
The Rev. John Relly Beard was an Unitarian Minister in Manchester, and the collection is dedicated "To the Manchester Meeting of Ministers." It contained a large number of original hymns. Bowring contributed 82, of which 33 were published therein for the first time. Some of his hymns are of great merit, and most of them are characterised by great earnestness and deep devotion.
-- John Julian, Dictionary of Hymnology (1907)
==================
Bowring, Sir John, p. 166, i. In the article on Bowring the hymns numbered therein as 4 and 20 are stated to have appeared in his Hymns, 1825, but in error. The earliest date to which we can positively trace them is Beard's Collection, 1837. From the Hymns, 1825, we find, however, that the following are in modern hymnals:—
1. Our God is nigh. Divine Presence.
2. 'Tis not the gift; but 'tis the spirit. Outward and Inward Virtue.
3. When the storms of sorrow gather. God our Guide.
From the various editions of his Matins and Vespers additional hymns arc also in modern use:—
4. If all our hopes and all our fears. Heaven Anticipated. (1823.)
5. In Thy courts let peace be found. Public Worship. (1841.)
6. The offerings to Thy throne which rise. Heart Worship. (1824.)
7. Who shall roll away the stone? Easter. In Beard's Collection, 1837, and Matins & Vespers, 1841.
--John Julian, Dictionary of Hymnology, Appendix, Part II (1907)
John Bowring
Anna L. Barbauld
1743 - 1825 Person Name: Barbould Hymnal Title: African Methodist Episcopal hymn and tune book Author of "How blest the righteous when he dies!" in African Methodist Episcopal hymn and tune book Barbauld, Anna Laetitia, née Aikin, daughter of the Rev. John Ailrin, D.D., a dissenting minister, was b. at Kibworth-Harcourt, Leicestershire, June 20, 1743. In 1753 Dr. Aikin became classical tutor at a dissenting academy at Warrington. During her residence there she contributed five hymns to Dr. W. Enfield's Hymns for Public Worship, &c, Warrington, 1772. In the following year these were included in her Poems, Lond., J. Johnson, 1773. In May, 1774, Miss Aikin was married to the Rev. Rochemont Barbauld, a descendant of a French Protestant family, and a dissenting minister. For some years Mr. Barbauld conducted, in addition to his pastoral work, a boarding school at Palgrave, Suffolk. From this he retired in 1785. In 1786 he undertook the charge of a small congregation at Hampstead, and from thence he passed to the dissenting chapel (formerly Dr. Price's) at Newington Green, in 1802. He d. Nov. 11, 1808. Mrs. Barbauld continued to reside in the neighbourhood until her death, March 9, 1825. In the latter part of the same year her niece published The Works of Anna Laetitia Barbauld, with Memoir, by Lucy Aikin, 2 vols., Lond., Longman, 1825. As a writer of hymns Mrs. Barbauld was eminently successful. Their use, however, with the exception of five contributed to Dr. W. Enfield's collection, is almost exclusively confined to the Unitarian hymnals of Great Britain and America. Including these hymnals, the whole of her hymns are still in common use. These hymns appeared thus:—
i. In Dr. W. Enfield's Hymns, &c., 1772.
1. Again the Lord of life and light. Easter.
2. Awake, my soul, lift up thine eyes. Conflict.
3. Behold, where breathing love divine. Christian Charity.
4. Jehovah reigns, let every nation hear. God's Dominion. A part of this was given in Collyer's Sel., 1812, No. 586, as:—
5. This earthly globe, the creature of a day.
6. Praise to God, Immortal praise. Harvest.
ii. Poems, 1773 (Preface dated Dec. 1, 1772). The whole of the above, and also:—
7. God of my life and author of my days. To God the Father. This is an “Address to the Deity," in 80 1. It is given in Martineau's Collection, 1840 and 1873. From it the following centos were given in Collyer's Selection> 1812:—
8. God, our kind Master, merciful as just.
9. If friendless in the vale of tears I stray.
iii. Poems revised 1792.
10. Come, said [says] Jesus' sacred voice. Invitation.
11. How blest the sacred tie that binds. Christian Fellowship.
12. Lo where a crowd of pilgrims toil. Pilgrimage of Life. From this is taken:—
13. Our country is Immanuel's ground [land].
iv. Leisure Hour Improved (Ironbridge), 1809.
14. Sweet is the scene when virtue dies. Death.
v. Supplement to the Unitarian Coll. of Kippis, Bees, and others, 1807.
15. When as returns the solemn day. Sunday.
16. Sleep, sleep to day, tormenting cares. Sunday.
17. How may earth and heaven unite. Worship.
vi. Works, with Memoir, 1825.
In vol. i. most of the above are reprinted, and the following are added :—
18. Joy to the followers of the Lord. Joy. (c. 1820.)
19. Pure spirit, O where art thou now. Bereavement. This is dated 1808.
20. Salt of the earth, ye virtuous few. Salt of the Earth.
21. When life as opening buds is sweet. Death. This is dated " November, 1814."
The more important of these hymns are annotated in this Dictionary under their first lines. Mrs. Barbauld's Hymns in Prose for Children, originally published in 1781, were long popular and have been translated into French, Italian, Spanish, and other languages.
-- John Julian, Dictionary of Hymnology (1907)
===================
Barbauld, Anna L., p. 113, ii. No. 18 on p. 114, i.,should be dated circa 1820. Another hymn in common use from Mrs. Barbauld's Works, &c, 1825, is, "O Father! though the anxious fear" (E. Taylor, p. 1117, in error).
--John Julian, Dictionary of Hymnology, Appendix, Part II (1907)
See also in:
Hymn Writers of the Church
Anna L. Barbauld
A. C. Mueller
Person Name: A. C. Mueller, 1948 Hymnal Title: Ambassador Hymnal Author of "Day of My Baptism" in Ambassador Hymnal
A. C. Mueller
Christian Classics Ethereal Hymnary
Publication Date: 2007 Publisher: Grand Rapids, MI: Christian Classics Ethereal Library
Christian Classics Ethereal Hymnary
New Hymn and Tune Book
Publication Date: 1889 Publisher: A.M.E. Z. Book Concern Publication Place: New York
New Hymn and Tune Book
Small Church Music
Editors: Joseph Grigg Description:
The SmallChurchMusic site was launched in 2006, growing out of the requests from those struggling
to provide suitable music for their services and meetings. Rev. Clyde McLennan was ordained in mid
1960’s and was a pastor in many small Australian country areas, and therefore was acutely aware of
this music problem. Having also been trained as a Pipe Organist, recordings on site (which are a subset
of the smallchurchmusic.com site) are all actually played by Clyde, and also include piano and piano
with organ versions. All recordings are in MP3 format.
Churches all around the world use the recordings, with downloads averaging over 60,000 per
month.
The recordings normally have an introduction, several verses and a slowdown on the last verse.
Users are encouraged to use software: Audacity (http://www.audacityteam.org) or Song Surgeon (http://songsurgeon.com) (see http://scm-audacity.weebly.com for more information) to adjust the MP3 number of verses, tempo
and pitch to suit their local needs.
Copyright notice: Rev. Clyde McLennan, performer in this collection, has assigned his performer rights in this collection to Hymnary.org. Non-commercial use of these recordings is permitted. For permission to use them for any other purposes, please contact manager@hymnary.org.
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