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Mrs. T. D. Crewdson

1808 - 1863 Person Name: Mrs. Jane Crewdson Scripture: 2 Corinthians 12:10 Author of "Thanks for all" in Laudes Domini Crewdson, Jane, née Fox, daughter of George Fox, of Perraw, Cornwall, was born at Perraw, October, 1809; married to Thomas Crewdson, of Manchester, 1836; and died at Summerlands, near Manchester, Sept. 14, 1863. During a long illness Mrs. Crewdson composed her works published as:— (1) Lays of the Reformation, 1860. (2) A Little While, and Other Poems (posthumous), 1864. (3) The Singer of Eisenach, n.d.; and (4) Aunt Jane's Verses for Children, 1851. 2nd ed. 1855, 3rd 1871. From these works nearly a dozen of her hymns have come into common use. The best known are, "O for the peace which floweth as a river," and "There is no sorrow, Lord, too light." In addition to these and others which are annotated under their respective first lines, there are the following in various collections: 1. Give to the Lord thy heart. 1864. Offertory. 2. How tenderly Thy hand is laid . 1864. Resignation. 3. Looking unto Jesus. 1864. Jesus All in All. 4. Lord, we know that Thou art near us. 1864. Resignation. 5. 0 Saviour, I have naught to plead. 1864. During Sickness. These plaintive lines were written a short time before her death. 6. 0 Thou whose bounty fills my cup. 1860. Peace. 7. The followers of the Son of God. 1864. The Daily Cross. 8. Though gloom may veil our troubled skies. 1864. Resignation. --John Julian, Dictionary of Hymnology (1907) ====================== Crewdson, Jane, p. 268, ii. The following additional hymns by Mrs. Crewdson have recently come into common use through The Baptist Church Hymnal, 1900:— 1. For the sunshine and the rain. Harvest. 2. O Fount of grace that runneth o'er. Public Worship. 3. There is an unsearchable joy. Joy in God. 4. When I come with troubled heart. Prayer. These hymns are all from her A Little While, and Other Poems, 1864. --John Julian, Dictionary of Hymnology, New Supplement (1907) =================== Crewdson, Jane, née Fox, p. 269, i. From her A Little While, and Other Poems, 1864, are:— 1. I've found a joy in sorrow. Power of Faith. 2. One touch from Thee, the Healer of diseases. Christ the Healer. 3. Tis not the Cross I have to bear. Faith desired . --John Julian, Dictionary of Hymnology, Appendix, Part II (1907)

Frederic Henry Hedge

1805 - 1890 Person Name: F. H. Hedge, 1805-1890 Scripture: 2 Corinthians 12:9 Author of "Sovereign and transforming Grace!" in The Hymnal Hedge, Frederick Henry, D.D., son of Professor Hedge of Harvard College, was born at Cambridge, Massachusetts, 1805, and educated in Germany and at Harvard. In 1829 he became pastor of the Unitarian Church, West Cambridge. In 1835 he removed to Bangor, Maine; in 1850 to Providence, and in 1856 to Brookline, Mass. He was appointed in 1857, Professor of Ecclesiastical History at Cambridge (U.S.), and in 1872, Professor of German Literature at Harvard. Dr. Hedge is one of the editors of the Christian Examiner, and the author of The Prose Writers of Germany, and other works. In 1853 he edited, with Dr. F. D. Huntington, the Unitarian Hymns for the Church of Christ, Boston Crosby, Nichols & Co. To that collection and the supplement (1853) he contributed the following translations from the German:— 1. A mighty fortress is our God. (Ein feste Burg.) 2. Christ hath arisen! joy to, &c. (Goethe's Faust.) 3. The sun is still for ever sounding. (Goethe's Faust.) There is also in the Unitarian Hymn [& Tune] Book for The Church & Home, Boston, 1868, a translation from the Latin. 4. Holy Spirit, Fire divine. (“Veni Sancte Spiritus.") Dr. Hedge's original hymns, given in the Hymns for the Church, 1853, are:— 5. Beneath Thine hammer, Lord, I lie. Resignation. 6. Sovereign and transforming grace. Ordination. Written for the Ordination of H. D. Barlow at Lynn, Mass., Dec. 9, 1829. It is given in several collections. 7. 'Twas in the East, the mystic East. Christmas. 8. 'Twas the day when God's anointed. Good Friday. Written originally for a Confirmation at Bangor, Maine, held on Good Friday, 1843. The hymn "It is finished, Man of Sorrows! From Thy cross, &c," in a few collections, including Martineau's Hymns, &c, 1873, is composed of st. iv.-vi. of this hymn. [Rev. F. M. Bird, M.A.] --John Julian, Dictionary of Hymnology (1907)

