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When I shall wake in that fair morn of morns
Author: H. Bonar Appears in 77 hymnals Used With Tune: EVENTIDE
When I shall wake in that fair morn of morns
[When I shall awake in that fair morn of morns]
Appears in 3 hymnals Composer and/or Arranger: F. E. Belden Tune Key: E Flat Major Incipit: 35653 33323 12551 Used With Text: When I Shall Awake
[When I shall awake in that fair morn of morns]
[When I shall wake in that fair morn of morns]
Appears in 10 hymnals Composer and/or Arranger: Geo. C. Stebbins Incipit: 33332 11765 61435 Used With Text: Satisfied
[When I shall wake in that fair morn of morns]
[When I shall wake in that fair morn of morns]
Appears in 2 hymnals Composer and/or Arranger: P. P. Bilhorn Incipit: 33453 21356 66666 Used With Text: I Shall Be Satisfied By and By
[When I shall wake in that fair morn of morns]
When I Shall Wake In that Fair Morn
Author: Horatius Bonar Hymnal: Great Songs of the Church #364 (1921) First Line: When I shall wake in that fair morn of morns Languages: English Tune Title: [When I shall wake in that fair morn of morns]
When I Shall Wake In that Fair Morn
I Shall be Satisfied
Author: Bonar Hymnal: The Finest of the Wheat No. 2 #155 (1894) First Line: When I shall wake in that fair morn of morns Lyrics: 1 When I shall wake in that fair morn of morns,
After whose dawning never night returns,
And with those glory day eternal burns,
I shall be satisfied.
Refrain:
I shall be satisfied,
I shall be satisfied,
I shall be satisfied,
By and By.
2 When I shall see Thy glory face to face,
When in Thine arms Thou wilt Thy child embrace,
When Thou shalt open all Thy store of grace,
I shall be satisfied. [Refrain]
3 When I shall meet with those that I have lov’d,
Clasp in my eager arms the long removed,
And find how faithful Thou to me hast proved,
I shall be satisfied. [Refrain]
4 When I shall gaze upon the face of Him
Who for me died, with eye no longer dim,
And praise Him with the everlasting hymn,
I shall be satisfied. [Refrain] Tune Title: [When I shall wake in that fair morn of morns]
I Shall be Satisfied
I Shall Be Satisfied
Author: Horatius Bonar, 1808-1889 Hymnal: The Cyber Hymnal #3045 First Line: When I shall wake in that fair morn of morns Lyrics: 1. When I shall wake in that fair morn of morns,
After whose dawning never night returns,
And with whose glory day eternal burns,
I shall be satisfied.
Refrain
I shall be satisfied,
I shall be satisfied
I shall be satisfied,
By and by.
2. When I shall see Thy glory face to face,
When in Thine arms Thou wilt Thy child embrace,
When Thou shalt open all Thy stores of grace,
I shall be satisfied. [Refrain]
3. When I shall meet with those that I have loved,
Clasp in my eager arms the long removed,
And find how faithful Thou to me hast proved,
I shall be satisfied. [Refrain]
4. When I shall gaze upon the face of Him
Who for me died, with eye no longer dim,
And praise Him with the everlasting hymn,
I shall be satisfied. [Refrain] Languages: English Tune Title: [When I shall wake in that fair morn of morns]
I Shall Be Satisfied
John R. Sweney
1837 - 1899 Person Name: Jno. R. Sweney Composer of "[When I shall awake in that fair morn of morns]" in The Voice of Triumph (19th ed.) John R. Sweney (1837-1899) was born in West Chester, Pennsylvania, and exhibited musical abilities at an early age. At nineteen he was studying with a German music teacher, leading a choir and glee club, and performing at children’s entertainments. By twenty-two he was teaching at a school in Dover, Delaware. Soon thereafter, he was put in charge of the band of the Third Delaware Regiment of the Union Army for the duration of the Civil War. After the war, he became Professor of Music at the Pennsylvania Military Academy, and director of Sweney’s Cornet Band. He eventually earned Bachelor and Doctor of Music degrees at the Academy.
Sweney began composing church music in 1871 and became well-known as a leader of large congregations. His appreciators stated “Sweney knows how to make a congregation sing” and “He had great power in arousing multitudes.” He also became director of music for a large Sunday school at the Bethany Presbyterian Church in Philadelphia of which John Wanamaker was superintendent (Wanamaker was the founder of the first major department store in Philadelphia). In addition to his prolific output of hymn melodies and other compositions, Sweney edited or co-edited about sixty song collections, many in collaboration with William J. Kirkpatrick. Sweney died on April 10, 1899, and his memorial was widely attended and included a eulogy by Wanamaker.
Joe Hickerson from "Joe's Jottings #9" used by permission
John R. Sweney
T. C. O'Kane
1830 - 1912 Composer of "[When I shall awake in that fair morn of morns]" in Towner's Male Choir Nos. 1, 2, 3, 4 Combined O'Kane, Tullius Clinton, an American writer, born March 10, 1830, is the author of "O sing of Jesus, Lamb of God" (Redemption); and "Who, who are these beside the chilly wave?" (Triumph in Death), in I. D. Sankey's Sacred Songs and Solos, 1878 and 1881.
--John Julian, Dictionary of Hymnology, Appendix, Part II (1907)
===========================
Tullius Clinton O'Kane was born in Fairfield County, Ohio, March 10, 1830. He resided with his parents in this vicinity until the spring of 1849, when he went to Delaware, Ohio, and entered the Ohio Wesleyan University, from which he graduated in 1852, with the degree A. B., and received his A. M. degree three years later from his Alma Mater.
