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Come, Risen Lord, and Deign to be Our Guest
Author: G. W. Briggs Meter: 10.10.10.10 Appears in 48 hymnals Topics: liturgical Communion Songs
Come, Risen Lord, and Deign to be Our Guest
Come, risen Lord, and deign to be our guest
Author: George Wallace Briggs (1875-1959) Hymnal: More Hymns and Spiritual Songs #50 (1971) Topics: Holy Communion Languages: English Tune Title: ROSEDALE
Come, risen Lord, and deign to be our guest
Come, Risen Lord, and Deign to Be Our Guest
Author: George Wallace Briggs Hymnal: The Worshipbook #340 (1972) Meter: 10.10.10.10 Topics: Sacraments Lord's Supper; Other Observances Ecumenism; Other Observances World Communion Scripture: Luke 24:30 Tune Title: SURSUM CORDA (Smith)
Come, Risen Lord, and Deign to Be Our Guest
Come, Risen Lord, and Deign to Be Our Guest
Author: G. W. Briggs Hymnal: Rejoice in the Lord #550 (1985) Meter: 10.10.10.10 Topics: Worldwide Communion Scripture: Matthew 26:26 Languages: English Tune Title: SURSUM CORDA
Come, Risen Lord, and Deign to Be Our Guest
Arthur Sullivan
1842 - 1900 Person Name: Arthur Seymour Sullivan, 1842-1900 Harmonizer of "ELLERS" in CPWI Hymnal Arthur Seymour Sullivan (b Lambeth, London. England. 1842; d. Westminster, London, 1900) was born of an Italian mother and an Irish father who was an army bandmaster and a professor of music. Sullivan entered the Chapel Royal as a chorister in 1854. He was elected as the first Mendelssohn scholar in 1856, when he began his studies at the Royal Academy of Music in London. He also studied at the Leipzig Conservatory (1858-1861) and in 1866 was appointed professor of composition at the Royal Academy of Music. Early in his career Sullivan composed oratorios and music for some Shakespeare plays. However, he is best known for writing the music for lyrics by William S. Gilbert, which produced popular operettas such as H.M.S. Pinafore (1878), The Pirates of Penzance (1879), The Mikado (1884), and Yeomen of the Guard (1888). These operettas satirized the court and everyday life in Victorian times. Although he composed some anthems, in the area of church music Sullivan is best remembered for his hymn tunes, written between 1867 and 1874 and published in The Hymnary (1872) and Church Hymns (1874), both of which he edited. He contributed hymns to A Hymnal Chiefly from The Book of Praise (1867) and to the Presbyterian collection Psalms and Hymns for Divine Worship (1867). A complete collection of his hymns and arrangements was published posthumously as Hymn Tunes by Arthur Sullivan (1902). Sullivan steadfastly refused to grant permission to those who wished to make hymn tunes from the popular melodies in his operettas.
Bert Polman
Arthur Sullivan
E. J. Hopkins
1818 - 1901 Person Name: Edward John Hopkins, 1818-1901 Composer of "ELLERS" in CPWI Hymnal Dr Edward John Hopkins MusDoc United Kingdom 1818-1901. Born at Westminster, England, the son of a clarinetist with the Royal Opera House orchestra, he became an organist (as did two of his brothers) and a composer. In 1826 he became a chorister of the Chapel Royal and sang at the coronation of King William IV in Westminster Abbey. He also sang in the choir of St. Paul’s Cathedral, a double schedule requiring skill and dexterity. On Sunday evenings he would play the outgoing voluntary at St. Martin’s in-the-field. He left Chapel Royal in 1834 and started studying organ construction at two organ factories. He took an appointment at Mitcham Church as organist at age 16, winning an audition against other organists. Four years later he became organist at the Church of St. Peter, Islington. In 1841 he became organist at St. Luke’s, Berwick St., Soho. Two Years later he was organist at Temple Church, which had a historic organ (built in 1683). He held this position for 55 years. In 1845 he married Sarah Lovett, and they had four sons and five daughters. He was closely associated with the Bach Society and was organist for the first English performances of Bach’s St. Matthew Passion. In 1855 he collaborated with Edward Rimbault publishing “The organ, its history and construction” (3 editions 1855-70-77). In 1864 he was one of the founders of the “College of organists”. In 1882 he received an honorary Doctorate of Music from the Archbishop of Canterbury. He composed 30+ hymn tunes and some psalm chants, used by the Church of England. He died in London, England.
John Perry
E. J. Hopkins
G. W. Briggs
1875 - 1959 Person Name: George W. Briggs Author of "We Meet, As in That Upper Room" in Hymnal of the Church of God George Wallace Briggs is a Canon of Worcester Cathedral and one of the most distinguished British hymn writers and hymnologists of today. Six of his hymns appear in the Episcopal Hymnal of 1940 (American). Another hymn on the Bible entitled "Word of the living God" was written for the 25th Anniversary of the British Bible Reading Fellowship and was sung in Westminster Abbey on June 5, 1947. It has been widely used since that time. Canon Briggs is a leading member of the Hymn Society of Great Britain and Ireland. He is also the composer of several hymn times, six of which have appeared in British hymnals. In addition to his work as a clergy man of the Church of England and an hymnologist, he has interest himself actively in the field of religious education, being largely responsible for two books with wide circulation in Britain, "Prayers and Hymns for used in Schools" and "The Daily Service." These books have had great influence on the worship practices of British schools, public and private. It is of historic interest that he is the author of one of the prayers used at the time of the famous meeting of Churchill and Roosevelt on H.M.S. Prince of Wales in 1941 when the Atlantic Charter was framed.
--Ten New Hymns on the Bible, 1952. Used by permission.
G. W. Briggs
