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Gentle Shepherd, Thou hast stilled
Author: C. Winkworth; J. W. Meinhold Appears in 155 hymnals Matching Instances: 17 Used With Tune: MEINHOLD
Gentle Shepherd, Thou hast stilled
Light of light, enlighten me
Author: Catherine Winkworth, 1829-78; Benjamin Schmolck, 1672 - 1737 Appears in 127 hymnals Matching Instances: 8 Lyrics: 1 Light of light, enlighten me,
Now anew the day is dawning;
Sun of grace, the shadows flee,
Brighten thou this holy morning;
With thy joyous sunshine blest,
Happy is my day of rest.
2 Fount of all our joy and peace,
To thy living waters lead me;
Thou from earth my soul release,
And with grace and mercy feed me;
Bless thy word, that it may prove
Rich in fruits that thou dost love. A-men.
3 Hence all care, all vanity,
For the day to God is holy;
Come, thou glorious Majesty,
Deign to fill this temple lowly;
Naught today my soul shall move,
Simply resting in thy love.
4 Let me with my heart today,
Holy, holy, holy, singing,
Rapt awhile from earth away,
All my soul to thee upspringing,
Have a foretaste inly given
How they worship thee in heaven.
Amen. Topics: The Church Year Pentecost - The Holy Ghost; The Church Worship - The Lord's Day Used With Tune: MEINHOLD
Light of light, enlighten me
Thou didst give Thyself for me
Author: John Brownlie Appears in 24 hymnals Matching Instances: 3 First Line: Let Thy blood in mercy poured Used With Tune: MEINHOLD
Thou didst give Thyself for me
Ye shall live also
Author: Gellert Hymnal: Psalms and Hymns and Spiritual Songs #1199 (1875) First Line: Jesus lives, no longer now Topics: Death; Hope In Death; Longing For Heaven; Resurrection Of Believers Scripture: John 14:19 Tune Title: MEINHOLD
Ye shall live also
Light of light, enlighten me
Author: Benjamin Schmolck. 1672-1737; Catherine Winkworth, 1829-78 Hymnal: The Methodist Hymn-Book with Tunes #663 (1933) Meter: 7.8.7.8.7.7 Topics: The Church The Lord's Day Languages: English Tune Title: LÜNEBURG
Light of light, enlighten me
Tender Shepherd, Thou hast stilled
Author: J. W. Meinhold Hymnal: The Lutheran Hymnary #599 (1913) Meter: 7.8.7.8.7.7 Lyrics: 1 Gentle Shepherd, Thou hast stilled
Now Thy little lamb's brief weeping;
Ah, how peaceful, pale, and mild,
In its narrow bed 'tis sleeping!
And no sigh of anguish sore
Heaves that little bosom more.
2 In this world of pain and care,
Lord, Thou wouldst no longer leave it;
To Thy heavenly meadows fair
Lovingly thou dost receive it.
Clothed in robes of spotless white,
Now it dwells with Thee in light.
3 O Lord Jesus, grant that we
Where may live where it is living,
And the blissful pastures see
That its heavenly food are giving;
Then the gain of death we prove,
Though Thou take what most we love. Topics: The Last Things Burial of Children; The Last Things Burial of Children; Resurrection Tune Title: [Tender Shepherd, Thou hast stilled]
Tender Shepherd, Thou hast stilled
Catherine Winkworth
1827 - 1878 Translator of "Tender Shepherd, Thou hast stilled" in The Presbyterian Book of Praise Catherine Winkworth (b. Holborn, London, England, 1827; d. Monnetier, Savoy, France, 1878) is well known for her English translations of German hymns; her translations were polished and yet remained close to the original. Educated initially by her mother, she lived with relatives in Dresden, Germany, in 1845, where she acquired her knowledge of German and interest in German hymnody. After residing near Manchester until 1862, she moved to Clifton, near Bristol. A pioneer in promoting women's rights, Winkworth put much of her energy into the encouragement of higher education for women. She translated a large number of German hymn texts from hymnals owned by a friend, Baron Bunsen. Though often altered, these translations continue to be used in many modern hymnals. Her work was published in two series of Lyra Germanica (1855, 1858) and in The Chorale Book for England (1863), which included the appropriate German tune with each text as provided by Sterndale Bennett and Otto Goldschmidt. Winkworth also translated biographies of German Christians who promoted ministries to the poor and sick and compiled a handbook of biographies of German hymn authors, Christian Singers of Germany (1869).
