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ST. CHRYSOSTOM
Meter: 8.8.8.8.8.8 Appears in 220 hymnals Composer and/or Arranger: Joseph Barnby Hymnal Title: Trinity Psalter Hymnal Tune Key: E Flat Major Incipit: 33332 12355 55434 Used With Text: We Have Not Known Thee as We Ought
ST. CHRYSOSTOM
Ye fair green hills of Galilee
Author: Eustace R. Conder Appears in 41 hymnals Hymnal Title: American Junior Church School Hymnal Used With Tune: ADORO TE
Ye fair green hills of Galilee
When gathering clouds around I view
Author: Sir Robert Grant (1788-1838) Appears in 276 hymnals Hymnal Title: Carmina Sanctorum Used With Tune: BENEDICTION
When gathering clouds around I view
Jesus, My Lord, My Life, My All
Author: Henry Collins, 1827-1919 Appears in 215 hymnals Hymnal Title: Christian Worship First Line: Jesus, my Lord, my Life, my All, Hear me, blest Saviour, when I call Refrain First Line: Jesus, my Lord, I thee adore Topics: Love and Gratitude Used With Tune: ST. CHRYSOSTOM
Jesus, My Lord, My Life, My All
Thou art, O God, the Life and Light
Author: Thomas Moore Hymnal: A Book of Song and Service #50 (1905) Hymnal Title: A Book of Song and Service Topics: Light and truth Languages: English Tune Title: [Thou art, O God, the life and light]
Thou art, O God, the Life and Light
Ye fair green hills of Galilee
Author: Eustace R. Conder Hymnal: American Church and Church School Hymnal #100 (1927) Hymnal Title: American Church and Church School Hymnal Languages: English Tune Title: ADORO TE
Ye fair green hills of Galilee
Ye fair green hills of Galilee
Author: Eustace R. Conder Hymnal: American Junior Church School Hymnal #92 (1929) Hymnal Title: American Junior Church School Hymnal Languages: English Tune Title: ADORO TE
Ye fair green hills of Galilee
Thomas Moore
1779 - 1852 Hymnal Title: A Book of Song and Service Author of "Thou art, O God, the Life and Light" in A Book of Song and Service Thomas Moore United Kingdom 1779-1852. Born at Dublin, Ireland, the son of a grocer, he showed an early interest in music and acting. He was educated at a private school and Trinity College, Dublin. He read at the Middle Temple for the Bar. Moore did not profess religious piety. His translations of ‘Anacreon’ (celebrating wine, women, and song) were published in 1800, with a dedication to the Prince of Wales. He also wrote a comic opera, “the gypsy prince”, staged that year. In 1801 he published a collection of his own verse, “Poetical works of the late Thomas Little Esq”. A Catholic patriot, he defended the Church of Ireland, especially in later politics. In 1803 he held a post under the Government in Bermuda as registrar of the Admiralty Prize Court. He was bored of it within six months and appointed a deputy to take his place while he left for a tour of North America. He secured high society introductions and even met with President, Thomas Jefferson. Returning to England in 1804, he published “Epistles, Odes, & other poems” in 1806. Moore criticized American slavery and was accused of licentious writings, veiled as refinement. Francis Jeffrey denounced Moore’s writings in the ‘Edinburgh Review’, and Moore challenged him to a duel, but it never happened, and they became friends. Between 1808-1810 he was found acting in various plays, favoring comic roles. He met the sister of one of the actresses and, in 1811, they married. Elizabeth ‘Bessy’ Dyke, was an actress. She had no dowry, and Moore kept their marriage secret from his parents for some time, as his wife was Protestant. Bessie shrank from fashionable society, but those who met her held her in high regard. They had five children, but none survived to adulthood. Three girls died young, and both sons lost their lives as young men. One son, Tom, died in some disgrace in the French Foreign Legion in Algeria. Despite these losses, their marriage was said to be a happy one. He also had political trouble. The man he appointed as his replacement in Bermuda was found to have embezzled 6000 pounds sterling, a large sum, for which Moore was liable. He left for France in 1819 to escape debtor’s prison. He also met Lord Byron in Venice and was entrusted with a manuscript of his memoirs, which he promised to have published after Byron’s death. Moore’s wife and children joined him in Paris, where he learned that some of the debt was repaid with help from Lord Lansdowne, whom Moore had given a draft of money from payment by his publisher. The family returned to England a year later. To support his family Moore entered the field of ‘squib writing’ on behalf of his Whig friends. This resulted in years of political debate about Catholics and Protestants in government. Nearly persuaded to forego his Catholic allegiance in favor of Protestantism, he finally concluded that Protestants did not make a sound case for their faith, as they denounced Catholics so vociferously for erroneous teaching. From 1835 -1846 Moore published a four volume “History of Ireland”, which was basically an indictment of English rule over Ireland. He was primarily a writer, poet, entertainer, and composer, considered politically as a writer for the aristocratic Whigs. His “Sacred songs” (32) were published in 1816, and again, in his “collected works” in 1866. His “Memoirs, Journal, and Correspondence” were published by Lord John Russell in 1855. Moore is essentially remembered for his highly-praised lyrics written for Irish melodies, as requested by his publishers, and his memoirs of Lord Byron, his friend. He died at Bromham, Wilshire, England.
