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Tune Identifier:"^jerusalem_parry$"

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JERUSALEM (PARRY)

Meter: 8.8.8.8 D Appears in 66 hymnals Matching Instances: 63 Composer and/or Arranger: C. Hubert H. Parry; Janet Wyatt Tune Key: C Major Incipit: 13561 65456 54532 Used With Text: O Love of God, How Strong and True

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O Day Of Peace

Author: Carl P. Daw, Jr., b. 1944 Meter: 8.8.8.8 Appears in 22 hymnals Matching Instances: 18 First Line: O day of peace that dimly shines Lyrics: 1 O day of peace that dimly shines Through all our hopes and prayers and dreams, Guide us to justice, truth, and love, Delivered from our selfish schemes. May swords of hate fall from our hands, Our hearts from envy find release, Till by God’s grace our warring world Shall see Christ’s promised reign of peace. 2 Then shall the wolf dwell with the lamb, Nor shall the fierce devour the small; As beasts and cattle calmly graze, A little child shall lead them all. Then enemies shall learn to love, All creatures find their true accord; The hope of peace shall be fulfilled, For all the earth shall know the Lord. Topics: Peace Used With Tune: JERUSALEM

And Did Those Feet In Ancient Time

Author: William Blake, 1757-1827 Meter: 8.8.8.8 D Appears in 28 hymnals Matching Instances: 12 Used With Tune: JERUSALEM
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Bring to the Lord a glad new song

Author: Michael Perry (1942-1996) Appears in 8 hymnals Matching Instances: 5 Lyrics: 1 Bring to the Lord a glad new song, children of grace extol your king; worship and praise to God belong — to instruments of music, sing! Let those be warned who spurn God's name, let rulers all obey God's word; for justice shall bring tyrants shame: let every creature praise the Lord! 2 Sing praise within these hallowed walls, worship beneath the dome of heaven; by cymbals' sounds and trumpets' calls let praises fit for God be given: with strings and brass and wind rejoice — then, join our song in full accord all living things with breath and voice: let every creature praise the Lord! Topics: Children and All-Age Worship; Church Worship; Gathering; God in judgement and justice; Music and Song; Praise Scripture: Psalm 149 Used With Tune: JERUSALEM

Instances

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Published text-tune combinations (hymns) from specific hymnals
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Jerusalem

Author: William Blake; John Milton Hymnal: The Cyber Hymnal #3244 First Line: And did those feet in ancient time Lyrics: 1. And did those feet in ancient time Walk upon England’s mountains green? And was the Holy Lamb of God On England’s pleasant pastures seen? And did the countenance divine Shine forth upon our clouded hills? And was Jerusalem builded here Among these dark satanic mills? 2. Bring me my bow of burning gold! Bring me my arrows of desire! Bring me my spear! O clouds, unfold! Bring me my chariot of fire! I will not cease from mental fight, Nor shall my sword sleep in my hand, Till we have built Jerusalem In England’s green and pleasant land. Languages: English Tune Title: JERUSALEM (Parry)
Text

O Day of Peace

Author: Carl P. Daw, Jr., b. 1944 Hymnal: RitualSong (2nd ed.) #911 (2016) Meter: 8.8.8.8 First Line: O day of peace that dimly shines Lyrics: 1 O day of peace that dimly shines Through all our hopes and prayers and dreams, Guide us to justice, truth, and love, Delivered from our selfish schemes. May swords of hate fall from our hands, Our hearts from envy find release, Till by God’s grace our warring world Shall see Christ’s promised reign of peace. 2 Then shall the wolf dwell with the lamb, Nor shall the fierce devour the small; As beasts and cattle calmly graze, A little child shall lead them all. Then enemies shall learn to love, All creatures find their true accord; The hope of peace shall be fulfilled, For all the earth shall know the Lord. Topics: Peace Languages: English Tune Title: JERUSALEM
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O Day Of Peace

Author: Carl P. Daw, Jr., b. 1944 Hymnal: Worship (4th ed.) #811 (2011) Meter: 8.8.8.8 First Line: O day of peace that dimly shines Lyrics: 1 O day of peace that dimly shines Through all our hopes and prayers and dreams, Guide us to justice, truth, and love, Delivered from our selfish schemes. May swords of hate fall from our hands, Our hearts from envy find release, Till by God’s grace our warring world Shall see Christ’s promised reign of peace. 2 Then shall the wolf dwell with the lamb, Nor shall the fierce devour the small; As beasts and cattle calmly graze, A little child shall lead them all. Then enemies shall learn to love, All creatures find their true accord; The hope of peace shall be fulfilled, For all the earth shall know the Lord. Topics: Peace Languages: English Tune Title: JERUSALEM

