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Estad for Cristo Firmes
Author: George Duffield, Jr.; Jaime Clifford Appears in 25 hymnals Topics: Vida en Cristo Lealtad y Valor First Line: ¡Estad por Cristo firmes Used With Tune: WEBB
Estad for Cristo Firmes
La cruz excelsa
Author: Isaac Watts; W. T. Millham Meter: 8.8.8.8 Appears in 18 hymnals Topics: Confesión de Cristo; Cristo Su Amor; Curuz de Cristo; Pasión y Muerte de Cristo First Line: La cruz excelsa al contemplar Lyrics: 1 La cruz excelsa al contemplar
do Cristo allí por mí murió,
De todo cuanto estimo aquí,
lo más precioso es su amor.
2 No busco gloria ni honor
sino en la cruz de mi Señor.
Las cosas que me encantan más
las sacrifico por su amor.
3 De su cabeza, manos, pies,
preciosa sangre corrió allí.
Corona de es pinas fue
la que Jesús llevó por mí.
4 El mundo entero no será
dádiva digna de ofrecer.
Amor tan grande y sin igual
en cambio exige todo el ser. Scripture: Philippians 3:7-14 Used With Tune: HAMBURG
La cruz excelsa
Dulce Comunión
Author: Elisha A. Hoffman; Pedro Grado Valdés Meter: 10.9.10.9 with refrain Appears in 30 hymnals Topics: Cristo Su Amor First Line: Dulce comunión la que gozo ya Lyrics: 1 Dulce comunión la que gozo ya
en los brazos de mi Salvador;
¡Qué gran bendición en su paz me da!
¡Oh! yo siento en mí su tierno amor.
Coro:
Libre, salvo, del pecado y del temor;
Libre, salvo, en los brazos de mi Salvador.
2 ¡Cuán dulce es vivir, cuán dulce es gozar!
en los brazos de mi Salvador;
Allí quiero ir y con él morar,
siendo objeto de su tierno amor. [Coro]
3 No hay que temer, ni que desconfiar,
en los brazos de mi Salvador;
Por su gran poder él me guardará
de los lazos del engañador. [Coro] Scripture: Psalm 91 Used With Tune: SHOWALTER
Dulce Comunión
EASTER HYMN
Appears in 526 hymnals Topics: Resurrección de Cristo Tune Sources: En Lyra Davidica, 1708, arreg. en The Compleat Psalmodist, 1749 Tune Key: C Major Incipit: 13514 66534 51434 Used With Text: El Señor resucitó
EASTER HYMN
Cristo, Cristo, Cristo
Author: Gloria Gaither (1942- ); William J. Gaither (1936- ); Carlos A. Steger (1953- ) Hymnal: Himnario Adventista del Séptimo Día #130 (2010) Topics: Jesucristo Alabanza a Cristo First Line: Cristo, Cristo, Cristo; otro nombre no hay igual Scripture: Acts 4:12 Languages: Spanish Tune Title: [Cristo, Cristo, Cristo; otro nombre no hay igual]
Cristo, Cristo, Cristo
Sin Cristo yo no tengo nada
Author: Mylon R. LeFevre; Tony Arango Hymnal: Celebremos Su Gloria #302 (1992) Topics: Confesión de Cristo Refrain First Line: ¡Cristo, oh Cristo! Scripture: 2 Corinthians 5:11-21 Languages: Spanish Tune Title: WITHOUT HIM
Sin Cristo yo no tengo nada
Oh yo quiero andar con Cristo
Author: Charles F. Weigle; H. C. Ball Hymnal: Celebremos Su Gloria #412 (1992) Topics: Relación con Cristo First Line: ¡Oh! yo quiero andar con Cristo Refrain First Line: ¡Oh, yo quiero andar con Cristo! Lyrics: 1 ¡Oh! yo quiero andar con Cristo;
quiero oír su tierna voz,
Meditar en su Palabra,
siempre andar de él en pos.
Consagrar a él mi vida,
cumplir fiel su voluntad,
Y algún día con mi Cristo,
gozaré la claridad.
Coro:
¡Oh, yo quiero andar con Cristo!
¡Oh, yo quiero vivir con Cristo!
¡Oh, yo quiero morir con Cristo!
Quiero serle un testigo fiel.
2 ¡Oh! yo quiero andar con Cristo;
él vivió en santidad;
En la Biblia yo lo leo,
y yo sé que es la verdad.
Cristo era santo en todo,
el Cordero de la cruz;
Quiero ser un fiel cristiano,
seguidor de mi Jesús. [Coro]
3 ¡Oh! yo quiero andar con Cristo,
de mi senda él es la luz;
Dejaré el perverso mundo;
cargaré aquí mi cruz.
