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Lo! He Comes with Clouds Descending
Author: Charles Wesley Meter: 8.7.8.7.4.7 Appears in 768 hymnals First Line: Lo! He comes with clouds descending, Once for guilty sinners slain Lyrics: 1 Lo he comes in clouds descending,
Once for helpless sinner slain!
Thousand, thousand saints attending
Swell the triumph of his train:
Hallelujah, Hallelujah, Hallelujah,
All the Angels cry amen.
2 Ev'ry eye shall now behold him,
Rob'd in dreadful majesty,
Those who set at nought and sold Him,
Pierc'd and nail'd gim to the tree.
Deeply wailing, deeply wailing, deeply wailing,
Shall the true Messiah see.
3 Ev'ry island, sea, and mountain,
Heav'n and earth, shall flee away;
All who hate him, must confounded,
Hear the trump proclaim the day;
Come to judgment, come to judgment, come to judgment,
Come to judgment come away.
4 Now redemption long expected,
See, in solemn pomp appear!
All his saints by man rejected,
Now shall meet him in the air!
Hallelujah, Hallelujah, Hallelujah,
See the day of God appear.
5 Answer thine own bride and Spirit,
Hasten Lord, the gen'ral doom,
The new heav'n and earth t' inherit,
Take thy pining exiles home,
All creation, all creation, all creation,
Travails! groans! and bids thee come.
5 Yea, amen let all adore thee,
High on thine eternal throne!
Saviour, take the pow'r and glory;
Claim the kingdom for thine own.
O come quickly, O come quickly, O come quickly,
Hallelujah! come Lord, come.
Topics: Advent Second; Christ Second Coming; Second Coming Text Sources: The Coll.
Lo! He Comes with Clouds Descending
[Lo, He comes with clouds descending]
Appears in 875 hymnals Composer and/or Arranger: Henry Smart Incipit: 53153 21566 51432 Used With Text: Lo, He Comes with Clouds Descending
[Lo, He comes with clouds descending]
Lo, He Comes with Clouds Descending
Author: John Cennick; Charles Wesley; Martin Madan Hymnal: The Cyber Hymnal #3717 Meter: 8.7.8.7.8.7 First Line: Lo! He comes with clouds descending Lyrics: 1. Lo! He comes with clouds descending,
Once for favored sinners slain;
Thousand thousand saints attending,
Swell the triumph of His train:
Hallelujah! Hallelujah! Hallelujah!
God appears on earth to reign.
2. Every eye shall now behold Him
Robed in dreadful majesty;
Those who set at naught and sold Him,
Pierced and nailed Him to the tree,
Deeply wailing, deeply wailing, deeply wailing,
Shall the true Messiah see.
3. Every island, sea, and mountain,
Heav’n and earth, shall flee away;
All who hate Him must, confounded,
Hear the trump proclaim the day:
Come to judgment! Come to judgment! Come to judgment!
Come to judgment! Come away!
4. Now redemption, long expected,
See in solemn pomp appear;
All His saints, by man rejected,
Now shall meet Him in the air:
Hallelujah! Hallelujah! Hallelujah!
See the day of God appear!
5. Answer Thine own bride and Spirit,
Hasten, Lord, the general doom!
The new Heav’n and earth t’inherit,
Take Thy pining exiles home:
All creation, all creation, all creation,
Travails! groans! and bids Thee come!
6. The dear tokens of His passion
Still His dazzling body bears;
Cause of endless exultation
To His ransomed worshippers;
With what rapture, with what rapture, with what rapture
Gaze we on those glorious scars!
7. Yea, Amen! let all adore Thee,
High on Thine eternal throne;
Savior, take the power and glory,
Claim the kingdom for Thine own;
O come quickly! O come quickly! O come quickly!
Everlasting God, come down!
This is believed to be the original version of Cennick’s text:
1. Lo! He cometh, countless Trumpets,
Blow before his bloody Sign!
’Midst ten Thousand Saints and Angels,
See the Crucified shine,
Allelujah! Welcome, welcome bleeding Lamb!
2. Now his Merits by the Harpers,
Thro’ the eternal Deeps resounds!
resplendent shine his Nail Prints,
Ev’ry Eye shall see his Wounds!
They who pierc’d Him, shall at his appearing wail.
