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BEECHER

Meter: 8.7.8.7 D Appears in 759 hymnals Matching Instances: 754 Composer and/or Arranger: John Zundel Tune Key: A Major Incipit: 55653 23217 61654 Used With Text: God Is Here!

Love Divine, All Loves Excelling

Author: Charles Wesley, 1707-1788 Meter: 8.7.8.7 D Appears in 1,854 hymnals Matching Instances: 507 Used With Tune: BEECHER

God, Our Father, We Adore Thee

Author: George W. Frazer; Alfred S. Loizeaux Meter: 8.7.8.7 D Appears in 21 hymnals Matching Instances: 16 First Line: God, our Father, we adore Thee! Lyrics: 1. God, our Father, we adore Thee! We, Thy children, bless Thy name! Chosen in the Christ before Thee, We are "holy, without blame." We adore Thee! we adore Thee! Abba's praises we proclaim! We adore Thee! we adore Thee! Abba's praises we proclaim! 2. Son Eternal, we adore Thee! Lamb upon the throne on high! Lamb of God, we bow before Thee, Thou hast bro't Thy people nigh! We adore Thee! we adore Thee! Son of God, who came to die! We adore Thee! we adore Thee! Son of God, who came to die! 3. Holy Spirit, we adore Thee! Paraclete and heav'nly guest! Sent from God and from the Savior, Thou hast led us into rest. We adore Thee! we adore Thee! By Thy grace forever blest: We adore Thee! we adore Thee! By Thy grace forever blest. 4. Father, Son, and Holy Spirit, Three in One! we give Thee praise! For the riches we inherit, Heart and voice to Thee we raise! We adore Thee! we adore Thee! Thee we bless thro' endless days! We adore Thee! we adore Thee! Thee we bless thro' endless days! Scripture: John 4:23 Used With Tune: BEECHER

Dicha Grande Es La Del Hombre

Author: Thomas Martin Westrup, 1837-1909 Appears in 19 hymnals Matching Instances: 13 Lyrics: 1 Dicha grande es la del hombre, Cuyas sendas rectas son; No anda con los pecadores, En actuar de perversión. A los malos consejeros Deja, porque teme el mal; Huye de la burladora Gente impía e inmoral. 2 Antes, en la ley divina Cifra su mayor placer, Meditando día y noche En su divinal saber. Este, como el árbol verde, Bien regado y en sazón, Frutos abundantes rinde Y hojas que perennes son. 3 El prospera en lo que emprende Y le sale todo bien; Mas funestos resultados Los impíos siempre ven. Porque Dios la senda mira Por la cual los suyos van; Otra es la de los impíos: Al infierno bajarán. Used With Tune: [Dicha grande es la del hombre]

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Instances

Published text-tune combinations (hymns) from specific hymnals

நான் என்ன செய்வேன்?

Author: Daniel March; S. John Barathi Hymnal: The Cyber Hymnal #15765 Meter: 8.7.8.7 D First Line: கடலைக்கடக்க முடியாதெனினும் Lyrics: 1 கடலைக்கடக்க முடியாதெனினும் எங்கும் தேடி செல்லாவிடினும் கடவுளையறியா மக்களிங்குண்டு உன் கதவருகே உதவலாமே உன்னாயிரம் நீ தராவிடினும் விதவைபோலே சிறு காசெனினும் இயேசுவுக்காய் நீ செய்யலாமே விசேஷமாம் அவர்க்கு அது 2 தூதர் போல பாடாவிடினும் பவுலைப்போல பேசாவிட்டாலும் இயேசுவினன்பை சொல்லலாமே நமக்காய் அவர் மரித்தாரன்றோ? துன்மார்க்கனை நீ தூண்டாவிட்டாலும் நியாயத்தீர்ப்பின் கொடுமை கூறி சிறுவரை நல் வழி நடத்து காத்திருக்கும் இயேசுவண்டை 3 நான் என் செய்வேன் என நீ கூற கேட்போர் இருக்கக்கூடாது அழியும் ஆன்மா அநேகமிருக்க ஆண்டவர் உன்னை அழைக்கிறாரே அவர் தரும் கடமை உடனே ஏற்பாய் அவரது வேலைதான் உந்தன் மகிழ்ச்சி அழைக்கும் போது உடன் பதில் சொல்லு இதோ அடியேன் எனையனுப்புமென்று. (ஆமேன்) Languages: Tamil Tune Title: BEECHER

