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Tune Identifier:"^buenos_aires_sosa$"

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[Tuyo es el Reino]

Appears in 6 hymnals Composer and/or Arranger: Pablo Sosa Hymnal Title: Cancionero Abierto Tune Key: d minor or modal Incipit: 51115 51117 33377 Used With Text: Doxologia

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Tuyo es el Reino

Meter: Irregular Appears in 6 hymnals Hymnal Title: El Himnario First Line: Tuyo es el Reino, tuyo el poder Topics: Reinado de Cristo/Cristo Rey; Reinado de Cristo Rey; Reign of Christ the King; Reinado de Dios; Reign of God Scripture: Revelation 11:17 Used With Tune: BUENOS AIRES Text Sources: Basado en el "Padre Nuestro"

Instances

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Published text-tune combinations (hymns) from specific hymnals

Doxologia

Hymnal: Cancionero Abierto #12 (1983) Hymnal Title: Cancionero Abierto First Line: Tuyo es el Reino Scripture: Matthew 6:13 Languages: Spanish Tune Title: [Tuyo es el Reino]

Tuyo es el Reino

Hymnal: El Himnario #201 (1998) Meter: Irregular Hymnal Title: El Himnario First Line: Tuyo es el Reino, tuyo el poder Topics: Reinado de Cristo/Cristo Rey; Reinado de Cristo Rey; Reign of Christ the King; Reinado de Dios; Reign of God Scripture: Revelation 11:17 Languages: Spanish Tune Title: BUENOS AIRES
Text

Tuyo es el Reino

Hymnal: El Himnario Presbiteriano #201 (1999) Meter: Irregular Hymnal Title: El Himnario Presbiteriano First Line: Tuyo es el Reino, tuyo el poder Lyrics: Tuyo es el Reino, tuyo el poder, tuya la gloria y siempre ha de ser, siempre ha de ser, siempre ha de ser. Tuyo es el Reino, el poder y la gloria, y siempre ha de ser. Amén. Topics: Reinado de Cristo Rey; Reinado de Dios Scripture: Revelation 11:17 Languages: Spanish Tune Title: BUENOS AIRES

People

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Authors, composers, editors, etc.

Pablo D. Sosa

1933 - 2020 Hymnal Title: El Himnario Composer of "BUENOS AIRES" in El Himnario Pablo Sosa (b. 1933 - d. 2020) grew up and was educated in Argentina, the U.S. (Westminster Choir College), and Germany. For years he pastored a large Methodist congregation in Buenos Aires, Argentina while composing songs, leading choirs, editing hymnals, producing religious broadcasts, and teaching liturgy and hymnology at a seminary. Meanwhile, life in Argentina pushed him to question his assumptions about what’s best for congregational singing. During Argentina’s “dirty war,” two young women from his church were disappeared, possibly for working among the poor. As Catholic and Protestant churches hesitated whether to speak out, remain silent, or support the government, many people lost faith. Economic meltdown after the war plunged many middle-class Argentinians into poverty. Sosa’s growing social awareness widened his vision for “lifting up hope with a song.” He often describes worship as “the fiesta of the faithful,” where all are welcome and all music is seen as “part of the ‘song of the earth,’ which answers the psalmist’s call ‘Sing joyfully to God, all the earth!’ (Psalm 98:4).” Whether in his home church, Iglesia Evangélica Metodista La Tercera (Third Methodist Church) in Buenos Aires, or at churches or conferences around the world, he urges people, “Put your body into worship!” And he reminds them of the biblical connection between justice and worship. CICW Website Bio (http://www.calvin.edu/worship)