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When Joseph His Brethren Behold

Author: John Newton Meter: 8.8.8.8 Appears in 76 hymnals First Line: When Joseph his brethren beheld Lyrics: 1 When Joseph his brethren beheld, Afflicted and trembling with fear; His heart with compassion was filled, From weeping he could not forbear. Awhile his behavior was rough, To bring their past sin to their mind; But when they were humbled enough, He hasted to show himself kind. 2 How little they thought it was he, Whom they had ill treated and sold! How great their confusion must be, As soon as his name he had told! "I’m Joseph, your brother," he said, "And still to my heart you are dear; You sold me, and thought I was dead, But God, for your sakes, sent me here." 3 Though greatly distressed before, When charged with purloining the cup; They now were confounded much more, Not one of them dared to look up. "Can Joseph, whom we would have slain, Forgive us the evil we did? And will he our households maintain? O this is a brother indeed!" 4 Thus dragged by my conscience, I came, All laden with guilt, to the Lord; Surrounded with terror and shame, Unable to utter a word. At first He looked stern and severe, What anguish then pierced my heart! Expecting each moment to hear The sentence, "Thou cursed, depart!" 5 But O! what surprise when He spoke, While tenderness beamed in His face; My heart then to pieces was broke, O’erwhelmed and confounded by grace: “Poor sinner, I know thee full well, By thee I was sold and was slain; I died to redeem thee from hell, And raise thee in glory to reign. 6 "I am Jesus, whom thou hast blasphemed, And crucified often afresh; But let Me henceforth be esteemed, Thy brother, thy bone, and thy flesh: My pardon I freely bestow, Thy wants I will fully supply; I’ll guide thee and guard thee below, And soon will remove thee on high. 7 "Go, publish to sinners around, That they may be willing to come, The mercy which now you have found, And tell them that yet there is room." O, sinners, the message obey! No more vain excuses pretend; But come, without further delay, To Jesus, our brother and friend. Used With Tune: GREEN FIELDS Text Sources: Olney Hymns (London, W. Oliver, 1779), Book 1

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GREEN FIELDS

Meter: 8.8.8.8 Appears in 225 hymnals Composer and/or Arranger: J. S. Bach; Lewis Edson Tune Sources: The Peasant Cantata (Mer hahn en neue Oberkett) Tune Key: G Major or modal Incipit: 11513 13543 45543 Used With Text: When Joseph His Brethren Behold
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[When Joseph his brethren beheld]

Appears in 1 hymnal Tune Key: G Major or modal Incipit: 51113 21212 22132 Used With Text: Joseph Made Known to His Brethren

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Joseph Made Known to His Brethren

Hymnal: A Collection of Revival Hymns and Plantation Melodies #97 (1883) First Line: When Joseph his brethren beheld Scripture: Genesis 45:3 Languages: English Tune Title: [When Joseph his brethren beheld]
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Joseph made known to his Brethren

