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VOX DILECTI
Meter: 8.6.8.6 D Appears in 280 hymnals Matching Instances: 276 Composer and/or Arranger: John B. Dykes Tune Key: c minor Incipit: 55112 33221 1177 Used With Text: I Heard the Voice of Jesus Say
VOX DILECTI
I heard the voice of Jesus say
Author: Horatius Bonar Meter: 8.6.8.6 D Appears in 1,224 hymnals Matching Instances: 219 Lyrics:
I heard the voice of Jesus say,
Come unto me and rest;
Lay down, thou weary one,
Lay down Thy head upon my breast.
I came to Jesus as I was,
Weary, and worn, and sad;
I found in him a resting-place,
And he has made me glad.
I heard the voice of Jesus say,
Behold, I freely give
The living water; thirsty one,
Stoop down and drink, and live.
I came to Jesus, and I drank
Of that life-giving stream;
My thirst was quenched, my soul revived,
And now I live in him.
I heard the voice of Jesus say,
I am this dark world's light;
Look unto me, thy morn shall rise,
And all thy day be bright.
I looked to Jesus, and I found
In him my Star, my Sun;
And in that light of life I'll walk
Till traveling days are done.
Topics: Sundays after Trinity The Divine Mercy; Parochial Missions Used With Tune: VOX DILECTI
I heard the voice of Jesus say
Oí la voz del Salvador
Author: Horatio Bonar Appears in 20 hymnals Matching Instances: 12 Used With Tune: [Oí la voz del Salvador] Text Sources: Tr.
Oí la voz del Salvador
O God, According to Thy Grace
Meter: 8.6.8.6 D Appears in 22 hymnals Matching Instances: 3 First Line: O God, according to Thy grace Be merciful to me Topics: Repentance Scripture: Psalm 51 Used With Tune: VOX DILECTI Text Sources: Psalter
O God, According to Thy Grace
യേശുവിൻ ശബ്ദം ഞാൻ കേട്ടു
Author: Horatius Bonar; Simon Zachariah Hymnal: The Cyber Hymnal #14935 Meter: 8.6.8.6 D First Line: യേശുവിൻ ശബ്ദം ഞാൻ കേട്ടുവന്നു വിശ്രമിക്ക Lyrics: 1 യേശുവിൻ ശബ്ദം ഞാൻ കേട്ടുവന്നു വിശ്രമിക്ക
എന്നന്തികെ വേഗം വന്നു അഴലൊഴിക്കുക
ഞാനനുസരിച്ചവനെ, തൻ മാർവ്വിൽ ചേരാനായ്
വിശ്രാമസ്ഥലം കണ്ടു ഞാൻ യേശുവിൻ മടിയിൽ
2 യേശുവിൻ ശബ്ദം, ഞാൻ കേട്ടു ജീവജലം ഇതാ
ദാനമായ്‌ നീ വന്നിതിനെ പാനം ചെയ്തീടുക
തൻ ദാനത്താൽ ഞാൻ സ്വസ്ഥനായ്, എൻ ആത്മം ഉണർന്നു
ഞാനവനിൽ ആവസിക്കുന്നു എന്നും എന്നേയ്ക്കുമേ
3 യേശുവിൻ ശബ്ദം ഞാൻ കേട്ടു ലോകേ വെളിച്ചം ഞാൻ
എന്നെ നോക്കി പ്രകാശിക്ക എൻ പ്രിയ ശിഷ്യനെ
തല്ക്ഷണം, നോക്കി തന്നെ ഞാൻ എൻ സൂര്യനായ് കണ്ടു.
ഭൂ യാത്ര നാൾ തീരും വരെ കാണും ഞാൻ അവനെ.
4 യേശുവിൻ ശബ്ദം ഞാൻ കേട്ടുഎൻ പിതാവിൻ വീട്ടിൽ
ഞാൻ ഒരുക്കുന്നു സ്നേഹത്താൽ നിനക്കൊരു സ്ഥലം
തൻ വാക്കു സത്യം നിശ്ചയം, കൃപയാൽ വീണ്ടെന്നെ
വാഴും ഞാൻ നിത്യ ഭവനേ താതനോടോ-ത്തെന്നും. Languages: Malayalam Tune Title: VOX DILECTI
യേശുവിൻ ശബ്ദം ഞാൻ കേട്ടു
Today They "Know Not What They Do"
Author: Thomas T. Lynch Hymnal: The Cyber Hymnal #13483 Meter: 8.6.8.6 D Lyrics: 1 Today they "know not what they do";
Tomorrow, when they see
Their deed, how cruel, must they rue
Wrong done half-wittingly?
