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Text Identifier:"^there_were_ninety_and_nine_that_safely$"

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There Were Ninety and Nine

Author: Elizabeth Cecilia Clephane Meter: Irregular Appears in 373 hymnals First Line: There were ninety and nine that safely lay Refrain First Line: Lost on the mountains cold and bare

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[There were ninety and nine that safely lay]

Appears in 155 hymnals Composer and/or Arranger: Ira D. Sankey Incipit: 55111 11771 1133 Used With Text: The Ninety and Nine
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[There were ninety and nine that safely lay]

Appears in 4 hymnals Composer and/or Arranger: Bliss Incipit: 55533 33215 55617 Used With Text: The Ninety and Nine
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COMPASSION

Appears in 4 hymnals Composer and/or Arranger: Fountain Meen, b. 1846 Incipit: 53353 11156 14433 Used With Text: There were ninety and nine

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There Were Ninety and Nine That Safely Lay

Author: Elizabeth C Clephane, 1830-1869 Hymnal: The A.M.E. Zion Hymnal #299 (1999) Meter: Irregular Lyrics: 1 There were ninety and nine that safely lay In the shelter of the fold, But one was out on the hills away, Far off from the gates of gold– Away on the mountains wild and bare, Away from the tender Shepherd’s care, Away from the tender Shepherd’s care. 2 "Lord, Thou hast here Thy ninety and nine; Are they not enough for Thee?" But the Shepherd made answer: "This of mine Has wandered away from me; And although the road be rough and steep, I go to the desert to find my sheep, I go to the desert to find my sheep." 3 But none of the ransomed ever knew How deep were the waters crossed; Nor how dark was the night the Lord passed thro' Ere He found His sheep that was lost. Out in the desert He heard its cry– So sick and helpless and ready to die; So sick and helpless and ready to die. 4 "Lord, whence are those blood-drops all the way That mark out the mountain’s track?" "They were shed for one who had gone astray Ere the Shepherd could bring him back." "Lord, whence are Thy hands so rent and torn?" "They are pierced tonight by many a thorn, They are pierced tonight by many a thorn." 5 And all through the mountains, thunder-riven, And up from the rocky steep, There arose a glad cry to the gate of heaven, "Rejoice! I have found my sheep!" And the angels echoed around the throne, "Rejoice, for the Lord brings back His own, Rejoice, for the Lord brings back His own!" AMEN. Topics: Jesus, Our Shepherd Languages: English Tune Title: THE NINETY AND NINE
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The Ninety and Nine

Author: Elizabeth C. Clephane Hymnal: Christ in Song #61 (1908) First Line: There were ninety and nine that safely lay Lyrics: 1 There were ninety and nine that safely lay In the shelter of the fold, But one was out on the hills away, Far off from the gates of gold; Away on the mountains wild and bare, Away from the tender Shepherd's care, Away from the tender Shepherd's care. 2 "Lord, thou hast here Thy ninety and nine; Are they not enough for Thee?" But the Shepherd made answer: "One of mine Has wander'd away from me, And although the road be rough and steep, I go to the desert to find my sheep, I go to the desert to find my sheep." 3 But none of the ransom'd ever knew How deep were the waters cross'd; Nor how dark was the night that the Lord pass'd thro' Ere He found His sheep that was lost. Out in the desert He heard its cry, Sick and helpless, and ready to die. Sick and helpless, and ready to die. 4 "Lord, whence are these blood drops all the way That mark out the mountains' track?" They were shed for one who has gone astray, Ere the Shepherd could bring him back." "Lord, why are thy hands so rent and torn?" They are pierc'd to-night by many a thorn." "They are pierc'd to-night by many a thorn." 5 But all through the mountains, thunder riven, And up from the rocky steep, There rose a cry to the gate of heaven, "Rejoice, I have found my sheep!" And the angels sang around the throne, "Rejoice for the Lord brings back His own!" Topics: Invitation and Repentance; Invitation and Repentance; Invitation and Repentance; Special Selections Solos Languages: English Tune Title: [There were ninety and nine that safely lay]
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The Ninety And Nine