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C. Hubert H. Parry

1848 - 1918 Composer of "JERUSALEM (PARRY)" in Trinity Hymnal (Rev. ed.) Charles Hubert Hastings Parry KnBch/Brnt BMus United Kingdom 1848-1918. Born at Richmond Hill, Bournemouth, England, son of a wealthy director of the East India Company (also a painter, piano and horn musician, and art collector). His mother died of consumption shortly after his birth. His father remarried when he was three, and his stepmother favored her own children over her stepchildren, so he and two siblings were sometimes left out. He attended a preparatory school in Malvern, then at Twyford in Hampshire. He studied music from 1856-58 and became a pianist and composer. His musical interest was encouraged by the headmaster and by two organists. He gained an enduring love for Bach’s music from S S Wesley and took piano and harmony lessons from Edward Brind, who also took him to the ‘Three Choirs Festival in Hereford in 1861, where Mendelssohn, Mozart, Handel, and Beethoven works were performed. That left a great impression on Hubert. It also sparked the beginning of a lifelong association with the festival. That year, his brother was disgraced at Oxford for drug and alcohol use, and his sister, Lucy, died of consumption as well. Both events saddened Hubert. However, he began study at Eton College and distinguished himself at both sport and music. He also began having heart trouble, that would plague him the rest of his life. Eton was not known for its music program, and although some others had interest in music, there were no teachers there that could help Hubert much. He turned to George Elvey, organist of St George’s Chapel, Windsor Castle, and started studying with him in 1863. Hubert eventually wrote some anthems for the choir of St George’s Chapel, and eventually earned his music degree. While still at Eton, Hubert sat for the Oxford Bachelor of Music exam, the youngest person ever to have done so. His exam exercise, a cantata: “O Lord, Thou hast cast us out” astonished the Heather Professor of Music, Sir Frederick Ouseley, and was triumphantly performed and published in 1867. In 1867 he left Eton and went to Exeter College, Oxford. He did not study music there, his music concerns taking second place, but read law and modern history. However, he did go to Stuttgart, Germany, at the urging of Henry Hugh Pierson, to learn re-orchestration, leaving him much more critical of Mendelssohn’s works. When he left Exeter College, at his father’s behest, he felt obliged to try insurance work, as his father considered music only a pastime (too uncertain as a profession). He became an underwriter at Lloyd’s of London, 1870-77, but he found the work unappealing to his interests and inclinations. In 1872 he married Elizabeth Maude Herbert, and they had two daughters: Dorothea and Gwendolen. His in-laws agreed with his father that a conventional career was best, but it did not suit him. He began studying advanced piano with W S Bennett, but found it insufficient. He then took lessons with Edward Dannreuther, a wise and sympathetic teacher, who taught him of Wagner’s music. At the same time as Hubert’s compositions were coming to public notice (1875), he became a scholar of George Grove and soon an assistant editor for his new “Dictionary of Music and Musicians”. He contributed 123 articles to it. His own first work appeared in 1880. In 1883 he became professor of composition and musical history at the Royal College of Music (of which Grove was the head). In 1895 Parry succeeded Grove as head of the college, remaining in the post the remainder of his life. He also succeeded John Stainer as Heather Professor of Music at the University of Oxford (1900-1908). His academic duties were considerable and likely prevented him from composing as much as he might have. However, he was rated a very fine composer, nontheless, of orchestrations, overtures, symphonies, and other music. He only attempted one opera, deemed unsuccessful. Edward Elgar learned much of his craft from Parry’s articles in Grove’s Dictionary, and from those who studied under Parry at the Royal College, including Ralph Vaughn Williams, Gustav Holst, Frank Bridge, and John Ireland. Parry had the ability when teaching music to ascertain a student’s potential for creativity and direct it positively. In 1902 he was created a Baronet of Highnam Court in Gloucester. Parry was also an avid sailor and owned several yachts, becoming a member of the Royal Yacht Squadron in 1908, the only composer so honored. He was a Darwinian and a humanist. His daughter reiterated his liberal, non-conventional thinking. On medical advice he resigned his Oxford appointment in 1908 and produced some of his best known works. He and his wife were taken up with the ‘Suffrage Movement’ in 1916. He hated to see the WW1 ravage young potential musical talent from England and Germany. In 1918 he contracted Spanish flu during the global pandemic and died at Knightsscroft, Rustington, West Sussex. In 2015 they found 70 unpublished works of Parry’s hidden away in a family archive. It is thought some may never have been performed in public. The documents were sold at auction for a large sum. Other works he wrote include: “Studies of great composers” (1886), “The art of music” (1893), “The evolution of the art of music” (1896), “The music of the 17th century” (1902). His best known work is probably his 1909 study of “Johann Sebastian Bach”. John Perry