ஈடில்லாத தூய அன்பே

Author: Charles Wesley Hymnal: The Cyber Hymnal #15624 Lyrics: 1 ஈடில்லாத தூய அன்பே, விண் பேரின்பம் பூவிலே, எம்மை உந்தன் விந்தை வாசம் வைத்து கிருபையால் சூடும். மா தயாபரர் நீர் ஸ்வாமி உம் அன்பிற்களவேது? இரட்சிப்பினால் எம்மை காத்து வாரும் எம் அஞ்சும் நெஞ்சில். 2 ஊதும் உமதன்பின் ஆவி நொந்த எங்கள் நெஞ்சிலே, உம்மாலே யாம் ஏற்போம் எங்கள் நிம்மதியின் நிச்சயம். பாவம் செய்யும் சுவாபம் நீக்கும் நீரே அல்பா ஒமேகா, போக்கும் எமதவ்விஸ்வாசம் எங்கள் உள்ளம் மீண்டிடும். 3 எல்லாம் வல்லோரே நீர் வாரும் யாம் உம் வாழ்வை பெற்றிட, வேகம் உமதாலையமே வந்தே மீண்டும் ஏகாமல், உம்மை என்றும் போற்றி வாழ்த்தி சேவை செய்தே மேலோர் போல், வேண்டி நின்றே புகழ் பாடி ஆர்ப்பரிப்போம் உம் அன்பில். 4 உம் படைப்பை கரை ஏற்றும் யாம் எக்குற்றம் அற்றோராய், உம் இரட்சிப்பை கண்டே ஏற்று முற்றும் மாற்றம் பெற்றோராய். மகிமை மேல் மகிமையால் விண் வீடடையும் வரை, எம் கிரீடம் உம் பாதம் வைப்போம் வியந்தன்பை போற்றியே. Languages: Tamil Tune Title: BEECHER

ദിവ്യമാം അതുല്ല്യ സ്നേഹം

Author: Charles Wesley; Simon Zachariah Hymnal: The Cyber Hymnal #14699 Meter: 8.7.8.7 D Lyrics: 1 ദിവ്യമാം അതുല്ല്യ സ്നേഹം, വിണ്ണിറങ്ങി മന്നിലായ്, വന്നു വസിച്ചീടേണമേ, നിൻ കൃപ ചൊരികെന്നിൽ. യേശുവേ നിൻ വൻ കൃപയാൽ, വറ്റാ സ്നേഹം ചൊരിക. നിന്റെ രക്ഷ ഏകി ഇന്നു, ഹൃത്തിൻ വ്യഥ മാറ്റുകെ. 2 ഊതുകെന്നിൽ ദൈവാത്മാവേ, ഹൃത്തിൻ ഖേദം മാറ്റുകേ. നിന്നിൽ വിശ്രാമം കൊണ്ടീടാൻ, നിന്നെ പ്രാപിച്ചീടുവാൻ. പാപ ചിന്ത മാറ്റീടേണം, ആദി അന്തമായോനേ. വിശ്വാസത്തിൻ നൽ ഉറവേ, വിടുവിക്ക ഉള്ളത്തെ. 3 ആഗമിക്ക വിടുവിപ്പാൻ, നിൻ ജീവനെ പ്രാപിപ്പാൻ. നിൻ ആലയെ ചേരാം വേഗം, വേർപിരിയാ -തെന്നേക്കും. നിന്നെ എന്നും വാഴ്ത്തി പാടും, സേവിച്ചീടും ദൂതർ പോൽ. പ്രാർത്ഥിച്ചീടും സ്തുതിച്ചീടും, നിൻ സ്നേഹത്തെ വാഴ്ത്തീടും. 4 പുതു സൃഷ്‌ടി പൂർണ്ണമാക്ക, നിഷ്കളങ്കരായീടാൻ. നിൻ രക്ഷയെ നീ കാണിക്ക, പൂർണ്ണ നിരപ്പേകുക. അതി മഹത്വം പ്രാപിച്ചു, സ്വർലോകേ ചേരുംവരെ. കിരീടങ്ങൾ കാൽക്കൽ വെച്ചു, ഭക്തിയോടെ വന്ദിപ്പാൻ. Languages: Malayalam Tune Title: BEECHER

