Person Results

Switch back to the old search page.Advanced Search

Showing 1 - 10 of 24Results Per Page: 10 20 50

William B. Bradbury

1816 - 1868 Matching Instances: 311 Composer of "EVEN ME" in The Hymnal William Bachelder Bradbury USA 1816-1868. Born at York, ME, he was raised on his father's farm, with rainy days spent in a shoe-shop, the custom in those days. He loved music and spent spare hours practicing any music he could find. In 1830 the family moved to Boston, where he first saw and heard an organ and piano, and other instruments. He became an organist at 15. He attended Dr. Lowell Mason's singing classes, and later sang in the Bowdoin Street church choir. Dr. Mason became a good friend. He made $100/yr playing the organ, and was still in Dr. Mason's choir. Dr. Mason gave him a chance to teach singing in Machias, ME, which he accepted. He returned to Boston the following year to marry Adra Esther Fessenden in 1838, then relocated to Saint John, New Brunswick. Where his efforts were not much appreciated, so he returned to Boston. He was offered charge of music and organ at the First Baptist Church of Brooklyn. That led to similar work at the Baptist Tabernacle, New York City, where he also started a singing class. That started singing schools in various parts of the city, and eventually resulted in music festivals, held at the Broadway Tabernacle, a prominent city event. He conducted a 1000 children choir there, which resulted in music being taught as regular study in public schools of the city. He began writing music and publishing it. In 1847 he went with his wife to Europe to study with some of the music masters in London and also Germany. He attended Mendelssohn funeral while there. He went to Switzerland before returning to the states, and upon returning, commenced teaching, conducting conventions, composing, and editing music books. In 1851, with his brother, Edward, he began manufacturring Bradbury pianos, which became popular. Also, he had a small office in one of his warehouses in New York and often went there to spend time in private devotions. As a professor, he edited 59 books of sacred and secular music, much of which he wrote. He attended the Presbyterian church in Bloomfield, NJ, for many years later in life. He contracted tuberculosis the last two years of his life. John Perry

Elizabeth Codner

1824 - 1919 Matching Instances: 274 Author of "Lord, I hear of showers of blessing" in The Hymnal CODNER, Elizabeth (née Harris) was born in Dartmouth, Devon in 1823. Croydon, Surrey, 28 March 1919. She was interested in the mission field from an early age, and two of her early publications were entitled The Missionary Ship (1853) and The Missionary Farewell (1854) relating to the Patagonia Mission (later the South American Missionary Society). She married William Pennefather at the Mildmay Protestant Mission in London, and edited the mission’s monthly Woman’s Work in the Great Harvest Field. At age 17, she was editing a magazine for the Patagonia Mission, later the South American Missionary Society. She died in Croydon, Surrey on 28 March 1919. NN, Hymnary

Anonymous

Person Name: Unknown Matching Instances: 4 Author (st. 3) of "Even Me" in Songs of Zion In some hymnals, the editors noted that a hymn's author is unknown to them, and so this artificial "person" entry is used to reflect that fact. Obviously, the hymns attributed to "Author Unknown" "Unknown" or "Anonymous" could have been written by many people over a span of many centuries.

Konrad Anton Fleischmann

1812 - 1867 Person Name: K. A. Fleischmann Matching Instances: 3 Translator of "Herr, ich höre, du willst geben" in Evangeliums-Lieder 1 und 2 (Gospel Hymns) Fleischmann, Konrad Anton. (Nuremberg, Bavaria, April 18, 1812--October 15, 1867, Philadelphia). Baptist. Raised a Lutheran, became a Baptist in 1831 in Geneva and began theological studies at Berne. Began Christian work in 1834 and in 1839, came to the United States as a missionary to his fellow Germans. His work took him from New York to Newark, New Jersey, to Reading, Pennsylvania, and, in 1842, to Philadelphia where he established a German Baptist Church. In 1852, the first Conference of German Baptists was held and as a result, Fleischmann began publication of a monthly, and later weekly, paper, Der Sendbote. In 1865 he presided at the first meeting of the General Conference of German Baptists. A picture of Fleischmann is in Cathcart's Baptist Encyclopedia (v.1, p.399). Included in Die Glaubensharfe (Cleveland, 1885), are two translations by Fleischmann. "Ich liebe, Herr, Dein Reich" is a translation of the well-known Dwight text, "I love thy kingdom, Lord," and the other is a German version of "Lord, I hear of showers of blessing," "Herr ich höre, Du willst geben Gnadengüsse gnädiglich." --Deborah Carlton Loftis, DNAH Archives