Thomas Hastings

1784 - 1872 Person Name: Thos. Hastings Scripture: 2 Corinthians 12:10 Composer of "ROMBERG" in Laudes Domini Hastings, Thomas, MUS. DOC., son of Dr. Seth Hastings, was born at Washington, Lichfield County, Connecticut, October 15, 1784. In 1786, his father moved to Clinton, Oneida Co., N. Y. There, amid rough frontier life, his opportunities for education were small; but at an early age he developed a taste for music, and began teaching it in 1806. Seeking a wider field, he went, in 1817, to Troy, then to Albany, and in 1823 to Utica, where he conducted a religious journal, in which he advocated his special views on church music. In 1832 he was called to New York to assume the charge of several Church Choirs, and there his last forty years were spent in great and increasing usefulness and repute. He died at New York, May 15, 1872. His aim was the greater glory of God through better musical worship; and to this end he was always training choirs, compiling works, and composing music. His hymn-work was a corollary to the proposition of his music-work; he wrote hymns for certain tunes; the one activity seemed to imply and necessitate the other. Although not a great poet, he yet attained considerable success. If we take the aggregate of American hymnals published duriug the last fifty years or for any portion of that time, more hymns by him are found in common use than by any other native writer. Not one of his hymns is of the highest merit, but many of them have become popular and useful. In addition to editing many books of tunes, Hastings also published the following hymnbooks:— (1) Spiritual Songs for Social Worship: Adapted to the Use of Families and Private Circles in Seasons of Revival, to Missionary Meetings, &c, Utica, 1831-2, in which he was assisted by Lowell Mason; (2) The Mother's Hymn-book, 1834; (3) The Christian Psalmist; or, Watts's Psalms and Hymns, with copious Selections from other Sources, &c, N. Y., 1836, in connection with "William Patton; (4) Church Melodies, N. Y., 1858, assisted by his son, the Rev. T. S. Hastings; (5) Devotional Hymns and Poems, N. Y., 1850. The last contained many, but not all, of his original hymns. (6) Mother's Hymn-book, enlarged 1850. The authorship of several of Hastings's hymns has been somewhat difficult to determine. All the hymns given in the Spiritual Songs were without signatures. In the Christian Psalmist some of his contributions were signed "Anon." others "M. S.," whilst others bore the names of the tune books in which they had previously appeared; and in the Church Melodies some were signed with his name, and others were left blank. His MSS [manuscript] and Devotional Hymns, &c, enable us to fix the authorship of over 50 which are still in common use. These, following the chronological order of his leading work, are:— i. From the Spiritual Songs, 1831:— 1. Before Thy footstool kneeling. In Sickness. No. 358, in 3 stanzas of 8 lines. 2. Bleeding hearts defiled by sin. Fulness of Christ. No. 261, in 5 stanzas of 4 lines. 3. Child of sin and sorrow, Filled with dismay. Lent. No. 315, in 2 stanzas of 8 lines. It is sometimes given as "Child of sin and sorrow, Where wilt thou flee?" It is in extensive use. 4. Delay not, delay not, 0 sinner draw near. Exhortation to Repentance. No. 145, in 5 stanzas of 4 lines. Given in several important collections. 5. Forgive us, Lord, to Thee we cry. Forgiveness desired. No. 165, in 4 stanzas of 4 lines. 6. Gently, Lord, 0 gently lead us. Pilgrimage of Life. No. 29, in 2 stanzas of 8 lines. It is given in several collections. The first two lines are taken from a hymn which appeared in the Christian Lyre, 1830. 7. Go forth on wings of fervent prayer. For a blessing on the distribution of Books and Tracts. No. 250, in 4 stanzas of 5 lines. It is sometimes given as “Go forth on wings of faith and prayer," as in the Baptist Praise Book, N. Y., 1871, No. 1252; but the alterations are so great as almost to constitute it a new hymn. 8. Hail to the brightness of Zion's glad morning. Missionary Success. No. 239, in 4 stanzas of 4 lines. In several hymnbooks in Great Britain and America. 9. How calm and beautiful the morn. Easter. No. 291, in 5 stanzas of 6 lines. Very popular. 10. In this calm, impressive hour. Early Morning. No. 235, pt. i. in 3 stanzas of 6 lines. In several collections. 11. Jesus, save my dying soul. Lent. No. 398, in 4 stanzas of 4 lines. A deeply penitential hymn. 12. Now be the gospel banner. Missions. No. 178, in 2 stanzas of 8 lines. In several collections (see below). 13. Now from labour, and from care. Evening. No. 235. Pt. ii. in 3 stanzas of 6 lines. This hymn, with No. 10 above, "In this calm," &c, constitute one hymn of 6 st. in the Spiritual Songs, but divided into two parts, one for Morning and the other for Evening. Both parts are popular as separate hymns. 14. 0 God of Abraham, hear. Prayer on behalf of Children. No. 288, in 5 stanzas of 4 lines. In use in Great Britain. 15. 0 tell me, Thou Life and delight of my soul. Following the Good Shepherd. No. 151, in 5 stanzas of 4 lines, on Cant. i. 7, 8. 16. Return, O wanderer, to thy home. The Prodigal recalled. No. 183, in 3 stanzas of 4 lines, with the refrain, " Return, return " (see below). 17. Soft and holy is the place. Public Worship. No. 351, in 4 stanzas of 4 lines. In Dr. Hatfield's Church Hymn Book, N. Y., 1872, and some other collections, the opening line is altered to "Sweet and holy is the place." 18. That warning voice, 0 sinner, hear. Exhortation to Repentance. No. 231, in 4 stanzas of 6 lines. 19. To-day the Saviour calls. Lent. No. 176, in 4 stanzas of 4 lines. Dr. Hastings says, in a communication to Dr. Stevenson (Hymns for Church and Home, 1873), this hymn “was offered me in a hasty sketch which I retouched." The sketch was by the Rev. S. F. Smith. 20. Why that look of sadness. Consolation. No. 268, in 3 stanzas of 8 lines. 21. Zion, dreary and in anguish. The Church Comforted. No. 160, in 4 stanzas of 4 lines. Concerning the two hymns, No. 12, "Now be the gospel banner"; and No. 16, "Beturn, O wanderer, to thy home," Dr. Stevenson has the following note in his Hymns for Church and Home, London, 1873:— "In a letter to the Editor, Dr. Hastings wrote, not more than a fortnight before his death, 'These two hymns of mine were earlier compositions, the former ["Now be," &c.] for a Utica Sunday School celebration, the latter ["Return, 0 wanderer," &c.] after hearing a stirring revival sermon on the Prodigal Son, by the Rev. Mr. Kint, at a large union meeting in the Presbyterian Church, where two hundred converts were present. The preacher at the close eloquently exclaimed with tender emphasis, "Sinner, come home! come home! come home!" It was easy afterwards to write, "Return, 0 wanderer."'" Several additional hymns in the Spiritual Songs, 1831, have been ascribed to Dr. Hastings, but without confirmation. The sum of what can be said on his behalf is that the hymns are in his style, and that they have not been claimed by others. They are:— 22. Drooping souls, no longer mourn. Pardon promised. No. 40, in 3 stanzas of 8 1., of which st. i., ii. are altered from J. J. Harrod's Public, Parlour, and Cottage Hymns, Baltimore, 1823, that is, 8 years before the Spiritual Songs were published. 