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Text Identifier:"^hush_blessed_are_the_dead$"

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Hush! Blessed are the Dead

Author: E. H. Bickersteth Appears in 16 hymnals Topics: The Christian's Death Used With Tune: AUSTRIAN MELODY

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IBSTONE

Meter: 6.6.6.6 Appears in 23 hymnals Composer and/or Arranger: Maria Tiddeman Tune Key: D Major Incipit: 13452 35176 76555 Used With Text: Hush! Blessed Are the Dead
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DOLOMITE CHANT

Meter: 6.6.6.6 Appears in 31 hymnals Composer and/or Arranger: J. T. Cooper Tune Key: E Flat Major Incipit: 33343 24445 43333 Used With Text: Hush! Blessed are the dead

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Hush! Blessed Are the Dead

Author: Edward H. Bickersteth, Jr. Hymnal: The Cyber Hymnal #2189 Meter: 6.6.6.6 Lyrics: 1. Hush! blessed are the dead In Jesus’ arms who rest, And lean their weary head Forever on His breast. 2. O beatific sight! No darkling veil between, They see the Light of Light, Whom here they loved unseen. 3. Them the Good Shepherd leads, Where storms are never rife, In tranquil dewy meads Beside the Fount of Life. 4. O tender hearts and true, Our long last vigil kept, We weep and mourn for you; Nor blame us: Jesus wept. 5. But soon at break of day His calm almighty voice, Stronger than death, shall say, Awake! Arise! Rejoice! Languages: English Tune Title: IBSTONE
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Hush! blessed are the dead

Hymnal: The Spirit of Praise #208 (1882) Languages: English Tune Title: [Hush! blessed are the dead]
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Hush! Blessed are the Dead

Author: E. H. Bickersteth Hymnal: Hymns of Grace and Truth #371 (1903) Topics: The Christian's Death Languages: English Tune Title: AUSTRIAN MELODY

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Edward Henry Bickersteth

1825 - 1906 Person Name: E. H. Bickersteth Author of "Hush! Blessed are the Dead" in Hymns of Grace and Truth Bickersteth, Edward Henry, D.D., son of Edward Bickersteth, Sr. born at Islington, Jan. 1825, and educated at Trinity College, Cambridge (B.A. with honours, 1847; M.A., 1850). On taking Holy Orders in 1848, he became curate of Banningham, Norfolk, and then of Christ Church, Tunbridge Wells. His preferment to the Rectory of Hinton-Martell, in 1852, was followed by that of the Vicarage of Christ Church, Hampstead, 1855. In 1885 he became Dean of Gloucester, and the same year Bishop of Exeter. Bishop Bickersteth's works, chiefly poetical, are:— (l) Poems, 1849; (2) Water from the Well-spring, 1852; (3) The Rock of Ages, 1858 ; (4) Commentary on the New Testament, 1864; (5) Yesterday, To-day, and For Ever, 1867; (6) The Spirit of Life, 1868; (7) The Two Brothers and other Poems, 1871; (8) The Master's Home Call, 1872 ; (9) The Shadowed Home and the Light Beyond, 1874; (10) The Beef and other Parables, 1873; (11) Songs in the House of Pilgrimage, N.D.; (12) From Year to Year, 1883. As an editor of hymnals, Bp. Bickersteth has also been most successful. His collections are:— (1) Psalms & Hymns, 1858, based on his father's Christian Psalmody, which passed through several editions; (2) The Hymnal Companion, 1870; (3) The Hymnal Companion revised and enlarged, 1876. Nos. 2 and 3, which are two editions of the same collection, have attained to an extensive circulation.   [Ch. of England Hymnody.] About 30 of Bp. Bickersteths hymns are in common use. Of these the best and most widely known are:—" Almighty Father, hear our cry"; "Come ye yourselves apart and rest awhile"; "Father of heaven above"; "My God, my Father, dost Thou call"; "O Jesu, Saviour of the lost"; "Peace, perfect peace"; "Rest in the Lord"; "Stand, Soldier of the Cross"; " Thine, Thine, for ever"; and "Till He come.” As a poet Bp. Bickersteth is well known. His reputation as a hymn-writer has also extended far and wide. Joined with a strong grasp of his subject, true poetic feeling, a pure rhythm, there is a soothing plaintiveness and individuality in his hymns which give them a distinct character of their own. His thoughts are usually with the individual, and not with the mass: with the single soul and his God, and not with a vast multitude bowed in adoration before the Almighty. Hence, although many of his hymns are eminently suited to congregational purposes, and have attained to a wide popularity, yet his finest productions are those which are best suited for private use. -John Julian, Dictionary of Hymnology (1907) ================= Bickersteth, Edward Henry, p. 141, ii. Bishop Bickersteth's 1890 edition of his Hymnal Companion is noted on p. 1312, i., and several of his own hymns and translations, which appear therein for the first time, are annotated in this Appendix. One of these, "All-merciful, Almighty Lord," for the Conv. of St. Paul, was written for the 1890 edition of Hymnal Companion. --John Julian, Dictionary of Hymnology, Appendix, Part II (1907) ================== Bickersteth, B. H., p. 141, ii. Bp. Bickersteth died in London, May 16, 1906. --John Julian, Dictionary of Hymnology, New Supplement (1907)

Anonymous

Person Name: Anon. Composer of "DOLOMITE CHANT" in The Evangelical Hymnal In some hymnals, the editors noted that a hymn's author is unknown to them, and so this artificial "person" entry is used to reflect that fact. Obviously, the hymns attributed to "Author Unknown" "Unknown" or "Anonymous" could have been written by many people over a span of many centuries.

Joseph T. Cooper

1819 - 1879 Person Name: J. T. Cooper Arranger of "AUSTRIAN MELODY" in Hymns of Grace and Truth Mr. J. T. Cooper, associate of the Philharmonic Society, musical editor of the first issue of Bishope Bickersteth’s Hymnal Companion to the Prayer Book and also editor of the Church Tune Book), died a few years ago whilst organist of Christ Church, Newgate Street. He was an accomplished musician, a brilliant organist and pianist, an accurate and ripe scholar, and a keen antiquary. from The Organist and Choirmaster, Volume 4 (1896)