Freda Hanbury Allen

Person Name: Freda H. Allen Matching Instances: 2 Author of "Lord, Thou Knowest All the Hunger" in The Cyber Hymnal fl. 1900 "Of Tunbridge Wells, Kent, England." --White, Edward E. (1968). Singing with understanding : a commentary on each hymn and tune in Church hymnal, the official hymn-book of the Seventh-day Adventist Church. Warburton, Victoria, Australia : Signs Pub. Co.

Love H. Jameson

1811 - 1892 Person Name: L. H. Jameson Matching Instances: 2 Author of "Sinners, come to Christ, the Saviour" in New Christian Hymn and Tune Book Born: April 17, 1811, Jefferson County, Indiana. Died: April 12, 1892, Indianapolis, Indiana. Buried: Crown Hill Cemetery, Indianapolis, Indiana. Love Humphreys Jameson was born in Jefferson County in what was then the Territory of Indiana on May 17, 1811, the son of Thomas Jameson. Thomas had moved from Virginia to Kentucky around 1800 and later to the Indiana Territory in 1810 or early 1811. Thomas’s parents were members of the Calvinistic Kirk of Scotland and his wife’s parents held the views of the Church of England, but the family became Christians in 1816 with Love’s father and mother being baptized by John McClung, a young associate of Barton Warren Stone. Love, whose education was attended with all the difficulties associated with frontier life and was mostly under the tuition of his parents, was baptized in the fall of 1829 during a protracted meeting with Beverly Vawter and then preached his first sermon that same year on Dec. 25, following which he began preaching the gospel regularly. From 1830 to 1834, Jameson taught school during the winters and made preaching trips in the summers. One of his mentors was Walter Scott, with whom he frequently travelled and worked. Moving to southern Ohio, in 1834, he, along with Scott, attended the famous debate of 1837 between Alexander Campbell and Bishop Purcell at Cincinnati, OH. In addition, he wrote frequently for Campbell’s paper, The Millennial Harbinger, in which Campbell spoke of him as the brother “whose praise is in all the churches in Indiana.” After preaching at various churches in Hamilton County, OH, Jameson worked with the church in Dayton from 1835 to 1837, when he married Elizabeth M. Clark. Also, in the closing years of B. W. Stone’s life, Jameson often accompanied the elderly preacher on his journeys. In 1840 he returned to Indiana and located at Madison, IN, the following year. His wife died of an apoplectic stroke suddenly soon afterwards, and he married Elizabeth R. Robinson in 1842, moving to Indianapolis, IN, which became his headquarters for the rest of his life. In 1845, Jameson was asked, along with John O’Kane, to evangelize in the southwestern part of the state. Then after 1854, he made regular preaching trips into Ohio, Kentucky, Western Missouri, Illinois, New York, and even portions of New England. “There is a Habitation” was penned about 1860, with both words and original music by Jameson, but it never achieved any degree of popularity because of its slow, ponderous, torpid melody. The song as we know it was first published under the title, “O Sion, Sion,” in the New Christian Hymn and Tune Book, Part II, compiled at Cincinnati, OH, in 1882 by James Henry Fillmore. Jameson, who also provided the lyrics for “Night, With Ebon Pinion,” died ten years later, on May 1, 1892, in Indianapolis. --hymnstudiesblog.wordpress.com