3. Ev’ry Island, Sea, and Mountain,
Heav’n and Earth shall flee away!
All who hate him must ashamed,
Hear the Trump proclaim the Day:
Come to Judgment! Stand before the Son of Man!
4. All who love him view his Glory
Shining in his bruised Face:
His dear Person on the Rainbow,
Now his Peoples Heads shall raise:
Happy Mourners! Now on Clouds he comes! He comes!
5. Now Redemption long expected,
See, in solemn Pomp appear;
All his People, once despised,
Now shall meet him in the Air:
Allelujah! Now the promis’d Kingdom’s come!
6. View him smiling, now determin’d,
Ev’ry Evil to destroy!
All the nations now shall sing him,
Songs of everlasting Joy!
O come quickly! Allelujah! Come Lord, come! Languages: English Tune Title: HELMSLEY
Lo, He Comes with Clouds Descending
Lo, He comes with clouds descending
Author: Madan; J. Cennick; C. Wesley Hymnal: The Hymnal, Revised and Enlarged, as adopted by the General Convention of the Protestant Episcopal Church in the United States of America in the year of our Lord 1892 #39a (1894) Meter: 8.7.8.7.4.7 Lyrics: 1 Lo, He comes with clouds descending,
Once for our salvation slain;
Thousand angel-hosts attending,
Swell the triumph of His train:
Alleluia! Alleluia!
Christ, the Lord, returns to reign.
2 Every eye shall now behold Him,
Robed in dreadful majesty;
Those who set at naught and sold Him,
Pierced, and nailed Him to the tree,
Deeply wailing, deeply wailing,
Shall the true Messiah see.
3 Now redemption, long expected,
See in solemn pomp appear:
All His saints, by men rejected,
Now shall meet Him in the air:
Alleluia! Alleluia!
See the day of God appear.
4 Yea, Amen; let all adore Thee,
High on Thy eternal throne;
Saviour, take the power and glory;
Claim the kingdoms for Thine own:
Alleluia! Alleluia!
Thou shalt reign, and Thou alone.
Amen.
Topics: Triumph of Christ Languages: English Tune Title: [Lo, He comes with clouds descending]
Lo, He comes with clouds descending
Lo, He comes with clouds descending
Author: Madan; J. Cennick; C. Wesley Hymnal: The Hymnal, Revised and Enlarged, as adopted by the General Convention of the Protestant Episcopal Church in the United States of America in the year of our Lord 1892 #39b (1894) Meter: 8.7.8.7.4.7 Lyrics: 1 Lo, He comes with clouds descending,
Once for our salvation slain;
Thousand angel-hosts attending,
Swell the triumph of His train:
Alleluia! Alleluia!
Christ, the Lord, returns to reign.
2 Every eye shall now behold Him,
Robed in dreadful majesty;
Those who set at naught and sold Him,
Pierced, and nailed Him to the tree,
Deeply wailing, deeply wailing,
Shall the true Messiah see.
3 Now redemption, long expected,
See in solemn pomp appear:
All His saints, by men rejected,
Now shall meet Him in the air:
Alleluia! Alleluia!
See the day of God appear.
4 Yea, Amen; let all adore Thee,
High on Thy eternal throne;
Saviour, take the power and glory;
Claim the kingdoms for Thine own:
Alleluia! Alleluia!
Thou shalt reign, and Thou alone.
Amen.
Topics: Triumph of Christ Languages: English Tune Title: [Lo, He comes with clouds descending]
Lo, He comes with clouds descending
Thomas Olivers
1725 - 1799 Composer of "HELMSLEY" in The Presbyterian Hymnal Thomas Olivers was born in Tregonan, Montgomeryshire, in 1725. His youth was one of profligacy, but under the ministry of Whitefield, he was led to a change of life. He was for a time apprenticed to a shoemaker, and followed his trade in several places. In 1763, John Wesley engaged him as an assistant; and for twenty-five years he performed the duties of an itinerant ministry. During the latter portion of his life he was dependent on a pension granted him by the Wesleyan Conference. He died in 1799.
--Annotations of the Hymnal, Charles Hutchins, M.A., 1872.