23. Dying souls, fast bound in sin. Pardon offered. No. 41, in 5 stanzas of 8 lines. It is usually given in an abridged form. ii. From his Mother's Hymn Book, 1834:—- 24. Forbid them not, the Saviour cried. Holy Baptism. No. 44. 25. God of mercy, hear our prayer. On behalf of Cliildrcn, No. 48, in 5 stanzas of 4 lines. It was included in J. Campbell's Comprehensive Hymn Book, Lond., 1837, and subsequently in several collections. 26. God of the nations, bow Thine ear. Missions. No. 115, in 4 stanzas of 6 lines. In several collections. 27. How tender is Thy hand. Affliction. No. 99, in 5 stanzas of 41. 28. Jesus, while our hearts are bleeding. Death. Resignation. No. 95, in 5 stanzas of 4 lines. This is in extensive use and is one of his best and most popular hymns. 29. Lord, I would come to Thee. Self-dedication of a Child. No. 72, in 4 stanzas of 4 lines. 30. 0 Lord, behold us at Thy feet. Lent. No. 59, in 4 stanzas of 4 lines. It is doubtful if this is by Hastings. It is sometimes signed "Mrs. T." 31. The rosy light is dawning. Morning. No. 11, in 3 stanzas of 8 lines. 32. The Saviour bids us [thee] watch and pray. Watch and Pray. No. 119, in 4 stanzas of 4 lines. 33. Thou God of sovereign grace. On behalf of Children. No. 66, in 6 stanzas of 4 lines. 34. Wherever two or three may meet. Divine Service. No. 56. 35. Within these quiet walls, 0 Lord. Mothers' Meetings. No. 58, in 5 stanzas of 4 lines. In Spurgeon's Our Own Hymn Book, 1866, No. 1010, it begins, "Within these peaceful walls." This reading is from J. Campbell's Comprehensive Hymn Book, London, 1837. It is very doubtful if this is by Hastings. iii. From the Christian Psalmist, 1836:— 36. Children, hear the melting story. On the life of Christ. No. 430, in 3 stanzas of 6 lines. It is given as from the Union Minstrel, and the statement that it is by Hastings is very doubtful, no evidence to that effect being in the possession of his family. Dr. Hatfield, in his Church Hymn Book, dates it 1830, and gives it as "Anon." 37. Go, tune thy voice to sacred song. Praise No. 190, in 5 stanzas of 5 lines, and given as from "ms." 38. He that goeth forth with weeping. Missions No. 212, in 2 stanzas of 8 lines, and given as from "ms." It is in several collections. 39. I love the Lord, Whose gracious ear. Ps. cxvi. Page 186, in 4 stanzas of 6 lines, as from "ms." 40. Lord of the harvest, bend Thine ear. For the Increase of the Ministry. No. 407, in 6 stanzas of 4 lines, as from "ms." This hymn Dr. Hastings altered for his Devotional Hymns & Poems, 1850, but it has failed to replace the original in the hymnbooks. iv. From the Reformed Dutch Additional Hymns, 1846:— 41. Child of sorrow, child of care [woe]. Trust. No. 168, in 2 stanzas of 8 lines, appeared in W. Hunter's Minstrel of Zion, 1845. 42. Heirs of an immortal crown. Christian Warfare. No. 136, in 2 stanzas of 8 lines. 43. O Saviour, lend a listening ear. Lent. No. 175. Stanzas vi., i., iv., v., altered. 44. The Lord Jehovah lives. Ps. xviii. No. 26, in 4 stanzas of 6 lines. These three hymns, together with many others, are given in the Dutch Reformed Hymns of the Church, N. Y., 1869. In the 1847 Psalms & Hymns there were, including these, 38 hymns by Hastings, and 2 which are doubtful. v. From Dr. Hastings's Devotional Hymns and Religious Poems, 1850:— 45. In time of fear, when trouble's near. Encouragement in Trial. Page 95, in 3 stanzas of 4 lines. In use in Great Britain. vi. From Church Melodies, 1858:—- 46. For those in bonds as bound with them. Missions. No. 416, in 5 stanzas of 4 lines, on Heb. xiii. 3. 47. Forget thyself, Christ bids thee come. Holy Communion. No. 683, in 3 stanzas of 6 lines. 48. Jesus, Merciful and Mild. Leaning on Christ. No. 585, in 4 stanzas of 8 1. In several collections. 49. Pilgrims in this vale of sorrow. Self-denial. No. 397, in 4 stanzas of 4 lines. 50. Saviour, I look to Thee. Lent. In time of Trouble. No. 129, in 4 stanzas of 7 lines. 51. Saviour of our ruined race. Holy Communion. No. 379, in 3 stanzas of 6 lines. 52. Why that soul's commotion? Lent. No. 211, in 3 stanzas of 8 lines. It is doubtful if this is by Hastings. vii. In Robinson's Songs of the Church, 1862: 53. Be tranquil, 0 my soul. Patience in Affliction. No. 519, in 4 stanzas of 4 lines. Altered in Robinson's Songs for the Sanctuary, 1865. 54. Peace, peace, I leave with you. Peace, the benediction of Christ. No. 386, in 3 stanzas of 7 lines. 55. Saviour, Thy gentle voice. Christ All in All. No. 492, in 3 stanzas of 7 lines. viii. In Bobinson's Songs for the Sanctuary, 1865:— 56. God of the morning ray. Morning. No. 53, in 2 stanzas of 7 lines. Of Hastings's hymns about 40 are in the Reformed Dutch Psalms & Hymns, 1847; 39 in Robinson's Songs for the Sanctuary, 1865; 15 in Hatfield's Church Hymn Book, 1872; and 13 in the Lyra Sacra Americana, 1868. They are also largely represented in other collections. Many other of his compositions are found in collections now or recently in common use, but these are not of the highest merit. [Rev. F. M. Bird, M.A.] --John Julian, Dictionary of Hymnology (1907) ======================== Hastings, T., p. 494, i. Additional hymns are:— 1. Children hear the wondrous story; and "Sinners, hear the melting story," are altered forms of No. 36, on p. 495, i. 2. Father, we for our children plead. On behalf of Children. 3. Forgive my folly, O Lord most holy. Lent. 4. Hosanna to the King, That for, &c. Praise to Jesus. 5. I look to Thee, O Lord, alone. Pardon desired. 6. Jesus, full of every grace. Pardon desired. 7. O why should gloomy thoughts arise? The Mourner Encouraged. 8. Peace to thee, O favoured one. Peace in Jesus. 9. Saviour, hear us through Thy merit. Forgiveness. Of these hymns, No. 3 is in Hasting’s Spiritual Songs, 1831; No. 9 in his Mother's Hymn Book, 1834, and his Devotional Hymns, 1850; and Nos. 4, 5 & 8 in his Devotional Hymns, 1850. --John Julian, Dictionary of Hymnology, Appendix, Part II (1907)