When trembling they for mercy sue,
Wilt Thou severely say,
"Your hands in blood ye did imbrue;
Die, then," and turn away?
2 No, that be far from Thee, to break
These penitents so bruised,
Whose hearts for that wild error ache
They did with minds confused:
Their sin, that made the dull earth shake,
The speechless heav’ns grow black,
Thy mercy quite away can take,
When Love comes conqueror back—
3 Love, stronger than the grave and hell,
Than fire and frozen death—
To be life’s cool eternal well,
Life’s mild eternal breath.
Sweet sap within the cross shall swell,
Green branches round it twine,
That heav’nly fruits to earth may tell
This sorrow was divine. Languages: English Tune Title: VOX DILECTI
Today They "Know Not What They Do"
A Light To Lighten The Gentiles
Author: Thomas B. Murray Hymnal: The Cyber Hymnal #12377 Meter: 8.6.8.6 D First Line: Augustus ruled imperial Rome Lyrics: 1 Augustus ruled imperial Rome,
When wars began to cease,
And all the nations of the world
Enjoyed the sweets of peace.
The fir and myrtle took the place
Of briar and of thorn,
And swords were turned to pruning hooks,
When Jesus Christ was born.
2 The rust had gathered round the hinge
Of Janus’ open fane;
And fiery war had fouled the walls
With many a purple stain;
But when the light of lovely Peace
Above the storm arose,
The wondering city saw her chief
The massive portal close.
3 To Israel’s sons their God had giv’n
His own revealèd Word;
And some at the appointed time
Were waiting for the Lord.
A faithful few in Salem’s courts
Watched anxiously to hear
The joyful accents that proclaimed
Messiah’s advent near.
4 How favored then were Judah’s sons,
That first of all to them
The Savior came: His word was preached
First at Jerusalem;
But they had ears that would not hear,
And eyes that would not see;
So other branches grafted were
On Judah’s olive tree.
5 Inquiring eyes in heathen lands
Had seen a wondrous sign;
The heav’ns declared God’s glory, and
The sky His work divine;
A new and shining light was shed
O’er Gentile Galilee,
And lighted up with golden rays
The islands of the sea.
6 There was an island of the sea,
An island far away,
Upon whose shores there had not beamed
The dawn of perfect day:
Dark altars reared to gloomy gods
With human blood were dyed;
And there they stand, those giant blocks,
To humble Britain’s pride.
7 Within thy circles rude, Stonehenge,
The white robed Druids stood;
Their eyes were raised to heaven, and
Their hands were bathed in blood:
They knew not of the Son of God,
Who bought us with a price;
And gave Himself upon the cross,
A perfect sacrifice.
8 But now the Lord of light and truth
Hath blessed our plains, for there
The taper spires that point to Heav’n
The Savior’s name declare.
May He vouchsafe increasing light
To this our English home,
And pour His grace upon our church,
Till all its fulness come! Languages: English Tune Title: VOX DILECTI
A Light To Lighten The Gentiles
John Bacchus Dykes
1823 - 1876 Person Name: John B. Dykes Composer of "VOX DILECTI" in Trinity Hymnal (Rev. ed.) As a young child John Bacchus Dykes (b. Kingston-upon-Hull' England, 1823; d. Ticehurst, Sussex, England, 1876) took violin and piano lessons. At the age of ten he became the organist of St. John's in Hull, where his grandfather was vicar. After receiving a classics degree from St. Catherine College, Cambridge, England, he was ordained in the Church of England in 1847. In 1849 he became the precentor and choir director at Durham Cathedral, where he introduced reforms in the choir by insisting on consistent attendance, increasing rehearsals, and initiating music festivals. He served the parish of St. Oswald in Durham from 1862 until the year of his death. To the chagrin of his bishop, Dykes favored the high church practices associated with the Oxford Movement (choir robes, incense, and the like). A number of his three hundred hymn tunes are still respected as durable examples of Victorian hymnody. Most of his tunes were first published in Chope's Congregational Hymn and Tune Book (1857) and in early editions of the famous British hymnal, Hymns Ancient and Modern.