Elevine Heede

1820 - 1883 Matching Instances: 1 Unknown of "Ogsaa mig" in Evangeli harpe Heede, Elevine. (Arendal, Norway, 1820-1883). A Norwegian teacher, who studied in France and England as well, and who was also a teacher in a Methodist seminary in Oslo, Norway, from 1873-1883. She was at the same time the editor of the Methodist Sunday School weekly magazine Børnenes Søndagsblad, in which she published from 1874 onward her own Norwegian renderings of the Sankey songs. She also published her own compositions in this magazine. These songs soon came out in books, first called De lille Zions Harpe, then Zions Harpe I (containing 160 songs) and Zions Harpe II (containing 103 songs). Her own songs were "borrowed" widely and wildly, without crediting her. Even the Norwegian-Danish Methodist Conference hymnal Evangeliske Toner (Chicago, 1922), which does giver her credit for about 25 hymns, omits giving her credit for an equal number of hymns. --Letter from Willy Heggoy to Mary Louise VanDyke, DNAH Archives There is also a lengthy, but anonymous, paper on Elevine Heede in the DNAH Archives.

Pedro Castro

1840 - 1887 Person Name: P. Castro Matching Instances: 1 Author of "Alma mía, no delires" in Himnario Cristiano para uso de las Iglesias Evangélicas Pedro Castro Iriarte was converted to Christianity while he was a young man working for a printing company in Madrid. He then served as a pastor, organizing churches in Valladolid and Madrid. He was also a prolific writer of prose, poetry, and children's stories. He also translated many hymns. Dianne Shapiro from Celebremos su Gloria (Colombia/Illinois: Libros Alianza/Celebration), 1992

