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Cease, ye mourners, cease to languish
Appears in 157 hymnals Used With Tune: REGENT SQUARE
Cease, ye mourners, cease to languish
[Cease, ye mourners, cease to languish]
Appears in 1 hymnal Used With Text: Cease, ye mourners, cease to languish
[Cease, ye mourners, cease to languish]
[Cease, ye mourners, cease to languish]
Appears in 316 hymnals Composer and/or Arranger: I. B. Woodbury Incipit: 33312 23356 53132 Used With Text: Dorrance
[Cease, ye mourners, cease to languish]
Cease, ye mourners, cease to languish
Author: Collyer Hymnal: Church Chorals and Choir Studies #172 (1850) Languages: English Tune Title: [Cease, ye mourners, cease to languish]
Cease, ye mourners, cease to languish
Cease, Y Mourners
Author: Collyer Hymnal: Songs of the Sun Bright Clime #129 (1881) First Line: Cease, ye mourners, cease to languish Languages: English Tune Title: [Cease, ye mourners, cease to languish]
Cease, Y Mourners
Cease, ye Mourners
Author: W. Bengo Collyer, D.D. Hymnal: Good as Gold #157 (1880) First Line: Cease, ye mourners, cease to languish Languages: English Tune Title: [Cease, ye mourners, cease to languish]
Cease, ye Mourners
Felix Mendelssohn-Bartholdy
1809 - 1847 Person Name: Mendelssohn Composer of "TRUST" in New Manual of Praise Felix Mendelssohn-Bartholdy (b. Hamburg, Germany, 1809; d. Leipzig, Germany, 1847) was the son of banker Abraham Mendelssohn and the grandson of philosopher Moses Mendelssohn. His Jewish family became Christian and took the Bartholdy name (name of the estate of Mendelssohn's uncle) when baptized into the Lutheran church. The children all received an excellent musical education. Mendelssohn had his first public performance at the age of nine and by the age of sixteen had written several symphonies. Profoundly influenced by J. S. Bach's music, he conducted a performance of the St. Matthew Passion in 1829 (at age 20!) – the first performance since Bach's death, thus reintroducing Bach to the world. Mendelssohn organized the Domchor in Berlin and founded the Leipzig Conservatory of Music in 1843. Traveling widely, he not only became familiar with various styles of music but also became well known himself in countries other than Germany, especially in England. He left a rich treasury of music: organ and piano works, overtures and incidental music, oratorios (including St. Paul or Elijah and choral works, and symphonies. He harmonized a number of hymn tunes himself, but hymnbook editors also arranged some of his other tunes into hymn tunes.
Bert Polman
Felix Mendelssohn-Bartholdy
I. B. Woodbury
1819 - 1858 Composer of "[Cease, ye mourners, cease to languish]" in Golden Songs of Glory Woodbury, Isaac Baker. (Beverly, Massachusetts, October 23, 1819--October 26, 1858, Columbia, South Carolina). Music editor. As a boy, he studied music in nearby Boston, then spent his nineteenth year in further study in London and Paris.
He taught for six years in Boston, traveling throughout New England with the Bay State Glee Club. He later lived at Bellow Falls, Vermont, where he organized the New Hampshire and Vermont Musical Association. In 1849 he settled in New York City where he directed the music at the Rutgers Street Church until ill-health caused him to resign in 1851. He became editor of the New York Musical Review and made another trip to Europe in 1852 to collect material for the magazine. in the fall of 1858 his health broke down from overwork and he went south hoping to regain his strength, but died three days after reaching Columbia, South Carolina.
He published a number of tune-books, of which the Dulcimer, of New York Collection of Sacred Music, went through a number of editions. His Elements of Musical Composition, 1844, was later issued as the Self-instructor in Musical Composition. He also assisted in the compilation of the Methodist Hymn Book of 1857.
