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Hosanna, Raise the Pealing Hymn

Author: William H. Havergal Appears in 65 hymnals Lyrics: 1 Hosanna, raise the pealing hymn To David’s son and Lord; With cherubim and seraphim Exalt th’incarnate Word, Exalt th’incarnate Word. 2 Hosanna, Sovereign, Prophet, Priest, How vast Thy gifts, how free; Thy blood, our life; Thy word, our feast; Thy name, our only plea, Thy name, our only plea. 3 Hosanna, Master, lo, we bring Our off’rings to Thy throne; Not gold, nor myrrh, nor mortal thing, But hearts to be Thine own, But hearts to be Thine own. 4 O Saviour, if, redeemed by Thee, Thy temple we behold, Hosannas thro’ eternity We’ll sing to harps of gold, We’ll sing to harps of god. Topics: Christ Praise to Used With Tune: MILES LANE

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CHRISTMAS

Meter: 8.6.8.6 Appears in 628 hymnals Composer and/or Arranger: Handel Tune Sources: From the opera "Ciroë" (Cyrus), 1728, Arr.: Harmonia Sacra, 1812 Tune Key: D Major Incipit: 34517 65123 34555 Used With Text: Hosanna! Raise The Pealing Hymn
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[Hosanna! raise the pealing hymn]

Appears in 1 hymnal Composer and/or Arranger: J. I. T. Incipit: 51217 65443 32341 Used With Text: Hosanna! raise the pealing hymn
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CHESALON

Meter: 8.6.8.6 Appears in 2 hymnals Tune Key: D Major Incipit: 17654 32123 45172 Used With Text: Hosanna! raise the pealing hymn

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Hosanna, Raise the Pealing Hymn

Author: W. H. Havergal Hymnal: The Calvary Hymnal #39 (1891) First Line: Hosanna! raise the pealing hymn Languages: English Tune Title: [Hosanna! raise the pealing hymn]
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Hosanna! Raise the pealing hymn

Author: Rev. W. H. Havergal Hymnal: The Hymnal, Revised and Enlarged, as adopted by the General Convention of the Protestant Episcopal Church in the United States of America in the year of our Lord 1892 #559 (1894) Meter: 8.6.8.6 Lyrics: 1 Hosanna! Raise the pealing hymn To David's Son and Lord: With cherubim and seraphim, Exalt the Incarnate Word. 2 Hosanna! Lord, our feeble tongue No lofty strains can raise; But Thou wilt not despise the young, Who meekly chant Thy praise. 3 Hosanna! Sovereign, Prophet, Priest, How vast Thy gifts, how free! Thy Blood, our life; Thy Word, our feast; Thy Name, our only plea. 4 Hosanna! Once Thy gracious ear Approved a lisping throng; Be gracious till, and deign to hear Our ever grateful song. Amen. Topics: For Children Languages: English Tune Title: [Hosanna! Raise the pealing hymn]
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Hosanna, Raise the Pealing Hymn

Author: Wm. H. Havergal Hymnal: The New Alleluia #175 (1886) First Line: Hosanna! raise the pealing hymn Languages: English Tune Title: [Hosanna! raise the pealing hymn]