Carl P. Daw Jr.

b. 1944 Person Name: Carl P. Daw, Jr., b. 1944 Author of "O Day of Peace" in With One Voice Carl P. Daw, Jr. (b. Louisville, KY, 1944) is the son of a Baptist minister. He holds a PhD degree in English (University of Virginia) and taught English from 1970-1979 at the College of William and Mary, Williamsburg, Virginia. As an Episcopal priest (MDiv, 1981, University of the South, Sewanee, Tennesee) he served several congregations in Virginia, Connecticut and Pennsylvania. From 1996-2009 he served as the Executive Director of The Hymn Society in the United States and Canada. Carl Daw began to write hymns as a consultant member of the Text committee for The Hymnal 1982, and his many texts often appeared first in several small collections, including A Year of Grace: Hymns for the Church Year (1990); To Sing God’s Praise (1992), New Psalms and Hymns and Spiritual Songs (1996), Gathered for Worship (2006). Other publications include A Hymntune Psalter (2 volumes, 1988-1989) and Breaking the Word: Essays on the Liturgical Dimensions of Preaching (1994, for which he served as editor and contributed two essays. In 2002 a collection of 25 of his hymns in Japanese was published by the United Church of Christ in Japan. He wrote Glory to God: A Companion (2016) for the 2013 hymnal of the Presbyterian Church (U.S.A.). Emily Brink

William Blake

1757 - 1827 Author of "Jerusalem" in The Cyber Hymnal Blake, William, poet and painter, born 1757, and died 1827. Published Songs of Innocence in 1789, in which appeared a poem in 9 stanzas of 4 lines beginning. "Can I see another's woe" (Sympathy), and headed "On Another's Sorrow." (See also The Poems of William Blake, &c, Lond., W. Pickering, 1874, p. 105.) This poem is repeated in Martineau's Hymns, &c, 1873, and others. --John Julian, Dictionary of Hymnology, Appendix, Part II (1907) ==================== Blake, William, p. 1553, ii. Another poem from his Songs of Innocence is "To Mercy, Pity, Peace and Love." In 1789 ed., p. 17, it is entitled "The Divine Image." The English Hymnal, 1906, No. 506, ranks it among General Hymns. It is certainly difficult to call it a hymn at all, or to assign it to any special purpose. [Rev. James Mearns, M.A.] --John Julian, Dictionary of Hymnology, New Supplement (1907)

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Small Church Music

Editors: Alan Gaunt Description: The SmallChurchMusic site was launched in 2006, growing out of the requests from those struggling to provide suitable music for their services and meetings. Rev. Clyde McLennan was ordained in mid 1960’s and was a pastor in many small Australian country areas, and therefore was acutely aware of this music problem. Having also been trained as a Pipe Organist, recordings on site (which are a subset of the smallchurchmusic.com site) are all actually played by Clyde, and also include piano and piano with organ versions. All recordings are in MP3 format. Churches all around the world use the recordings, with downloads averaging over 60,000 per month. The recordings normally have an introduction, several verses and a slowdown on the last verse. Users are encouraged to use software: Audacity (http://www.audacityteam.org) or Song Surgeon (http://songsurgeon.com) (see http://scm-audacity.weebly.com for more information) to adjust the MP3 number of verses, tempo and pitch to suit their local needs. Copyright notice: Rev. Clyde McLennan, performer in this collection, has assigned his performer rights in this collection to Hymnary.org. Non-commercial use of these recordings is permitted. For permission to use them for any other purposes, please contact manager@hymnary.org. Home/Music(smallchurchmusic.com) List SongsAlphabetically List Songsby Meter List Songs byTune Name About