Este mundo nada ofrece;
Cristo ofrece salvación,
Y es mi dulce esperanza
gozar vida eterna en Sion. [Coro] Scripture: 2 Peter 3:8-14 Languages: Spanish Tune Title: LAFAYETTE
Oh yo quiero andar con Cristo
William Cowper
1731 - 1800 Topics: Confesión de Cristo; Pasión y Muerte de Cristo Author of "Hay un precioso manantial" in Celebremos Su Gloria William Cowper (pronounced "Cooper"; b. Berkampstead, Hertfordshire, England, 1731; d. East Dereham, Norfolk, England, 1800) is regarded as one of the best early Romantic poets. To biographers he is also known as "mad Cowper." His literary talents produced some of the finest English hymn texts, but his chronic depression accounts for the somber tone of many of those texts. Educated to become an attorney, Cowper was called to the bar in 1754 but never practiced law. In 1763 he had the opportunity to become a clerk for the House of Lords, but the dread of the required public examination triggered his tendency to depression, and he attempted suicide. His subsequent hospitalization and friendship with Morley and Mary Unwin provided emotional stability, but the periods of severe depression returned. His depression was deepened by a religious bent, which often stressed the wrath of God, and at times Cowper felt that God had predestined him to damnation.
For the last two decades of his life Cowper lived in Olney, where John Newton became his pastor. There he assisted Newton in his pastoral duties, and the two collaborated on the important hymn collection Olney Hymns (1779), to which Cowper contributed sixty-eight hymn texts.
Bert Polman
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Cowper, William, the poet. The leading events in the life of Cowper are: born in his father's rectory, Berkhampstead, Nov. 26, 1731; educated at Westminster; called to the Bar, 1754; madness, 1763; residence at Huntingdon, 1765; removal to Olney, 1768; to Weston, 1786; to East Dereham, 1795; death there, April 25, 1800.
The simple life of Cowper, marked chiefly by its innocent recreations and tender friendships, was in reality a tragedy. His mother, whom he commemorated in the exquisite "Lines on her picture," a vivid delineation of his childhood, written in his 60th year, died when he was six years old. At his first school he was profoundly wretched, but happier at Westminster; excelling at cricket and football, and numbering Warren Hastings, Colman, and the future model of his versification. Churchill, among his contemporaries or friends. Destined for the Bar, he was articled to a solicitor, along with Thurlow. During this period he fell in love with his cousin, Theodora Cowper, sister to Lady Hesketh, and wrote love poems to her. The marriage was forbidden by her father, but she never forgot him, and in after years secretly aided his necessities. Fits of melancholy, from which he had suffered in school days, began to increase, as he entered on life, much straitened in means after his father's death. But on the whole, it is the playful, humorous side of him that is most prominent in the nine years after his call to the Bar; spent in the society of Colman, Bonnell Thornton, and Lloyd, and in writing satires for The Connoisseur and St. James's Chronicle and halfpenny ballads. Then came the awful calamity, which destroyed all hopes of distinction, and made him a sedentary invalid, dependent on his friends. He had been nominated to the Clerkship of the Journals of the House of Lords, but the dread of appearing before them to show his fitness for the appointment overthrew his reason. He attempted his life with "laudanum, knife and cord,"—-in the third attempt nearly succeeding. The dark delusion of his life now first showed itself—a belief in his reprobation by God. But for the present, under the wise and Christian treatment of Dr. Cotton (q. v.) at St. Albans, it passed away; and the eight years that followed, of which the two first were spent at Huntingdon (where he formed his lifelong friendship with Mrs. Unwin), and the remainder at Olney in active piety among the poor, and enthusiastic devotions under the guidance of John Newton (q. v.), were full of the realisation of God's favour, and the happiest, most lucid period of his life. But the tension of long religious exercises, the nervous excitement of leading at prayer meetings, and the extreme despondence (far more than the Calvinism) of Newton, could scarcely have been a healthy atmosphere for a shy, sensitive spirit, that needed most of all the joyous sunlight of Christianity. A year after his brother's death, madness returned. Under the conviction that it was the command of God, he attempted suicide; and he then settled down into a belief in stark contradiction to his Calvinistic creed, "that the Lord, after having renewed him in holiness, had doomed him to everlasting perdition" (Southey). In its darkest form his affliction lasted sixteen months, during which he chiefly resided in J. Newton's house, patiently tended by him and by his devoted nurse, Mrs. Unwin. Gradually he became interested in carpentering, gardening, glazing, and the tendance of some tame hares and other playmates. At the close of 1780, Mrs. Unwin suggested to him some serious poetical work; and the occupation proved so congenial, that his first volume was published in 1782. To a gay episode in 1783 (his fascination by the wit of Lady Austen) his greatest poem, The Task, and also John Gilpin were owing. His other principal work was his Homer, published in 1791. The dark cloud had greatly lifted from his life when Lady Hesketh's care accomplished his removal to Weston (1786): but the loss of his dear friend William Unwin lowered it again for some months. The five years' illness of Mrs. Unwin, during which his nurse of old became his tenderly-watched patient, deepened the darkness more and more. And her death (1796) brought “fixed despair," of which his last poem, The Castaway, is the terrible memorial. Perhaps no more beautiful sentence has been written of him, than the testimony of one, who saw him after death, that with the "composure and calmness" of the face there “mingled, as it were, a holy surprise."
