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Lord of all being, throned afar
Author: Oliver Wendell Holmes, 1809-1894 Meter: 8.8.8.8 Appears in 429 hymnals Used With Tune: ARIZONA
Lord of all being, throned afar
Blest are the humble souls that see
Author: Dr. I. Watts Appears in 217 hymnals Used With Tune: ARIZONA
Blest are the humble souls that see
Father, whose everlasting Love
Author: C. Wesley, 1707-1788 Appears in 27 hymnals Lyrics: 1. Father, whose everlasting Love
Thy only Son for sinners gave,
Whose grace to all did freely move,
And sent Him down the world to save:
2. Help us Thy mercy to extol,
Immense, unfathomed, unconfined;
To praise the Lamb who died for all,
The general Saviour of mankind.
3. Thy undistinguishing regard
Was cast on Adam's fallen race,
For all Thou hast in Christ prepared
Sufficient, sovereign, saving grace.
4. The world He suffered to redeem;
For all He hath atonement made;
For those that will not come to Him,
The ransom of His life was paid.
5. Arise, O God! maintain Thy cause;
The fulness of the Gentiles call;
Lift up the standard of Thy cross,
And all shall own Thou diest for all. Topics: Man Fall of; Man Fall of; The Godhead The Father; Atonement Universality ; Gospel Freeness of ; God Love of; God Mercy of; Grace Free; Grace Saving; Word, the ; Salvation; Universal Atonement; Love Of God; Ransom; Mercy Of God ; Redemption Used With Tune: ARIZONA
Father, whose everlasting Love
Lord of all being, throned afar
Author: Oliver Wendell Holmes, 1809-1894 Hymnal: The Hymnary of the United Church of Canada #20b (1930) Meter: 8.8.8.8 Topics: God | God in Creation, Providence, and Redemption; The Life in Christ | Aspiration and Holiness Languages: English Tune Title: ARIZONA
Lord of all being, throned afar
Lord of all being, throned afar
Author: Oliver Wendell Holmes, 1809-1894 Hymnal: The Hymnary for use in Baptist churches #20b (1936) Meter: 8.8.8.8 Languages: English Tune Title: ARIZONA
Lord of all being, throned afar
De Quien Obró Mi Redencion
Author: anónimo Hymnal: Cántico Nuevo #35 (1962) First Line: De quien obró mi redención Languages: Spanish Tune Title: ARIZONA
De Quien Obró Mi Redencion
John S. B. Monsell
1811 - 1875 Person Name: Dr. J. S. Monsell, 1811-1875 Author of "Fight the good fight with all thy might" in Methodist Hymn and Tune Book John Samuel Bewley Monsell (b. St. Colomb's, Londonderry, Ireland, 1811; d. Guilford, Surrey, England, 1875) was educated at Trinity College in Dublin and served as a chaplain and rector of several churches in Ireland after his ordination in 1835. Transferred to England in 1853, he became rector of Egham in Surrey and was rector of St. Nicholas Church in Guilford from 1870 until his death (caused by a construction accident at his church). A prolific poet, Monsell published his verse in eleven volumes. His three hundred hymns, many celebrating the seasons of the church year, were issued in collections such as Hymns and Miscellaneous Poems (1837), Spiritual Songs (1857), Hymns of Love and Praise (1863), and The Parish Hymnal (1873).
