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Tune Identifier:"^bucklebury$"

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ADORATION

Appears in 10 hymnals Hymnal Title: The Day School Hymn Book Tune Sources: Old Melody Incipit: 15175 65433 32345 Used With Text: The spacious firmament on high

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Up to the Throne of God is Borne

Author: William Wordsworth Meter: 8.8.8.8 D Appears in 23 hymnals Hymnal Title: Christian Youth Hymnal Topics: Adoration and Praise; Noon Used With Tune: BUCKLEBURY
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Sing to the Lord a joyful song

Appears in 97 hymnals Hymnal Title: Church Hymnal Used With Tune: JEHOVAH
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O Master, it is good to be

Appears in 66 hymnals Hymnal Title: Church Hymns Topics: Transfiguration Used With Tune: ST. BASIL

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Published text-tune combinations (hymns) from specific hymnals

Up to the Throne of God is Borne

Author: William Wordsworth Hymnal: Christian Youth Hymnal #123 (1948) Meter: 8.8.8.8 D Hymnal Title: Christian Youth Hymnal Topics: Adoration and Praise; Noon Languages: English Tune Title: BUCKLEBURY
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Sing to the Lord a joyful song

Hymnal: Church Hymnal #382 (1877) Hymnal Title: Church Hymnal Languages: English Tune Title: JEHOVAH
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O Master, it is good to be

Hymnal: Church Hymns #243 (1903) Hymnal Title: Church Hymns Topics: Transfiguration Languages: English Tune Title: ST. BASIL

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William Wordsworth

1770 - 1850 Hymnal Title: Christian Youth Hymnal Author of "Up to the Throne of God is Borne" in Christian Youth Hymnal Wordsworth, William, the poet, the son of an attorney, was born at Cockermouth in 1770, and educated at St. John's College, Cambridge, where he graduated B.A. in 1791. Devoting himself to literature, and especially to poetry, he gradually rose into the front rank of English poets. His works include Lyrical Ballads, 1798; Poems; The Prelude; The Excursion, 1814, &c. All his poetical productions were collected and republished under his own supervision in 7 vols., in 1842. He died at Kydal Mount, near Grasmere, in 1850. Notwithstanding his rank and reputation as a poet, his pieces used as hymns are limited to the following extracts from his poems:— 1. Not seldom clad in radiant vest. Christ, the Unchangeable. This is No. v. of five "Inscriptions supposed to be found In and near a Hermit's cell, 1818." It is in 5 stanzas of 4 lines, and is given in his Poetical Works, 1831, vol. iii., p. 290. It is in Stowell's Selection of Hymns, 1831-77; the American Plymouth Collection, 1855, &c. 2. Up to the throne of God is borne. Noonday. This is entitled "The Labourer's Noon-Day Hymn," is dated 1834, and is in 6 stanzas of 4 lines. (Poetical Work, 1837, vol. v. p. 122.) It is in common use in an abridged form, beginning with stanza i., and the latter part is also given in Martineau's Hymns, 1840, as "Look up to heaven, the industrious sun," as No. 535. -- John Julian, Dictionary of Hymnology (1907)

E. J. Hopkins

1818 - 1901 Person Name: Edward J. Hopkins, 1818 - 1901 Hymnal Title: Christian Youth Hymnal Harmonizer of "BUCKLEBURY" in Christian Youth Hymnal Dr Edward John Hopkins MusDoc United Kingdom 1818-1901. Born at Westminster, England, the son of a clarinetist with the Royal Opera House orchestra, he became an organist (as did two of his brothers) and a composer. In 1826 he became a chorister of the Chapel Royal and sang at the coronation of King William IV in Westminster Abbey. He also sang in the choir of St. Paul’s Cathedral, a double schedule requiring skill and dexterity. On Sunday evenings he would play the outgoing voluntary at St. Martin’s in-the-field. He left Chapel Royal in 1834 and started studying organ construction at two organ factories. He took an appointment at Mitcham Church as organist at age 16, winning an audition against other organists. Four years later he became organist at the Church of St. Peter, Islington. In 1841 he became organist at St. Luke’s, Berwick St., Soho. Two Years later he was organist at Temple Church, which had a historic organ (built in 1683). He held this position for 55 years. In 1845 he married Sarah Lovett, and they had four sons and five daughters. He was closely associated with the Bach Society and was organist for the first English performances of Bach’s St. Matthew Passion. In 1855 he collaborated with Edward Rimbault publishing “The organ, its history and construction” (3 editions 1855-70-77). In 1864 he was one of the founders of the “College of organists”. In 1882 he received an honorary Doctorate of Music from the Archbishop of Canterbury. He composed 30+ hymn tunes and some psalm chants, used by the Church of England. He died in London, England. John Perry

