Search Results

Author: Robert De Moor; In Soon Gho; Otto Selles Appears in 5 hymnals First Line: Santo, santo, santo, mi corazón te adora (Holy, holy, holy, my heart, my heart adores you) Text Sources: Spanish Traditional

Tunes

Tune authorities

SANTO

Meter: Irregular Appears in 48 hymnals Tune Sources: Argentine Folk Song Tune Key: C Major Incipit: 33322 11117 66511 Used With Text: Holy, Holy, Holy

Instances

Published text-tune combinations (hymns) from specific hymnals

Holy, holy, holy, my heart, my heart adores you

Hymnal: Sing Glory #210 (1999) Meter: Irregular

Holy, Holy, Holy

Hymnal: The Faith We Sing #2007 (2001) Meter: Irregular First Line: Holy, holy, holy. My heart, my heart adores you Lyrics: Holy, holy, holy. My heart, my heart adores you! My heart knows how to say to you: You are holy, Lord! ¡Santo, santo, santo, mi corazón te adora! Mi corazón te sabe decir: ¡Santo eres, Dios! Topics: The Glory of the Triune God Praise and Thanksgiving Scripture: Isaiah 6:3 Languages: English; Spanish Tune Title: SANTO

Holy, Holy, Holy

Hymnal: Hymns of Promise #177 (2015) Meter: 6.7.8.5 Lyrics: Holy, holy, holy, my heart, my heart adores you. My heart knows how to say to you: you are holy, Lord! Topics: Easter Languages: English Tune Title: ARGENTINE SANTO

View 2 more instances

People

Authors, composers, editors, etc.

Anonymous

Composer of "SANCTUS (ARGENTINA)" in The Book of Praise In some hymnals, the editors noted that a hymn's author is unknown to them, and so this artificial "person" entry is used to reflect that fact. Obviously, the hymns attributed to "Author Unknown" "Unknown" or "Anonymous" could have been written by many people over a span of many centuries.

Pablo D. Sosa

1933 - 2020 Person Name: Pablo Sosa, 1933 Arranger of "SANCTUS (ARGENTINA)" in The Book of Praise Pablo Sosa (b. 1933 - d. 2020) grew up and was educated in Argentina, the U.S. (Westminster Choir College), and Germany. For years he pastored a large Methodist congregation in Buenos Aires, Argentina while composing songs, leading choirs, editing hymnals, producing religious broadcasts, and teaching liturgy and hymnology at a seminary. Meanwhile, life in Argentina pushed him to question his assumptions about what’s best for congregational singing. During Argentina’s “dirty war,” two young women from his church were disappeared, possibly for working among the poor. As Catholic and Protestant churches hesitated whether to speak out, remain silent, or support the government, many people lost faith. Economic meltdown after the war plunged many middle-class Argentinians into poverty. Sosa’s growing social awareness widened his vision for “lifting up hope with a song.” He often describes worship as “the fiesta of the faithful,” where all are welcome and all music is seen as “part of the ‘song of the earth,’ which answers the psalmist’s call ‘Sing joyfully to God, all the earth!’ (Psalm 98:4).” Whether in his home church, Iglesia Evangélica Metodista La Tercera (Third Methodist Church) in Buenos Aires, or at churches or conferences around the world, he urges people, “Put your body into worship!” And he reminds them of the biblical connection between justice and worship. CICW Website Bio (http://www.calvin.edu/worship)