Bert Polman
===============================
Monsell, John Samuel Bewley, L.L.D., son of Thomas Bewley Monsell, Archdeacon of Londonderry, was born at St. Columb's, Londonderry, March 2,1811, and educated at Trinity College, Dublin (B.A. 1832, LL.D. 1856). Taking Holy Orders in 1834, "he was successively Chaplain to Bishop Mant, Chancellor of the diocese of Connor, Rector of Ramoan, Vicar of Egham, diocese Worcester, and Rector of St. Nicholas's, Guildford. He died in consequence of a fall from the roof of his church, which was in the course of rebuilding, April 9, 1875. His prose works include Our New Vicar, 1867; The Winton Church Catechist, &c. His poetical works are:—
(1) Hymns and Miscellaneous Poems, Dublin, W. Curry, Jun., & Co., 1837; (2) Parish Musings, or Devotional Poems, 1850; (3) Spiritual Songs for the Sundays and Holy Days throughout the Year. 1857 (People's Ed., 1875); (4) His Presence, not His Memory, 1855, 1858; (5) Hymns of Love and Praise for the Church's Year, 1863 (2nd ed. 1866); (6) The Passing Bell; Ode to The Nightingales, and Other Poems, 1867; (7) Litany Hymns, 1869; (8) The Parish Hymnal after the Order of The Book of Common Prayer, 1873; (9)Watches by the Cross, 1874; (10) Simon the Cyrenian; and Other Poems; (11) Nursery Carols.
In these works several hymns which appeared in the earlier books are repeated in the later, and thus at first sight his compositions seem to be more in number than they really are. The total amounts to nearly 300, and of these about one-fourth are in common use. The most popular of these are, "God is love; that anthem olden"; "God of that glorious gift of grace"; "Holy offerings, rich and rare"; “Lord of the living harvest"; "Mighty Father, Blessed Son"; and "Sing to the Lord a joyful song." In addition to those which are annotated under their respective first lines, the following are in common use:—
i. Appeared in his Hymns and Miscellaneous Poems, Dublin, 1837.
1. Birds have their quiet nests. Humility of Christ.
2. Dark and dim the day-light rose. Good Friday.
3. Friend of the friendless and the lone. Jesus, the Friend.
4. My God, what wondrous love was Thine. Whitsuntide.
5. O for a heart more fervent. Holiness desired.
6. O for the time when on the world. Missions.
7. The springtide hour brings leaf and flower. Spring.
8. This day the Lord is risen. Easter.
9. When cold our hearts and far from Thee. Teach us to Pray.
10. Why restless, why so weary? Providence.
11. Yes, I do feel, my God, that I am Thine. Assurance.
ii. Appeared in his Parish Musings, 1850.
12. In Thee, my [O] God, will we rejoice. Trust in God.
13. Lord, dependent on Thy promise. Holy Baptism.
14. Members of Christ, Children of God. Confirmation.
15. So teach me, Lord, to number. The Old and New Year.
16. Soon [soon] and for ever. Death anticipated.
17. The broken, contrite heart oppress'd. Promises of God.
18. Thou art near, yes, Lord, I feel it. Divine Support.
19. Would'st thou learn the depths of sin? Passiontide.
iii. Appeared in his Spiritual Songs, 1857.
20. A few bright leaders of her host. All Saints.
21. A happy, happy [merry, merry] Christmas. New Year's Day.
22. Blessed hope, that we the fallen [sinful]. Hope.
23. Heart in heart, and hand in hand. SS. Simon and Jude.
24. Jesus, my loving Lord! I know. Resignation.
25. Last Sunday of the work-day year. Sunday after Christmas Day.
26. Loved by God the Father. Holy Baptism.
27. Mercy, mercy, God the Father. Lent.
28. My head is low, my heart is sad. Confirmation. (Penitential.)
29. Oft doth the Christian's heart inquire. Christian Duty.
30. 0 God, most mighty, listen now. Charities. From "When languid frame or throbbing pulse."
31. 0 holy Sabbath day. Sunday.
32. 0 Lord, what records of Thy love. St. Barnabas. Sometimes, “Lord God, what records of Thy love."
33. 0 love, divine and golden. Holy Matrimony. From this, "Love divine and tender" is taken.
34. One lesson more the Church must learn. Waiting on God. From this, “One lesson Christ His own would teach" is taken.
35. Proudly in his [the] hall of judgment. Tuesday before Easter.
36. Sinful, sighing to be blest. Lent.
37. The Church of God, with equal care. St. James.
38. The journey done; The rest begun. Burial.
39. The simple trust that can confide. Trust.
40. Weary and sad, a wanderer from Thee. Lent.
iv. Appeared, in his Hymns of Love and Praise, 1863, and 2nd ed., 1866.