Karl Rudolf Hagenbach

1801 - 1874 Person Name: fr. K. R. Hagenbach Scripture: 2 Corinthians 12:10 Translator of "Resting in God" in Laudes Domini Hagenbach, Carl Rudolph, D.D., s. of C. F. Hagenbach, professor of medicine at Basel, was born at Basel, March 4, 1801. He studied at the Universities of Basel, Bonn, and Berlin. He returned to Basel in 1823 as University lecturer on Church history, was appointed ordinary professor of Church history in 1829, and died at Basel, June 7, 1874 (Koch, vii. 95, 96; Allg. Deutsche Biographie, x. 344, 345, &c). His hymns appeared principally in his Gedichte, Basel, 1846. Two are translated:— i. Du Quell, der alle Herzen tranket. Passiontide. On Christ thirsting on the cross. 1846, as above, vol. i. p. 33, in 4 stanzas. Translated as "Thou fountain for the panting heart," by J. Kelly, 1885, p. 40. ii. Stille halten deinem Walten. Resignation. On patient waiting on God, founded on Ps. lxii. 2. In his Gedichte, 1846, vol. i. p. 85, in 8 stanzas of 6 lines; and in Knapp's EvangelicherLieder Schatz, 1850, No. 1947. Translated as:— Since thy Father's arm sustains thee, a free tr. of st. i.-v. in the Family Treasury, 1861, p. 293; and in the Gilman-Schaff Library of Religious Poetry, ed. 1883, p. 525, marked as tr. by “H. A. P." Included as No. 884 in Laudes Domini, N. Y., 1884. [Rev. James Mearns, M.A.] -- John Julian, Dictionary of Hymnology