Bert Polman
John Bacchus Dykes
Horatius Bonar
1808 - 1889 Author of "I Heard the Voice of Jesus Say" in Trinity Hymnal (Rev. ed.) Horatius Bonar was born at Edinburgh, in 1808. His education was obtained at the High School, and the University of his native city. He was ordained to the ministry, in 1837, and since then has been pastor at Kelso. In 1843, he joined the Free Church of Scotland. His reputation as a religious writer was first gained on the publication of the "Kelso Tracts," of which he was the author. He has also written many other prose works, some of which have had a very large circulation. Nor is he less favorably known as a religious poet and hymn-writer. The three series of "Hymns of Faith and Hope," have passed through several editions.
--Annotations of the Hymnal, Charles Hutchins, M.A. 1872
================================
Bonar, Horatius, D.D. Dr. Bonar's family has had representatives among the clergy of the Church of Scotland during two centuries and more. His father, James Bonar, second Solicitor of Excise in Edinburgh, was a man of intellectual power, varied learning, and deop piety.
Horatius Bonar was born in Edinburgh, Dec. 19th, 1808; and educated at the High School and the University of Edinburgh. After completing his studies, he was "licensed" to preach, and became assistant to the Rev. John Lewis, minister of St. James's, Leith. He was ordained minister of the North Parish, Kelso, on the 30th November, 1837, but left the Established Church at the "Disruption," in May, 1848, remaining in Kelso as a minister of the Free Church of Scotland. The University of Aberdeen conferred on him the doctorate of divinity in 1853. In 1866 he was translated to the Chalmers Memorial Church, the Grange, Edinburgh; and in 1883 he was chosen Moderator of the General Assembly of of the Free Church of Scotland.
Dr. Bonar's hymns and poems were, he tells us, composed amid a great variety of circumstances; in many cases he cannot himself recall these circumstances; they also appeared in several publications, but nearly all have boen published or republished in the following:— (i) Songs for the Wilderness, 1843-4. (2) The Bible Hymn Book, 1845. (3) Hymns, Original and Selected, 1846. (4) Hymns of Faith and Hope, First Series, 1857; Second Series, 1861; Third Series, 1866. (5) The Song of the New Creation, 1872. (6) My Old Letters, a long poem, 1877. (7) Hymns of the Nativity, 1879. (8) Communion Hymns, 1881. In addition to numerous prose works, he has also edited The New Jerusalem; a Hymn of the Olden Time, 1852, &c.
Dr. Bonar's poems—-including many beautiful lyrics, several psalm versions, and translations from the Greek and Latin, a large number of hymns, and a long meditative poem—-are very numerous, too numerous, perhaps, for their permanent fame as a whole.
Dr. Bonar's scholarship is thorough and extensive; and his poems display the grace of style and wealth of allusion which are the fruit of ripe culture. Affected very slightly by current literary moods, still less by the influence of other religious poetry, they reveal extreme susceptibility to the emotional power which the phases of natural and of spiritual life exercise; the phases of natural life being recognised chiefly as conveying and fashioning spiritual life, used chiefly for depicting spiritual life, and handled for this purpose with greater delicacy of touch than in the Olney Hymns, and with less conscious purpose than in the Christian Year. As a result of this susceptibility, and from habitual contemplation of the Second Advent as the era of this world's true bliss, his hymns and poems are distinguished by a tone of pensive reflection, which some might call pessimism. But they are more than the record of emotion; another element is supplied by his intellectual and personal grasp of Divine truth, these truths particularly:—The gift of a Substitute, our Blessed Saviour; Divine grace, righteous, yet free and universal in offer; the duty of immediate reliance upon the privilege of immediate assurance through that grace; communion with God, especially in the Lord's Supper, respecting which he insists on the privilege of cherishing the highest conceptions which Scripture warrants; and finally, the Second Advent of our Lord: by his vigorous celebration of these and other truths as the source and strength of spiritual life, his hymns are protected from the blight of unhealthy, sentimental introspection.