41. Bounteous blesser of the seedtime. Sexagesima. Seed Time.
42. Brightly hopeful for the future. God's mercy through life.
43. Christ is risen! Alleluia! Easter.
44. Come and deck the grave with flowers. Easter Eve.
45. Fight the good fight with all thy might. Fight of Faith.
46. Holy Spirit, long expected. Whitsuntide.
47. Hours and days and months and years. The Circumcision.
48. I have no comfort but Thy love. The Comfort of Love.
49. I knew Thee in the land of drought. A Song of Love.
60. I think of Thee, my God by night. Evening.
61. Jesu, gentle Sufferer, say. Good Friday.
52. Labouring and heavy-laden. Lent.
53. Light of the world, we hail Thee. Missions.
54. Lord, to whom except to Thee? Holy Communion.
55. My sins, my sins, my Saviour. Ash Wednesday.
56. O'er the distant mountains breaking. Second Advent.
57. Other Name than our dear Lord's. Jesus All and in All.
58. Pity on us, heavenly Father. Litany Hymn for Lent.
59. Praise the Lord, rejoice, ye Gentiles. Advent, or Missions.
60. Rest of the weary, joy of the sad. Jesus, the Saviour and Friend.
61. Shadow of a mighty Rock. Jesus, the Rock of Ages.
62. Sing, 0 heaven; 0 earth rejoice. Ascension.
63. Sweet is the gentle voice of spring. Seed Time.
64. Sweet is Thy mercy, Lord. Divine Mercy.
65. Teach me to do the thing that pleaseth Thee. Divine Teaching.
66. The good old times, how glorious. Advent.
67. The world may in its wealth delight. Rejoicing in the Lord. An altered form of "Let others in their wealth delight."
68. Though Thou slay me, I will trust. Faith.
69. To Christ the Lord! The Incarnate Word. Christmas.
70. When I had wandered from His fold. The Love of God.
v. Appeared in his Litany Hymns, 1869.
71. Lay the precious body, In the quiet grave. Burial.
72. My sins have taken such a hold on me. Litany of Repentance.
vi. Appeared in his Parish Hymnal, 1873.
73. I hunger and I thirst. Septuagesima.
Dr. Monsell’s hymns are as a whole bright, joyous, and musical; but they lack massiveness, concentration of thought, and strong emotion. A few only are of enduring excellence.
--John Julian, Dictionary of Hymnology 1907
=====================
Monsell, J, S. B., p. 762, ii. Additional hymns in common use include:—
1. Blessed Lord, Who, till the morning. Holy Scriptures. From his Spiritual Songs, 1857.
2. Christ incarnate in His poor. Christ in His Poor. From his Hymns of Love and Praise, 1863.
3. We ask for life, and mean thereby. Life and Work. From his Hymns of Love and Praise, 1863.
--John Julian, Dictionary of Hymnology, Appendix, Part II (1907)
====================
Monsell, J. S. B. Since the article on pp. 762-3 was written, copies of the original editions of Dr. Monsell's works have come into our hands, and from them we have to make the following corrections, the numbers following being those given to the first lines of the hymns on pp. 762-3:—
15. So teach me, &c. Hymns and Misc. Poems, 1837, p. 30.
17. The broken, &c. Hymns and Misc. Poems, 1837, p. 49.
18. Thou art near, &c. Hymns and Misc. Poems, 1837, p. 21.
19. Would'st thou, &c. Hymns and Misc. Poems, 1837, p. 14.
26. Loved by God, &c. Parish Hymnal, 1873, No. 181.
27. Mercy, mercy, &c. Prayers and Litanies, 1861,
p. 119.
28. My head is low, &c. Hymns of Love and Praise, 1866,
p. 125.
33. O Love divine, &c. Hymns of Love and Praise, p. 131.
38. The journey done, &c. Hymns of Love and Praise, p. 134.
40. Weary and sad, &c. Parish Hymnal, 1873, No. 209.
41-50. Hymns of Love and Praise, 1863.
