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Text Identifier:"^immortal_love_within_whose_righteous_wil$"

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PATMOS

Appears in 4 hymnals Composer and/or Arranger: Samuel Sebastian Wesley (1810-1876) Incipit: 53333 33266 Used With Text: Immortal Love, within whose righteous will
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LUX BENIGNA

Appears in 633 hymnals Composer and/or Arranger: Rev. John B. Dykes Incipit: 51233 21616 51712 Used With Text: Immortal Love, within whose righteous will
Audio

SANDON

Appears in 177 hymnals Composer and/or Arranger: H. C. Purday Incipit: 33343 32123 12713 Used With Text: Immortal Love, within whose righteous will

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Published text-tune combinations (hymns) from specific hymnals
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Immortal Love, Within Whose Righteous Will

Author: Stopford A. Brooke Hymnal: The Cyber Hymnal #2935 Meter: 10.4.10.4.10.10 Lyrics: 1. Immortal Love, within whose righteous will Is always peace; Oh pity me, storm-tossed on waves of ill; Let passion cease; Come down in power within my heart to reign, For I am weak, and struggle has been vain. 2. The days are gone, when far and wide my will Drove me astray; And now I fain would climb the arduous hill, That narrow way Which leads through mist and rocks to Thine abode; Toiling for man, and Thee, Almighty God. 3. Whate’er of pain Thy loving hand allot I gladly bear; Only, O Lord, let peace be not forgot, Nor yet Thy care, Freedom from storms, and wild desires within, Peace from the fierce oppression of my sin. 4. So may I, far away, when evening falls On life and love, Arrive at last the holy, happy halls, With Thee above; Wounded yet healed, sin-laden yet forgiven, And sure that goodness is my only heaven. Languages: English Tune Title: LUX BEATA
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Immortal Love, within whose righteous will

Author: Rev. Stopford A. Brooke Hymnal: The Hymnal #303 (1950) Meter: 10.4.10.4.10.10 Lyrics: 1. Immortal Love, within whose righteous will Is always peace, O pity me, storm-tossed on waves of ill; Let passion cease; Come down in power within my heart to reign, For I am weak, and struggle has been vain. 2. The days are gone when far and wide my will Drove me astray; And now I fain would climb the arduous hill, That narrow way Which leads through mist and rocks to Thine abode; Toiling for man, and Thee, Almighty God. 3. Whate’er of pain Thy loving hand allot, I gladly bear; Only, O Lord, let peace be not forgot, Nor yet Thy care, Freedom from storms and wild desires within, Peace from the fierce oppression of my sin. 4. So may I, far away, when evening falls On life and love, Arrive at last the holy, happy halls, With Thee above— Wounded yet healed, sin-laden yet forgiven, And sure Thy goodness is my only heaven. Amen. Topics: The Life in Christ Peace; God Presence, His Abiding; God Will, Doing His; Inner Life, The; Peace, Spiritual; Trust and Confidence Tune Title: LUX BEATA

Immortal Love, within whose righteous will

Author: Stopford A. Brooke Hymnal: Hymns of Hope and Courage #36 (1937) Languages: English Tune Title: SANDON

People

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Authors, composers, editors, etc.

John Bacchus Dykes

1823 - 1876 Person Name: Rev. John B. Dykes Composer of "LUX BENIGNA" in The Presbyterian Hymnal As a young child John Bacchus Dykes (b. Kingston-upon-Hull' England, 1823; d. Ticehurst, Sussex, England, 1876) took violin and piano lessons. At the age of ten he became the organist of St. John's in Hull, where his grandfather was vicar. After receiving a classics degree from St. Catherine College, Cambridge, England, he was ordained in the Church of England in 1847. In 1849 he became the precentor and choir director at Durham Cathedral, where he introduced reforms in the choir by insisting on consistent attendance, increasing rehearsals, and initiating music festivals. He served the parish of St. Oswald in Durham from 1862 until the year of his death. To the chagrin of his bishop, Dykes favored the high church practices associated with the Oxford Movement (choir robes, incense, and the like). A number of his three hundred hymn tunes are still respected as durable examples of Victorian hymnody. Most of his tunes were first published in Chope's Congregational Hymn and Tune Book (1857) and in early editions of the famous British hymnal, Hymns Ancient and Modern. Bert Polman

Samuel Sebastian Wesley

1810 - 1876 Person Name: Samuel Sebastian Wesley (1810-1876) Composer of "PATMOS" in The University Hymn Book Samuel Sebastian Wesley (b. London, England, 1810; d. Gloucester, England, 1876) was an English organist and composer. The grandson of Charles Wesley, he was born in London, and sang in the choir of the Chapel Royal as a boy. He learned composition and organ from his father, Samuel, completed a doctorate in music at Oxford, and composed for piano, organ, and choir. He was organist at Hereford Cathedral (1832-1835), Exeter Cathedral (1835-1842), Leeds Parish Church (1842­-1849), Winchester Cathedral (1849-1865), and Gloucester Cathedral (1865-1876). Wesley strove to improve the standards of church music and the status of church musicians; his observations and plans for reform were published as A Few Words on Cathedral Music and the Music System of the Church (1849). He was the musical editor of Charles Kemble's A Selection of Psalms and Hymns (1864) and of the Wellburn Appendix of Original Hymns and Tunes (1875) but is best known as the compiler of The European Psalmist (1872), in which some 130 of the 733 hymn tunes were written by him. Bert Polman

Charles H. Purday

1799 - 1885 Composer of "SANDON" in Hymns for the Living Age Charles H. Purday (1799-1885) A publisher, composer, lecturer, and writer, Purday had a special interest in church music. He published Crown Court Psalmody (1854), Church and Home Metrical Psalter and Hymnal (1860), which included SANDON, and, with Frances Havergal, Songs of Peace and Joy (1879). A precentor in the Scottish Church in Crown Court, London, Purday sang at the coronation of Queen Victoria. In the publishing field he is known as a strong proponent of better copyright laws to protect the works of authors and publishers. Bert Polman