James Montgomery

1771 - 1854 Person Name: Montgomery Matching Instances: 1 Author of "O where shall rest be found" in The African Methodist Episcopal Hymn and Tune Book James Montgomery (b. Irvine, Ayrshire, Scotland, 1771; d. Sheffield, Yorkshire, England, 1854), the son of Moravian parents who died on a West Indies mission field while he was in boarding school, Montgomery inherited a strong religious bent, a passion for missions, and an independent mind. He was editor of the Sheffield Iris (1796-1827), a newspaper that sometimes espoused radical causes. Montgomery was imprisoned briefly when he printed a song that celebrated the fall of the Bastille and again when he described a riot in Sheffield that reflected unfavorably on a military commander. He also protested against slavery, the lot of boy chimney sweeps, and lotteries. Associated with Christians of various persuasions, Montgomery supported missions and the British Bible Society. He published eleven volumes of poetry, mainly his own, and at least four hundred hymns. Some critics judge his hymn texts to be equal in quality to those of Isaac Watts and Charles Wesley . Many were published in Thomas Cotterill's Selection of Psalms and Hymns (1819 edition) and in Montgomery's own Songs of Zion (1822), Christian Psalmist (1825), and Original Hymns (1853). Bert Polman ======================== Montgomery, James, son of John Montgomery, a Moravian minister, was born at Irvine, Ayrshire, Nov. 4, 1771. In 1776 he removed with his parents to the Moravian Settlement at Gracehill, near Ballymena, county of Antrim. Two years after he was sent to the Fulneck Seminary, Yorkshire. He left Fulneck in 1787, and entered a retail shop at Mirfield, near Wakefield. Soon tiring of that he entered upon a similar situation at Wath, near Rotherham, only to find it quite as unsuitable to his taste as the former. A journey to London, with the hope of finding a publisher for his youthful poems ended in failure; and in 1792 he was glad to leave Wath for Shefield to join Mr. Gales, an auctioneer, bookseller, and printer of the Sheffield Register newspaper, as his assistant. In 1794 Mr. Gales left England to avoid a political prosecution. Montgomery took the Sheffield Register in hand, changed its name to The Sheffield Iris, and continued to edit it for thirty-one years. During the next two years he was imprisoned twice, first for reprinting therein a song in commemoration of "The Fall of the Bastille," and the second for giving an account of a riot in Sheffield. The editing of his paper, the composition and publication of his poems and hynms, the delivery of lectures on poetry in Sheffield and at the Royal Institution, London, and the earnest advocacy of Foreign Missions and the Bible Society in many parts of the country, gave great variety but very little of stirring incident to his life. In 1833 he received a Royal pension of £200 a year. He died in his sleep, at the Mount, Sheffield, April 30, 1854, and was honoured with a public funeral. A statue was erected to his memory in the Sheffield General Cemetery, and a stained glass window in the Parish Church. A Wesleyan chapel and a public hall are also named in his honour. Montgomery's principal poetical works, including those which he edited, were:— (1) Prison Amusements, 1797; (2) The Wanderer of Switzerland, 1806; (3) The West Indies, 1807; (4) The World before the Flood, 1813; (5) Greenland and Other Poems, 1819; (6) Songs of Zion, 1822; (7) The Christian Psalmist, 1825; (8) The Christian Poet, 1825; (9) The Pelican Island, 1828; (10) The Poet’s Portfolio, 1835; (11) Original Hymns for Public, Private, and Social Devotion, 1853. He also published minor pieces at various times, and four editions of his Poetical Works, the first in 1828, the second in 1836, the third in 1841, and the fourth in 1854. Most of these works contained original hymns. He also contributed largely to Collyer's Collection, 1812, and other hymnbooks published during the next 40 years, amongst which the most noticeable was Cotterill's Selections of 1819, in which more than 50 of his compositions appeared. In his Christian Psalmist, 1825, there are 100 of his hymns, and in his Original Hymns, 1853, 355 and 5 doxologies. His Songs of Zion, 1822, number 56. Deducting those which are repeated in the Original Hymns, there remain about 400 original compositions. Of Montgomery's 400 hymns (including his versions of the Psalms) more than 100 are still in common use. With the aid of Montgomery's MSS. we have given a detailed account of a large number. The rest are as follows:— i. Appeared in Collyer's Collection, 1812. 1. Jesus, our best beloved Friend. Personal Dedication to Christ. 2. When on Sinai's top I see. Sinai, Tabor, and Calvary. ii. Appeared in Cotterill's Selection, 1819. 3. Come to Calvary's holy mountain. The Open Fountain. 4. God in the high and holy place. God in Nature. The cento in Com. Praise, 1879, and others, "If God hath made this world so fair," is from this hymn. 5. Hear me, O Lord, in my distress. Ps. cxliii. 6. Heaven is a place of rest from sin. Preparation for Heaven. 7. I cried unto the Lord most just. Ps. cxlii. 8. Lord, let my prayer like incense rise. Ps. cxxxix. 9. O bless the Lord, my soul! His grace to thee proclaim. Ps. ciii. 10. Out of the depths of woe. Ps. cxxx. Sometimes "When from the depths of woe." 11. The world in condemnation lay. Redemption. 