51. See "Day of loss," &c, p. 282, i.
52. Labouring, &c. Prayers and Litanies, 1861, p. 116. 53-57. Hymns of Love and Praise, 1863.
58. Pity on us, &c. Prayers and Litanies, 1861, p. 125.
59. Praise the Lord, &c. Hymns of Love and Praise, 1863,
p. 13.
60. 61, 62, 64, 65. Prayers and Litanies, 1861.
63, 66-70. Hymns of Love and Praise, 1863.
72. My sins, &c. Hymns of Love and Praise, 1866, p. 34.
73. I hunger, &c. Hymns of Love and Praise, 1866, p. 128.
It will be seen from this list of additions and corrections that Dr. Monsell multiplied his works by giving much the same material under new titles, and that his Prayers and Litanies of 1861 were unknown to us when the original article was written. "We can sincerely add that few hymn writers are so perplexing to the annotator as Dr. Monsell. [Rev. James Mearns, M.A.]
--John Julian, Dictionary of Hymnology, New Supplement (1907)
John S. B. Monsell
Isaac Watts
1674 - 1748 Person Name: Dr. I. Watts Author of "Blest are the humble souls that see" in The Song Companion to the Scriptures Isaac Watts was the son of a schoolmaster, and was born in Southampton, July 17, 1674. He is said to have shown remarkable precocity in childhood, beginning the study of Latin, in his fourth year, and writing respectable verses at the age of seven. At the age of sixteen, he went to London to study in the Academy of the Rev. Thomas Rowe, an Independent minister. In 1698, he became assistant minister of the Independent Church, Berry St., London. In 1702, he became pastor. In 1712, he accepted an invitation to visit Sir Thomas Abney, at his residence of Abney Park, and at Sir Thomas' pressing request, made it his home for the remainder of his life. It was a residence most favourable for his health, and for the prosecution of his literary labours. He did not retire from ministerial duties, but preached as often as his delicate health would permit.
The number of Watts' publications is very large. His collected works, first published in 1720, embrace sermons, treatises, poems and hymns. His "Horae Lyricae" was published in December, 1705. His "Hymns" appeared in July, 1707. The first hymn he is said to have composed for religious worship, is "Behold the glories of the Lamb," written at the age of twenty. It is as a writer of psalms and hymns that he is everywhere known. Some of his hymns were written to be sung after his sermons, giving expression to the meaning of the text upon which he had preached. Montgomery calls Watts "the greatest name among hymn-writers," and the honour can hardly be disputed. His published hymns number more than eight hundred.
Watts died November 25, 1748, and was buried at Bunhill Fields. A monumental statue was erected in Southampton, his native place, and there is also a monument to his memory in the South Choir of Westminster Abbey. "Happy," says the great contemporary champion of Anglican orthodoxy, "will be that reader whose mind is disposed, by his verses or his prose, to imitate him in all but his non-conformity, to copy his benevolence to men, and his reverence to God." ("Memorials of Westminster Abbey," p. 325.)
--Annotations of the Hymnal, Charles Hutchins, M.A., 1872.
=================================
Watts, Isaac, D.D. The father of Dr. Watts was a respected Nonconformist, and at the birth of the child, and during its infancy, twice suffered imprisonment for his religious convictions. In his later years he kept a flourishing boarding school at Southampton. Isaac, the eldest of his nine children, was born in that town July 17, 1674. His taste for verse showed itself in early childhood. He was taught Greek, Latin, and Hebrew by Mr. Pinhorn, rector of All Saints, and headmaster of the Grammar School, in Southampton. The splendid promise of the boy induced a physician of the town and other friends to offer him an education at one of the Universities for eventual ordination in the Church of England: but this he refused; and entered a Nonconformist Academy at Stoke Newington in 1690, under the care of Mr. Thomas Rowe, the pastor of the Independent congregation at Girdlers' Hall. Of this congregation he became a member in 1693.