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People

Authors, composers, editors, etc.

John Zundel

1815 - 1882 Person Name: John Zundel, 1815-1882 Composer of "BEECHER" in Psalter Hymnal (Gray) John Zundel; b. 1815, near Stuttgart, Germany; organist in Brooklyn, N. Y., from 1847 to 1878; d. Cannstadt, Germany, 1882 Evangelical Lutheran Hymnal, 1908

Charles Wesley

1707 - 1788 Author of "Love Divine, All Loves Excelling" in Trinity Hymnal (Rev. ed.) Charles Wesley, M.A. was the great hymn-writer of the Wesley family, perhaps, taking quantity and quality into consideration, the great hymn-writer of all ages. Charles Wesley was the youngest son and 18th child of Samuel and Susanna Wesley, and was born at Epworth Rectory, Dec. 18, 1707. In 1716 he went to Westminster School, being provided with a home and board by his elder brother Samuel, then usher at the school, until 1721, when he was elected King's Scholar, and as such received his board and education free. In 1726 Charles Wesley was elected to a Westminster studentship at Christ Church, Oxford, where he took his degree in 1729, and became a college tutor. In the early part of the same year his religious impressions were much deepened, and he became one of the first band of "Oxford Methodists." In 1735 he went with his brother John to Georgia, as secretary to General Oglethorpe, having before he set out received Deacon's and Priest's Orders on two successive Sundays. His stay in Georgia was very short; he returned to England in 1736, and in 1737 came under the influence of Count Zinzendorf and the Moravians, especially of that remarkable man who had so large a share in moulding John Wesley's career, Peter Bonier, and also of a Mr. Bray, a brazier in Little Britain. On Whitsunday, 1737, [sic. 1738] he "found rest to his soul," and in 1738 he became curate to his friend, Mr. Stonehouse, Vicar of Islington, but the opposition of the churchwardens was so great that the Vicar consented that he "should preach in his church no more." Henceforth his work was identified with that of his brother John, and he became an indefatigable itinerant and field preacher. On April 8, 1749, he married Miss Sarah Gwynne. His marriage, unlike that of his brother John, was a most happy one; his wife was accustomed to accompany him on his evangelistic journeys, which were as frequent as ever until the year 1756," when he ceased to itinerate, and mainly devoted himself to the care of the Societies in London and Bristol. Bristol was his headquarters until 1771, when he removed with his family to London, and, besides attending to the Societies, devoted himself much, as he had done in his youth, to the spiritual care of prisoners in Newgate. He had long been troubled about the relations of Methodism to the Church of England, and strongly disapproved of his brother John's "ordinations." Wesley-like, he expressed his disapproval in the most outspoken fashion, but, as in the case of Samuel at an earlier period, the differences between the brothers never led to a breach of friendship. He died in London, March 29, 1788, and was buried in Marylebone churchyard. His brother John was deeply grieved because he would not consent to be interred in the burial-ground of the City Road Chapel, where he had prepared a grave for himself, but Charles said, "I have lived, and I die, in the Communion of the Church of England, and I will be buried in the yard of my parish church." Eight clergymen of the Church of England bore his pall. He had a large family, four of whom survived him; three sons, who all became distinguished in the musical world, and one daughter, who inherited some of her father's poetical genius. The widow and orphans were treated with the greatest kindness and generosity by John Wesley. As a hymn-writer Charles Wesley was unique. He is said to have written no less than 6500 hymns, and though, of course, in so vast a number some are of unequal merit, it is perfectly marvellous how many there are which rise to the highest degree of excellence. His feelings on every occasion of importance, whether private or public, found their best expression in a hymn. His own conversion, his own marriage, the earthquake panic, the rumours of an invasion from France, the defeat of Prince Charles Edward at Culloden, the Gordon riots, every Festival of the Christian Church, every doctrine of the Christian Faith, striking scenes in Scripture history, striking scenes which came within his own view, the deaths of friends as they passed away, one by one, before him, all furnished occasions for the exercise of his divine gift. Nor must we forget his hymns for little children, a branch of sacred poetry in which the mantle of Dr. Watts seems to have fallen upon him. It would be simply impossible within our space to enumerate even those of the hymns which have become really classical. The saying that a really good hymn is as rare an appearance as that of a comet is falsified by the work of Charles Wesley; for hymns, which are really good in every respect, flowed from his pen in quick succession, and death alone stopped the course of the perennial stream. It has been the common practice, however for a hundred years or more to ascribe all translations from the German to John Wesley, as he only of the two brothers knew that language; and to assign to Charles Wesley all the original hymns except such as are traceable to John Wesley through his Journals and other works. The list of 482 original hymns by John and Charles Wesley listed in this Dictionary of Hymnology have formed an important part of Methodist hymnody and show the enormous influence of the Wesleys on the English hymnody of the nineteenth century. -- Excerpts from John Julian, Dictionary of Hymnology (1907) ================== Charles Wesley, the son of Samuel Wesley, was born at Epworth, Dec. 18, 1707. He was educated at Westminster School and afterwards at Christ Church, Oxford, where he graduated M.A. In 1735, he took Orders and immediately proceeded with his brother John to Georgia, both being employed as missionaries of the S.P.G. He returned to England in 1736. For many years he engaged with his brother in preaching the Gospel. He died March 29, 1788. To Charles Wesley has been justly assigned the appellation of the "Bard of Methodism." His prominence in hymn writing may be judged from the fact that in the "Wesleyan Hymn Book," 623 of the 770 hymns were written by him; and he published more than thirty poetical works, written either by himself alone, or in conjunction with his brother. The number of his separate hymns is at least five thousand. --Annotations of the Hymnal, Charles Hutchins, M.A., 1872.