Immediately upon his graduation, he was tendered a position in the Faculty as Tutor of Mathematics, which he accepted and successfully filled for five years. The students always called him "Professor," by which title he is known to the present day.
His musical abilities were early recognized in the University, and for years he was the musical precentor in the daily chapel devotions. He organized and maintained a Choral Society in the College, and was the first musical instructor in the Ohio Wesleyan Female College, which a few years ago was incorporated into the University.
In 1857 he was elected to a principalship in the Cincinnati public schools, and served in that capacity until 1861, when he resigned his position to accept a place in the piano establishment of Philip Phillips & Co. He remained with this house until its removal to New York City in 1867, when, although urged to be transferred with the house to that city, he preferred to remove with his family back to Delaware, Ohio.
For the ensuing six years he traveled over the state of Ohio as the general agent for the Smith American Organ Co., of Boston, Mass. During this time he visited conferences, Sunday-school conventions, both State and County, introducing his Sunday-school singing books, and in this way became well known throughout his native state, and quite extensively in some of the adjoining states.
His musical compositions were first published in Philip Phillips' Musical Leaves, in 1865, and since then but few Sunday-school singing books have appeared without one or more of his compositions.
His first music book, Fresh Leaves, was issued in 1868. This was followed at intervals by Dew Drops, Songs of Worship, Every Sabbath, Jasper and Gold, Redeemer's Praise, Glorious Things and Morning Stars. In connection with his son, Edward T. O'Kane, who is himself a most excellent composer and a very skillful organist, in 1882 he issued Selected Anthems, a book designed for use by the more advanced choirs. In association with J. R. Sweney and "Chaplain" McCabe, he issued Joy to the World, a song book for prayer-meetings, and the same editors, with the addition of W. J. Kirkpatrick, compiled Songs of Redeeming Love, No. 1, in 1882, and No. 2 in 1884. He also issued Songs of Praises, Unfading Treasures and Forward Songs.
Some of Professor O'Kane's best known songs are Glorious Fountain, The Home Over There, On Jordan's Stormy Banks, Say, are You Ready? and many others. With Mr. O'Kane, music and musical composition have ever been a recreation, rather than a profession. He is an excellent leader of choirs, but his forte seems to be in leading large congregations, Sunday-schools and social religious meetings in sacred song. He sings "with the spirit and the understanding also " — with a due appreciation of both words and music — and very naturally infuses his enthusiasm into his audiences so that they cannot "keep from singing." In his music he endeavors to catch the spirit of the hymn, and then give it expression in the music he composes for it. This sometimes seems to have been almost an inspiration, and could be illustrated by a reference to the circumstances under which many of his compositions have been made.
One of his earlier and more widely known pieces is that entitled, Over There. He says he cut this hymn out of some newspaper and put it with others in his portfolio, intending some time when he felt like it to give it a musical setting. One Sunday afternoon, after studying his lesson for the next session of his Sunday-school, he opened his portfolio, and turning over the selections, found these words, and something seemed to say, "Now's your time." He sat down at the organ, studied the hymn intently for a few moments, and then, as his fingers touched the keys of the instrument, melody and harmony were in every movement, and when the stanza was ended, melody and harmony found their expression in the chorus, and Over There was finished.
Another of his well known songs is Sweeping Through the Gates. One cold, blustery day he had occasion to go from his residence to the railroad depot, about a mile distant, and in his route had to cross the river on a suspension foot-bridge. As he came down to the bridge, he thought of the "river of death," so cold, with no bridge, and then the words of the dying Cookman came to his mind, and he exclaimed to himself:
'Who, who are these beside the chilly wave? "
Words, melody and refrain seemed to come all at once and all together, so that by the time he arrived back at his home, the composition was complete.
Professor O'Kane is a genial, modest Christian gentleman, who carries sunshine wherever he goes. His greatest joy comes from the consciousness that his music has cheered and comforted the hearts of Christian people all over the world, and has been the means of winning thousands from the pleasures of the world to the higher enjoyments of the Christian religion. His song, Sweeping Through the Gates, will be sung till all the ransomed are gathered Over There.
-Hall, J. H. (c1914). Biographies of Gospel Song and Hymn Writers. New York: Fleming H. Revell Company.
========================
O'Kane, Tullius Clinton. Died 10 February 1912, Delaware, Ohio. Buried in Oak Grove Cemetery, Delaware, Ohio.
--DNAH Archives
T. C. O'Kane
George C. Stebbins
1846 - 1945 Person Name: Geo. C. Stebbins Composer of "[When I shall wake in that fair morn of morns]" in Church Hymns and Gospel Songs Stebbins studied music in Buffalo and Rochester, New York, then became a singing teacher. Around 1869, he moved to Chicago, Illinois, to join the Lyon and Healy Music Company. He also became the music director at the First Baptist Church in Chicago. It was in Chicago that he met the leaders in the Gospel music field, such as George Root, Philip Bliss, & Ira Sankey.
At age 28, Stebbins moved to Boston, Massachusetts, where he became music director at the Claredon Street Baptist Church; the pastor there was Adoniram Gordon. Two years later, Stebbins became music director at Tremont Temple in Boston. Shortly thereafter, he became involved in evangelism campaigns with Moody and others. Around 1900, Stebbins spent a year as an evangelist in India, Egypt, Italy, Palestine, France and England.
(www.hymntime.com/tch)
George C. Stebbins