John Perry
==================
Moore, Thomas, son of John Moore, a small tradesman at Dublin, was born in that city, May 28, 1779, educated at a private school and Trinity College, Dublin; read at the Middle Temple for the Bar; held a post under the Government in Bermuda for a short time, and died Feb. 26, 1852. His Memoirs, Journal, and Correspondence were published by Lord John Russell in 1855. In that work every detail concerning himself and his numerous publications, most of them of high poetical merit, will be found. His connection with hymnody is confined to his Sacred Songs, which were published in 1816, and again in his Collected Works, 1866. These Songs were 32 in all, and were written to popular airs of various nations. Of these Songs the following have passed into a few hymnbooks, mainly in America:—
1. As down in the sunless retreats of the ocean. Private Prayer.
2. But who shall see the glorious day. The Final Bliss of Man.
3. Come, ye disconsolate, where'er you languish. Belief in Prayer. In American hymnbooks the text is sometimes as in T. Hastings and Lowell Mason's Spiritual Songs, 1831. This may be distinguished from the original by the third stanza, which reads, "Here see the Bread of life; see waters flowing," &c.
4. Fallen is thy throne, O Israel. Israel in Exile.
5. Like morning when her early breeze. Power of Divine Grace.
6. O Thou Who driest the mourner's tear. Lent.
7. Since first Thy word [grace] awaked my heart. God All and in All.
8. Sound the loud timbrel o'er Egypt's dark sea. Deliverance of Israel.
9. The bird [dove] let loose in eastern skies. Prayer for Constancy.
10. The turf shall be my fragrant shrine. The Temple of Nature. From this "There's nothing bright above, below" is taken.
11. Thou art, O God, the Life and Light. God, the Light and Life of Men.
12. Were not the sinful Mary's tears? Lent.
Of these hymns No. 11 has attained the greatest popularity.
--John Julian, Dictionary of Hymnology (1907)
Thomas Moore
Robert Grant
1779 - 1838 Person Name: Sir Robert Grant (1788-1838) Hymnal Title: Carmina Sanctorum, a selection of hymns and songs of praise with tunes Author of "When gathering clouds around I view" in Carmina Sanctorum, a selection of hymns and songs of praise with tunes Robert Grant (b. Bengal, India, 1779; d. Dalpoorie, India, 1838) was influenced in writing this text by William Kethe’s paraphrase of Psalm 104 in the Anglo-Genevan Psalter (1561). Grant’s text was first published in Edward Bickersteth’s Christian Psalmody (1833) with several unauthorized alterations. In 1835 his original six-stanza text was published in Henry Elliott’s Psalm and Hymns (The original stanza 3 was omitted in Lift Up Your Hearts).
Of Scottish ancestry, Grant was born in India, where his father was a director of the East India Company. He attended Magdalen College, Cambridge, and was called to the bar in 1807. He had a distinguished public career a Governor of Bombay and as a member of the British Parliament, where he sponsored a bill to remove civil restrictions on Jews. Grant was knighted in 1834. His hymn texts were published in the Christian Observer (1806-1815), in Elliot’s Psalms and Hymns (1835), and posthumously by his brother as Sacred Poems (1839).
