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GENEVAN 81
Appears in 14 hymnals Matching Instances: 13 Composer and/or Arranger: Claude Goudimel Tune Sources: Genevan Psalter, 1551 Tune Key: C Major Incipit: 55671 17656 55567 Used With Text: Shout Aloud to God
GENEVAN 81
Now to God Our King
Author: Benjamin Essenburg Meter: 5.6.5.5.5.6 Appears in 1 hymnal Matching Instances: 1 Topics: Idolatry; Image Worship; Longing, Spiritual; Praise To God, Jesus Christ; Disobedience Scripture: Psalm 81 Used With Tune: TRUMPET
Now to God Our King
Örvendezzetek Az erős Istennek
Appears in 2 hymnals Matching Instances: 1 Scripture: Psalm 81 Used With Tune: [Örvendezzetek Az erős Istennek]
Örvendezzetek Az erős Istennek
Shout Aloud to God
Appears in 1 hymnal Matching Instances: 1 Topics: Israel; Worship; Idolatry Scripture: Psalm 81 Used With Tune: GENEVAN 81 Text Sources: OPC/URCNA 2016
Shout Aloud to God
Sing a Psalm of Joy
Author: Marie J. Post Hymnal: With Heart and Voice #15 (1989) Meter: 5.6.5.5.5.6 Topics: Bible Songs Scripture: Psalm 81 Languages: English Tune Title: GENEVAN 81
Sing a Psalm of Joy
Sing a psalm of joy
Author: Marie J. Post, 1919-1990 Hymnal: The Book of Praise #50 (1997) First Line: Sing a psalm of joy! Topics: Church Covenant People of God; Cloud / Cloudy Pillar; Covenant; Exodus; Feast / Food; God King; Joy; Metrical Psalms; Music / Singing / Song; Salvation Scripture: Psalm 81 Languages: English Tune Title: GENEVAN 81
Sing a psalm of joy
Örvendezzetek Az erős Istennek
Hymnal: Református énekes-könyv #51 (1918) Scripture: Psalm 81 Languages: Hungarian Tune Title: [Örvendezzetek Az erős Istennek]
Örvendezzetek Az erős Istennek
James Baden Powell
1842 - 1931 Author of "Night Has Closed The Gates" in The Cyber Hymnal
James Baden Powell
Henry A. Bruinsma
1916 - 1991 Harmonizer of "TRUMPET" in Psalter Hymnal (Blue) It was in Bruinsma's musical compositions that his brilliance was most displayed. “Henry’s personality was … embodied in his music: colorful, radiating charisma, magnetic in a nonverbal way,” niece Jane DeGroot said.
Bruinsma displayed musical potential even before he was considered old enough to take music lessons, said his wife, Grace Hekman Bruinsma. The preschooler would eavesdrop on his older brother’s piano lessons. After the teacher left, Bruinsma would climb onto the piano bench to practice his brother’s lesson assignment. Later on, he chose to attend Ottawa Hills High School in Grand Rapids, Mich., for its music program.
Following high school graduation in 1933, Bruinsma attended the University of Michigan for a degree in music. He stayed on to complete a Ph.D. in musicology, becoming the first musicologist to graduate from the University of Michigan. It was during his graduate work that Bruinsma wrote Scherzo on a Dutch Nursery Song. “He never lost his love for Dutch history or Dutch Reformed music,” Grace Bruinsma said.
It was also during his time at U of M that Bruinsma began taking Grace to music concerts, and in 1939 they were married.
Bruinsma began his time as a professor of music at Calvin College (1946-55). In addition to his teaching duties at the college, Bruinsma taught the first music and theology course at Calvin Seminary. He also chaired the first Conference on Liturgy of Music.
However, not long after his time at Calvin, Bruinsma decided he was being called to move from teaching to education administration. Of note is his time at Ohio State University (1959-64), where he served as the director of the School of Music. He also held the position of executive committee member of the College of Education.
Next, Bruinsma moved to what is now Arizona State University (1964-79), another notable mark in his education administration career. During that time, he served first as chair of the School of Music, then as founding dean of the College of Fine Arts. He is also known to have started the first religious studies program at Arizona State as part of the university’s interdisciplinary studies program.
Due to the amount of time he spent in education administration, much of Bruinsma’s musical compositions were never published. After his death, Grace Bruinsma contacted Gerry Bouma of Morningside College in Sioux City, Iowa. Bouma and Henry Bruinsma had met in 1969 at a Grand Rapids Christian High School concert in Chicago. “For whatever reason, Henry and Grace treated us like we were their kids,” Bouma said. Grace asked Bouma to catalog and publish the 10,000 pages of Henry’s material. Taking a semester sabbatical, Bouma began his work.
Bouma’s catalog of Bruinsma’s work can be found in the Heritage Hall Archives at the Hekman Library, Calvin College. The Archives also hosts additional works from Bruinsma’s time at Calvin.
--Excerpted from Calvin Spark, Spring 2006 issue
Henry A. Bruinsma
Claude Goudimel
1514 - 1572 Harmonizer of "GENEVAN 81" in Trinity Psalter Hymnal The music of Claude Goudimel (b. Besançon, France, c. 1505; d. Lyons, France, 1572) was first published in Paris, and by 1551 he was composing harmonizations for some Genevan psalm tunes-initially for use by both Roman Catholics and Protestants. He became a Calvinist in 1557 while living in the Huguenot community in Metz. When the complete Genevan Psalter with its unison melodies was published in 1562, Goudimel began to compose various polyphonic settings of all the Genevan tunes. He actually composed three complete harmonizations of the Genevan Psalter, usually with the tune in the tenor part: simple hymn-style settings (1564), slightly more complicated harmonizations (1565), and quite elaborate, motet-like settings (1565-1566). The various Goudimel settings became popular throughout Calvinist Europe, both for domestic singing and later for use as organ harmonizations in church. Goudimel was one of the victims of the St. Bartholomew's Day massacre of Huguenots, which occurred throughout France.
Bert Polman
Claude Goudimel
Református énekes-könyv
Publication Date: 1918 Publisher: Central Pub. House Publication Place: Cleveland, Oh.
Református énekes-könyv