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Olivers, Thomas, was born at Tregynon, near Newtown, Montgomeryshire, in 1725. His father's death, when the son was only four years of age, followed by that of the mother shortly afterwards, caused him to be passed on to the care of one relative after another, by whom he was brought up in a somewhat careless manner, and with little education. He was apprenticed to a shoemaker. His youth was one of great ungodliness, through which at the age of 18 he was compelled to leave his native place. He journeyed to Shrewsbury, Wrexham, and Bristol, miserably poor and very wretched. At Bristol he heard G. Whitefield preach from the text "Is not this a brand plucked out of the fire?" That sermon turned the whole current of his life, and he became a decided Christian. His intention at the first was to join the followers of Whitefield, but being discouraged from doing so by one of Whitefield's preachers, he subsequently joined the Methodist Society at Bradford-on-Avon. At that town, where he purposed carrying on his business of shoemaking, he met John Wesley, who, recognising in him both ability and zeal, engaged him as one of his preachers. Olivers joined Wesley at once, and proceeded as an evangelist to Cornwall. This was on Oct. 1, 1753. He continued his work till his death, which took place suddenly in London, in March 1799. He was buried in Wesley's tomb in the City Road Chapel burying ground, London. Olivers was for some time co-editor with J. Wesley of the Arminian Magazine, but his lack of education unfitted him for the work. As the author of the tune Helmsley, and of the hymn “The God of Abraham praise," he is widely known. He also wrote “Come Immortal King of glory;" and "O Thou God of my salvation," whilst residing at Chester; and an Elegy on the death of John Wesley. His hymns and the Elegy were reprinted (with a Memoir by the Rev. J. Kirk) by D. Sedgwick, in 1868.
--John Julian, Dictionary of Hymnology (1907)
Thomas Olivers
Martin Madan
1726 - 1790 Alterer of "Lo! He Comes with Clouds Descending" in Trinity Hymnal (Rev. ed.) Madan, Martin, son of Colonel Martin Madan, and brother of Dr. Spencer Madan, sometime Bishop of Peterborough, was born in 1726. He was to have qualified for the Bar, but through a sermon by J. Wesley on the words "Prepare to meet thy God," the whole current of his life was changed. After some difficulty he received Holy Orders, and subsequently founded and became chaplain of the Lock Hospital, Hyde Park Corner. He was popular as a preacher, and had no inconsiderable reputation as a musical composer. He ceased preaching on the publication of his work Thelyphthora, in which he advocated the practice of polygamy. He died in 1790. He published A Commentary on the Articles of the Church of England; A Treatise on the Christian Faith, &c, and:- A Collection of Psalms and Hymns Extracted from Various Authors, and published by the Reverend Mr. Madan. London, 1760.
This Collection contained 170 hymns thrown together without order or system of any kind. In 1763 he added an Appendix of 24 hymns. This Collection, referred to as Madam’s Psalms & Hymns, had for many years a most powerful influence on the hymnody of the Church of England. Nearly the whole of its contents, together with its extensively altered texts, were reprinted in numerous hymnbooks for nearly one hundred years. At the present time many of the great hymns of the last century are in use as altered by him in 1760 and 1763. Although several hymns have been attributed to him, we have no evidence that he ever wrote one. His hymnological labours were employed in altering, piecing, and expanding the work of others. And in this he was most successful.
-- John Julian, Dictionary of Hymnology (1907)
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Martin Madan
Charles Wesley
1707 - 1788 Author of "Lo! He Comes, with Clouds Descending" in Psalter Hymnal (Gray) Charles Wesley, M.A. was the great hymn-writer of the Wesley family, perhaps, taking quantity and quality into consideration, the great hymn-writer of all ages. Charles Wesley was the youngest son and 18th child of Samuel and Susanna Wesley, and was born at Epworth Rectory, Dec. 18, 1707. In 1716 he went to Westminster School, being provided with a home and board by his elder brother Samuel, then usher at the school, until 1721, when he was elected King's Scholar, and as such received his board and education free. In 1726 Charles Wesley was elected to a Westminster studentship at Christ Church, Oxford, where he took his degree in 1729, and became a college tutor. In the early part of the same year his religious impressions were much deepened, and he became one of the first band of "Oxford Methodists."