--Leonard Ellinwood, DNAH Archives
I. B. Woodbury
William Bengo Collyer
1782 - 1854 Person Name: W. Bengo Collyer Author of "Dorrance" in Golden Songs of Glory William Bengo Collyer was born at Blackheath Hill, in 1782, and studied at Homerton College. Before completing his twentieth year he became pastor of a Congregational society at Peckham, continuing in that position through his life. He died in 1854. He received the degree of D.D. from the University of Edinburgh in 1808. For many years he was one of the most popular Dissenting ministers in London. He published many hymns and some works on theology.
--Annotations of the Hymnal, Charles Hutchins, M.A. 1872.
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Collyer, William Bengo, D.D., born at Blackheath, April 14, 1782, educated at Homerton College, where, when 16 years old, he was enrolled as a student for the ministry. At 20 he began his ministry at Peckham on Dec. 17, 1801 ordained pastor of a small church consisting of ten communicants. From 1814 to 1826 he was also pastor of a Church meeting in Salters' Hall. On June 17, 1817, a new chapel was opened for him at Peckham. There, from the time of his settlement in 1801, he laboured with great success and honour until Dec. 11, 1853, on which clay he preached for the last time. He died Jan. 8, 1854.
Dr. Collyer was eminent in his day as an eloquent Evangelical preacher, when formalism in worship, and Arianism in doctrine, prevailed. He was a man of amiable disposition, polished manners, and Christian courtesy; popular with rich and poor alike. He was the author of a series of lectures on Divine Revelation, in seven volumes: Scripture Facts, Prophecies, Miracles, Parables, Doctrines, Duties, Comparisons. Dr. Collyer compiled a hymn-book with the title, Hymns partly collected and partly original, designed as a supplement to Dr. Watts's Psalms and Hymns, 1812. It was intended at first for the use of his own congregation only, and was to include many hymns composed by himself, to be sung after sermons which he had preached to them, but he was led to alter the plan. It comprises 979 hymns, 6 choruses, and 4 doxologics, arranged in groups according to their authors, and not subjects. Of this number 57 were written by Dr. Collyer, and are for the most part short descriptive or didactic poems, religious or moral essays in verse, and not hymns addressed to the Creator and Redeemer. Some of them are devoid of Christian truth, and are poems of nature or of sentiment. Some of them were written during the hard and sorrowful times of the wars of Bonaparte, and relate to famine and national calamity. Several were prepared for the public meetings of missionary and benevolent societies, which had their origin in his time. He also published Services suited to the Solemnization of Matrimony, Baptism, &c, 1837, which contained 89 of his hymns, &c.; Hymns for Israel, a Tribute of Love for God's Ancient People, 1848 (41 hymns). In Dr. Leifchild's Original Hymns, 1843, there are also 39 of his compositions. Many of his pieces appeared in the Evangelical Magazine, and were also appended to his numerous published Sermons. A few of his hymns are still in common use, including. "Another fleeting day is gone"; "Assembled at Thy great command"; "O Jesu, in this solemn hour"; "O Thou, the helpless orphan's hope"; "Return, O wanderer, return," and the fine cento, "Great God, what do I see and hear."
[Rev. F. J. Faulding, D.D.]
--John Julian, Dictionary of Hymnology (1907)
======================
Collyer, William Bengo, p. 243, ii. The following hymns by Dr. Collyer are also in common use:—
1. Another fleeting day is gone. Evening. (1812.)
2. 0 Jesus, in this solemn hour. Reception of Church Officers. (1842.)
3. O Thou, the helpless orphan's hope. On Behalf of Orphans. In the Evangelical Magazine, 1808, p. 48.
4. See the clouds upon the mountain. Sunday Morning. (1842.)
5. Soft be the gently breathing notes. Praise to the Redeemer. (1812.)
6. Softly the shade of evening falls. Evening. (1812.) From this, “Soon shall a darker night descend" is taken.
7. Thou Prince of glory slain for me. Good Friday. (1812.)
The date 1812 is that of his Collection, and 1842 of Leifchild's Original Hymns.
--John Julian, Dictionary of Hymnology, Appendix, Part II (1907)
William Bengo Collyer