Leaving the Academy at the age of twenty, he spent two years at home; and it was then that the bulk of the Hymns and Spiritual Songs (published 1707-9) were written, and sung from manuscripts in the Southampton Chapel. The hymn "Behold the glories of the Lamb" is said to have been the first he composed, and written as an attempt to raise the standard of praise. In answer to requests, others succeeded. The hymn "There is a land of pure delight" is said to have been suggested by the view across Southampton Water. The next six years of Watts's life were again spent at Stoke Newington, in the post of tutor to the son of an eminent Puritan, Sir John Hartopp; and to the intense study of these years must be traced the accumulation of the theological and philosophical materials which he published subsequently, and also the life-long enfeeblement of his constitution.
Watts preached his first sermon when he was twenty-four years old. In the next three years he preached frequently; and in 1702 was ordained pastor of the eminent Independent congregation in Mark Lane, over which Caryl and Dr. John Owen had presided, and which numbered Mrs. Bendish, Cromwell's granddaughter, Charles Fleetwood, Charles Desborough, Sir John Hartopp, Lady Haversham, and other distinguished Independents among its members. In this year he removed to the house of Mr. Hollis in the Minories. His health began to fail in the following year, and Mr. Samuel Price was appointed as his assistant in the ministry. In 1712 a fever shattered his constitution, and Mr. Price was then appointed co-pastor of the congregation which had in the meantime removed to a new chapel in Bury Street. It was at this period that he became the guest of Sir Thomas Abney, under whose roof, and after his death (1722) that of his widow, he remained for the rest of his suffering life; residing for the longer portion of these thirty-six years principally at the beautiful country seat of Theobalds in Herts, and for the last thirteen years at Stoke Newington. His degree of D.D. was bestowed on him in 1728, unsolicited, by the University of Edinburgh. His infirmities increased on him up to the peaceful close of his sufferings, Nov. 25, 1748. He was buried in the Puritan restingplace at Bunhill Fields, but a monument was erected to him in Westminster Abbey.
His learning and piety, gentleness and largeness of heart have earned him the title of the Melanchthon of his day. Among his friends, churchmen like Bishop Gibson are ranked with Nonconformists such as Doddridge. His theological as well as philosophical fame was considerable. His Speculations on the Human Nature of the Logos, as a contribution to the great controversy on the Holy Trinity, brought on him a charge of Arian opinions. His work on The Improvement of the Mind, published in 1741, is eulogised by Johnson. His Logic was still a valued textbook at Oxford within living memory. The World to Come, published in 1745, was once a favourite devotional work, parts of it being translated into several languages. His Catechisms, Scripture History (1732), as well as The Divine and Moral Songs (1715), were the most popular text-books for religious education fifty years ago. The Hymns and Spiritual Songs were published in 1707-9, though written earlier. The Horae Lyricae, which contains hymns interspersed among the poems, appeared in 1706-9. Some hymns were also appended at the close of the several Sermons preached in London, published in 1721-24. The Psalms were published in 1719. The earliest life of Watts is that by his friend Dr. Gibbons. Johnson has included him in his Lives of the Poets; and Southey has echoed Johnson's warm eulogy. The most interesting modern life is Isaac Watts: his Life and Writings, by E. Paxton Hood. [Rev. H. Leigh Bennett, M.A.]
A large mass of Dr. Watts's hymns and paraphrases of the Psalms have no personal history beyond the date of their publication. These we have grouped together here and shall preface the list with the books from which they are taken.