Hymnal: The Christians Duty, exhibited, in a series of Hymns #CCCXXIV (1791) First Line: When Joseph his Brethren beheld Lyrics: 1 When Joseph his Brethren beheld, Afflicted and trembling with Fear, His Heart with Compassion was fill'd, From Weeping he could not forbear; A while his Behaviour was rough, To bring their past Sin to their Mind; But when they were humbled enough, He hasted to shew himself kind. 2 How little they thought it was he Whom they had ill-treated and sold! How great their Confusion must be, As soon as his Name he had told! "I am Joseph, your Brother (he said) "And still to my Heart you are dear; "You sold me, and thought I was dead, "But God, for your Sakes sent me here." 3 Tho' greatly distressed before, When charg'd with purloining the cup; "They now were confounded much more, Not one of them durst to look up, "Can Joseph, whom we would have slain,, "Forgive us the Evil we did? "And will he our Housholds maintain? "O this is a Brother indeed!" 4 Thus, dragg'd by my Conscience, I came, And laden with Guilt to the Lord; Surrounded with Terror and Shame, Unable to utter a Word. At first he look'd stern and severe, What Anguish then pierced my Heart! Expecting each Moment to hear The Sentence, "Thou Cursed depart!" 5 But oh! What Surprize when he spoke, While Tenderness beam'd in his Face; My Heart then to Pieces was broke, O'erwhelm'd and confounded with Grace; "Poor Sinner, I know thee full well, "By thee I was sold and was slain; "I dy'd to redeem thee from Hell, And raise thee in Glory to reign. 6 I'm Jesus whom thou hast blasphem'd, "And crucify'd often afresh; "But let me henceforth be esteem'd "Thy Brother, thy Bone, and thyFflesh; "My Pardon I freely bestow, "Thy Wants I will fully supply; "I'll guide thee and guard thee below, "And soon will remove thee on High. 7 Go publish to Sinners around, "(That they may be willing to come) "The Mercy which now you have found, "And tell them that yet there is Toom." Oh, Sinners, the Message obey! No more vain excuses pretend; But come, without further Delay, To Jesus ourBbrother and Friend. Topics: Conversion Scripture: Genesis 45:1-15 Languages: English
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When Joseph His Brethren Behold

Author: John Newton Hymnal: The Cyber Hymnal #13080 Meter: 8.8.8.8 First Line: When Joseph his brethren beheld Lyrics: 1 When Joseph his brethren beheld, Afflicted and trembling with fear; His heart with compassion was filled, From weeping he could not forbear. Awhile his behavior was rough, To bring their past sin to their mind; But when they were humbled enough, He hasted to show himself kind. 2 How little they thought it was he, Whom they had ill treated and sold! How great their confusion must be, As soon as his name he had told! "I’m Joseph, your brother," he said, "And still to my heart you are dear; You sold me, and thought I was dead, But God, for your sakes, sent me here." 3 Though greatly distressed before, When charged with purloining the cup; They now were confounded much more, Not one of them dared to look up. "Can Joseph, whom we would have slain, Forgive us the evil we did? And will he our households maintain? O this is a brother indeed!" 4 Thus dragged by my conscience, I came, All laden with guilt, to the Lord; Surrounded with terror and shame, Unable to utter a word. At first He looked stern and severe, What anguish then pierced my heart! Expecting each moment to hear The sentence, "Thou cursed, depart!" 5 But O! what surprise when He spoke, While tenderness beamed in His face; My heart then to pieces was broke, O’erwhelmed and confounded by grace: “Poor sinner, I know thee full well, By thee I was sold and was slain; I died to redeem thee from hell, And raise thee in glory to reign. 6 "I am Jesus, whom thou hast blasphemed, And crucified often afresh; But let Me henceforth be esteemed, Thy brother, thy bone, and thy flesh: My pardon I freely bestow, Thy wants I will fully supply; I’ll guide thee and guard thee below, And soon will remove thee on high. 7 "Go, publish to sinners around, That they may be willing to come, The mercy which now you have found, And tell them that yet there is room." O, sinners, the message obey! No more vain excuses pretend; But come, without further delay, To Jesus, our brother and friend. Languages: English Tune Title: GREEN FIELDS

