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Thou Sore Oppressed
Author: Catherine Winkworth; Victor von Strauss und Torney Appears in 16 hymnals First Line: Thou, sore oppressed, The Sabbath rest
Thou Sore Oppressed
[Thou, sore oppressed, the Sabbath rest]
Appears in 8 hymnals Tune Sources: Mainzer Gesangbuch, 1628 Tune Key: f minor Incipit: 53323 11755 56543 Used With Text: Thou, Sore Oppressed
[Thou, sore oppressed, the Sabbath rest]
CEMETERIUM
Appears in 5 hymnals Composer and/or Arranger: J. Baptiste Calkin Incipit: 55563 44523 45665 Used With Text: Thou, sore oppressed, the sabbath-rest
CEMETERIUM
Thou, Sore Oppressed
Author: Victor von Strauß und Torney; Catherine Winkworth Hymnal: The Cyber Hymnal #13706 First Line: Thou, sore oppressed, the Sabbath rest Lyrics: 1 Thou, sore oppressed, the Sabbath rest
In yon still grave art keeping;
All Thy labor now is done,
Past is all Thy weeping.
2 The strife is o’er, naught hurts Thee more:
The heart at last has slumbered
That in conflict sore for us
Bore our sins unnumbered.
3 Thou awful tomb, once filled with gloom,
How blessèd and how holy
Art thou now, since in the grave
Slept the Savior lowly!
4 How calm and blest the dead now rest
Who in the Lord departed:
All their works do follow them,
Yea, they sleep glad-hearted!
5 O lead us Thou to rest e’en now
With all who, surely anguished
’Neath the burden of their sins,
Long in woe have languished. Languages: English Tune Title: [Thou, sore oppressed, the Sabbath rest]
Thou, Sore Oppressed
Thou, sore oppressed, the Sabbath rest
Author: Catherine Winkworth, 1827-1878; Victor von Strauss Hymnal: Immanuel Hymnal #d501 (1929) Languages: English
Thou, sore oppressed, the Sabbath rest
Thou, sore oppressed, the Sabbath rest
Author: Catherine Winkworth, 1827-1878; Victor von Strauss Hymnal: The Church Hymnary #276 (1893)
Thou, sore oppressed, the Sabbath rest
Catherine Winkworth
1827 - 1878 Translator of "Thou, Sore Oppressed" in The Cyber Hymnal Catherine Winkworth (b. Holborn, London, England, 1827; d. Monnetier, Savoy, France, 1878) is well known for her English translations of German hymns; her translations were polished and yet remained close to the original. Educated initially by her mother, she lived with relatives in Dresden, Germany, in 1845, where she acquired her knowledge of German and interest in German hymnody. After residing near Manchester until 1862, she moved to Clifton, near Bristol. A pioneer in promoting women's rights, Winkworth put much of her energy into the encouragement of higher education for women. She translated a large number of German hymn texts from hymnals owned by a friend, Baron Bunsen. Though often altered, these translations continue to be used in many modern hymnals. Her work was published in two series of Lyra Germanica (1855, 1858) and in The Chorale Book for England (1863), which included the appropriate German tune with each text as provided by Sterndale Bennett and Otto Goldschmidt. Winkworth also translated biographies of German Christians who promoted ministries to the poor and sick and compiled a handbook of biographies of German hymn authors, Christian Singers of Germany (1869).
Bert Polman
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Winkworth, Catherine, daughter of Henry Winkworth, of Alderley Edge, Cheshire, was born in London, Sep. 13, 1829. Most of her early life was spent in the neighbourhood of Manchester. Subsequently she removed with the family to Clifton, near Bristol. She died suddenly of heart disease, at Monnetier, in Savoy, in July, 1878. Miss Winkworth published:—
Translations from the German of the Life of Pastor Fliedner, the Founder of the Sisterhood of Protestant Deaconesses at Kaiserworth, 1861; and of the Life of Amelia Sieveking, 1863.
Her sympathy with practical efforts for the benefit of women, and with a pure devotional life, as seen in these translations, received from her the most practical illustration possible in the deep and active interest which she took in educational work in connection with the Clifton Association for the Higher Education of Women, and kindred societies there and elsewhere. Our interest, however, is mainly centred in her hymnological work as embodied in her:—
(1) Lyra Germanica, 1st Ser., 1855. (2) Lyra Germanica, 2nd Ser., 1858. (3) The Chorale Book for England (containing translations from the German, together with music), 1863; and (4) her charming biographical work, the Christian Singers of Germany, 1869.
In a sympathetic article on Miss Winkworth in the Inquirer of July 20, 1878, Dr. Martineau says:—
"The translations contained in these volumes are invariably faithful, and for the most part both terse and delicate; and an admirable art is applied to the management of complex and difficult versification. They have not quite the fire of John Wesley's versions of Moravian hymns, or the wonderful fusion and reproduction of thought which may be found in Coleridge. But if less flowing they are more conscientious than either, and attain a result as poetical as severe exactitude admits, being only a little short of ‘native music'"
Dr. Percival, then Principal of Clifton College, also wrote concerning her (in the Bristol Times and Mirror), in July, 1878:—
"She was a person of remarkable intellectual and social gifts, and very unusual attainments; but what specially distinguished her was her combination of rare ability and great knowledge with a certain tender and sympathetic refinement which constitutes the special charm of the true womanly character."
Dr. Martineau (as above) says her religious life afforded "a happy example of the piety which the Church of England discipline may implant.....The fast hold she retained of her discipleship of Christ was no example of ‘feminine simplicity,' carrying on the childish mind into maturer years, but the clear allegiance of a firm mind, familiar with the pretensions of non-Christian schools, well able to test them, and undiverted by them from her first love."