Bert Polman
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Winkworth, Catherine, daughter of Henry Winkworth, of Alderley Edge, Cheshire, was born in London, Sep. 13, 1829. Most of her early life was spent in the neighbourhood of Manchester. Subsequently she removed with the family to Clifton, near Bristol. She died suddenly of heart disease, at Monnetier, in Savoy, in July, 1878. Miss Winkworth published:—
Translations from the German of the Life of Pastor Fliedner, the Founder of the Sisterhood of Protestant Deaconesses at Kaiserworth, 1861; and of the Life of Amelia Sieveking, 1863.
Her sympathy with practical efforts for the benefit of women, and with a pure devotional life, as seen in these translations, received from her the most practical illustration possible in the deep and active interest which she took in educational work in connection with the Clifton Association for the Higher Education of Women, and kindred societies there and elsewhere. Our interest, however, is mainly centred in her hymnological work as embodied in her:—
(1) Lyra Germanica, 1st Ser., 1855. (2) Lyra Germanica, 2nd Ser., 1858. (3) The Chorale Book for England (containing translations from the German, together with music), 1863; and (4) her charming biographical work, the Christian Singers of Germany, 1869.
In a sympathetic article on Miss Winkworth in the Inquirer of July 20, 1878, Dr. Martineau says:—
"The translations contained in these volumes are invariably faithful, and for the most part both terse and delicate; and an admirable art is applied to the management of complex and difficult versification. They have not quite the fire of John Wesley's versions of Moravian hymns, or the wonderful fusion and reproduction of thought which may be found in Coleridge. But if less flowing they are more conscientious than either, and attain a result as poetical as severe exactitude admits, being only a little short of ‘native music'"
Dr. Percival, then Principal of Clifton College, also wrote concerning her (in the Bristol Times and Mirror), in July, 1878:—
"She was a person of remarkable intellectual and social gifts, and very unusual attainments; but what specially distinguished her was her combination of rare ability and great knowledge with a certain tender and sympathetic refinement which constitutes the special charm of the true womanly character."
Dr. Martineau (as above) says her religious life afforded "a happy example of the piety which the Church of England discipline may implant.....The fast hold she retained of her discipleship of Christ was no example of ‘feminine simplicity,' carrying on the childish mind into maturer years, but the clear allegiance of a firm mind, familiar with the pretensions of non-Christian schools, well able to test them, and undiverted by them from her first love."
Miss Winkworth, although not the earliest of modern translators from the German into English, is certainly the foremost in rank and popularity. Her translations are the most widely used of any from that language, and have had more to do with the modern revival of the English use of German hymns than the versions of any other writer.
-- John Julian, Dictionary of Hymnology (1907)
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See also in:
Hymn Writers of the Church
Catherine Winkworth
Johann Sebastian Bach
1685 - 1750 Composer of "MEINHOLD" in Christian Chorals Johann Sebastian Bach was born at Eisenach into a musical family and in a town steeped in Reformation history, he received early musical training from his father and older brother, and elementary education in the classical school Luther had earlier attended.
Throughout his life he made extraordinary efforts to learn from other musicians. At 15 he walked to Lüneburg to work as a chorister and study at the convent school of St. Michael. From there he walked 30 miles to Hamburg to hear Johann Reinken, and 60 miles to Celle to become familiar with French composition and performance traditions. Once he obtained a month's leave from his job to hear Buxtehude, but stayed nearly four months. He arranged compositions from Vivaldi and other Italian masters. His own compositions spanned almost every musical form then known (Opera was the notable exception).
In his own time, Bach was highly regarded as organist and teacher, his compositions being circulated as models of contrapuntal technique. Four of his children achieved careers as composers; Haydn, Mozart, Beethoven, Mendelssohn, Schumann, Brahms, and Chopin are only a few of the best known of the musicians that confessed a major debt to Bach's work in their own musical development. Mendelssohn began re-introducing Bach's music into the concert repertoire, where it has come to attract admiration and even veneration for its own sake.
After 20 years of successful work in several posts, Bach became cantor of the Thomas-schule in Leipzig, and remained there for the remaining 27 years of his life, concentrating on church music for the Lutheran service: over 200 cantatas, four passion settings, a Mass, and hundreds of chorale settings, harmonizations, preludes, and arrangements. He edited the tunes for Schemelli's Musicalisches Gesangbuch, contributing 16 original tunes. His choral harmonizations remain a staple for studies of composition and harmony. Additional melodies from his works have been adapted as hymn tunes.