To sum up: Dr. Bonar's hymns satisfy the fastidious by their instinctive good taste; they mirror the life of Christ in the soul, partially, perhaps, but with vivid accuracy; they win the heart by their tone of tender sympathy; they sing the truth of God in ringing notes; and although, when taken as a whole, they are not perfect ; although, in reading them, we meet with feeble stanzas, halting rhythm, defective rhyme, meaningless Iteration; yet a singularly large number have been stamped with approval, both in literary circles and by the Church.
In Great Britain and America nearly 100 of Dr. Bonar's hymns are in common use. They are found in almost all modern hymnals from four in Hymns Ancient & Modern to more than twenty in the American Songs for the Sanctuary, N. Y., 1865-72. The most widely known are, "A few more years shall roll;" "Come, Lord, and tarry not;" "Here, O my Lord, I see Thee face to face;" "I heard the Voice of Jesus say;" "The Church has waited long;" and "Thy way, not mine, O Lord."
In addition to these and others which are annotated under their respective first lines, the following are also in common use:—
From Songs for the Wilderness, No. 1, 1843.
1. For Thee we long and pray. Sunday Morning.
2. Holy Father, hear my cry. A Child's Prayer.
3. I thought upon my sins and I was sad. Christ our Peace.
4. Peace to the world, our Lord is come. A Millennial Song.
5. Spirit of everlasting grace. The Vision of Dry Bones.
ii. From Songs for the Wilderness, No. 2,1844.
6. Ho, ye thirsty, parched and fainting. Invitation.
7. 0 'tis not what we fancied it. The world renounced.
8. Sing them, my children, sing them still. Children exhorted to Praise.
9. Time's sun is fast setting. Advent.
10. Weep, pilgrim, weep, yet 'tis not for the sorrow. Faith.
11. Yes, for me, for me He careth. Christ the Elder Brother .
iii. From The Bible Hymn Book, 1845.
12. Jesus, my sorrow lies too deep. Jesus, the Great High Priest.
13. There is a Morning Star, my soul. The Morning Star.
14. This is not my place of resting. Pressing towards heaven.
iv. From Hymns, Original and Selected, 1845.
15. Let there be light, Jehovah said. Creation.
v. From Hymns of Faith and Hope, 1st series, 1857.
16. Be brave, my brother. The Fight of Faith.
17. Blessed be God, our God. Good Friday.
18. Everlasting praises. Doxology.
19. Go up, go up, my heart. Heavenly aspirations desired.
20. I close my heavy eye. Evening. Sometimes given as "We close our heavy eyes."
21. I see the crowd in Pilate's hall. Good Friday.
22. Jesus, while this rongh desert soil. Strength by the Way.
23. Jesus, Whom angel-hosts adore. The Word made Flesh. From "The Son of God, in mighty love."
24. Make haste, 0 man, to live. Exhortation to lay hold of Life.
25. No seas again shall sever. Heaven.
26. Oppressed with noonday's scorching heat. Shadow of the Cross.
27. Rest for the toiling hand. Burial. From "Lie down, frail body, here."
28. Shall this life of mine be wasted? Exhortation to Duty.
29. These are the crowns that we shall wear. Heaven.
30. Thy works, not mine, O Christ [Lord]. The Sin-bearer.
31. Where the faded flower shall freshen. Heaven.
vi. From Hymns of Faith and Hope. 2nd series, 1861.
32. Be still, my soul, Jehovah loveth Thee. Rest in the Love of God.
33. Christ has done the mighty work. Good Friday.
34. Come, mighty Spirit, penetrate. Whitsuntide.
35. Deep down beneath the unresting surge. Burial at Sea.
36. Fear not the foe, thou flock of God [thou little flock]. Battle-Song of the Church.
37. For lack of love I languish. Lent.
38. From this bleak hill of storms. Eternal Rest desired.
39. He liveth long who liveth well. The True Life.
40. Here shall death's triumph end: the rock-barred door. Easter. From "The tomb is empty: wouldst thou have it full."
41. Jesus, Sun and Shield art Thou. Jesus the First and Last.
42. Jesus, the Christ of God. Praise to Christ.
43. Light of the world, for ever, ever shining. Christ the Light of the World. From "Why walk in darkness? Has the dear light vanished?"