William F. Sherwin

1826 - 1888 Person Name: W. F. Sherwin Scripture: 2 Corinthians 12:10 Composer of "HARVEY" in Laudes Domini Sherwin, William Fisk, an American Baptist, was born at Buckland, Massachusetts, March 14,1826. His educational opportunities, so far as schools were concerned, were few, but he made excellent use of his time and surroundings. At fifteen he went to Boston and studied music under Dr. Mason: In due course he became a teacher of vocal music, and held several important appointments in Massachusetts; in Hudson and Albany, New York County, and then in New York City. Taking special interest in Sunday Schools, he composed carols and hymn-tunes largely for their use, and was associated with the Rev. R. Lowry and others in preparing Bright Jewels, and other popular Sunday School hymn and tune books. A few of his melodies are known in Great Britain through I. D. Sankey's Sacred Songs and Solos, where they are given with his signature. His hymnwriting was limited. The following pieces are in common use:— 1. Grander than ocean's story (1871). The Love of God. 2. Hark, bark, the merry Christmas bells. Christmas Carol. 3. Lo, the day of God is breaking. The Spiritual Warfare. 4. Wake the song of joy and gladness. Sunday School or Temperance Anniversary. 5. Why is thy faith, 0 Child of God, so small. Safety in Jesus. Mr. Sherwin died at Boston, Massachusetts, April 14, 1888. -- John Julian, Dictionary of Hymnology (1907) ================== Sherwin, W. F., p. 1055, i. Another hymn from his Bright Jewels, 1869, p. 68, is "Sound the battle cry" (Christian Courage), in the Sunday School Hymnary, 1905, and several other collections. --John Julian, Dictionary of Hymnology, New Supplement (1907)

Jean Calvin

1509 - 1564 Person Name: John Calvin, 1509-64 Scripture: 2 Corinthians 12:8-11 Author of "I greet you my Redeemer sure, who lives" in Together in Song

Peter Cutts

1937 - 2024 Person Name: Peter Warwick Cutts, 1937- Scripture: 2 Corinthians 12:8-11 Composer of "BLACKBIRD LEYS" in Together in Song

Alberto Merubia

1919 - 2013 Person Name: Alberto Merubia, 1919-2013 Scripture: 2 Corinthians 12:10 Translator of "Give Thanks (Dad gracias)" in Santo, Santo, Santo

Reid Lancaster

Scripture: 2 Corinthians 12:10 Arranger of "[Give thanks with a grateful heart]" in Praise for the Lord (Expanded Edition)

Robert Schumann

1810 - 1856 Person Name: Robert A. Schumann, 1810-1856 Scripture: 2 Corinthians 12:7-10 Composer of "CANONBURY" in Worship and Rejoice Robert Alexander Schumann DM Germany 1810-1856. Born at Swickau, Saxony, Germany, the last child of a novelist, bookseller, and publisher, he began composing music at age seven. He received general music instruction at the local high school and worked to create his own compositions. Some of his works were considered admirable for his age. He even composed music congruent to the personalities of friends, who took note of the anomaly. He studied famous poets and philosophers and was impressed with the works of other famous composers of the time. After his father’s death in 1826, he went to Leipzig to study law (to meet the terms of his inheritance). In 1829 he continued law studies in Heidelberg, where he became a lifelong member of Corps Saxo-Borussia Heidelberg. In 1830 he left the study of law to return to music, intending to pursue a career as a virtuoso pianist. His teacher, Friedrich Wieck, assured him he could become the finest pianist in Europe, but an injury to his right hand (from a practicing method) ended that dream. He then focused his energies on composition, and studied under Heinrich Dorn, a German composer and conductor of the Leipzig opera. Schumann visited relatives in Zwickau and Schneeberg and performed at a concert given by Clara Wieck, age 13 at the time. In 1834 he published ‘A new journal for music’, praising some past composers and deriding others. He met Felix Mendelssohn at Wieck’s house in Leigzig and lauded the greatness of his compositions, along with those of Johannes Brahms. He also wrote a work, hoping to use proceeds from its sale towards a monument for Beethoven, whom he highly admired. He composed symphonies, operas, orchestral and chamber works, and also wrote biographies. Until 1840 he wrote strictly for piano, but then began composing for orchestra and voice. That year he composed 168 songs. He also receive a Doctorate degree from the University of Jena that year. An aesthete and influential music critic, he was one of the most regarded composers of the Romantic era. He published his works in the ‘New journal for music’, which he co-founded. In 1840, against the wishes of his father, he married Clara Wieck, daughter of his former teacher, and they had four children: Marie, Julie, Eugenie, and Felix. Clara also composed music and had a considerable concert career, the earnings from which formed a substantial part of her father’s fortune. In 1841 he wrote 2 of his 4 symphonies. In 1843 he was awarded a professorship in the Conservatory of Music, which Mendelssohn had founded in Leipzig that same year, When he and Clara went to Russia for her performances, he was questioned as to whether he also was a musician. He harbored resentment for her success as a pianist, which exceeded his ability as a pianist and reputation as a composer. From 1844-1853 he was engaged in setting Goethe’s Faust to music, but he began having persistent nervous prostration and developed neurasthenia (nervous fears of things, like metal objects and drugs). In 1846 he felt he had recovered and began traveling to Vienna, Prague, and Berlin, where he was received with enthusiasm. His only opera was written in 1848, and an orchestral work in 1849. In 1850 he succeeded Ferdinand Hiller as musical director at Dusseldorf, but was a poor conductor and soon aroused the opposition of the musicians, claiming he was impossible on the platform. From 1850-1854 he composed a wide variety of genres, but critics have considered his works during this period inferior to earlier works. In 1851 he visited Switzerland, Belgium, and returned to Leipzig. That year he finished his fourth symphony. He then went to Dusseldorf and began editing his complete works and making an anthology on the subject of music. He again was plagued with imaginary voices (angels, ghosts or demons) and in 1854 jumped off a bridge into the Rhine River, but was rescued by boatmen and taken home. For the last two years of his life, after the attempted suicide, Schumann was confined to a sanitarium in Endenich near Bonn, at his own request, and his wife was not allowed to see him. She finally saw him two days before he died, but he was unable to speak. He was diagnosed with psychotic melancholia, but died of pneumonia without recovering from the mental illness. Speculations as to the cause of his late term maladies was that he may have suffered from syphilis, contracted early in life, and treated with mercury, unknown as a neurological poison at the time. A report on his autopsy said he had a tumor at the base of the brain. It is also surmised he may have had bipolar disorder, accounting for mood swings and changes in his productivity. From the time of his death Clara devoted herself to the performance and interpretation of her husband’s works. John Perry

