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Text Identifier:"^jesus_my_savior_look_on_me$"

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Jesus, my Saviour, look on me

Author: Charlotte Elliott Meter: 8.8.8.4 Appears in 126 hymnals Topics: Christian Experience Conflict with Sin; Conflict With Sin; Trials Refuge in Used With Tune: HANFORD

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HANFORD

Meter: 8.8.8.4 Appears in 158 hymnals Composer and/or Arranger: Sir Arthur Sullivan Tune Key: E Flat Major Incipit: 55555 43266 66654 Used With Text: Jesus, my Saviour, look on me
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HAMBURG

Appears in 892 hymnals Incipit: 11232 34323 33343 Used With Text: Jesus, my All
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ALMSGIVING

Appears in 290 hymnals Tune Key: G Major Incipit: 33215 12351 35432 Used With Text: Jesus, My Saviour, Look on Me

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Jesus, My Savior, Look On Me

Author: Charlotte Elliott Hymnal: International Praise #17 (1902) Refrain First Line: Look down, on me Languages: English Tune Title: [Jesus, my Savior, look on me]
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Jesus, My Savior, Look on Me

Author: Charlotte Elliott Hymnal: Hymns for the Living Church #427 (1974) Meter: 8.8.8.4 Lyrics: 1 Jesus, my Savior, look on me, For I am weary and oppressed; I come to cast myself on Thee: Thou art my Rest. 2 Look down on me, for I am weak; I feel the toilsome journey’s length; Thine aid omnipotent I seek: Thou art my Strength. 3 I am bewildered on my way, Dark and tempestuous is the night; O send Thou forth some cheering ray! Thou art my Light. 4 When Satan flings his fiery darts, I look to Thee, my terrors cease; Thy cross a hiding place imparts: Thou art my Peace. 5 Thou wilt my every want supply, E’en to the end, whate’er befall; Through life, in death, eternally, Thou art my All. Amen. Scripture: Psalm 56:3 Languages: English Tune Title: SULLIVAN
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Jesus, My Savior, Look on Me

Author: Charlotte Elliott Hymnal: The Cyber Hymnal #3373 Meter: 8.8.8.4 Lyrics: 1. Jesus, my Savior, look on me, For I am weary and oppressed; I come to cast myself on Thee: Thou art my rest. 2. Look down on me, for I am weak; I feel the toilsome journey’s length; Thine aid omnipotent I seek: Thou art my strength. 3. I am bewildered on my way, Dark and tempestuous is the night; O send Thou forth some cheering ray: Thou art my light. 4. I hear the storms around me rise; But when I dread th’impending shock, My spirit to the refuge flies: Thou art my rock. 5. When Satan flings his fiery darts, I look to Thee; my terrors cease; Thy cross a hiding place imparts: Thou art my peace. 6. Standing alone on Jordan’s brink, In that tremendous latest strife, Thou will not suffer me to sink: Thou art my life. 7. Thou wilt my every want supply, E’en to the end, whate’er befall; Through life, in death, eternally, Thou art my all. Languages: English Tune Title: HANFORD (Sullivan)

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Arthur Sullivan

1842 - 1900 Person Name: Sir Arthur Sullivan, 1842-1900 Author of "Jesus, my Saviour, look on me" in Methodist Hymn and Tune Book Arthur Seymour Sullivan (b Lambeth, London. England. 1842; d. Westminster, London, 1900) was born of an Italian mother and an Irish father who was an army band­master and a professor of music. Sullivan entered the Chapel Royal as a chorister in 1854. He was elected as the first Mendelssohn scholar in 1856, when he began his studies at the Royal Academy of Music in London. He also studied at the Leipzig Conservatory (1858-1861) and in 1866 was appointed professor of composition at the Royal Academy of Music. Early in his career Sullivan composed oratorios and music for some Shakespeare plays. However, he is best known for writing the music for lyrics by William S. Gilbert, which produced popular operettas such as H.M.S. Pinafore (1878), The Pirates of Penzance (1879), The Mikado (1884), and Yeomen of the Guard (1888). These operettas satirized the court and everyday life in Victorian times. Although he com­posed some anthems, in the area of church music Sullivan is best remembered for his hymn tunes, written between 1867 and 1874 and published in The Hymnary (1872) and Church Hymns (1874), both of which he edited. He contributed hymns to A Hymnal Chiefly from The Book of Praise (1867) and to the Presbyterian collection Psalms and Hymns for Divine Worship (1867). A complete collection of his hymns and arrangements was published posthumously as Hymn Tunes by Arthur Sullivan (1902). Sullivan steadfastly refused to grant permission to those who wished to make hymn tunes from the popular melodies in his operettas. Bert Polman

Samuel Sebastian Wesley

1810 - 1876 Composer of "WIMBLEDON" in The Presbyterian Book of Praise Samuel Sebastian Wesley (b. London, England, 1810; d. Gloucester, England, 1876) was an English organist and composer. The grandson of Charles Wesley, he was born in London, and sang in the choir of the Chapel Royal as a boy. He learned composition and organ from his father, Samuel, completed a doctorate in music at Oxford, and composed for piano, organ, and choir. He was organist at Hereford Cathedral (1832-1835), Exeter Cathedral (1835-1842), Leeds Parish Church (1842­-1849), Winchester Cathedral (1849-1865), and Gloucester Cathedral (1865-1876). Wesley strove to improve the standards of church music and the status of church musicians; his observations and plans for reform were published as A Few Words on Cathedral Music and the Music System of the Church (1849). He was the musical editor of Charles Kemble's A Selection of Psalms and Hymns (1864) and of the Wellburn Appendix of Original Hymns and Tunes (1875) but is best known as the compiler of The European Psalmist (1872), in which some 130 of the 733 hymn tunes were written by him. Bert Polman

George J. Elvey

1816 - 1893 Person Name: Sir G. J. Elvey, Mus. Doc. Composer of "[Jesus, my Saviour, look on me]" in The Hymnal, Revised and Enlarged, as adopted by the General Convention of the Protestant Episcopal Church in the United States of America in the year of our Lord 1892 George Job Elvey (b. Canterbury, England, 1816; d. Windlesham, Surrey, England, 1893) As a young boy, Elvey was a chorister in Canterbury Cathedral. Living and studying with his brother Stephen, he was educated at Oxford and at the Royal Academy of Music. At age nineteen Elvey became organist and master of the boys' choir at St. George Chapel, Windsor, where he remained until his retirement in 1882. He was frequently called upon to provide music for royal ceremonies such as Princess Louise's wedding in 1871 (after which he was knighted). Elvey also composed hymn tunes, anthems, oratorios, and service music. Bert Polman