--John Julian, Dictionary of Hymnology (1907)
Johann Sebastian Bach
Johann W. Meinhold
1797 - 1851 Person Name: J. N. Meinhold Author of "Tender Shepherd, Thou hast stilled" in The Church Hymnal Meinhold, Johann Wilhelm, D.D, son of Georg Wilhelm Meinhold, pastor at Netzelkow on the island of Usedom, was born at Netzelkow, Feb. 27, 1797, and entered the University of Greifswald in 1813. He became rector of the Town School at Usedom in 1820. In 1821 he was appointed pastor of Coserow in Usedom, and, in 1828, of Crummin in Usedom (D.D. from Erlangen in 1840). He finally became, at Easter, 1844, pastor at Behwinkel, near Stargard. He was a staunch Conservative, and after passing through the revolutionary period of 1848, this feeling, coupled with his leaning to Konian Catholicism, made him resign his living in the autumn of 1850. He retired to Charlottenburg, a suburb of Berlin, and died there, Nov. 30, 1851 (Allgemeine Deutsche Biographie xxi. 235; MS. from Pastor Schmock of Netzelkow, &c).
Meinhold is perhaps best known by his historical romance Maria Schweidler, die Bernsteinhexe (1843), which professed to be taken from an old manuscript and was universally accepted as genuine. His poems appeared in his Gedichte, Leipzig. 1823; Vermehrte Gedichte, Coserow, 1824; Proben Geistlicher Lieder, Stralsund, 1834; Gedichte, Leipzig, 1835, &c.; and also in Knapp's Christoterpe and Evangelischer Lieder-Schatz
Meinhold's hymns are of considerable interest. Those translated into English are:—
i. Guter Hirt, du hast gestillt. Death of a Child. This beautiful little hymn is in his Gedichte, Leipzig, 1835, vol. i., p. 38, in 3 st. of 6 1., and headed, "Sung in four parts beside the body of my little fifteen months' old son Joannes Ladislaus." (In reply to inquiries addressed to Crummin in January, 1888, Provinzial-Vikar Bahr has kindly informed me that this child was born at Crummin April 16, 1832, died there, of teething, on July 2, and was buried there, July 5, 1833.) It is included in Knapp's Evangelischer Lieder-Schatz, 1837, No. 3411 (1865, No. 2983). Translated as :—
Gentle Shepherd, Thou hast still'd. A full and very good translation by Miss Winkworth, in her Lyra Gemanica, 2nd Ser., 1858, p. 122. This has passed, unaltered, into many recent hymnals, as the People's Hymnal, 1867, Hymnary, 1872, Hymnal Companion, 1876, &c.; and in America, into the Presbyterian Hymnal, 1874, Evangelical Hymnal, N. Y., 1880, and others. In the Appendix of 1868 to Hymns Ancient & Modern, it was included as No. 358, with long in st. i., 1. 2, altered to brief, and beginning, "Tender Shepherd, Thou hast stilled." This form has been followed in the Society for Promoting Chrisian Knowledge Church Hymns, 1871, Baptist Hymnal, 1879, &c.; and in America, in the Episcopal Hymnal, 1871, Hymns & Songs of Praise, N.Y., 1874, Laudes Domini, N. Y., 1884, and many others.
ii. 0 Bethlehem! 0 Bethlehem! Was ist in dir geschehen. Christmas. This fine hymn is in the Appendix to Knapp's Evangelischer Lieder-Schatz, 1837, p. 837, and in Knapp's Christoterpe, 1838, p. 152, in 7 st. of 7 1. Translated as "0 Bethlehem! 0 Bethlehem!" by Dr. H. Mills, 1845 (1856, p. 272). [Rev. James Mearns, M.A.]
-- John Julian, Dictionary of Hymnology (1907)
Johann W. Meinhold
Christian Classics Ethereal Hymnary
Publication Date: 2007 Publisher: Grand Rapids, MI: Christian Classics Ethereal Library
Christian Classics Ethereal Hymnary
Small Church Music
Editors: Benjamin Schmolck Description:
The SmallChurchMusic site was launched in 2006, growing out of the requests from those struggling
to provide suitable music for their services and meetings. Rev. Clyde McLennan was ordained in mid
1960’s and was a pastor in many small Australian country areas, and therefore was acutely aware of
this music problem. Having also been trained as a Pipe Organist, recordings on site (which are a subset
of the smallchurchmusic.com site) are all actually played by Clyde, and also include piano and piano
with organ versions. All recordings are in MP3 format.
Churches all around the world use the recordings, with downloads averaging over 60,000 per
month.
The recordings normally have an introduction, several verses and a slowdown on the last verse.
Users are encouraged to use software: Audacity (http://www.audacityteam.org) or Song Surgeon (http://songsurgeon.com) (see http://scm-audacity.weebly.com for more information) to adjust the MP3 number of verses, tempo
and pitch to suit their local needs.
Copyright notice: Rev. Clyde McLennan, performer in this collection, has assigned his performer rights in this collection to Hymnary.org. Non-commercial use of these recordings is permitted. For permission to use them for any other purposes, please contact manager@hymnary.org.
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