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Topics:direction

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Texts

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God of our fathers! by whose hand

Meter: 8.6.8.6 Appears in 64 hymnals Topics: Devout Aspirations and Affections Seeking help and direction from God Text Sources: Episcopal Col.
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O that the Lord would guide my ways

Author: Watts Meter: 8.6.8.6 Appears in 385 hymnals Topics: O that My Ways were Directed to Keep Thy Statues
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¡Cuán firme cimiento!

Author: Robert Keene; Vicente Mendoza Meter: 11.11.11.11 Appears in 25 hymnals Topics: Divine Direction First Line: ¡Cuán firme cimiento se ha dado a la fe Lyrics: 1 ¡Cuán firme cimiento se ha dada a la fe, De Dios en su eterna palabra de amor! ¿Qué más él pudiera en su libro añadir, Si todo a sus hijos lo ha dicho el Señor? 2 "No temas por nada, contigo Yo soy; Tu Dios Yo soy solo, tu ayuda seré; Tu fuerza y firmeza en mi diestra estarán, Y en ella sostén y poder te daré. 3 "La llama no puede dañarte jamás, Si en medio del fuego te ordeno pasar; El oro de tu alma más puro será, Pues sólo la escoria se habrá de quemar. 4 "No habrán de anegarte las ondas del mar, Si en aguas profundas te ordeno pasar; Pues siempre contigo seré en angustia estaré, Y todas tus penas podré reducir. 5 "Al alma que anhele la paz que hay en mí, Jamás en sus luchas la habré de dejar; Si todo el infierno la quiere perder, ¡Yo nunca, no, nunca, la puedo olvidar!" Scripture: Psalm 119:97-105 Used With Tune: FOUNDATION Text Sources: Selection of Hymns, 1787, de Rippon

Tunes

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ALL TO CHRIST

Appears in 428 hymnals Composer and/or Arranger: John T. Grape Topics: Divine Direction Tune Key: C Major Incipit: 13565 31122 12313 Used With Text: Padre, tu Palabra
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HE LEADETH ME

Appears in 583 hymnals Composer and/or Arranger: William B. Bradbury Topics: Divine Direction Tune Key: C Major Incipit: 8888 Used With Text: Me guía él
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BETHANY

Meter: 6.4.6.4.6.6.6.4 Appears in 975 hymnals Composer and/or Arranger: Lowell Mason Topics: Divine Direction Tune Key: F Major or modal Incipit: 32116 65132 32116 Used With Text: Oh Dios, revélame tu voluntad

Instances

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Published text-tune combinations (hymns) from specific hymnals
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Waiting for Pardon and Direction

Hymnal: The Psalms of David #47 (1740) Topics: Direction and pardon; Waiting for pardon and direction First Line: I lift my Soul to GOD Lyrics: 1 I lift my Soul to GOD, My Trust is in his Name: Let not my Foes that seek my Blood Still triumph in my Shame. 2 Sin, and the Pow'rs of Hell, Persuade me to despair: Lord, make me know thy Cov'nant well, That I may 'scape the Snare. 3 From the first dawning Light Till the dark Ev'ning rise, For thy Salvation, Lord, I wait With ever-longing Eyes. 4 Remember all thy Grace, And lead me in thy Truth; Forgive the Sins of riper Days, And Follies of my Youth. 5 The Lord is just and kind, The Meek shall learn his Ways, And every humble Sinner find The Methods of his Grace. 6 For his own Goodness Sake, He saves my Soul from Shame, He pardons (tho' my Guilt be great) Thro' my Redeemer's Name. Scripture: Psalm 25:1-11 Languages: English
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Waiting for Pardon and Direction

Hymnal: Doctor Watts's imitation of the Psalms of David, to which is added a collection of hymns; the whole applied to the state of the Christian Church in general (3rd ed.) #47 (1786) Topics: Pardon and direction; Pardon and direction First Line: I lift my soul to God Lyrics: 1 I lift my soul to God, My trust is in his name; Let not my foes that seek my blood Still triumph in my shame. 2 Sin and the powers of hell Persuade me to despair; Lord make me know thy covenant well, That I may ’scape the snare. 3 From gleams of dawning light Till evening shades arise, For thy salvation, Lord, I wait, With ever-longing eyes. 4 Remember all thy grace, And lead me in thy truth; Forgive the sins of riper days, And follies of my youth. 5 The Lord is just and kind, The meek shall learn his ways, And every humble sinner find The methods of his grace. 6 For his own goodness sake He saves my soul from shame; He pardons (tho' my guilt be great) Thro' my Redeemer’s name. Scripture: Psalm 25:1-11 Languages: English
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Waiting for Pardon and Direction

Hymnal: Doctor Watts's Imitation of the Psalms of David #47 (1790) Topics: Pardon and direction; Pardon and direction First Line: I lift my soul to God Lyrics: 1 I lift my soul to God, My trust is in his name; Let not my foes that seek my blood Still triumph in my shame. 2 Sin and the powers of hell Persuade me to despair; Lord make me know thy covenant well, That I may ’scape the snare. 3 From gleams of dawning light Till evening shades arise, For thy salvation, Lord, I wait, With ever-longing eyes. 4 Remember all thy grace, And lead me in thy truth; Forgive the sins of riper days, And follies of my youth. 5 The Lord is just and kind, The meek shall learn his ways, And every humble sinner find The methods of his grace. 6 For his own goodness sake He saves my soul from shame; He pardons (tho' my guilt be great) Thro' my Redeemer’s name. Scripture: Psalm 25:1-11 Languages: English

People

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Authors, composers, editors, etc.

