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Jubilate Deo
Appears in 42 hymnals First Line: Make a joyful noise unto the Lord, all ye lands; Serve the Lord with gladness Used With Tune: JUBILATE DEO
Jubilate Deo
JUBILATE DEO
Appears in 120 hymnals Incipit: 15433 25545 56716 Used With Text: Jubilate Deo
JUBILATE DEO
[Make a joyful noise unto the Lord, all ye lands]
Appears in 27 hymnals Composer and/or Arranger: Russell Incipit: 34251 43221 Used With Text: Jubilate Deo
[Make a joyful noise unto the Lord, all ye lands]
[Make a joyful noise to God, all the earth]
Appears in 1 hymnal Composer and/or Arranger: William Byrd, 1538-1623 Tune Key: c minor Incipit: 36455 64333 Used With Text: Psalm 100A
[Make a joyful noise to God, all the earth]
Make a Joyful Noise
Hymnal: Hymn and Tune Book of the Methodist Episcopal Church, South (Round Note Ed.) #C5 (1902) First Line: Make a joyful noise unto the Lord, all ye lands Languages: English Tune Title: [Make a joyful noise unto the Lord, all ye lands]
Make a Joyful Noise
Make a joyful noise unto the Lord, all ye lands
Hymnal: Carmina Sanctorum #C17 (1885) Languages: English Tune Title: [Make a joyful noise unto the Lord, all ye lands]
Make a joyful noise unto the Lord, all ye lands
Make a joyful noise unto the Lord, all ye lands
Hymnal: Carmina Sanctorum #C18 (1885) Languages: English Tune Title: [Make a joyful noise unto the Lord, all ye lands]
Make a joyful noise unto the Lord, all ye lands
George J. Elvey
1816 - 1893 Person Name: Sir George Job Elvey (1816- ) Composer of "[Make a joyful noise unto the Lord, all ye lands]" in Carmina Sanctorum George Job Elvey (b. Canterbury, England, 1816; d. Windlesham, Surrey, England, 1893) As a young boy, Elvey was a chorister in Canterbury Cathedral. Living and studying with his brother Stephen, he was educated at Oxford and at the Royal Academy of Music. At age nineteen Elvey became organist and master of the boys' choir at St. George Chapel, Windsor, where he remained until his retirement in 1882. He was frequently called upon to provide music for royal ceremonies such as Princess Louise's wedding in 1871 (after which he was knighted). Elvey also composed hymn tunes, anthems, oratorios, and service music.
Bert Polman
George J. Elvey
Bruce Neswick
b. 1956 Composer of "[Make a joyful noise to God, all the earth]" in The New Century Hymnal
Bruce Neswick
James Turle
1802 - 1882 Person Name: J. Turle Composer of "[Make a joyful noise unto the Lord, all ye lands]" in Sunday-School Book TURLE, JAMES (1802–1882), organist and composer, son of James Turle, an amateur 'cello-player, was born at Taunton, Somerset, on 5 March 1802. From July 1810 to December 1813 he was a chorister at Wells Cathedral under Dodd Perkins, the organist. At the age of eleven he came to London, and was articled to John Jeremiah Goss, but he was largely self-taught. He had an excellent voice and frequently sang in public. John Goss [q. v.], his master's nephew, was his fellow student, and thus the future organists of St. Paul's Cathedral and Westminster Abbey were pupils together. Turle was organist of Christ Church, Surrey (Blackfriars Road), 1819–1829, and of St. James's, Bermondsey, 1829–31. His connection with Westminster Abbey began in 1817, when he was only fifteen. He was at first pupil of and assistant to G. E. Williams, and subsequently deputy to Thomas Greatorex [q. v.], Williams's successor as organist of the abbey. On the death of Greatorex on 18 July 1831, Turle was appointed organist and master of the choristers, an office which he held for a period of fifty-one years. Turle played at several of the great musical festivals, e.g. Birmingham and Norwich, under Mendelssohn and Spohr, but all his interests were centred in Westminster Abbey. His playing at the Handel festival in 1834 attracted special attention. At his own request the dean and chapter relieved him of the active duties of his post on 26 Sept. 1875, when his service in D was sung, and Dr. (now Professor Sir John Frederick) Bridge, the present organist, became permanent deputy-organist. Turle continued to hold the titular appointment till his death, which took place at his house in the Cloisters on 28 June 1882. The dean offered a burial-place within the precincts of the abbey, but he was interred by his own express wish beside his wife in Norwood cemetery. A memorial window, in which are portraits of Turle and his wife, was placed in the north aisle of the abbey by one of his sons, and a memorial tablet has been affixed to the wall of the west cloister. Turle married, in 1823, Mary, daughter of Andrew Honey, of the exchequer office. She died in 1869, leaving nine children. Henry Frederic Turle [q. v.] was his fourth son. His younger brother Robert was for many years organist of Armagh Cathedral.
Turle was an able organist of the old school, which treated the organ as essentially a legato instrument. He favoured full ‘rolling’ chords, which had a remarkable effect on the vast reverberating space of the abbey. He had a large hand, and his ‘peculiar grip’ of the instrument was a noticeable feature of his playing. His accompaniments were largely traditional of all that was best in his distinguished predecessors, and he greatly excelled in his extemporaneous introductions to the anthems. Like Goss, he possessed great facility in reading from a ‘figured bass.’ Of the many choristers who passed through his hands, one of the most distinguished is Mr. Edward Lloyd, the eminent tenor singer.
His compositions include services, anthems, chants, and hymn-tunes. Several glees remain in manuscript. In conjunction with Professor Edward Taylor [q. v.] he edited ‘The People's Music Book’ (1844), and ‘Psalms and Hymns’ (S. P. C. K. 1862). His hymn-tunes were collected by his daughter, Miss S. A. Turle, and published in one volume (1885). One of these, ‘Westminster,’ formerly named ‘Birmingham,’ has become widely known, and is very characteristic of its composer.
--en.wikisource.org/
James Turle