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John Newton

1725 - 1807 Author of "When Joseph His Brethren Behold" in The Cyber Hymnal John Newton (b. London, England, 1725; d. London, 1807) was born into a Christian home, but his godly mother died when he was seven, and he joined his father at sea when he was eleven. His licentious and tumul­tuous sailing life included a flogging for attempted desertion from the Royal Navy and captivity by a slave trader in West Africa. After his escape he himself became the captain of a slave ship. Several factors contributed to Newton's conversion: a near-drowning in 1748, the piety of his friend Mary Catlett, (whom he married in 1750), and his reading of Thomas à Kempis' Imitation of Christ. In 1754 he gave up the slave trade and, in association with William Wilberforce, eventually became an ardent abolitionist. After becoming a tide-surveyor in Liverpool, England, Newton came under the influence of George Whitefield and John and Charles Wesley and began to study for the ministry. He was ordained in the Church of England and served in Olney (1764-1780) and St. Mary Woolnoth, London (1780-1807). His legacy to the Christian church includes his hymns as well as his collaboration with William Cowper (PHH 434) in publishing Olney Hymns (1779), to which Newton contributed 280 hymns, including “Amazing Grace.” Bert Polman ================== Newton, John, who was born in London, July 24, 1725, and died there Dec. 21, 1807, occupied an unique position among the founders of the Evangelical School, due as much to the romance of his young life and the striking history of his conversion, as to his force of character. His mother, a pious Dissenter, stored his childish mind with Scripture, but died when he was seven years old. At the age of eleven, after two years' schooling, during which he learned the rudiments of Latin, he went to sea with his father. His life at sea teems with wonderful escapes, vivid dreams, and sailor recklessness. He grew into an abandoned and godless sailor. The religious fits of his boyhood changed into settled infidelity, through the study of Shaftesbury and the instruction of one of his comrades. Disappointing repeatedly the plans of his father, he was flogged as a deserter from the navy, and for fifteen months lived, half-starved and ill-treated, in abject degradation under a slave-dealer in Africa. The one restraining influence of his life was his faithful love for his future wife, Mary Catlett, formed when he was seventeen, and she only in her fourteenth year. A chance reading of Thomas à Kempis sowed the seed of his conversion; which quickened under the awful contemplations of a night spent in steering a water-logged vessel in the face of apparent death (1748). He was then twenty-three. The six following years, during which he commanded a slave ship, matured his Christian belief. Nine years more, spent chiefly at Liverpool, in intercourse with Whitefield, Wesley, and Nonconformists, in the study of Hebrew and Greek, in exercises of devotion and occasional preaching among the Dissenters, elapsed before his ordination to the curacy of Olney, Bucks (1764). The Olney period was the most fruitful of his life. His zeal in pastoral visiting, preaching and prayer-meetings was unwearied. He formed his lifelong friendship with Cowper, and became the spiritual father of Scott the commentator. At Olney his best works—-Omicron's Letters (1774); Olney Hymns (1779); Cardiphonia, written from Olney, though published 1781—were composed. As rector of St. Mary Woolnoth, London, in the centre of the Evangelical movement (1780-1807) his zeal was as ardent as before. In 1805, when no longer able to read his text, his reply when pressed to discontinue preaching, was, "What, shall the old African blasphemer stop while he can speak!" The story of his sins and his conversion, published by himself, and the subject of lifelong allusion, was the base of his influence; but it would have been little but for the vigour of his mind (shown even in Africa by his reading Euclid drawing its figures on the sand), his warm heart, candour, tolerance, and piety. These qualities gained him the friendship of Hannah More, Cecil, Wilberforce, and others; and his renown as a guide in experimental religion made him the centre of a host of inquirers, with whom he maintained patient, loving, and generally judicious correspondence, of which a monument remains in the often beautiful letters of Cardiphonia. As a hymnwriter, Montgomery says that he was distanced by Cowper. But Lord Selborne's contrast of the "manliness" of Newton and the "tenderness" of Cowper is far juster. A comparison of the hymns of both in The Book of Praise will show no great inequality between them. Amid much that is bald, tame, and matter-of-fact, his rich acquaintance with Scripture, knowledge of the heart, directness and force, and a certain sailor imagination, tell strongly. The one splendid hymn of praise, "Glorious things of thee are spoken," in the Olney collection, is his. "One there is above all others" has a depth of realizing love, sustained excellence of expression, and ease of development. "How sweet the name of Jesus sounds" is in Scriptural richness superior, and in structure, cadence, and almost tenderness, equal to Cowper's "Oh! for a closer walk with God." The most characteristic hymns are those which depict in the language of intense humiliation his mourning for the abiding sins of his regenerate life, and the sense of the withdrawal of God's face, coincident with the never-failing conviction of acceptance in The Beloved. The feeling may be seen in the speeches, writings, and diaries of his whole life. [Rev. H. Leigh Bennett, M.A.] A large number of Newton's hymns have some personal history connected with them, or were associated with circumstances of importance. These are annotated under their respective first lines. Of the rest, the known history of which is confined to the fact that they appeared in the Olney Hymns, 1779, the following are in common use:— 1. Be still, my heart, these anxious cares. Conflict. 