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[Great is the Lord, worthy of praise]
Appears in 5 hymnals Composer and/or Arranger: Joseph Gelineau, b. 1920 Hymnal Title: Hymnal Supplement 1991 Tune Key: B Flat Major Incipit: 21612 161 Used With Text: Psalm 96: O Sing A New Song
[Great is the Lord, worthy of praise]
Psalm (95) 96
Appears in 28 hymnals Hymnal Title: Worship (3rd ed.) First Line: Great is the Lord, worthy of praise Topics: Psalter Scripture: Psalm 96 Used With Tune: [Great is the Lord, worthy of praise]
Psalm (95) 96
Psalm 96: Great Is the Lord
Author: The Grail Hymnal: Gather Comprehensive #92a (1994) Hymnal Title: Gather Comprehensive First Line: O sing a new song to the Lord Refrain First Line: Great is the Lord, worthy of praise Topics: Seasons and Feasts Christ the King; Ordinary Time Second Sunday; Ordinary Time Twenty-Ninth Sunday Scripture: Psalm 96 Languages: English Tune Title: [Great is the Lord, worthy of praise]
Psalm 96: Great Is the Lord
Psalm 96: O Sing A New Song
Author: The Grail Hymnal: Hymnal Supplement 1991 #706a (1991) Hymnal Title: Hymnal Supplement 1991 First Line: O sing a new song to the Lord Refrain First Line: Great is the Lord, worthy of praise Topics: Celebration, Jubilation; Christmas Season; Commemorations and Occasions Artists and Scientists; Kingdom of God; Music Ministry; Praise, Adoration; Psalms Scripture: Psalm 96 Languages: English Tune Title: [Great is the Lord, worthy of praise]
Psalm 96: O Sing A New Song
Psalm 96: Great Is the Lord
Hymnal: RitualSong #131a (1996) Hymnal Title: RitualSong First Line: O sing a new song to the Lord Refrain First Line: Great is the Lord, worthy of praise Topics: 29th Sunday in Ordinary Time Year A; Christ the King; Christmas Midnight; Christmas Season; Commissioning; Creation; Gathering; God the Father (Creator); Judgment; Justice; Kingdom / Reign of God; Majesty and Power; Messianic; Music Ministry; Offering; Praise; Renewal; Salvation; Song Scripture: Psalm 96 Languages: English Tune Title: [Great is the Lord, worthy of praise]
Psalm 96: Great Is the Lord
Robert J. Batastini
b. 1942 Hymnal Title: Gather Comprehensive Arranger (Psalm tone) of "[Great is the Lord, worthy of praise]" in Gather Comprehensive Robert J. Batastini is the retired vice president and senior editor of GIA Publications, Inc., Chicago. Bob has over fifty-five years of service in pastoral music ministry, having served several parishes in the Archdiocese of Chicago and one in the Diocese of Joliet. He served as executive editor and project director for the Worship hymnals (three editions), Gather hymnals (three editions), Catholic Community Hymnal, and as executive editor of RitualSong.
In 1993 he became the first recipient of the Father Lawrence Heimann Citation for lifetime contribution to church music and liturgy in the U.S., awarded by St. Joseph's College, Rensselaer, Indiana, and was named "Pastoral Musician of the Year-2000" by the National Association of Pastoral Musicians (NPM). At its 2006 conference, he was named a Fellow of the Hymn society in the United States and Canada.
In his retirement he is active in the music ministry of St. Francis de Sales Parish, Holland, MI.
Nancy Naber, from www.giamusic.com/bios/
Robert J. Batastini
Joseph Gelineau
1920 - 2008 Hymnal Title: Gather Comprehensive Composer (Antiphon and tone) of "[Great is the Lord, worthy of praise]" in Gather Comprehensive Joseph Gelineau (1920-2008)
Gelineau's translation and musical settings of the psalms have achieved nearly universal usage in the Christian church of the Western world. These psalms faithfully recapture the Hebrew poetic structure and images. To accommodate this structure his psalm tones were designed to express the asymmetrical three-line/four-line design of the psalm texts. He collaborated with R. Tournay and R. Schwab and reworked the Jerusalem Bible Psalter. Their joint effort produced the Psautier de la Bible de Jerusalem and recording Psaumes, which won the Gran Prix de L' Academie Charles Cros in 1953.
The musical settings followed four years later. Shortly after, the Gregorian Institute of America published Twenty-four Psalms and Canticles, which was the premier issue of his psalms in the United States. Certainly, his text and his settings have provided a feasible and beautiful solution to the singing of the psalms that the 1963 reforms envisioned. Parishes, their cantors, and choirs were well-equipped to sing the psalms when they embarked on the Gelineau psalmody.
Gelineau was active in liturgical development from the very time of his ordination in 1951. He taught at the Institut Catholique de Paris and was active in several movements leading toward Vatican II. His influence in the United States as well in Europe (he was one of the founding organizers of Universa Laus, the international church music association) is as far reaching as it is broad. Proof of that is the number of times "My shepherd is the Lord" has been reprinted and reprinted in numerous funeral worship leaflets, collections, and hymnals.
His prolific career includes hundreds of compositions ranging from litanies to responsories. His setting of Psalm 106/107, "The Love of the Lord," for assembly, organ, and orchestra premiéred at the 1989 National Association of Pastoral Musicians convention in Long Beach, California.
--www.giamusic.com
Joseph Gelineau
