إن تبعنا الحبيب

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إن تبعنا الحبيب

Transaltor: Ibrahim Oweiss; Author: John H. Sammis
Tune: TRUST AND OBEY
Published in 3 hymnals

Piano/Organ
	To Trust in Jesus

Representative Text

1 - إن تبِعنا الحبيبْ
حاملينَ الصليبْ
بخضوعٍ في وادي الدموعْ
إذا حُزنا رِضاهْ
نسكُنُ في حِماهْ
آمنينَ دوماً في يسوعْ

القرار
ثِقْ بيسوعْ
طائعاً بالخشوعْ
فتعيشَ سعيداً
إن تثِقْ بيسوعْ

2 - إن بحُزنٍ عَميقْ
أو بهَمٍّ وضيقْ
لست عن ربي أبغي الرُّجوعْ
أَصغي الى نِداهْ
أسلُك في رِضاهْ
واثقاً دائماً بيسوعْ

3 - لا نعي حبَّه
لا نرى مجدَهُ
الا إنْ سلَّمْنا بخضوعْ
فتَجِي البركاتْ
من سما السمواتْ
إن وثِقْنا دوماً بيسوعْ

4 - حولَ ربِّ الأنامْ
والكلُّ في سلامْ
نعبُدُ فادينا بخشوعْ
بل وراهُ نسيرْ
في الطريقِ المنيرْ
واثقينَ دوماً بيسوعْ

Source: ترانيم الإيمان #265

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Transaltor: Ibrahim Oweiss

ابراهيم عويس Go to person page >

Author: John H. Sammis

John H. Sammis was born in Brooklyn. He moved to Logansport, Indiana when ye was 22, where he was converted to Christianity. He was active in the Y.M.C.A., serving as secretary for the Terre Haute Association and later becoming State Secretary. After this, he studied at Lane and McCormack seminaries and was ordained in the Presbyterian church at Glidden, Iowa. He also pastored churches in Indianapolis, Grand Haven, MI, Red Wing and St. Paul, Minn. In 1909 he became associated with the Los Angeles Bible Institute. He wrote more that 100 hymns. Dianne Shapiro, from "The Singers and Their Songs: sketches of living gospel hymn writers" by Charles Hutchinson Gabriel (Chicago: The Rodeheaver Company, 1916) Go to person page >

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Text Information

Text Information

First Line:	إن تبعنا الحبيب
English Title:	Trust and Obey
Transaltor:	Ibrahim Oweiss
Author:	John H. Sammis
Language:	Arabic
Refrain First Line:	ثق بيسوع
Publication Date:	1990
Copyright:	This text may still be under copyright because it was published in 1990.

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Tune

TRUST AND OBEY

One of the sturdiest of the some two thousand tunes Daniel Brink Towner (b. Rome, PA, 1850; d. Longwood, MO, 1919) composed, TRUST AND OBEY is also among the most popular. It is cast in the verse-refrain form typical of gospel hymns. Sing in harmony throughout. Though the use of a fermata in the re…

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