A. Cleveland Coxe

1818 - 1896 Person Name: A. C. Coxe Hymnal Title: Songs of Worship Author of "O who like Thee so calm so bright" in Songs of Worship Coxe, Arthur Cleveland, D.D. LL.D. One of the most distinguished of American prelates, and son of an eminent Presbyterian minister, the Rev. Samuel H. Cox, D.D., was born at Mendham, New Jersey, May 10,1818. Graduating at the University of New York in 1838, and taking Holy Orders in 1841, he became Rector of St. John's, Hartford, Connecticut, in the following year. In 1851 he visited England, and on his return was elected Rector of Grace Church, Baltimore, 1854, and Calvary, New York, 1863. His consecration as Bishop of the Western Diocese of New York took place in 1865. His residence is at Buffalo. Bishop Coxe is the author of numerous works. His poetical works were mostly written in early life, and include Advent, 1837; Athanasion, &c, 1842; Christian Ballads, 1840 (Preface to the English edition, April, 1848); Hallowe'en and Other Poems, 1844; Saul, a Mystery, 1845, &c. Some of Bishop Coxe's hymns are found in the collections of every religious body in America, except the official collections of his own. This is accounted for by his too scrupulous modesty. As a member of the Hymnal Committee, in 1869-71, he refused to permit the insertion of his own lyrics. As he has not preserved memoranda, and has no precise recollection of dates, several dates here given are somewhat uncertain. 1. Behold an Israelite indeed. St. Bartholomew. First appeared in "Poems," published with his Christian Ballads, 1840, and found in an altered form in the People's H. and the Hymnary. 2. Body of Jesus, 0 sweet Food. Holy Communion. Written at St. James's College, Maryland (since broken up by the Civil War), Ascension Day, 1858. It was first printed for private use, and then published in the Cantate Domino, Boston, 1859, No. 53, and again in other American collections. It is also in Schaff’s Christ in Song, 1869, and in The Churchman's Altar Manual, 2nd ed., 1883. 3. Breath of the Lord, 0 Spirit blest.Whitsuntide. Bishop Coxe considers this more worthy of being called a hymn than anything else from his pen. It was written long before it appeared in the New York Independent, Whitsuntide, 1878. It is in the Schaff-Gilman Library of Religious Poetry, 1881, and Brooke's Churchman's Manual of Private and Family Devotion, 1883. 4. Christ is arisen. Easter. This is suggested by, and partly translated from, the famous Easter Chorus in Goethe's Faust, "Christ ist erstanden" (see Goethe), and appeared in Hallowe'en, 1844. 5. He who for Christ hath left behind. St. Matthew. From his Christian Ballads, &c, 1840. 6. In the silent midnight watches. Christ knocking. From his Athanasion, &c, 1842; an impressive moral poem rather than a hymn on Christ knocking at the door, extensively used in America, and sometimes in England. Original text, Schaff's Christ in Song, 1869. 7. Lord, when Thou didst come from heaven. A hymn for Epiphany, on behalf of Western Missions, appeared among the "Lays "appended to Hallowe'en, 1844, and again in later editions of the Christian Ballad. It is sometimes abbreviated, as in Lyra Sac. Amer., " Westward, Lord, the world alluring." 8. Now pray we for our country. National Hymn. A stanza from Chronicles, or meditations on events in the history of England, called up by visiting her abbeys and cathedrals, and appeared in Christian Ballads, 1840. Originally it began, "Now pray we for our mother," and, with the succeeding stanza, was a call upon Americans to pray for their mother country. It is adopted by Dr. Martineau in his Hys., 1873. 9. 0 walk with God, and thou shalt find. Holiness. Appeared in his Hallowe’en, &c, 1844, and is found in Lyra Sac. Amer. 10. 0 where are kings and empires now! Church of God. The 6th stanza of his ballad "Chelsea," which appeared in the Churchman, 1839, and again in his Christian Ballads, 1840. 11. Saviour, sprinkle many nations. Missions. “Begun on Good Friday, 1850, and completed 1851, in the grounds of Magdalen College, Oxford." 1st published. in Verses for 1851, in Commemoration of the third Jubilee of the Society for the Propagation of the Gospel, edited by the Rev. Ernest Hawkins, 1851. It was subsequently appended to the English edition of his Christian Ballads. It is regarded as Bishop Coxe's best piece, and to many minds it is the loveliest of missionary hymns. Its use in England is very extensive. It is not found in the American Episcopal hymnal for the reason given above. 12. Still as our day our strength shall be. Temptation. Appeared in his Hallowe'en, &c, 1844, and Lyra Sac. Amer. 13. Soldier, to the contest pressing. Christian Conflict. From his Hallowe'en, &c, 1844, and Lyra Sac. Amer. It was written in 1834. 14. There is a land like Eden fair. From Hallowe'en, &c, into a few collections. 15. We are living, we are dwelling. Christian Soldiers. An impressive moral poem rather than a hymn, but extensively used. It appeared in his Athanasion, &c, 1840, and Lyra &xc. 16. Who is this, with garments gory. Passiontide. From his “Lays" appended to Hallowe'en, 1844, and again in his Christian Ballads. It is found in the Child's Christian Year, 4th ed. N.D., the People's Hymns, and other collections. It is in 4 stanza of 8 1. The last stanza is sometimes given as a separate hymn:—"Hail, all hail, Thou Lord of Glory." 17. When o'er Judea's vales and hills. Written cir. 1840, and published in his Hallowe'en, &c, 1844, and again, with the author's final corrections, made in 1869, in Schaff's Christ in Song (1870 ed. p. 112). Also in the English edition of his Christian Ballads. From this "Hymn to the Redeemer," two shorter hymns have been com¬piled : (1) " How beauteous were the marks divine." This is in almost universal American and occasional English use. (2) "O who like Thee, so calm, so bright," in the Hymnary, 1872. Bishop Coxe has also translated the Pange lingua gloriosi corporis (q. v.), and is the author of the beautiful Christmas Carol, "Carol, carol, Christians," given in his Christian Ballads, &c. [Rev. F. M. Bird] -- John Julian, Dictionary of Hymnology (1907)