J. H. Gilmore

1834 - 1918 Person Name: Joseph H. Gilmore Topics: Divine Direction Author of "Me guía él" in Celebremos Su Gloria Joseph H. Gilmore (b. Boston, MA, 1834; d. Rochester, NY, 1918) Educated at Brown University, Providence, Rhode Island, and Newton Theological Seminary, Newton, Massachusetts, Gilmore was ordained to the Baptist ministry in 1862. He served churches in Fisherville, New Hampshire, and Rochester, New York. In 1868 he was appointed to the English faculty at the University of Rochester, where he served until retirement in 1911. He published various literary works, including Outlines of English and American Literature (1905). Bert Polman ============ Gilmore, Joseph Henry, M. A., Professor of Logic in Rochester University, New York, was born at Boston, April 29, 1834, and graduated in Arts at Brown University, and in Theology at Newton Theological Institution. In the latter he was Professor of Hebrew in 1861-2. For some time he held a Baptist ministerial charge at Fisherville, New Hampshire, and at Rochester. He was appointed Professor at Rochester in 1868. His hymn, "He leadeth me, O blessed thought" (Ps. xxiii.), is somewhat widely known. It was written at the close of a lecture in the First Baptist Church, Philadelphia, and is dated 1859. It is in the Baptist Hymnal [and Tune] Book, Philadelphia, 1871. [Rev. F. M. Bird, M. A.] -- John Julian, Dictionary of Hymnology (1907)

Joseph Parry

1841 - 1903 Topics: Divine Direction Composer of "ABERYSTWYTH" in Celebremos Su Gloria Joseph Parry (b. Merthyr Tydfil, Glamorganshire, Wales, 1841; d. Penarth, Glamorganshire, 1903) was born into a poor but musical family. Although he showed musical gifts at an early age, he was sent to work in the puddling furnaces of a steel mill at the age of nine. His family immigrated to a Welsh settlement in Danville, Pennsylvania in 1854, where Parry later started a music school. He traveled in the United States and in Wales, performing, studying, and composing music, and he won several Eisteddfodau (singing competition) prizes. Parry studied at the Royal Academy of Music and at Cambridge, where part of his tuition was paid by interested community people who were eager to encourage his talent. From 1873 to 1879 he was professor of music at the Welsh University College in Aberystwyth. After establishing private schools of music in Aberystwyth and in Swan sea, he was lecturer and professor of music at the University College of South Wales in Cardiff (1888-1903). Parry composed oratorios, cantatas, an opera, orchestral and chamber music, as well as some four hundred hymn tunes. Bert Polman

William B. Bradbury

1816 - 1868 Topics: Divine Direction Composer of "HE LEADETH ME" in Celebremos Su Gloria William Bachelder Bradbury USA 1816-1868. Born at York, ME, he was raised on his father's farm, with rainy days spent in a shoe-shop, the custom in those days. He loved music and spent spare hours practicing any music he could find. In 1830 the family moved to Boston, where he first saw and heard an organ and piano, and other instruments. He became an organist at 15. He attended Dr. Lowell Mason's singing classes, and later sang in the Bowdoin Street church choir. Dr. Mason became a good friend. He made $100/yr playing the organ, and was still in Dr. Mason's choir. Dr. Mason gave him a chance to teach singing in Machias, ME, which he accepted. He returned to Boston the following year to marry Adra Esther Fessenden in 1838, then relocated to Saint John, New Brunswick. Where his efforts were not much appreciated, so he returned to Boston. He was offered charge of music and organ at the First Baptist Church of Brooklyn. That led to similar work at the Baptist Tabernacle, New York City, where he also started a singing class. That started singing schools in various parts of the city, and eventually resulted in music festivals, held at the Broadway Tabernacle, a prominent city event. He conducted a 1000 children choir there, which resulted in music being taught as regular study in public schools of the city. He began writing music and publishing it. In 1847 he went with his wife to Europe to study with some of the music masters in London and also Germany. He attended Mendelssohn funeral while there. He went to Switzerland before returning to the states, and upon returning, commenced teaching, conducting conventions, composing, and editing music books. In 1851, with his brother, Edward, he began manufacturring Bradbury pianos, which became popular. Also, he had a small office in one of his warehouses in New York and often went there to spend time in private devotions. As a professor, he edited 59 books of sacred and secular music, much of which he wrote. He attended the Presbyterian church in Bloomfield, NJ, for many years later in life. He contracted tuberculosis the last two years of his life. John Perry