44. Make use of me, my God. Duty desired.
45. Not what I am, 0 Lord, but what Thou art. The Love of God.
46. 0 Light of Light, shine in. Cry of the Weary.
47. 0 love of God, how strong and true. Love of God.
48. 0 love that casts out fear. Love of God.
49. 0 strong to save and bless. Lent.
50. 0 this soul, how dark and blind. Lent.
51. Safe across the waters. Thanksgiving at end of a journey.
52. Silent, like men in solemn haste. Pressing onwards.
53. Speak, lips of mine. Exhortation to Praise.
54. The Bridegroom comes. Advent.
vii. From Hymns of Faith and Hope. 3rd series, 1866.
55. Bear Thou my burden, Thou Who bar'st my sin. Lent or Passiontide.
56. Done is the work that saves. Easter.
57. Father, our children keep. Prayer on behalf of Children.
58. Fill Thou my life, 0 Lord my God. Life's Praise.
59. Finish Thy work, the time is short. Earnest labour to the end.
60. From the Cross the blood is falling. Good Friday.
61. He called them, and they left. Obedience.
62. Help me, my [0] God to speak. Truth desired.
63. Holy Father, Mighty God. Holy Trinity.
64. How are my troubles multiplied. Ps. iii.
65. How sweetly doth He show His face Flower Service.
66. Light hath arisen, we walk in its brightness. Sustaining power of Faith.
67. Lo, God, our God has come. Christmas.
68. Lord, give me light to do Thy work. Divine guidance desired.
69. No, not despairingly. Lent.
70. Not to ourselves again. Life in Christ, or, Living unto God.
71. Now in parting, Father, bless us. Post Communion.
72. Sounds the trumpet from afar. Battle-Song of the Church.
73. Thee in the loving bloom of morn. God in all.
74. Through good report and evil, Lord. Faithfulness.
75. To Jehovah, God of might. Praise to the Father.
76. To the name of God on high. Doxology.
77. Upward, where the stars are burning. Heavenward Aspirations.
78. We take the peace which He hath won. The Gift of Peace.
79. When the weary, seeking rest. Intercession for all Conditions of Men.
viii. From The Song of the New Creation,1872.
80. For the Bread and for the Wine. Holy Communion.
81. Light of life so softly shining. Light of Life.
82. Yet there is room. The Lamb's bright hall of song. Home Missions.
ix. From Hymns of the Nativity, 1879.
83. Great Ruler of the land and sea. Sailors' Liturgy. From Communion Hymns, 1881.
84. Beloved, let us love. Brotherly Love.
In several instances these hymns are given in an abbreviated form, and sometimes alterations are also introduced. In this latter respect however Dr. Bonar has suffered less than most modern hymn-writers. [Rev. James Mearns, M.A.]
-- John Julian, Dictionary of Hymnology (1907)
====================
Bonar, Horatius, p. 161, i. He died at Edinburgh, July 31, 1889. In 1890 his son published a posthumous volume of his poetical pieces as Until the Day Break and other Hymns and Poems left behind. The following additional hymns are in common use:—
1. Almighty Comforter and Friend. (1866.) Whitsuntide.
2. Father, make use of me. An altered form of No. 44, p. 162, ii.
3. I ask a perfect creed. (1861.) Creed not Opinions. From this is also taken "O True One, give me truth."
4. Long, long deferred, now come at last. Marriage of the Lamb. Part of "Ascend, Beloved, to the joy." (1861.)
5. Nay 'tis not what we fancied it. (1857.) Vanity of the World.
6. No blood, no altar now. (1861.) The Finished Sacrifice.
7. No shadows yonder. (1857.) Heaven Anticipated.
8. Not with the light and vain. (1857.) Godly Companionship.
9. O Love invisible, yet infinite. (1866.) Divine Love.
10. On the great love of God I lean. (1866.) Love of God our Resting-place.
11. On Thee, O Jesus, strongly leaning. (1866.) Fellowship with Christ.
12. Peace upon peace, like wave on wave. (1866.) Divine Peace.
13. Sower divine, sow the good seed in me. (1857.) Heavenly Sowing.
14. Speaketh the sinner's sin within my heart. (1866.) Ps. xxxvi.
15. Still one in life and one in death. (1857.) Communion of Saints. Part of "'Tis thus they press the hand and part."
16. Surely, yon heaven, where angels see God's face. (1857.) Heaven Anticipated.
17. That city with the jewelled crest. (1857.) Heaven. Part of "These are the crowns that we shall wear." Another cento from the same is "Yon city, with the jewelled crest."
