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Holy and true and righteous Lord
Author: Charles Wesley Appears in 62 hymnals Used With Tune: DUKE STREET
Holy and true and righteous Lord
Holy, and True, and Righteous Lord
Author: Charles Wesley Hymnal: The Cyber Hymnal #2533 Meter: 8.8.8.8 Lyrics: 1. Holy, and true, and righteous Lord,
I wait to prove Thy perfect will,
Be mindful of Thy gracious Word,
And stamp me with Thy Spirit’s seal.
2. Open my faith’s interior eye,
Display Thy glory from above;
And all I am shall sink and die,
Lost in astonishment and love.
3. Confound, o’erpower me by Thy grace,
I would be by myself abhorred;
All might, all majesty, all praise,
All glory, be to Christ my Lord.
4. Now let me gain perfection’s height,
Now let me into nothing fall;
Be less than nothing in Thy sight,
And feel that Christ is all in all! Languages: English Tune Title: SUTHERLAND
Holy, and True, and Righteous Lord
Holy and true, and righteous Lord
Hymnal: A Pocket Hymn Book #CVII (1791) Lyrics: 1 Holy and true, and righteous Lord,
I wait to prove thy perfect will:
Be mindful of thy gracious word;
And stamp me with thy Spirit’s seal.
2 Open my faith’s interior eye:
Display thy glory from above;
And all I am shall sink and die,
Lost in astonishment and love!
3 Confound, o’erpow'r me by thy grace:
I would be by myself abhor'd:
All might, all majesty, all praise,
All glory be to Christ my Lord!
4 Now let me gain perfection’s height;
Now let me into nothing fall,
As less than nothing in thy sight,
And feel that Christ is all in all. Topics: Petition Languages: English
Holy and true, and righteous Lord
Holy, and true, and righteous Lord
Hymnal: A Pocket hymn book, designed as a constant companion for the pious #CVII (1788) Lyrics: 1 Holy, and true, and righteous Lord,
I wait to prove thy perfect will!
Be mindful of thy gracious word,
And stamp me with thy Spirit’s seal.
2 Open my faith’s interior eye:
Display thy glory from above;
And all I am shall sink and die,
Lost in astonishment and love!
3 Confound, o’erpow'r me by thy grace:
I would be by myself abhorr'd:
All might, all majesty, all praise,
All glory be to Christ my Lord!
4 Now let me gain perfection’s height;
Now let me into nothing fall,
As less than nothing in thy sight,
And feel that Christ is all in all!
Topics: Petition Languages: English
Holy, and true, and righteous Lord
John Warrington Hatton
1710 - 1793 Person Name: John Hatton Composer of "DUKE STREET" in The Wesleyan Methodist Hymnal John Warrington Hatton (b. Warrington, England, c. 1710; d, St. Helen's, Lancaster, England, 1793) was christened in Warrington, Lancashire, England. He supposedly lived on Duke Street in Lancashire, from where his famous tune name comes. Very little is known about Hatton, but he was most likely a Presbyterian, and the story goes that he was killed in a stagecoach accident.
Bert Polman
John Warrington Hatton
William Horsley
1774 - 1858 Person Name: Sir. William Horsley Composer of "QUITO" in Hymn and Tune Book of the Methodist Episcopal Church, South (Round Note Ed.) Born: November 15, 1774, Mayfair, London, England.
Died: June 12, 1858, Kensington, London, England.
Buried: Kensal Green Cemetery, London, England.
Horsley studied music privately, then became organist of Ely Chapel, Holborn, London, in 1794. He assisted Dr. J. W. Callcott (who encouraged him in persevering at Glee-writing, at which he became successful) as organist of the Asylum for Female Orphans, and married Callcott’s daughter. He succeeded Callcott in 1802, holding that post 52 years. A difference of opinion with the Asylum Committee led to him being dismissed. In 1838 he also became organist of Charterhouse "at a salary of £70 and a room set apart and a fire provided when necessary for his use on those days upon which his duty requires his attendance at the Hospital." He founded the London Philharmonic Society, and in later years was a close friend of Felix Mendelssohn.
J. C. Horsley, the eminent painter, relates in his Reminiscences the following experience when he went with his father to one of the services:
"When I was four years old my father was organist to the Asylum for Female Orphans, which was a stately building on the Westminster Bridge Road; and one Sunday he took me in with him to the morning service and landed me in the organ-loft. Everything was new and surprising to me, especially the crowd of buxom girls, at least a hundred in number, all dressed alike, ranged right and left of the organ, and who, when the organ had played a bar or two of the opening hymn, sang out with open mouths and such energy that I was positively scared, and in continently accompanied the performance with a prolonged howl; upon which my father, continuing to play the accompaniment with one hand, supplied me promptly with paper out of his capacious pocket, where he always kept a store of backs of letters (envelopes were not invented then), and a silver pencil-case of heroic proportions, thus quieting me." Lightwood, pp. 171-72
--www.hymntime.com/tch/
William Horsley