2. Begone, unbelief, my Saviour is near. Trust. 3. By the poor widow's oil and meal. Providence. 4. Chief Shepherd of Thy chosen sheep. On behalf of Ministers. 5. Darkness overspreads us here. Hope. 6. Does the Gospel-word proclaim. Rest in Christ. 7. Fix my heart and eyes on Thine. True Happiness. 8. From Egypt lately freed. The Pilgrim's Song. 9. He Who on earth as man was Known. Christ the Rock. 10. How blest are they to whom the Lord. Gospel Privileges. 11. How blest the righteous are. Death of the Righteous. 12. How lost was my [our] condition. Christ the Physician. 13. How tedious and tasteless the hours. Fellowship with Christ. 14. How welcome to the saints [soul] when pressed. Sunday. 15. Hungry, and faint, and poor. Before Sermon. 16. In mercy, not in wrath, rebuke. Pleading for Mercy. 17. In themselves, as weak as worms. Power of Prayer. 18. Incarnate God, the soul that knows. The Believer's Safety. 19. Jesus, Who bought us with His blood. The God of Israel. "Teach us, 0 Lord, aright to plead," is from this hymn. 20. Joy is a [the] fruit that will not grow. Joy. 21. Let hearts and tongues unite. Close of the Year. From this "Now, through another year," is taken. 22. Let us adore the grace that seeks. New Year. 23. Mary to her [the] Saviour's tomb. Easter. 24. Mercy, 0 Thou Son of David. Blind Bartimeus. 25. My harp untun'd and laid aside. Hoping for a Revival. From this "While I to grief my soul gave way" is taken. 26. Nay, I cannot let thee go. Prayer. Sometimes, "Lord, I cannot let Thee go." 27. Now may He Who from the dead. After Sermon. 28. 0 happy they who know the Lord, With whom He deigns to dwell. Gospel Privilege. 29. O Lord, how vile am I. Lent. 30. On man in His own Image made. Adam. 31. 0 speak that gracious word again. Peace through Pardon. 32. Our Lord, Who knows full well. The Importunate Widow. Sometimes altered to "Jesus, Who knows full well," and again, "The Lord, Who truly knows." 33. Physician of my sin-sick soul. Lent. 34. Pleasing spring again is here. Spring. 35. Poor, weak, and worthless, though I am. Jesus the Friend. 36. Prepare a thankful song. Praise to Jesus. 37. Refreshed by the bread and wine. Holy Communion. Sometimes given as "Refreshed by sacred bread and wine." 38. Rejoice, believer, in the Lord. Sometimes “Let us rejoice in Christ the Lord." Perseverance. 39. Salvation, what a glorious plan. Salvation. 40. Saviour, shine and cheer my soul. Trust in Jesus. The cento "Once I thought my mountain strong," is from this hymn. 41. Saviour, visit Thy plantation. Prayer for the Church. 42. See another year [week] is gone. Uncertainty of Life. 43. See the corn again in ear. Harvest. 44. Sinner, art thou still secure? Preparation for the Future. 45. Sinners, hear the [thy] Saviour's call. Invitation. 46. Sovereign grace has power alone. The two Malefactors. 47. Stop, poor sinner, stop and think. Caution and Alarm. 48. Sweeter sounds than music knows. Christmas. 49. Sweet was the time when first I felt. Joy in Believing. 50. Ten thousand talents once I owed. Forgiveness and Peace. 51. The grass and flowers, which clothe the field. Hay-time. 52. The peace which God alone reveals. Close of Service. 53. Thy promise, Lord, and Thy command. Before Sermon. 54. Time, by moments, steals away. The New Year. 55. To Thee our wants are known. Close of Divine Service. 56. We seek a rest beyond the skies. Heaven anticipated. 57. When any turn from Zion's way. Jesus only. 58. When Israel, by divine command. God, the Guide and Sustainer of Life. 59. With Israel's God who can compare? After Sermon. 60. Yes, since God Himself has said it. Confidence. 61. Zion, the city of our God. Journeying Zionward. -- John Julian, Dictionary of Hymnology (1907) ================= Newton, J., p. 803, i. Another hymn in common use from the Olney Hymns, 1779, is "Let me dwell on Golgotha" (Holy Communion). --John Julian, Dictionary of Hymnology, Appendix, Part II (1907) ----- John Newton was born in London, July 24, 1725. His mother died when he was seven years old. In his eleventh year he accompanied his father, a sea captain, on a voyage. For several years his life was one of dissipation and crime. He was disgraced while in the navy. Afterwards he engaged in the slave trade. Returning to England in 1748, the vessel was nearly wrecked in a storm. This peril forced solemn reflection upon him, and from that time he was a changed man. It was six years, however, before he relinquished the slave trade, which was not then regarded as an unlawful occupation. But in 1754, he gave up sea-faring life, and holding some favourable civil position, began also religious work. In 1764, in his thirty-ninth year, he entered upon a regular ministry as the Curate of Olney. In this position he had intimate intercourse with Cowper, and with him produced the "Olney Hymns." In 1779, Newton became Rector of S. Mary Woolnoth, in London, in which position he became more widely known. It was here he died, Dec. 21, 1807, His published works are quite numerous, consisting of sermons, letters, devotional aids, and hymns. He calls his hymns "The fruit and expression of his own experience." --Annotations of the Hymnal, Charles Hutchins, M.A. 1872 See also in: Hymn Writers of the Church =======================