Author: E. C. Clephane Hymnal: Reformed Press Hymnal #154 (1934) First Line: There were ninety and nine that safely lay Lyrics: 1 There were ninety and nine that safely lay In the shelter of the fold, But one was out on the hills away, Far off from the gates of gold— Away on the mountains wild and bare, Away from the tender Shepherd's care, Away from the tender Shepherd's care. 2 "Lord, Thou hast here Thy ninety and nine; Are they not enough for Thee?" But the Shepherd made answer: "This of mine Has wandered away from me, And, although the road be rough and steep, I go to the desert to find my sheep, I go to the desert to find my sheep." 3 But none of the ransomed ever knew How deep were the waters cross'd; Nor how dark was the night that the Lord pass'd thro', Ere He found His sheep that was lost: Out in the desert He heard its cry— Sick and helpless, and ready to die, Sick and helpless, and ready to die. 4 "Lord, whence are those blood-drops all the way That mark out the mountain's track?" "They were shed for one who had gone astray Ere the Shepherd could bring him back": "Lord, whence are Thy hands so rent and torn?" "They are pierced tonight by many a thorn, They are pieced tonight by many a thorn." 5 But all thro' the mountains, thunder-riv'n, And up from the rocky steep, There rose a great cry to the gate of heav'n, "Rejoice! I have found my sheep!" And the angels echoed around the throne, "Rejoice! for the Lord brings back His own! Rejoice! for the Lord brings back His own!" Languages: English Tune Title: [There were ninety and nine that safely lay]

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Authors, composers, editors, etc.

Elizabeth Cecilia Clephane

1830 - 1869 Person Name: Elizabeth Cecilia Douglas Clephane Author of "There Were Ninety and Nine" in Trinity Hymnal (Rev. ed.) Clephane, Elizabeth Cecilia, third daughter of Andrew Clephane, Sheriff of Fife, was born at Edinburgh, June 18, 1830, and died at Bridgend House, near Melrose, Feb. 19, 1869. Her hymns appeared, almost all for the first time, in the Family Treasury, under the general title of Breathings on the Border. In publishing the first of these in the Treasury, the late Rev. W. Arnot, of Edinburgh, then editor, thus introduced them:— "These lines express the experiences, the hopes, and the longings of a young Christian lately released. Written on the very edge of this life, with the better land fully, in the view of faith, they seem to us footsteps printed on the sands of Time, where these sands touch the ocean of Eternity. These footprints of one whom the Good Shepherd led through the wilderness into rest, may, with God's blessing, contribute to comfort and direct succeeding pilgrims." The hymns, together with their dates,are:— 1. Beneath the cross of Jesus. Family Treasury, 1872, p. 398, 2. Mine eyes for ever closed. Family Treasury, 1872, p. 398. 3. Who climbeth up too nigh. Family Treasury, 1872, p. 552. 4. Into His summer garden. Family Treasury, 1873, p. 245. 5. From my dwelling midst the dead. Family Treasury, 1873, p. 365. 6. The day is drawing nearly done. Family Treasury, 1873, p. 389. 7. Life-light waneth to an end. Family Treasury, 1874, p. 595. 8. There were ninety and nine that safely lay. Family Treasury, 1874, p. 595. Of these Nos. 1 and 8 are in common use. [Rev. James Mearns, M.A.] --John Julian, Dictionary of Hymnology (1907)