L. Meadows White

1860 - 1950 Person Name: L. M. White, 1860-1950 Scripture: 2 Corinthians 12:9 Composer of "GERSAU" in Singing the Faith

Thomas MacKellar

1812 - 1899 Person Name: Thomas MacKellar (1812- ) Scripture: 2 Corinthians 12:9 Author of "All unseen the Master walketh" in Carmina Sanctorum, a selection of hymns and songs of praise with tunes Mackellar, Thomas, was born in New York, Aug. 12, 1812. At the age of 14 he entered the printing establishment of Harper Brothers. In 1833 he removed to Philadelphia and joined the type-foundry firm of Johnson & Smith, as proof reader. He subsequently became a foreman, and then a partner in that firm, which has been known from 1860 as Mackellar, Smiths, and Jordan, type-founders of Philadelphia. His publications include The American Printer, 1866, a prose work, and the following in verse:— (1) Droppings from the Heart, 1844; (2) Tam's Fortnight Ramble, 1847; (3) Lines for the Gentle and Loving, 1853; (4) Rhymes Atween Times, 1872. The last contains some of his hymns. (5) Hymns and a few Metrical Psalms, Phila. 1883 (71 hymns, 3 psalms), 2nd edition, 1887 (84 hymns, 3 psalms). Those of his hymns in common use include :— 1. At the door of mercy sighing. Lent. Published in his Rhymes Atween Times, 1872, as, "Long of restful peace forsaken," and again in Dr. Hitchcock's Hymns & Songs of Praise, 1874, as "At the door of mercy sighing." 2. Bear the burden of the present. Resignation. Written in 1852, and published in his Lines for the Gentle and Loving, 1853; and Lyra Sacra Americana, 1868. Part of this hymn, beginning "All unseen the Master walketh," was in common use in Great Britain. 3. Book of grace, and book of glory. Holy Scripture. Written in 1843. It was given in the Sunday School Union Collection, 1860, and his Hymns and a few M. Psalms, &c, 1883, and a few collections, including Allon's Children's Worship, 1878, &c. 4. Draw nigh to the Holy. Jesus, the soul’s Refuge. In Sumner's Songs of Zion, 1851, and the Lyra Sacra Americana, 1868, in 5 st. of 8 1ines. 5. Father, in my life's young morning. A Child's Prayer. Written in 1841. 6. In the vineyard of our Father. Work for God. Written in 1845. It was given in the Hymns for Church & Home, Philadelphia, I860, and other collections. 7. Jesus! when my soul is parting. Continued presence of Jesus desired. Written in 1848, and included in Lyra Sacra Americana, 1868, in 4 stanzas of 6 lines, and entitled "Jesus first and last." 8. There is a land immortal. Heaven. Mr. Mackellar says that this hymn was written "One evening as a fancy suddenly struck me of a religious nature, I laid aside the work in hand, and pursuing the new idea, I at once produced the hymn, ‘There is a land immortal,' and sent it to the editor [of Neale's Gazette], who referred to it as a religious poem from ‘Tam,' my assumed name, under which I had already acquired considerable notoriety. This was in 1845. It was widely copied, and afterwards inserted in a volume published by me." Duffield's English Hymns, &c, 1886, p. 551. Mr. Mackellar was an Elder of the Presbyterian Church. [Rev. F. M. Bird, M.A.] -- John Julian, Dictionary of Hymnology (1907) ====================== Mackellar, T., p. 708, ii. Additional hymns are:— (1) "I have no hiding-place" (Safety in Jesus), (2) “I will extol Thee every day" (Praise to God). These are dated 1880 and 1871 respectively in Stryker's Church Songs, N. Y., 1889. He died Dec. 29, 1899. --John Julian, Dictionary of Hymnology, Appendix, Part II (1907) ============ Mackellar, T., pp. 708, ii.; 1578, ii. He died Dec. 29, 1899. His hymn, “O the darkness, O the sorrow" (Redemption through Christ), was written in 1886, and added to the latest 1668 editions of his Hymns & Metrical Psalms. It is found in Summa Corda, 1898, and several other collections. His Hymns and Poems were collected and published in 1900. [Rev. L. F. Benson, D.D.] --John Julian, Dictionary of Hymnology, New Supplement (1907)

