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When this passing world is done
Author: Rev. Robert Murray McCheyne (1813-1843) Appears in 143 hymnals Matching Instances: 143 Used With Tune: ROSEFIELD
When this passing world is done
MOUNT ZION
Meter: 7.7.7.7.7.7 Appears in 17 hymnals Matching Instances: 7 Composer and/or Arranger: Arthur S. Sullivan Tune Key: D Major Incipit: 34561 71536 66222 Used With Text: When This Passing World Is Done
MOUNT ZION
REDHEAD 76 (AJALON)
Meter: 7.7.7.7.7.7 Appears in 452 hymnals Matching Instances: 5 Composer and/or Arranger: Richard Redhead Tune Key: E Flat Major Incipit: 11234 43112 32211 Used With Text: When This Passing World Is Done
REDHEAD 76 (AJALON)
[When this passing world is done]
Appears in 7 hymnals Matching Instances: 4 Composer and/or Arranger: D. B. Towner Incipit: 34556 54234 4543 Used With Text: Then, dear Lord, shall I fully know
[When this passing world is done]
When This Passing World Is Done
Author: Robert M. McCheyne Hymnal: The Cyber Hymnal #7690 Meter: 7.7.7.7.7.7 Lyrics: 1. When this passing world is done,
When has sunk yon glaring sun,
When we stand with Christ in glory,
Looking o’er life’s finished story,
Then, Lord, shall I fully know—
Not till then—how much I owe.
2. When I hear the wicked call,
On the rocks and hills to fall,
When I see them start and shrink
On the fiery deluge brink,
Then, Lord, shall I fully know—
Not till then—how much I owe.
3. When I stand before the throne,
Dressed in beauty not my own,
When I see Thee as Thou art,
Love Thee with unsinning heart,
Then Lord, shall I fully know—
Not till then—how much I owe.
4. When the praise of Heav’n I hear,
Loud as thunders to the ear,
Loud as many waters’ noise,
Sweet as harp’s melodious voice,
Then, Lord, shall I fully know—
Not till then—how much I owe.
5. Even on earth, as through a glass
Darkly, let Thy glory pass,
Make forgiveness feel so sweet,
Make Thy Spirit’s help so meet,
Even on earth, Lord, make me know
Something of how much I owe.
6. Chosen not for good in me,
Wakened up from wrath to flee,
Hidden in the Savior’s side,
By the Spirit sanctified,
Teach me, Lord, on earth to show,
By my love, how much I owe.
7. Oft I walk beneath the cloud,
Dark, as midnight’s gloomy shroud;
But, when fear is at the height,
Jesus comes, and all is light;
Blessed Jesus! bid me show
Doubting saints how much I owe.
8. When in flowery paths I tread,
Oft by sin I’m captive led;
Oft I fall—but still arise—
The Spirit comes—the tempter flies;
Blessed Spirit! bid me show
Weary sinners all I owe.
9. Oft the nights of sorrow reign—
Weeping, sickness, sighing, pain;
But a night Thine anger burns—
Morning comes and joy returns;
God of comforts! bid me show
To Thy poor, how much I owe. Languages: English Tune Title: MOUNT ZION (Sullivan)
When This Passing World Is Done
When this passing world is done
Author: Robert Murray McCheyne Hymnal: Songs of Pilgrimage #1394 (1888)
When this passing world is done
When this passing world is done
Author: Robert Murray McCheyne, 1813-43 Hymnal: Offices of Worship and Hymns #1264 (1891)
When this passing world is done
Robert Murray M'Cheyne
1813 - 1843 Person Name: Robert Murray McCheyne, 1813-1843 Author of "When this passing world is done" in The Hymnary of the United Church of Canada McCheyne, Robert Murray, son of Adam McCheyne, W. S., was b. at Edinburgh, May 21, 1813, and educated at Edinburgh University. In 1835 he became Assistant at Larbert,near Stirling, and was ordained in 1836 Minister of St. Peter's Established Church, Dundee. In 1839 he went to Palestine as one of the Mission of Enquiry to the Jews from the Church of Scotland. He d. at Dundee, March 25, 1843. His hymns, a few of which were written in Palestine, appeared in his Songs of Zion to cheer and guide Pilgrims on their way to the New Jerusalem, By the late Rev. B. M. McCheyne....Dundee, W. Middleton, 1843.
These hymns were reprinted in his Memoir and Remains, edited by Dr. Andrew A. Bonar, 1844. The Songs as reprinted in 1844 number 14, and date from 1831 to 1841. The best known are, "I once was a stranger to grace and to God;" and, "When this passing world is done." In addition, "Beneath Moriah's rocky side," written at the "Foot of Carmel, June, 1839" (Sent from God); "Like mist on the mountains," written "Jan. 1st, 1831" (Children called to Christ), and "Ten Virgins, clothed in white" (The Ten Virgins), dated 1841, are in common use. [Rev. James Mearns, M. A.]
--John Julian, Dictionary of Hymnology (1907)
Robert Murray M'Cheyne
Arthur Sullivan
1842 - 1900 Person Name: Arthur S. Sullivan Composer of "MOUNT ZION" in Trinity Hymnal (Rev. ed.) Arthur Seymour Sullivan (b Lambeth, London. England. 1842; d. Westminster, London, 1900) was born of an Italian mother and an Irish father who was an army bandmaster and a professor of music. Sullivan entered the Chapel Royal as a chorister in 1854. He was elected as the first Mendelssohn scholar in 1856, when he began his studies at the Royal Academy of Music in London. He also studied at the Leipzig Conservatory (1858-1861) and in 1866 was appointed professor of composition at the Royal Academy of Music. Early in his career Sullivan composed oratorios and music for some Shakespeare plays. However, he is best known for writing the music for lyrics by William S. Gilbert, which produced popular operettas such as H.M.S. Pinafore (1878), The Pirates of Penzance (1879), The Mikado (1884), and Yeomen of the Guard (1888). These operettas satirized the court and everyday life in Victorian times. Although he composed some anthems, in the area of church music Sullivan is best remembered for his hymn tunes, written between 1867 and 1874 and published in The Hymnary (1872) and Church Hymns (1874), both of which he edited. He contributed hymns to A Hymnal Chiefly from The Book of Praise (1867) and to the Presbyterian collection Psalms and Hymns for Divine Worship (1867). A complete collection of his hymns and arrangements was published posthumously as Hymn Tunes by Arthur Sullivan (1902). Sullivan steadfastly refused to grant permission to those who wished to make hymn tunes from the popular melodies in his operettas.
Bert Polman
Arthur Sullivan
Richard Redhead
1820 - 1901 Person Name: Richard Redhead, 1820-1901 Composer of "REDHEAD No. 76 (Petra)" in The Hymnary of the United Church of Canada Richard Redhead (b. Harrow, Middlesex, England, 1820; d. Hellingley, Sussex, England, 1901) was a chorister at Magdalen College, Oxford. At age nineteen he was invited to become organist at Margaret Chapel (later All Saints Church), London. Greatly influencing the musical tradition of the church, he remained in that position for twenty-five years as organist and an excellent trainer of the boys' choirs. Redhead and the church's rector, Frederick Oakeley, were strongly committed to the Oxford Movement, which favored the introduction of Roman elements into Anglican worship. Together they produced the first Anglican plainsong psalter, Laudes Diurnae (1843). Redhead spent the latter part of his career as organist at St. Mary Magdalene Church in Paddington (1864-1894).
Bert Polman
Richard Redhead