Johann Sebastian Bach

1685 - 1750 Person Name: J. S. Bach Composer of "GREEN FIELDS" in The Cyber Hymnal Johann Sebastian Bach was born at Eisenach into a musical family and in a town steeped in Reformation history, he received early musical training from his father and older brother, and elementary education in the classical school Luther had earlier attended. Throughout his life he made extraordinary efforts to learn from other musicians. At 15 he walked to Lüneburg to work as a chorister and study at the convent school of St. Michael. From there he walked 30 miles to Hamburg to hear Johann Reinken, and 60 miles to Celle to become familiar with French composition and performance traditions. Once he obtained a month's leave from his job to hear Buxtehude, but stayed nearly four months. He arranged compositions from Vivaldi and other Italian masters. His own compositions spanned almost every musical form then known (Opera was the notable exception). In his own time, Bach was highly regarded as organist and teacher, his compositions being circulated as models of contrapuntal technique. Four of his children achieved careers as composers; Haydn, Mozart, Beethoven, Mendelssohn, Schumann, Brahms, and Chopin are only a few of the best known of the musicians that confessed a major debt to Bach's work in their own musical development. Mendelssohn began re-introducing Bach's music into the concert repertoire, where it has come to attract admiration and even veneration for its own sake. After 20 years of successful work in several posts, Bach became cantor of the Thomas-schule in Leipzig, and remained there for the remaining 27 years of his life, concentrating on church music for the Lutheran service: over 200 cantatas, four passion settings, a Mass, and hundreds of chorale settings, harmonizations, preludes, and arrangements. He edited the tunes for Schemelli's Musicalisches Gesangbuch, contributing 16 original tunes. His choral harmonizations remain a staple for studies of composition and harmony. Additional melodies from his works have been adapted as hymn tunes. --John Julian, Dictionary of Hymnology (1907)

Lewis Edson

1748 - 1820 Arranger of "GREEN FIELDS" in The Cyber Hymnal Lewis EdsonBorn in Massachusetts,he began working as a blacksmith and farmer. After marrying, he became a singing teacher, notable in his day. He taught singing in MA NY and CN, moving to NY in 1817. He was also an author. His 35 works consist of tunebooks, anthems, Psalm music, music scores and chants for choir use. John Perry