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W. H. Havergal

1793 - 1870 Person Name: William H. Havergal Author of "Hosanna! Raise The Pealing Hymn" in The Cyber Hymnal Havergal, William Henry, M.A, son of William Havergal, was born at High Wycombe, Buckinghamshire, 1793, and was educated at St. Edmund's Hall, Oxford (B.A. 1815, M.A. 1819). On taking Holy Orders he became in 1829 Rector of Astley, Worcestershire; in 1842, Rector of St. Nicholas, Worcester; and in 1860, Rector of Shareshill, near Wolverhampton. He was also Hon. Canon in Worcester Cathedral from 1845. He died April 18, 1870. His hymns, about 100 in all, were in many instances written for special services in his own church, and printed as leaflets. Several were included in W. Carus Wilson's Book of General Psalmody, 1840 (2nd ed., 1842); and in Metrical Psalms & Hymns for Singing in Churches, Worcester, Deighton, 1849, commonly known as the Worcester Diocesan Hymn Book, and of which he was the Editor. In Life Echoes, 1883, his hymns are given with those of Miss Havergal. Of those in common use the greater part are in Mercer, and Snepp's Songs of Grace & Glory. Although his hymns are all good, and two or three are excellent, it is not as a hymnwriter but as a musician that Canon Havergal is best known. His musical works and compositions included, in addition to numerous individual hymn tunes and chants, the Gresham Prize Service, 1836; the Gresham Prize Anthem, 1845; Old Church Psalmody, 1849; History of the Old 100th Psalm tune, 1854, &c. He also reprinted Ravenscroft’s Psalter of 1611. His hymns in common use include:— 1. Blessed Jesus, lord and Brother. School Festivals, 1833. Published in Life Echoes, 1883. 2. Brighter than meridian splendour. Christ the glory of His Church. 1830. Published in W. C. Wilson's Book of General Psalms, 1840; the Worcester Psalms & Hymns, 1849, &c. 3. Christians, awake to joy and praise. Christmas Carol, c. 1860. Printed on broadsheet, with music by the author, and sold on behalf of the Lancashire Cotton Distress Fund. 4. Come, Shepherds, come, 'tis just a year. Christmas Carol. 1860. Published in Snepp's Songs of Grace & Glory, 5. For ever and for ever, Lord. Missions, 1866, for the Church Mission Society. Published in Snepp's Songs of Grace & Glory, 1872, and the Life Echoes, 1883. 6. Hallelujah, Lord, our voices. Sunday. 1828. Published in W. C. Wilson's Book of General Psalms, 1840; the Worcester Psalms & Hymns, 1849; Life Echoes, 1883, &c. 7. Heralds of the Lord of glory. Missions. First sung in Astley Church, Sep. 23, 1827. Published in Miss Havergal's Starlight through the Shadows, 1880; Snepp's Songs of Grace & Glory, 1872, &c. 8. Hosanna, raise the pealing hymn. Praise to Christ, 1833, and first sung in Astley Church, June 9, 1833. Published in W. C. Wilson's Book of General Psalmody, 1840; the Worcester Psalms & Hymns, 1849; Life Echoes 1883, &c. 9. How vast the field of souls. Missions. 1858. Printed for Shareshill Church Miss. Anniversary, 1863, and published in Snepp's Songs of Grace & Glory, 1872, and the Life Echoes, 1883. 10. In doubt and dread dismay. Missions. Written in 1837, and published in W. C. Wilson's Book of General Psalmody, 1840; the Worcester Psalms & Hymns, 1849, &c. 11. Jerusalem the golden, The home of saints shall be. Heaven. Published in Life Echoes, 1883. 12. My times are in Thy hand, Their best, &c. 1860. Published in Snepp's Songs of Grace & Glory, 1872, the Records of the author's life and work, and Life Echoes, 1883. The editor of the Records says (p. 159) "this hymn has been much appreciated, and well illustrates the devotional and cheerful spirit of the writer." 13. No dawn of holy light. Sunday. 1825. Printed in 1831 on a leaflet, and published in W. C. Wilson's Book of General Psalmody, 1840; the Worcester Psalms & Hymns, 1849; Life Echoes, 1883, &c. 14. Our faithful God hath sent us. Harvest. Written at Shareshill in 1863, for a Harvest Festival. Published in Snepp's Songs of Grace & Glory 1872, and Life Echoes, 1883. 15. Shout, 0 earth! from silence waking. Praise to Jesus for Redemption. 1841. Published in the Worcester Psalms & Hymns, 1849; Snepp's Songs of Grace & Glory, 1872, &c. 16. So happy all the day. Christmas Carol, c. 1834. Published in Snepp's Songs of Grace & Glory, 1872. 17. Soon the trumpet of salvation. Missions. 1826. Published in Snepp's Songs of Grace & Glory, 1872. 18. To praise our Shepherd's [Saviour's] care. The Good Shepherd. Written after witnessing the death of Elizabeth Edwards, aged 12, of St. Nicholas, Worcester, and printed as a leaflet. Published in W. C. Wilson's Book of General Psalmody, 1840; the Worcester Psalms & Hymns, 1849; Life Echoes, &c, 1883. The author also published a Memoir of the child. 19. Widely 'midst the slumbering nations. Missions. 1828. Published in the Worcester Psalms & Hymns, 1849; Snepp's Songs of Grace & Glory, 1872, &c. In addition to these hymns, his carols, "How grand, and how bright," "Our festal morn is come," and others are annotated under their respective first lines. Most of these carols and hymns were reprinted in Christmas Carols & Sacred Songs, Chiefly by the Rev. W. H. Havergal, London, Nisbet, 1869. --John Julian, Dictionary of Hymnology (1907) ===================== Havergal, W. H., p. 498, i. Other hymns are: — 1. Lord, if judgments now are waking. Second Advent. Published in W. Carus Wilson's Book of General Psalmody, 1840; in Kennedy, 1863, &c. 2. Remember, Lord, Thy word of old displayed. Missions. "Composed for a special prayer-meeting for missionary labourers, held in the author's schoolroom, in the parish of St. Nicholas's, Worcester." (W. F. Stevenson's Hymns for Church and Home, 1873, where the original text is also given.) It must be noted that No. 17, at p. 498, ii., "Soon the trumpet of salvation," was first published in A Collection of Original Airs adapted to Hymns, &c, 1826. --John Julian, Dictionary of Hymnology, Appendix, Part II (1907)

William Shrubsole

1760 - 1806 Person Name: W. Shrubsole Composer of "MILES LANE" in Gloria Deo William Shrubsole (bap. 1760, d. 1806), organist. United Kingdom.When young, he sang in the choir at Canterbury Cathedral, He became organist at Bangor Cathedral, when he was dismissed for attending non-comformist meetings. He then became organist of Spa Fields Chapel, London, holding that post until his death. He was a successful teacher. He was an alto singer and sung at Westminster Abbey and Drury Lane churches. He knew Edward Perronet, who wrote the words to the hymn he composed music for. Perronet left Schrubsole property in his will. John Perry Not to be confused with W. (William) Shrubsole 1759-1829 bank clerk and hymn writer.

George Frideric Handel

1685 - 1759 Person Name: Handel Composer of "CHRISTMAS" in The Cyber Hymnal George Frideric Handel (b. Halle, Germany, 1685; d. London, England, 1759) became a musician and composer despite objections from his father, who wanted him to become a lawyer. Handel studied music with Zachau, organist at the Halle Cathedral, and became an accomplished violinist and keyboard performer. He traveled and studied in Italy for some time and then settled permanently in England in 1713. Although he wrote a large number of instrumental works, he is known mainly for his Italian operas, oratorios (including Messiah, 1741), various anthems for church and royal festivities, and organ concertos, which he interpolated into his oratorio performances. He composed only three hymn tunes, one of which (GOPSAL) still appears in some modern hymnals. A number of hymnal editors, including Lowell Mason, took themes from some of Handel's oratorios and turned them into hymn tunes; ANTIOCH is one example, long associated with “Joy to the World.” Bert Polman