(l) Horae Lyricae. Poems chiefly of the Lyric kind. In Three Books Sacred: i.To Devotion and Piety; ii. To Virtue, Honour, and Friendship; iii. To the Memory of the Dead. By I. Watts, 1706. Second edition, 1709. (2) Hymns and Spiritual Songs. In Three Books: i. Collected from the Scriptures; ii. Composed on Divine Subjects; iii. Prepared for the Lord's Supper. By I. Watts, 1707. This contained in Bk i. 78 hymns; Bk. ii. 110; Bk. iii. 22, and 12 doxologies. In the 2nd edition published in 1709, Bk. i. was increased to 150; Bk. ii. to 170; Bk. iii. to 25 and 15 doxologies. (3) Divine and Moral Songs for the Use of Children. By I. Watts, London, 1715. (4) The Psalms of David Imitated in the Language of the New Testament, And apply'd to the Christian State and Worship. By I. Watts. London: Printed by J. Clark, at the Bible and Crown in the Poultry, &c, 1719. (5) Sermons with hymns appended thereto, vol. i., 1721; ii., 1723; iii. 1727. In the 5th ed. of the Sermons the three volumes, in duodecimo, were reduced to two, in octavo. (6) Reliquiae Juveniles: Miscellaneous Thoughts in Prose and Verse, on Natural, Moral, and Divine Subjects; Written chiefly in Younger Years. By I. Watts, D.D., London, 1734. (7) Remnants of Time. London, 1736.
454 Hymns and Versions of the Psalms, in addition to the centos are all in common use at the present time.
--Excerpts from John Julian, Dictionary of Hymnology (1907)
==================================
Watts, I. , p. 1241, ii. Nearly 100 hymns, additional to those already annotated, are given in some minor hymn-books.
--John Julian, Dictionary of Hymnology, Appendix, Part II (1907)
=================
Watts, I. , p. 1236, i. At the time of the publication of this Dictionary in 1892, every copy of the 1707 edition of Watts's Hymns and Spiritual Songs was supposed to have perished, and all notes thereon were based upon references which were found in magazines and old collections of hymns and versions of the Psalms. Recently three copies have been recovered, and by a careful examination of one of these we have been able to give some of the results in the revision of pp. 1-1597, and the rest we now subjoin.
i. Hymns in the 1709 ed. of Hymns and Spiritual Songs which previously appeared in the 1707 edition of the same book, but are not so noted in the 1st ed. of this Dictionary:—
On pp. 1237, L-1239, ii., Nos. 18, 33, 42, 43, 47, 48, 60, 56, 58, 59, 63, 75, 82, 83, 84, 85, 93, 96, 99, 102, 104, 105, 113, 115, 116, 123, 124, 134, 137, 139, 146, 147, 148, 149, 162, 166, 174, 180, 181, 182, 188, 190, 192, 193, 194, 195, 197, 200, 202.
ii. Versions of the Psalms in his Psalms of David, 1719, which previously appeared in his Hymns and Spiritual Songs, 1707:—
On pp. 1239, U.-1241, i., Nos. 241, 288, 304, 313, 314, 317, 410, 441.
iii. Additional not noted in the revision:—
1. My soul, how lovely is the place; p. 1240, ii. 332. This version of Ps. lxiv. first appeared in the 1707 edition of Hymns & Spiritual Songs, as "Ye saints, how lovely is the place."
2. Shine, mighty God, on Britain shine; p. 1055, ii. In the 1707 edition of Hymns & Spiritual Songs, Bk. i., No. 35, and again in his Psalms of David, 1719.
3. Sing to the Lord with [cheerful] joyful voice, p. 1059, ii. This version of Ps. c. is No. 43 in the Hymns & Spiritual Songs, 1707, Bk. i., from which it passed into the Ps. of David, 1719.
A careful collation of the earliest editions of Watts's Horae Lyricae shows that Nos. 1, 7, 9, 10, 11, 12, 14, 16, p. 1237, i., are in the 1706 ed., and that the rest were added in 1709. Of the remaining hymns, Nos. 91 appeared in his Sermons, vol. ii., 1723, and No. 196 in Sermons, vol. i., 1721. No. 199 was added after Watts's death. It must be noted also that the original title of what is usually known as Divine and Moral Songs was Divine Songs only.