Johann G. C. Störl

1675 - 1719 Person Name: Johann Georg Christian Störl (1676-1743) Scripture: 2 Corinthians 12:9 Composer of "STUTTGARD" in Carmina Sanctorum, a selection of hymns and songs of praise with tunes Johann Georg Stoerl; b. 1675, Kirchberg; d. 1719, Stuttgart Evangelical Lutheran Hymnal, 1908

William Henry Monk

1823 - 1889 Person Name: William Henry Monk, 1823-1889 Scripture: 2 Corinthians 12:9 Harmonizer of "MELCOMBE" in Singing the Faith William H. Monk (b. Brompton, London, England, 1823; d. London, 1889) is best known for his music editing of Hymns Ancient and Modern (1861, 1868; 1875, and 1889 editions). He also adapted music from plainsong and added accompaniments for Introits for Use Throughout the Year, a book issued with that famous hymnal. Beginning in his teenage years, Monk held a number of musical positions. He became choirmaster at King's College in London in 1847 and was organist and choirmaster at St. Matthias, Stoke Newington, from 1852 to 1889, where he was influenced by the Oxford Movement. At St. Matthias, Monk also began daily choral services with the choir leading the congregation in music chosen according to the church year, including psalms chanted to plainsong. He composed over fifty hymn tunes and edited The Scottish Hymnal (1872 edition) and Wordsworth's Hymns for the Holy Year (1862) as well as the periodical Parish Choir (1840-1851). Bert Polman

Francis Duckworth

1862 - 1941 Person Name: Francis Duckworth, 1862-1941 Scripture: 2 Corinthians 12:8-11 Composer of "RIMINGTON" in Together in Song Born: December 25, 1862, Rimington, Yorkshire, England. Died: August 16, 1941, at his home Swanside in Colne, England. Buried: St. Mary the Virgin Anglican Church, Gisburn, Lancashire. His gravestone bears the music of Rimington, and a plaque to his memory was placed above the doorway to the former Methodist Chapel in Stopper Lane, Lancashire. When Duckworth was five years old, his family moved to the village of Stopper Lane, near Rimington. He had to leave school at age 12 to help in the family business. At age 20, he moved to Burnley, Lancashire, to work for a tobacconist cousin. Six years later, he returned to live at Colne, and in 1899 took a grocery business in Market Street, Colne. Duckworth had an early interest in music, but received only three months of formal lessons. Shortly after arriving in Colne, he became deputy organist (later organist) at the Albert Road Methodist Church, serving until 1929. He composed numerous hymn tunes, 18 of them appearing in the Rimington Hymnal. His tune Rimington was sung by a massive congregation of British troops on the Mount of Olives after the surrender of Jerusalem during World War I. --www.hymntime.com/tch