18. That clime is not like this dull clime of ours. (1843.) Heaven.
19. The Free One makes you free: He breaks the rod. (1857.) Freedom in Christ. From "Of old they sang the song of liberty."
20. There is a Morning-star, my soul. (1357.) Christ the Morning Star.
21. This is the day of toil. (1866.) Pressing Onwards.
22. Thy thoughts are here, my God. (1866.) Holy Scripture.
23. Till the day dawn. (1857.) Life's Journey.
24. To Him Who spread the skies. (1866.) Creation's Song.
25. Trustingly, trustingly. (1866.) Trust.
26. Unto th' eternal hills. (1866.) Ps. cxxi.
The above dates are: 1843, Songs in the Wilderness; 1857, Hymns of Faith and Hope, 1st Series; 1861, same, 2nd Ser. (not 1864); 1866, same, 3rd Ser. (not 1867), The dates 1857, 1864,1867, were given by Dr. Bonar, but the British Museum copies are 1857, 1861, 1866 respectively.
--John Julian, Dictionary of Hymnology, Appendix, Part II (1907)
==============
Bonar, H., pp. 161, i.; 1554, i. The Rev. H. N. Bonar, Dr. Bonar's son, published in 1904, Hymns by Horatius Bonar, Selected and Arranged by his Son H. N. Bonar, With a brief History of some of the Hymns, &c. (London: H. Frowde). From this work we must correct the date of his Song of the New Creation to 1872. We have also enriched our pages by additional and expanded notes on several of Dr. Bonar's most widely used hymns. In his biographical notes, Mr. Bonar refers to Dr. Bonar's work as editor of the Quarterly Journal of Prophecy, begun in 1848, to which he contributed a hymn for each number. We find that the number of hymns contributed thereto is 101.
With Dr. Bonar's poetical productions great difficulty has been encountered by the historian and annotator because of his absolute indifference to dates and details. It was enough for him that he had written, and that the Church of Christ approved and gladly used what, out of the fulness of his heart, he had given her.
--Excerpt from John Julian, Dictionary of Hymnology, New Supplement (1907)
Horatius Bonar
Anonymous
Person Name: An. Translator of "Mi glywais lais yr Iesu'n dweud (I heard the voice of Jesus say)" in Mawl a chân = praise and song In some hymnals, the editors noted that a hymn's author is unknown to them, and so this artificial "person" entry is used to reflect that fact. Obviously, the hymns attributed to "Author Unknown" "Unknown" or "Anonymous" could have been written by many people over a span of many centuries.
Anonymous
Christian Classics Ethereal Hymnary
Publication Date: 2007 Publisher: Grand Rapids, MI: Christian Classics Ethereal Library
Christian Classics Ethereal Hymnary
Small Church Music
Editors: Horatius Bonar Description:
The SmallChurchMusic site was launched in 2006, growing out of the requests from those struggling
to provide suitable music for their services and meetings. Rev. Clyde McLennan was ordained in mid
1960’s and was a pastor in many small Australian country areas, and therefore was acutely aware of
this music problem. Having also been trained as a Pipe Organist, recordings on site (which are a subset
of the smallchurchmusic.com site) are all actually played by Clyde, and also include piano and piano
with organ versions. All recordings are in MP3 format.
Churches all around the world use the recordings, with downloads averaging over 60,000 per
month.
The recordings normally have an introduction, several verses and a slowdown on the last verse.
Users are encouraged to use software: Audacity (http://www.audacityteam.org) or Song Surgeon (http://songsurgeon.com) (see http://scm-audacity.weebly.com for more information) to adjust the MP3 number of verses, tempo
and pitch to suit their local needs.
Copyright notice: Rev. Clyde McLennan, performer in this collection, has assigned his performer rights in this collection to Hymnary.org. Non-commercial use of these recordings is permitted. For permission to use them for any other purposes, please contact manager@hymnary.org.
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