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Text Identifier:"^lord_hear_my_prayer_and_let_my_cry_hav_r$"

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Lord, Hear My Prayer

Meter: 8.8.8.8 D Appears in 12 hymnals First Line: Lord, hear my prayer and let my cry Topics: Brevity And Frailty Of Life; Israel; Jerusalem; Reformation Day; Compassion of God; Eternity, God'S; Mercy, God'S Scripture: Psalm 102 Used With Tune: HOLY COMMUNION

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HOLY COMMUNION

Meter: 8.8.8.8 D Appears in 3 hymnals Composer and/or Arranger: J. Michael Haydn, 1737-1806 Tune Key: D Major Incipit: 13467 17665 52435 Used With Text: Lord, Hear My Prayer
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SOCIAL BAND

Meter: 8.8.8.8 Appears in 11 hymnals Composer and/or Arranger: J. Harold Moyer Tune Sources: J. Ingalls' Christian Harmony, 1805 Tune Key: F Major Incipit: 53117 34543 45567 Used With Text: LORD, Hear My Prayer and Let My Cry
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ORIEL

Appears in 20 hymnals Composer and/or Arranger: William B. Bradbury Incipit: 32151 71232 16117 Used With Text: Lord, hear my prayer, and let my cry

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LORD, Hear My Prayer and Let My Cry

Author: Marie J. Post Hymnal: Psalter Hymnal (Gray) #102 (1987) Meter: 8.8.8.8 Topics: New Year - Old Year; Return of Christ; Sickness & Health; Confession of Sin; Creation; New Creation; New Year - Old Year; Return of Christ; Sickness & Health Scripture: Psalm 102 Languages: English Tune Title: SOCIAL BAND
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Lord, Hear My Prayer, and Let My Cry

Hymnal: Psalter Hymnal (Red) #209 (1934) Meter: 8.8.8.8 D Lyrics: 1 Lord, hear my prayer, and let my cry Have ready access unto Thee; When in distress to Thee I fly, O hide not Thou Thy face from me. Attend, O Lord, to my desire, O haste to answer when I pray; For grief consumes my strength like fire, My days as smoke pass swift away. 2 My heart is withered like the grass, And I forget my daily bread; In lonely grief my days I pass And sad my thoughts upon my bed. My foes reproach me all the day, My drink is tears, my bread is grief, For in Thy wrath I pine away, My days are like a fading leaf. 3 But Thou, Jehovah, shalt endure, Thy throne forever is the same; And to all generations sure Shall be Thy great memorial Name. The time for Zion’s help is near, The time appointed in Thy love; O let Thy gracious aid appear, Look Thou in mercy from above. 4 O Lord, regard the prayer of those Who love the walls of Zion well, Whose hearts are heavy for her woes, Who sad amid her ruins dwell. Thy power and glory shall appear, And Zion’s walls shall be restored; Then all the kings of earth shall fear And heathen nations serve the Lord. 5 The Lord, exalted on His throne, Looked down from heaven with pitying eye To still the lowly captive’s moan And save His people doomed to die. All men in Zion shall declare His gracious Name with one accord, When kings and nations gather there To serve and worship God the Lord. Topics: Prayer in Afflictions; Brevity And Frailty Of Life; The Church on Earth; Communion with God; Compassion of God; Eternity of God; Israel in Captivity; Jerusalem; Love for the Church; Mercy of God; Prayer; Reformation Day Scripture: Psalm 102 Languages: English Tune Title: HOLY COMMUNION
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Lord, Hear My Prayer

Author: Anonymous Hymnal: The Cyber Hymnal #3723 Meter: 8.8.8.8 First Line: Lord, hear my prayer, and let my cry Lyrics: 1. Lord, hear my prayer, and let my cry Have ready access unto Thee; When in distress to Thee I fly, O hide not Thou Thy face from me. Attend, O Lord, to my desire, O haste to answer when I pray; For grief consumes my strength like fire, My days as smoke pass swift away. 2. My heart is withered like the grass, And I forget my daily bread; In lonely grief my days I pass And sad my thoughts upon my bed. My foes reproach me all the day, My drink is tears, my bread is grief, For in Thy wrath I pine away, My days are like a fading leaf. 3. But Thou, Jehovah, shalt endure, Thy throne forever is the same; And to all generations sure Shall be Thy great memorial name. The time for Zion’s help is near, The time appointed in Thy love; O let Thy gracious aid appear, Look Thou in mercy from above. 4. O Lord, regard the prayer of those Who love the walls of Zion well, Whose hearts are heavy for her woes, Who sad amid her ruins dwell. Thy power and glory shall appear, And Zion’s walls shall be restored; Then all the kings of earth shall fear And heathen nations serve the Lord. 5. The Lord, exalted on His throne, Looked down from Heav’n with pitying eye To still the lowly captive’s moan And save His people doomed to die. All men in Zion shall declare His gracious name with one accord, When kings and nations gather there To serve and worship God the Lord. Scripture: Psalm 102 Languages: English Tune Title: HOLY COMMUNION

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Anonymous

Author of "Lord, Hear My Prayer" in The Cyber Hymnal In some hymnals, the editors noted that a hymn's author is unknown to them, and so this artificial "person" entry is used to reflect that fact. Obviously, the hymns attributed to "Author Unknown" "Unknown" or "Anonymous" could have been written by many people over a span of many centuries.