George W. Frazer

1830 - 1896 Author, st. 1, 2, 4 of "God, Our Father, We Adore Thee" in Baptist Hymnal 1991 George West Frazer

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Hymnals

Published hymn books and other collections

Christian Classics Ethereal Hymnary

Publication Date: 2007 Publisher: Grand Rapids, MI: Christian Classics Ethereal Library

Small Church Music

Editors: George W. Frazer Description: The SmallChurchMusic site was launched in 2006, growing out of the requests from those struggling to provide suitable music for their services and meetings. Rev. Clyde McLennan was ordained in mid 1960’s and was a pastor in many small Australian country areas, and therefore was acutely aware of this music problem. Having also been trained as a Pipe Organist, recordings on site (which are a subset of the smallchurchmusic.com site) are all actually played by Clyde, and also include piano and piano with organ versions. All recordings are in MP3 format. Churches all around the world use the recordings, with downloads averaging over 60,000 per month. The recordings normally have an introduction, several verses and a slowdown on the last verse. Users are encouraged to use software: Audacity (http://www.audacityteam.org) or Song Surgeon (http://songsurgeon.com) (see http://scm-audacity.weebly.com for more information) to adjust the MP3 number of verses, tempo and pitch to suit their local needs. Copyright notice: Rev. Clyde McLennan, performer in this collection, has assigned his performer rights in this collection to Hymnary.org. Non-commercial use of these recordings is permitted. For permission to use them for any other purposes, please contact manager@hymnary.org. Home/Music(smallchurchmusic.com) List SongsAlphabetically List Songsby Meter List Songs byTune Name About

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