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Text Identifier:"^we_love_the_name_of_him_who_came$"

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To Him Who Came

Author: Charles Hutchinson Gabriel Appears in 2 hymnals First Line: We love the name of Him who came Refrain First Line: His praise we'll sing, He is our King

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[We love the name of Him who came]

Appears in 1 hymnal Composer and/or Arranger: C. H. G. Tune Key: F Major or modal Incipit: 53335 33354 32653 Used With Text: To Him who Came

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To Him who Came

Author: C. H. G. Hymnal: Little Branches No. 2 #34 (1896) First Line: We love the name of Him who came Refrain First Line: His praise we'll sing, He is our King Lyrics: 1 We love the name of Him who came Down from His throne to save us; We'll do God's will, and serve Him still, For His own Son He gave us. Chorus: His praise we'll sing, He is our King, Let the merry, merry bells ring a chorus. Let all proclaim His truth, His name. Let the merry, merry bells ring out. 2 We'll praise the name of Him who came And slept within a manger; That we might be made pure and free And sav'd from ev'ry danger. [Chorus] 3 We'll sing the name of Him who came A world thus to deliver; Until we meet at His dear feet To sing and praise forever. [Chorus] Languages: English Tune Title: [We love the name of Him who came]

To Him who came

Author: Charles H. Gabriel Hymnal: Song Sunbeams #d84 (1923) First Line: We love the name of Him who came Refrain First Line: His praise we'll sing, He is our King Languages: English

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Chas. H. Gabriel

1856 - 1932 Person Name: Charles Hutchinson Gabriel Author of "To Him Who Came" Pseudonyms: C. D. Emerson, Charlotte G. Homer, S. B. Jackson, A. W. Lawrence, Jennie Ree ============= For the first seventeen years of his life Charles Hutchinson Gabriel (b. Wilton, IA, 1856; d. Los Angeles, CA, 1932) lived on an Iowa farm, where friends and neighbors often gathered to sing. Gabriel accompanied them on the family reed organ he had taught himself to play. At the age of sixteen he began teaching singing in schools (following in his father's footsteps) and soon was acclaimed as a fine teacher and composer. He moved to California in 1887 and served as Sunday school music director at the Grace Methodist Church in San Francisco. After moving to Chicago in 1892, Gabriel edited numerous collections of anthems, cantatas, and a large number of songbooks for the Homer Rodeheaver, Hope, and E. O. Excell publishing companies. He composed hundreds of tunes and texts, at times using pseudonyms such as Charlotte G. Homer. The total number of his compositions is estimated at about seven thousand. Gabriel's gospel songs became widely circulated through the Billy Sunday­-Homer Rodeheaver urban crusades. Bert Polman