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Tune Identifier:"^chant_hodges_11113$"

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[We praise Thee, O God]

Appears in 7 hymnals Composer and/or Arranger: Hodges Tune Key: G Major Incipit: 11113 43217 33433 Used With Text: Te Deum Laudamus

Texts

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Te Deum Laudamus

Appears in 370 hymnals First Line: We praise Thee, O God Used With Tune: [We praise Thee, O God]
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Venite, exultemus Domino

Appears in 453 hymnals First Line: O come, let us sing unto the Lord; let us heartily rejoice in the strength of our salvation Used With Tune: [O come, let us sing unto the Lord; let us heartily rejoice in the strength of our salvation]
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Te Deum Laudamus

Appears in 6 hymnals First Line: Á Tí, oh Dios, alabamos Used With Tune: [Á Tí, oh Dios, alabamos]

Instances

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Venite, exultemus Domino

Hymnal: Common Praise #C12 (1913) First Line: O come, let us sing unto the Lord; let us heartily rejoice in the strength of our salvation Languages: English Tune Title: [O come, let us sing unto the Lord; let us heartily rejoice in the strength of our salvation]
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Te Deum Laudamus

Hymnal: Sunday-School Book #C5.1 (1896) First Line: We praise Thee, O God Languages: English Tune Title: [We praise Thee, O God]
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Te Deum Laudamus

Hymnal: The Sunday-School Hymnal and Service Book (Ed. A) #9 (1887) First Line: We praise Thee, O God: we acknowledge Thee to be the Lord Languages: English Tune Title: [We praise Thee, O God: we acknowledge Thee to be the Lord]

People

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Edward Hodges

1796 - 1867 Person Name: E. Hodges Composer of "[O come, let us sing unto the Lord; let us heartily rejoice in the strength of our salvation]" in Common Praise Born: Ju­ly 20, 1796, Bris­tol, Eng­land. Died: Sep­tem­ber 1, 1867, Clif­ton, Bris­tol, Eng­land. Buried: Church of St. Mary the Vir­gin, Stan­ton Drew (about eight miles south of Bristol). Hodges’ mu­sic­al gift showed it­self at an ear­ly age; by 1819, he was play­ing the or­gan at St. James’ Church in Bris­tol, and at St. Nicholas’, 1821-1838. He al­so had an in­ter­est­ing me­chan­ic­al bent, and spurred sev­er­al tech­ni­cal im­prove­ments in or­gan de­sign. He com­posed a num­ber of serv­ic­es and an­them piec­es, and Cam­bridge Un­i­ver­si­ty award­ed him a doc­tor­ate in mu­sic in 1825. Hodges event­u­al­ly em­i­grat­ed, ac­cept­ing a post at the ca­thed­ral in To­ron­to, Ca­na­da, in 1838. The next year, he be­came mu­sic di­rect­or at Trin­i­ty Par­ish in New York Ci­ty. He be­came the or­gan­ist at Trin­i­ty Church when it opened in 1846 (the church had its or­gan built to his spe­ci­fi­ca­tions). He re­tired for health rea­sons in 1859, and re­turned to his native Eng­land in 1863. Hodges’ works in­clude: An Apol­o­gy for Church Mu­sic and Mu­sic­al Fes­tiv­als, in Ans­wer…to the Stan­dard and the Re­cord (Lond­on: 1834) Essays on the Ob­jects of Mu­sic­al Study (Bris­tol, Eng­land: 1838) An Es­say on the Cul­ti­va­tion of Church Mu­sic (New York: 1841) Contributions to the Quar­ter­ly Mu­sic­al Mag­a­zine & Mu­sic­al World Trin­i­ty Col­lect­ion of Church Mu­sic (Bos­ton, Mass­a­chu­setts: 1864) (ed­it­or) Music-- BRISTOL GLOUCESTER HABAKKUK HYMN TO JOY --www.hymntime.com/