12. Where are the dead? In heaven or hell? The Living and the Dead. iii. Appeared in his Songs of Zion, 1822. 13. Give glory to God in the highest. Ps. xxix. 14. Glad was my heart to hear. Ps. cxxii. 15. God be merciful to me. Ps. lxix. 16. God is my strong salvation. Ps. xxvii. 17. Hasten, Lord, to my release. Ps. lxx. 18. Have mercy on me, O my God. Ps. li. 19. Hearken, Lord, to my complaints. Ps. xlii. 20. Heralds of creation cry. Ps. cxlviii. 21. How beautiful the sight. Ps. cxxxiii. 22. How precious are Thy thoughts of peace. Ps. cxxxix. 23. I love the Lord, He lent an ear. Ps. cxvi. 24. In time of tribulation. Ps. lxxvii. 25. Jehovah is great, and great be His praise. Ps. xlviii. Sometimes, "0 great is Jehovah, and great is His Name." 26. Judge me, O Lord, in righteousness. Ps. xliii. 27. Lift up your heads, ye gates, and wide. Ps.xxiv. 28. Lord, let me know mine [my] end. Ps. xxxi. 29. Of old, 0 God, Thine own right hand. Ps. lxxx. 30. O God, Thou art [my] the God alone. Ps. lxiii. 31. 0 Lord, our King, how excellent. Ps. viii. Sometimes, "0 Lord, how excellent is Thy name." 32. O my soul, with all thy powers. Ps. ciii. 33. One thing with all my soul's desire. Ps. xxvii. From this, "Grant me within Thy courts a place." 34. Searcher of hearts, to Thee are known. Ps. cxxxix. 35. Thank and praise Jehovah's name. Ps. cvii. 36. Thee will I praise, O Lord in light. Ps. cxxxviii. 37. The Lord is King; upon His throne. Ps. xciii. 38. The Lord is my Shepherd, no want shall I know. Ps. xxiii. 39. The tempter to my soul hath said. Ps. iii. 40. Thrice happy he who shuns the way. Ps. i. 41. Thy glory, Lord, the heavens declare. Ps. xix. 42. Thy law is perfect, Lord of light. Ps. xix. 43. Who make the Lord of hosts their tower. Ps. cxxv. 44. Yea, I will extol Thee. Ps. xxx. iv. Appeared in his Christian Psalmist. 1825. 45. Fall down, ye nations, and adore. Universal adoration of God desired. 46. Food, raiment, dwelling, health, and friends. The Family Altar. 47. Go where a foot hath never trod. Moses in the desert. Previously in the Leeds Congregational Collection, 1822. 48. Green pastures and clear streams. The Good Shepherd and His Flock. 49. Less than the least of all. Mercies acknowledged. 50. Not to the mount that burned with fire [flame]. Communion of Saints. 51. On the first Christian Sabbath eve. Easter Sunday Evening. 52. One prayer I have: all prayers in one. Resignation. 53. Our heavenly Father hear. The Lord's Prayer. 54. Return, my soul, unto thy rest. Rest in God. 55. Spirit of power and might, behold. The Spirit's renewing desired. 56. The Christian warrior, see him stand. The Christian Soldier. Sometimes, "Behold the Christian warrior stand." 57. The days and years of time are fled. Day of Judgment. 58. The glorious universe around. Unity. 59. The pure and peaceful mind. A Children's Prayer. 60. This is the day the Lord hath made (q. v.). Sunday. 61. Thy word, Almighty Lord. Close of Service. 62. What secret hand at morning light ? Morning. 63. While through this changing world we roam. Heaven. 64. Within these walls be peace. For Sunday Schools. v. Appeared in his Original Hymns, 1853. 65. Behold yon bright array. Opening a Place of Worship. 66. Behold the book whose leaves display. Holy Scriptures. 67. Come ye that fear the Lord. Confirmation. 68. Home, kindred, friends, and country, these. Farewell to a Missionary. 69. Let me go, the day is breaking. Jacob wrestling. 70. Not in Jerusalem alone. Consecration of a Church. 71. Praise the high and holy One. God the Creator. In common with most poets and hymnwriters, Montgomery strongly objected to any correction or rearrangement of his compositions. At the same time he did not hesitate to alter, rearrange, and amend the productions of others. The altered texts which appeared in Cotterill's Selections, 1819, and which in numerous instances are still retained in some of the best hymnbooks, as the "Rock of Ages," in its well-known form of three stanzas, and others of equal importance, were made principally by him for Cotterill's use. We have this confession under his own hand. As a poet, Montgomery stands well to the front; and as a writer of hymns he ranks in popularity with Wesley, Watts, Doddridge, Newton, and Cowper. His best hymns were written in his earlier years. In his old age he wrote much that was unworthy of his reputation. His finest lyrics are "Angels from the realms of glory," "Go to dark Gethsemane," "Hail to the Lord's Anointed," and "Songs of praise the angels sang." His "Prayer is the soul's sincere desire," is an expanded definition of prayer of great beauty; and his "Forever with the Lord" is full of lyric fire and deep feeling. The secrets of his power as a writer of hymns were manifold. His poetic genius was of a high order, higher than most who stand with him in the front rank of Christian poets. His ear for rhythm was exceedingly accurate and refined. His knowledge of Holy Scripture was most extensive. His religious views were broad and charitable. His devotional spirit was of the holiest type. With the faith of a strong man he united the beauty and simplicity of a child. Richly poetic without exuberance, dogmatic without uncharitableness, tender without sentimentality, elaborate without diffusiveness, richly musical without apparent effort, he has bequeathed to the Church of Christ wealth which could onlv have come from a true genius and a sanctified! heart. --John Julian, Dictionary of Hymnology (1907)