Miss Winkworth, although not the earliest of modern translators from the German into English, is certainly the foremost in rank and popularity. Her translations are the most widely used of any from that language, and have had more to do with the modern revival of the English use of German hymns than the versions of any other writer.
-- John Julian, Dictionary of Hymnology (1907)
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See also in:
Hymn Writers of the Church
Catherine Winkworth
John Baptiste Calkin
1827 - 1905 Person Name: J. Baptiste Calkin Composer of "CEMETERIUM" in The Coronation Hymnal John Baptiste Calkin United Kingdom 1827-1905. Born in London, he was reared in a musical atmosphere. Studying music under his father, and with three brothers, he became a composer, organist, and music teacher. At 19, he was appointed organist, precenter, and choirmaster at St. Columbia's College, Dublin, Ireland, 1846 to 1853. From 1853 to 1863 we was organist and choirmaster at Woburn Chapel, London. From 1863 to 1868, he was organist of Camden Road Chapel. From 1870 to 1884 he was organist at St. Thomas's Church, Camden Town. In 1883 he became professor at Guildhall School of Music and concentrated on teaching and composing. He was also a professor of music and on the council of Trinity College, London, and a member of the Philharmonic Society (1862). In 1893 he was a fellow of the College of Organists. John and wife, Victoire, had four sons, each following a musical carer. He wrote much music for organ and scored string arrangements, sonatas, duos, etc. He died at Hornsey Rise Gardens.
John Perry
John Baptiste Calkin
Victor von Strauss und Torney
1809 - 1899 Person Name: Victor von Strauß und Torney Author of "Thou, Sore Oppressed" in The Cyber Hymnal Strauss, Victor Friedrich. von, was born at Bückeburg, Schaumburg-Lippe, Sept. 18, 1809. He became a student of law at the Universities of Erlangen, Bonn, and Gottingen. In 1832 he married Albertine von Torney, daughter of a Hannoverian landed proprietor; and, in 1872, at the request of her relations, added her name to his own (Strauss und Torney), having been previously, in 1851, raised to the Austrian nobility. Having entered the diplomatic service of Schaumburg-Lippe, in 1832, he was appointed, in 1840, Archivrath at Bückeburg; and attended the Frankfurt Diet as Geheimrath, in 1850, as the accredited representative of Schaumburg-Lippe. He was also, from 1853 to 1866, the regular representative of Schaumburg-Lippe, at the North German Diet. Thereafter he retired on a pension, and went at Easter, 1869, to Erlangen, where he wrote a translation of the works of the Chinese philosopher Laò-tsè, with a commentary (published 1870). In 1872 he removed to Dresden. In 1889 he published the first vol. of a work on Altägyptische Götterglaube (Koch, vii. 270; 0. Kraus, 1879, p. 525, &c).
Both as a secular and as a sacred poet, Strauss holds high rank among his contemporaries in Germany; not so much for popularity, as for wealth of ideas, breadth of culture, beauty of form, and clear, simple expression. The impulse which he received to the study of theology and to hymnwriting, was mainly through the impression of manifest unfairness left upon him by reading D. F. Strauss's Leben Jesu, 1835. This led him to study the New Testament for himself; and to find, in the old Gospel, the satisfaction of the needs of his spirit. His hymns, while, like most modern hymns, in the main subjective, often catch the ring and noble simplicity of the older objective classical hymns, but are more finished in form. Many have passed into recent German hymnbooks. They appeared principally in Knapp's Christoterpe, 1844-48; and in his own—(1) Gedichte, Bielefeld, 1841; (2) Lieder aus der Gemeine für das Christliche Kirchenjahr, Hamburg, 1843 ; and (3) Weltliches und Geistliches, Heidelberg, 1856. The hymns in No. 3 are in the second part, which is separately paged, and en¬titled Geistliches im Gedichten und Liedern. The work entitled Das Kirchenjahr im Hause, Heidelberg, 1845, is a series of poetical meditations, and not of hymns properly so called.
The hymns by Strauss which have passed into English are:—
i. Lobjauchzt und mehret Gottes Ruhm. Advent. First published in 1856, as above, pt. ii., p. 8, in 16 stanzas, entitled "Advent." Translation as, "The Lord doth in His Kingdom come." By J. Kelly, 1885.
ii. Nun gingst auch du. Easter Eve. First published, 1843, as above, p. 126, in 7 stanzas of 5 lines, and en¬titled, "The Lord in the Grave." Included in Knapp's Evangelischer Lieder-Schatz, 1850, No. 560. Translated as:—
Thou sore-oppress'd. A good translation, omitting st. v. by Miss Winkworth, in herLyra Germanica, 2nd Ser., 1858, p. 34; and thence in her Chorale Book for Eng¬land, 1863, No. 56. Included in the Hymnary, 1872, Parish Hymn Book, 1875, Evangelical Hymnal, N. York, 1880, and others.
iii. 0 mein Herz, gieb dich zufrieden. Waiting on God. First published, 1841, as above, p. 160, in 5 stanzas of 8 lines, and entitled, "Tranquillity." Included in Knapp's Evangelischer Lieder-Schatz, 1850, No. 1955. The translation in common use is:—
0 my heart, be calm and patient. A translation of st. i., ii., v., by Miss Borthwick, as No. 243 in Dr. Pagenstecher's Collection, 1864.
Other translations are:—
(1) "0 my heart, be calm, confiding." By Miss Burlingham, in the British Herald, June 1866, p. 287; and in Reid's Praise Book, 1872. (2) "O my heart, be thou content." By J. Kelly, 1885, p. 75. [Rev. James Mearns, M.A.]
-- John Julian, Dictionary of Hymnology (1907)
Victor von Strauss und Torney