Ira David Sankey

1840 - 1908 Person Name: Ira D. Sankey Composer of "THE NINETY AND NINE" in Trinity Hymnal (Rev. ed.) Sankey, Ira David, was born in Edinburgh, Pennsylvania, in 1840, of Methodist parents. About 1856 he removed with his parents to New Castle, Pennsylvania, where he became a member of the Methodist Episcopal Church. Four years afterwards he became the Superintendent of a large Sunday School in which he commenced his career of singing sacred songs and solos. Mr. Moody met with him and heard him sing at the International Convention of the Young Men's Christian Association, at Indianapolis, and through Mr. Moody's persuasion he joined him in his work at Chicago. After some two or three years' work in Chicago, they sailed for England on June 7, 1872, and held their first meeting at York a short time afterwards, only eight persons being present. Their subsequent work in Great Britain and America is well known. Mr. Sankey's special duty was the singing of sacred songs and solos at religious gatherings, a practice which was in use in America for some time before he adopted it. His volume of Sacred Songs and Solos is a compilation from various sources, mainly American and mostly in use before. Although known as Sankey and Moody’s Songs, only one song, "Home at last, thy labour done" is by Mr. Sankey, and not one is by Mr. Moody. Mr. Sankey supplied several of the melodies. The English edition of the Sacred Songs & Solos has had an enormous sale; and the work as a whole is very popular for Home Mission services. The Songs have been translated into several languages. --John Julian, Dictionary of Hymnology (1907) Pseudonymns: Harry S. Low­er Rian A. Dykes ==================== Sankey, I. D., p. 994, i. During the past fifteen years Mr. Sankey's Sacred Songs and Solos have had a very large sale, which has justified him in increasing the number of songs and hymns, including " New Hymns and Solos," to 1200. In 1906 he published My Life and Sacred Songs (London : Morgan & Scott). In addition to the "Story of his Own Life," the work contains an account of the most popular of his solos, with interesting reminiscences of the spiritual awakening of many who were influenced through his singing of them in public. In this respect it corresponds in some measure with G. J. Stevenson's Methodist Hymn Book, &c, 1883 (p. 1094, i.). It is an addition to the Sacred Songs and Solos, which will be held in esteem by many. In addition to his hymn, noted on p. 994, ii., Mr. Sankey gives details of the following:— 1. Out of the shadow-land into the sunshine. [Heaven Anticipated.] Mr. Sankey's account of this hymn is:— "I wrote this hymn specially for the memorial service held for Mr. Moody in Carnegie Hall, where 1 also sang it as a solo. It is the last sacred song of which I wrote both the words and music. The idea was suggested by Mr. Moody's last words, 'Earth recedes; heaven opens before me . . . God is calling me, and I must go.' On account of its peculiar association with my fellow-labourer in the Gospel for so many years, the words are here given in full." The hymn follows on p. 185, in 3 stanzas of 4 lines and a chorus. 2. Rejoice! Rejoice! our King is coming, [Advent.] Mr. Sankey writes concerning this hymn:— "During one of my trips to Great Britain on the SS. City of Rome a storm raged on the sea. The wind was howling through the rigging, and waves like mountains of foam were breaking over the bow of the vessel. A great fear had fallen upon the passengers. When the storm was at its worst, we all thought we might soon go to the bottom of the sea. The conviction came to me that the Lord would be with us iu the trying hour, and sitting down in the reading room, I composed this hymn. Before reaching England the tune had formed itself in my mind, and on arriving in London I wrote it out, and had it published in Sacred Songs and Solos, where it is No. 524 in the edition. of 1888. From Mr. Sankey's autobiographical sketch we gather that he was born at Edinburgh, in Western Pennsylvania, Aug. 28, 1840, joined Mr. Moody in 1871, and visited England for the first time in 1873. The original of the Sacred Songs, &c, of 23 pieces only, was offered as a gift to the London publishers of P. Phillips's Hallowed Song, and declined by them. It was subsequently accepted by Mr. K. O. Morgan, of Morgan & Scott, and is now a volume of 1200 hymns. From a return kindly sent us by Messrs. Morgan & Scott, we find that the various issues of the Sacred Songs and Solos were:— In 1873, 24 pp.; 1874, 72 pp. ; 1876, 153 hymns; 1877, 271 hymns; 1881, 441 hymns; 1888, 750 hymns; 1903, 1200 hymns. In addition, The Christian Choir, which is generally associated with the Sacred Songs and Solos, was issued in 1884 with 75 hymns, and in 1896 with 281. The New Hymns & Solos, by the same firm, were published in 1888. --John Julian, Dictionary of Hymnology, New Supplement (1907)

Josiah Booth

1852 - 1930 Composer of "THERE WERE NINETY AND NINE" in Praise Songs Josiah Booth (27 March 1852 – 29 December 1929) was an English organist and composer, known chiefly for his hymn-tunes. See also in: Wikipedia