--John Julian, Dictionary of Hymnology, New Supplement (1907)
===========
See also in:
Hymn Writers of the Church
Isaac Watts
Edward Mote
1797 - 1874 Person Name: E. Mote Author of "My hope is built on nothing less" in The Primitive Methodist Church Hymnal Mote, Edward, was born in Upper Thames Street, London, Jan. 21, 1797. Through the preaching of the Rev. J. Hyatt, of Tottenham Court Road Chapel, he underwent a great spiritual change; and ultimately he became a Baptist minister. For the last 26 years of his life he was pastor at Horsham, Sussex, where he died Nov. 13, 1874. Mr. Mote published several small pamphlets; and also:-
Hymns of Praise. A New Selection of Gospel Hymns, combining all the Excellencies of our spiritual Poets, with many Originals. By E. Mote. London. J. Nichols, 1836. The Originals number nearly 100.
Concerning the authorship of one of these original hymns much uncertainty has existed. The hymn is:—
1. Nor earth, nor hell my soul can move. [Jesus All in All.] In 6 stanzas of 4 lines, with a refrain. Mr. Mote's explanation, communicated to the Gospel Herald, is:—
"One morning it came into my mind as I went to labour, to write an hymn on the ‘Gracious Experience of a Christian.' As I went up Holborn I had the chorus,
‘On Christ the solid Rock I stand,
All other ground is sinking sand.’
In the day I had four first verses complete, and wrote them off. On the Sabbath following I met brother King as I came out of Lisle Street Meeting . . . who informed me that his wife was very ill, and asked me to call and see her. I had an early tea, and called afterwards. He said that it was his usual custom to sing a hymn, read a portion, and engage in prayer, before he went to meeting. He looked for his hymnbook but could find it nowhere. I said, ‘I have some verses in my pocket; if he liked, we would sing them.' We did; and his wife enjoyed them so much, that after service he asked me, as a favour, to leave a copy of them for his wife. 1 went home, and by the fireside composed the last two verses, wrote the whole off, and took them to sister King. . . As these verses so met the dying woman's case, my attention to them was the more arrested, and I had a thousand printed for distribution. I sent one to the Spiritual Magazine, without my initials, which appeared some time after this. Brother Rees, of Crown Street, Soho, brought out an edition of hymns [1836], and this hymn was in it. David Denham introduced it [1837] with Rees's name, and others after... . Your inserting this brief outline may in future shield me from the charge of stealth, and be a vindication of truthfulness in my connection with the Church of God."
The form in which the hymn is usually found is:—
2. My hope is built on nothing less (st. ii.), sometimes in 4 stanzas, and at others in 5 st., and usually without the refrain. The original in the author's Hymns of Praise, 1836, is No. 465, and entitled, "The immutable Basis of a Sinner's hope." Bishop Bickersteth calls it a "grand hymn of faith." It dates circa 1834, and is in extensive use. [Rev. W. R. Stevenson, M.A.]
--John Julian, Dictionary of Hymnology (1907)
Edward Mote
Small Church Music
Editors: Joseph Grigg Description:
The SmallChurchMusic site was launched in 2006, growing out of the requests from those struggling
to provide suitable music for their services and meetings. Rev. Clyde McLennan was ordained in mid
1960’s and was a pastor in many small Australian country areas, and therefore was acutely aware of
this music problem. Having also been trained as a Pipe Organist, recordings on site (which are a subset
of the smallchurchmusic.com site) are all actually played by Clyde, and also include piano and piano
with organ versions. All recordings are in MP3 format.
Churches all around the world use the recordings, with downloads averaging over 60,000 per
month.
The recordings normally have an introduction, several verses and a slowdown on the last verse.
Users are encouraged to use software: Audacity (http://www.audacityteam.org) or Song Surgeon (http://songsurgeon.com) (see http://scm-audacity.weebly.com for more information) to adjust the MP3 number of verses, tempo
and pitch to suit their local needs.
Copyright notice: Rev. Clyde McLennan, performer in this collection, has assigned his performer rights in this collection to Hymnary.org. Non-commercial use of these recordings is permitted. For permission to use them for any other purposes, please contact manager@hymnary.org.
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Christian Classics Ethereal Hymnary
Publication Date: 2007 Publisher: Grand Rapids, MI: Christian Classics Ethereal Library
Christian Classics Ethereal Hymnary