In 1735 he went with his brother John to Georgia, as secretary to General Oglethorpe, having before he set out received Deacon's and Priest's Orders on two successive Sundays. His stay in Georgia was very short; he returned to England in 1736, and in 1737 came under the influence of Count Zinzendorf and the Moravians, especially of that remarkable man who had so large a share in moulding John Wesley's career, Peter Bonier, and also of a Mr. Bray, a brazier in Little Britain. On Whitsunday, 1737, [sic. 1738] he "found rest to his soul," and in 1738 he became curate to his friend, Mr. Stonehouse, Vicar of Islington, but the opposition of the churchwardens was so great that the Vicar consented that he "should preach in his church no more." Henceforth his work was identified with that of his brother John, and he became an indefatigable itinerant and field preacher. On April 8, 1749, he married Miss Sarah Gwynne. His marriage, unlike that of his brother John, was a most happy one; his wife was accustomed to accompany him on his evangelistic journeys, which were as frequent as ever until the year 1756," when he ceased to itinerate, and mainly devoted himself to the care of the Societies in London and Bristol. Bristol was his headquarters until 1771, when he removed with his family to London, and, besides attending to the Societies, devoted himself much, as he had done in his youth, to the spiritual care of prisoners in Newgate. He had long been troubled about the relations of Methodism to the Church of England, and strongly disapproved of his brother John's "ordinations." Wesley-like, he expressed his disapproval in the most outspoken fashion, but, as in the case of Samuel at an earlier period, the differences between the brothers never led to a breach of friendship. He died in London, March 29, 1788, and was buried in Marylebone churchyard. His brother John was deeply grieved because he would not consent to be interred in the burial-ground of the City Road Chapel, where he had prepared a grave for himself, but Charles said, "I have lived, and I die, in the Communion of the Church of England, and I will be buried in the yard of my parish church." Eight clergymen of the Church of England bore his pall. He had a large family, four of whom survived him; three sons, who all became distinguished in the musical world, and one daughter, who inherited some of her father's poetical genius. The widow and orphans were treated with the greatest kindness and generosity by John Wesley.
As a hymn-writer Charles Wesley was unique. He is said to have written no less than 6500 hymns, and though, of course, in so vast a number some are of unequal merit, it is perfectly marvellous how many there are which rise to the highest degree of excellence. His feelings on every occasion of importance, whether private or public, found their best expression in a hymn. His own conversion, his own marriage, the earthquake panic, the rumours of an invasion from France, the defeat of Prince Charles Edward at Culloden, the Gordon riots, every Festival of the Christian Church, every doctrine of the Christian Faith, striking scenes in Scripture history, striking scenes which came within his own view, the deaths of friends as they passed away, one by one, before him, all furnished occasions for the exercise of his divine gift. Nor must we forget his hymns for little children, a branch of sacred poetry in which the mantle of Dr. Watts seems to have fallen upon him. It would be simply impossible within our space to enumerate even those of the hymns which have become really classical. The saying that a really good hymn is as rare an appearance as that of a comet is falsified by the work of Charles Wesley; for hymns, which are really good in every respect, flowed from his pen in quick succession, and death alone stopped the course of the perennial stream.
It has been the common practice, however for a hundred years or more to ascribe all translations from the German to John Wesley, as he only of the two brothers knew that language; and to assign to Charles Wesley all the original hymns except such as are traceable to John Wesley through his Journals and other works.
The list of 482 original hymns by John and Charles Wesley listed in this Dictionary of Hymnology have formed an important part of Methodist hymnody and show the enormous influence of the Wesleys on the English hymnody of the nineteenth century.
-- Excerpts from John Julian, Dictionary of Hymnology (1907)
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Charles Wesley, the son of Samuel Wesley, was born at Epworth, Dec. 18, 1707. He was educated at Westminster School and afterwards at Christ Church, Oxford, where he graduated M.A. In 1735, he took Orders and immediately proceeded with his brother John to Georgia, both being employed as missionaries of the S.P.G. He returned to England in 1736. For many years he engaged with his brother in preaching the Gospel. He died March 29, 1788. To Charles Wesley has been justly assigned the appellation of the "Bard of Methodism." His prominence in hymn writing may be judged from the fact that in the "Wesleyan Hymn Book," 623 of the 770 hymns were written by him; and he published more than thirty poetical works, written either by himself alone, or in conjunction with his brother. The number of his separate hymns is at least five thousand.
--Annotations of the Hymnal, Charles Hutchins, M.A., 1872.
Charles Wesley