William B. Bradbury

1816 - 1868 Composer of "ORIEL" in The Psalter William Bachelder Bradbury USA 1816-1868. Born at York, ME, he was raised on his father's farm, with rainy days spent in a shoe-shop, the custom in those days. He loved music and spent spare hours practicing any music he could find. In 1830 the family moved to Boston, where he first saw and heard an organ and piano, and other instruments. He became an organist at 15. He attended Dr. Lowell Mason's singing classes, and later sang in the Bowdoin Street church choir. Dr. Mason became a good friend. He made $100/yr playing the organ, and was still in Dr. Mason's choir. Dr. Mason gave him a chance to teach singing in Machias, ME, which he accepted. He returned to Boston the following year to marry Adra Esther Fessenden in 1838, then relocated to Saint John, New Brunswick. Where his efforts were not much appreciated, so he returned to Boston. He was offered charge of music and organ at the First Baptist Church of Brooklyn. That led to similar work at the Baptist Tabernacle, New York City, where he also started a singing class. That started singing schools in various parts of the city, and eventually resulted in music festivals, held at the Broadway Tabernacle, a prominent city event. He conducted a 1000 children choir there, which resulted in music being taught as regular study in public schools of the city. He began writing music and publishing it. In 1847 he went with his wife to Europe to study with some of the music masters in London and also Germany. He attended Mendelssohn funeral while there. He went to Switzerland before returning to the states, and upon returning, commenced teaching, conducting conventions, composing, and editing music books. In 1851, with his brother, Edward, he began manufacturring Bradbury pianos, which became popular. Also, he had a small office in one of his warehouses in New York and often went there to spend time in private devotions. As a professor, he edited 59 books of sacred and secular music, much of which he wrote. He attended the Presbyterian church in Bloomfield, NJ, for many years later in life. He contracted tuberculosis the last two years of his life. John Perry

Michael Haydn

1737 - 1806 Person Name: J. Michael Haydn, 1737-1806 Composer of "HOLY COMMUNION" in Psalter Hymnal (Blue) Johann Michael Haydn Austria 1737-1806. Born at Rohrau, Austria, the son of a wheelwright and town mayor (a very religious man who also played the harp and was a great influence on his sons' religious thinking), and the younger brother of Franz Joseph Haydn, he became a choirboy in his youth at the Cathedral of St. Stephen in Vienna, as did his brother, Joseph, an exceptional singer. For that reason boys both were taken into the church choir. Michael was a brighter student than Joseph, but was expelled from music school when his voice broke at age 17. The brothers remained close all their lives, and Joseph regarded Michael's religious works superior to his own. Michael played harpsichord, violin, and organ, earning a precarious living as a freelance musician in his early years. In 1757 he became kapellmeister to Archbishop, Sigismund of Grosswardein, in Hungary, and in 1762 concertmaster to Archbishop, Hieronymous of Salzburg, where he remained the rest of his life (over 40 years), also assuming the duties of organist at the Church of St. Peter in Salzburg, presided over by the Benedictines. He also taught violin at the court. He married the court singer, Maria Magdalena Lipp in 1768, daughter of the cathedral choir-master, who was a very pious women, and had such an affect on her husband, trending his inertia and slothfulness into wonderful activity. They had one daughter, Aloysia Josepha, in 1770, but she died within a year. He succeeded Wolfgang Amadeus Mozart, an intimate friend, as cathedral organist in 1781. He also taught music to Carl Maria von Weber. His musical reputation was not recognized fully until after World War II. He was a prolific composer of music, considered better than his well-known brother at composing religious works. He produced some 43 symphonies,12 concertos, 21 serenades, 6 quintets, 19 quartets, 10 trio sonatas, 4 due sonatas, 2 solo sonatas, 19 keyboard compositions, 3 ballets, 15 collections of minuets (English and German dances), 15 marches and miscellaneous secular music. He is best known for his religious works (well over 400 pieces), which include 47 antiphons, 5 cantatas, 65 canticles, 130 graduals, 16 hymns, 47 masses, 7 motets, 65 offertories, 7 oratorios, 19 Psalms settings, 2 requiems, and 42 other compositions. He also composed 253 secular vocals of various types. He did not like seeing his works in print, and kept most in manuscript form. He never compiled or cataloged his works, but others did it later, after his death. Lothar Perger catalogued his orchestral works in 1807 and Nikolaus Lang did a biographical sketch in 1808. In 1815 Anton Maria Klafsky cataloged his sacred music. More complete cataloging has been done in the 1980s and 1990s by Charles H Sherman and T Donley Thomas. Several of Michael Haydn's works influenced Mozart. Haydn died at Salzburg, Austria. John Perry