Bert Polman
========================
Grant, Sir Robert, second son of Mr. Charles Grant, sometime Member of Parliament for Inverness, and a Director of the East India Company, was born in 1785, and educated at Cambridge, where he graduated in 1806. Called to the English Bar in 1807, he became Member of Parliament for Inverness in 1826; a Privy Councillor in 1831; and Governor of Bombay, 1834. He died at Dapoorie, in Western India, July 9, 1838. As a hymnwriter of great merit he is well and favourably known. His hymns, "O worship the King"; "Saviour, when in dust to Thee"; and "When gathering clouds around I view," are widely used in all English-speaking countries. Some of those which are less known are marked by the same graceful versification and deep and tender feeling. The best of his hymns were contributed to the Christian Observer, 1806-1815, under the signature of "E—y, D. R."; and to Elliott's Psalms & Hymns, Brighton, 1835. In the Psalms & Hymns those which were taken from the Christian Observer were rewritten by the author. The year following his death his brother, Lord Glenelg, gathered 12 of his hymns and poems together, and published them as:— Sacred Poems. By the late Eight Hon. Sir Robert Grant. London, Saunders & Otley, Conduit Street, 1839. It was reprinted in 1844 and in 1868.
This volume is accompanied by a short "Notice," dated "London, Juno 18, 1839."
=====================
Grant, Sir R., p. 450, i. Other hymns are:—
1. From Olivet's sequester'd scats. Palm Sunday.
2. How deep the joy, Almighty Lord. Ps. lxxxiv.
3. Wherefore do the nations wage. Ps. ii.
These are all from his posthumous sacred Poems, 1839.
--John Julian, Dictionary of Hymnology, Appendix, Part II (1907)
Robert Grant
Juan Bautista Cabrera Ivars
1837 - 1916 Person Name: Juan Bautista Cabrera, 1837-1916 Hymnal Title: Culto Cristiano Translator of "¿Qué significa tal rumor?" in Culto Cristiano Juan Bautista Cabrera Ivars was born in Benisa, Spain, April 23, 1837. He attended seminary in Valencia, studying Hebrew and Greek, and was ordained as a priest. He fled to Gibraltar in 1863 due to religious persecution where he abandoned Catholicism. He worked as a teacher and as a translator. One of the works he translated was E.H. Brown's work on the thirty-nine articles of the Anglican Church, which was his introduction to Protestantism. He was a leader of a Spanish Reformed Church in Gibraltar. He continued as a leader in this church when he returned to Spain after the government of Isabel II fell, but continued to face legal difficulties. He then organized the Spanish Reformed Episcopal Church and was consecrated as bishop in 1894. He recognized the influence of music and literature on evangelism which led him to write and translate hymns.
Dianne Shapiro, from Real Academia de la Historia (https://dbe.rah.es/biografias/39825/juan-bautista-cabrera-ivars) and Himnos Cristanos (https://www.himnos-cristianos.com/biografia-juan-bautista-cabrera/) (accessed 7/30/2021)
Juan Bautista Cabrera Ivars
Small Church Music
Editors: Gerhardt Tersteegen Description:
The SmallChurchMusic site was launched in 2006, growing out of the requests from those struggling
to provide suitable music for their services and meetings. Rev. Clyde McLennan was ordained in mid
1960’s and was a pastor in many small Australian country areas, and therefore was acutely aware of
this music problem. Having also been trained as a Pipe Organist, recordings on site (which are a subset
of the smallchurchmusic.com site) are all actually played by Clyde, and also include piano and piano
with organ versions. All recordings are in MP3 format.
Churches all around the world use the recordings, with downloads averaging over 60,000 per
month.
The recordings normally have an introduction, several verses and a slowdown on the last verse.
Users are encouraged to use software: Audacity (http://www.audacityteam.org) or Song Surgeon (http://songsurgeon.com) (see http://scm-audacity.weebly.com for more information) to adjust the MP3 number of verses, tempo
and pitch to suit their local needs.
Copyright notice: Rev. Clyde McLennan, performer in this collection, has assigned his performer rights in this collection to Hymnary.org. Non-commercial use of these recordings is permitted. For permission to use them for any other purposes, please contact manager@hymnary.org.
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