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William Hayes
1706 - 1777 Person Name: William Hayes, 1706-1777 Composer of "HEREFORD (HAYES)" in The Irish Presbyterian Hymnbook William Hayes (26 January 1708 (baptised) – 27 July 1777) was an English composer, organist, singer and conductor.
Hayes was born in Gloucester. He trained at Gloucester Cathedral and spent the early part of his working life as organist of St Mary’s, Shrewsbury (1729) and Worcester Cathedral (1731). The majority of his career was spent at Oxford where he was appointed organist of Magdalen College in 1734, and established his credentials with the degrees of B.Mus in 1735 and D.Mus in 1749. (He was painted by John Cornish in his doctoral robes around 1749.) In 1741 he was unanimously elected Professor of Music and organist of the University Church. He presided over the city’s concert life for the next 30 years, and was instrumental in the building of the Holywell Music Room in Oxford in 1748, the oldest purpose-built music room in Europe. He was one of the earliest members of the Royal Society of Musicians, and in 1765 was elected a ‘privileged member’ of the Noblemen’s and Gentlemen’s Catch Club. He died in Oxford, aged 69.
William Hayes was an enthusiastic Handelian, and one of the most active conductors of his oratorios and other large-scale works outside London. His wide knowledge of Handel left a strong impression on his own music, but by no means dominated it. As a composer he tended towards genres largely ignored by Handel—English chamber cantatas, organ-accompanied anthems and convivial vocal music—and his vocal works show an English preference for non-da capo aria forms. Hayes also cultivated a self-consciously ‘learned’ polyphonic style (perhaps inspired by his antiquarian interests) which can be seen in his many canons, full-anthems, and the strict fugal movements of his instrumental works. Nevertheless, several of his late trio sonatas show that he was not deaf to newly emerging Classical styles. Although he published virtually none of his instrumental music, his vocal works were extremely popular, and the printed editions were subscribed to by large numbers of amateur and professional musicians. Substantial works like his ode The Passions, the one-act oratorio The Fall of Jericho, and his Six Cantatas demonstrate that Hayes was one of the finest English composers of the eighteenth century.
As a writer, his Art of Composing Music includes the first published description of aleatoric composition—music composed by chance—albeit deliberately satirical in intent. In his Remarks he reveals much about his aesthetic outlook: in particular that he valued the music of Handel and Corelli over that of Rameau, Benedetto Marcello and Geminiani. Finally, the Anecdotes offer insights into the organization of provincial music festivals in the mid-eighteenth century. Hayes bequeathed his important and wide-ranging music library to his son Philip Hayes; the manuscripts of both father and son eventually passed to the Bodleian Library, Oxford, in 1801.
Sacred works
The Fall of Jericho, oratorio, c. 1740–50
Sixteen Psalms (London, 1773)
David, oratorio, completed by Philip Hayes
around 20 anthems and service music, in Cathedral Music in Score, edited by Philip Hayes (Oxford, 1795)
--en.wikipedia.org/wiki
William Hayes
Edward White Benson
1829 - 1896 Person Name: Archbishop E. W. Benson Author of "O Throned, O crowned with all renown" in The Westminster Abbey Hymn-Book Benson, Edward White, D.D., Archbishop of Canterbury, son of Edward White Benson, of York, was born at Birmingham, 14th July, 1829, and educated at King Edward's School in that town, and Trinity Coll., Cambridge. At Birmingham his contemporaries under the head mastership of Dr. Prince Lee, subsequently first Bishop of Manchester, included Dr. Westcott, and Dr. Lightfoot, Bishop of Durham. At Cambridge he took the high position of Sen. Opt. and 1st cl. Classical Tripos, winning also the distinction of Senior Chancellor's Classical Medalist. He subsequently became a Fellow of his College. In 1852 he passed from Cambridge to Rugby as assistant master; in 1859 from Rugby to Wellington College, of which he was Head Master for fourteen years; in 1872 from Wellington College to Lincoln, as Chancellor of the Cathedral; in 1877 from Lincoln to Truro, as the first Bishop of that Diocese; and in 1883 from Truro to Canterbury, as the Primate of All England. In addition to these appointments he was also Prebendary of Lincoln and Chaplain to the Queen. The sterling value of Dr. Benson's work at Wellington College, at Lincoln, and at Truro, is strongly emphasized by his appointment to Canterbury.
His literary labors have not been very extensive; but as a contributor to the Dictionary of Christian Biography, and the author of Work, Friendship, Worship (University Sermons at Cambridge), 1871; Boy Life; Sundays in Wellington College, 1874, and Single-heart, 1877, he is well and favorably known. His hymnological work embraces the co-editorship of the 1856 edition of the Rugby School Hymn-book; the editorship of the Wellington College Chapel Hymn Book, 1860, 1863, 1873, the translation of various Latin and Greek hymns, including Angulare Fundamentum; Tristes erant Apostoli; Dies Irae; O Luce Qui mortalibus; Te lucis ante terminum; (q.v.), and a limited number of original hymns. Of the latter the best is the Rogation Hymn, “O throned, O crowned with all renown" (q. v.).
--John Julian, Dictionary of Hymnology (1907)
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Benson, E. W., p. 135, ii. Abp. Benson died suddenly at Hawarden, Oct. 11, 1896.
--John Julian, Dictionary of Hymnology, New Supplement (1907)
Edward White Benson