Annie Johnson Flint

1866 - 1932 Scripture: 2 Corinthians 12:9-10 Author of "What God Hath Promised" in Hymns of Faith Born: December 24, 1866, Vineland, New Jersey. Died: September 8, 1932, Clifton Springs, New York. Buried: Clifton Springs, New York. The biographical account of poetess/hymn-writer Annie Johnson Flint (1866-1932) is a story of both heartbreak and triumph. Born on Christmas Eve in the small town of Vineland, New Jersey, she was welcomed by Eldon and Jean Johnson as their greatest earthly gift. Three years later, little Annie would lose her mother, who died as she gave birth to Annie’s baby sister. Mr. Johnson, who himself was suffering from an incurable disease, willed the children to the Flint family who would bring them up in the Baptist faith. It was during a revival meeting at the age of 8 that the Spirit of God brought Annie's young heart to faith in Christ. She always believed that at that time, she was truly converted. Though she did not join the church until 10 years later, she never doubted that “the eternal work was then wrought.” She strongly opposed the idea that young children cannot comprehend spiritual truths. She felt that divine mysteries were often plainer to the simple faith of a child than to many adults, blinded by their own prejudices and intellectual doubts. Whether by nature or through her early Christian experience, Annie was generally disposed to be cheerful and optimistic. She looked on the bright side of life and was able to get much enjoyment out of life. Her forward-looking, lifted-up head was a characteristic attitude and was typical of the courage she was to manifest in later life. She certainly learned to “endure hardness as a good soldier of Jesus Christ.” After high school, she spent one year in teacher training and had a position offered to her, but felt that she was really needed at home. Later in her second year of teaching, arthritis began to show itself. She grew steadily worse until it became difficult for her to walk at all, and she was soon obliged to give up her work, followed by three years of increasing helplessness. The death of both of her adoptive parents within a few months of each other left Annie and her sister alone again. There was little money in the bank, and the twice-orphaned children had come to a real “Red Sea place” in their lives. Her verses provided a solace for her in the long hours of suffering. Then she began making hand-lettered cards and gift books, and decorating some of her own verses. Testimonies came from many directions of blessing received, so two card publishers printed some of her greetings and released the first little brochure of her poems. The publication of her booklets and the action of the Sunday School Times linked her up with a worldwide fellowship, and she carried most of the correspondence, though one wonders how she could get a pen through those poor twisted fingers. Her letters were as rich as her poems, always bringing a touch of humor that was refreshing. She loved to give to others, but was reluctant to receive, even though she suffered great times of trial and testing. Eventually she gained new understanding and learned how to share the hard moments of her life with others who could not understand the hardships of their lives. She put into poetry words that she titled, “What God Hath Promised.” And through those words and many others, she became convinced that God intended to glorify Himself through her in her weak, earthen vessel; and like Paul, she gained real assurance and could say with the apostle, the promise granted to him: “My grace is sufficient for thee: for my strength is made perfect in weakness.” She could also say with Paul, “Most gladly therefore will I rather glory in my infirmities that the power of Christ may rest upon me.” She believed that God had laid her aside for a purpose, even though that purpose was obscure to her at times. The marvelous thing is that Annie’s faith never faltered, and that she was at all times able to say, “Thy will be done.” --www.homecomingmagazine.com/ (excerpts)

William M. Runyan

1870 - 1957 Scripture: 2 Corinthians 12:9-10 Composer of "[God hath not promised skies always blue]" in Hymns of Faith Showing early musical promise, William Marion Runyan (b. Marion, NY, 1870; d. Pittsburg, KS, 1957) was a substitute church organist by the age of twelve. He became a Methodist minister in 1891 and served several churches in Kansas but turned to evangelism in 1903; he worked for the Central Methodist Conference for the next twenty years. Following that service, Runyan became pastor at the Federated Church at John Brown University, Sulphur Springs, Arkansas. Editor of Christian Workers Magazine, he also served the Moody Bible Institute and was an editor for Hope Publishing Company until his retirement in 1948. Runyan wrote a number of hymn texts, gospel songs, and hymn tunes. Bert Polman

Sylvia G. Dunstan

1955 - 1993 Person Name: Sylvia G. Dunstan, 1955-1993 Scripture: 2 Corinthians 12:1-10 Author of "You, Lord, Are Both Lamb and Shepherd" in Common Praise (1998) After a brief, arduous battle with liver cancer, Canadian Sylvia Dunstan died in 1993 at the age of 38. For thirteen years, Dunstan had served the United Church of Canada as a parish minister and prison chaplain. She is remembered by those who knew her for her passion for those in need, her gift of writing, and her love of liturgy. Sing! A New Creation

John R. Van Maanen

Person Name: John R. Van Maanen, 1958- Scripture: 2 Corinthians 12:1-10 Composer of "CHRISTUS PARADOX" in Common Praise (1998) John Van Maanen has been a member of Arcady since its founding and often sings as a baritone soloist in performances of Handel's Messiah. He sings in the choir of his home congregation and sometimes serves as a substitute organist in local churches. John’s first hymn tune, (Christus) Paradox (1984), is in three Canadian denominational hymnals: Voices United (1996), The Book of Praise (1997) and Common Praise (1998). Common Praise (1998) also has his tune, Phos Hilaron, written in 1990. John’s arrangement of the hymn Let All Mortal Flesh Keep Silence was published by Oxford University Press in 2007. He continues to enjoy composing: most of his works are for choir with organ accompaniment. John Van Maanen

W. Elmo Mercer

1932 - 2020 Scripture: 2 Corinthians 12:10 Author of "Each Step I Take" in Hymns of Faith William Elmo Mercer wrote more than 1,600 songs and worked extensively as a music arranger. Arguably his best known song is “Each Step I Take." Mercer worked for the John T. Benson company from 1951 to 1981 as a music editor. He also consulted for LifeWay, Lorenz, Brentwood, and other music companies. He and his wife Marcia traveled as singing evangelists for three decades and he served as the music minister for Scottsboro First Baptist Church in Nashville, Tennessee. Monty Lynn, from "William Elmo Mercer," Southern Gospel History, https://www.sghistory.com/

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