Cowper's poetry marks the dawn of the return from the conventionality of Pope to natural expression, and the study of quiet nature. His ambition was higher than this, to be the Bard of Christianity. His great poems show no trace of his monomania, and are full of healthy piety. His fame as a poet is less than as a letter-writer: the charm of his letters is unsurpassed. Though the most considerable poet, who has written hymns, he has contributed little to the development of their structure, adopting the traditional modes of his time and Newton's severe canons. The spiritual ideas of the hymns are identical with Newton's: their highest note is peace and thankful contemplation, rather than joy: more than half of them are full of trustful or reassuring faith: ten of them are either submissive (44), self-reproachful (17, 42, 43), full of sad yearning (1, 34), questioning (9), or dark spiritual conflict (38-40). The specialty of Cowper's handling is a greater plaintiveness, tenderness, and refinement. A study of these hymns as they stood originally under the classified heads of the Olney Hymns, 1779, which in some cases probably indicate the aim of Cowper as well as the ultimate arrangement of the book by Newton, shows that one or two hymns were more the history of his conversion, than transcripts of present feelings; and the study of Newton's hymns in the same volume, full of heavy indictment against the sins of his own regenerate life, brings out the peculiar danger of his friendship to the poet: it tends also to modify considerably the conclusions of Southey as to the signs of incipient madness in Cowper's maddest hymns. Cowper's best hymns are given in The Book of Praise by Lord Selborne. Two may be selected from them; the exquisitely tender "Hark! my soul, it is the Lord" (q. v.), and "Oh, for a closer walk with God" (q. v.). Anyone who knows Mrs. Browning's noble lines on Cowper's grave will find even a deeper beauty in the latter, which is a purely English hymn of perfect structure and streamlike cadence, by connecting its sadness and its aspiration not only with the “discord on the music" and the "darkness on the glory," but the rapture of his heavenly waking beneath the "pathetic eyes” of Christ.
Authorities. Lives, by Hayley; Grimshaw; Southey; Professor Goldwin Smith; Mr. Benham (attached to Globe Edition); Life of Newton, by Rev. Josiah Bull; and the Olney Hymns. The numbers of the hymns quoted refer to the Olney Hymns. [Rev. H. Leigh Bennett, M.A.]
--John Julian, Dictionary of Hymnology (1907)
================
Cowper, W. , p. 265, i. Other hymns are:—
1. Holy Lord God, I love Thy truth. Hatred of Sin.
2. I was a grovelling creature once. Hope and Confidence.
3. No strength of nature can suffice. Obedience through love.
4. The Lord receives His highest praise. Faith.
5. The saints should never be dismayed. Providence. All these hymns appeared in the Olney Hymns, 1779.
--John Julian, Dictionary of Hymnology, Appendix, Part II (1907)
=====================
Cowper, W., p. 265, i. Prof. John E. B. Mayor, of Cambridge, contributed some letters by Cowper, hitherto unpublished, together with notes thereon, to Notes and Queries, July 2 to Sept. 24, 1904. These letters are dated from Huntingdon, where he spent two years after leaving St. Alban's (see p. 265, i.), and Olney. The first is dated "Huntingdon, June 24, 1765," and the last "From Olney, July 14, 1772." They together with extracts from other letters by J. Newton (dated respectively Aug. 8, 1772, Nov. 4, 1772), two quotations without date, followed by the last in the N. & Q. series, Aug. 1773, are of intense interest to all students of Cowper, and especially to those who have given attention to the religious side of the poet's life, with its faint lights and deep and awful shadows. From the hymnological standpoint the additional information which we gather is not important, except concerning the hymns "0 for a closer walk with God," "God moves in a mysterious way," "Tis my happiness below," and "Hear what God, the Lord, hath spoken." Concerning the last three, their position in the manuscripts, and the date of the last from J. Newton in the above order, "Aug. 1773," is conclusive proof against the common belief that "God moves in a mysterious way" was written as the outpouring of Cowper's soul in gratitude for the frustration of his attempted suicide in October 1773.
--John Julian, Dictionary of Hymnology, New Supplement (1907)
William Cowper
William Hunter
1811 - 1877 Person Name: William Hunter (1811-1877) Topics: Jesucristo Alabanza a Cristo Author of "La tierna voz del Salvador" in Himnario Adventista del Séptimo Día Hunter, William, D.D, son of John Hunter, was born near Ballymoney, County Antrim, Ireland, May 26, 1811. He removed to America in 1817, and entered Madison College in 1830. For some time he edited the Conference Journal, and the Christian Advocate. In 1855 he was appointed Professor of Hebrew in Alleghany College: and subsequently Minister of the Methodist Episcopal Church, at Alliance, Stark Country, Ohio. He died in 1877. He edited Minstrel of Zion, 1845; Select Melodies, 1851; and Songs of Devotion, 1859. His hymns, over 125 in all, appeared in these works. Some of these have been translated into various Indian languages. The best known are :—
1. A home in heaven; what a joyful thought. Heaven a Home. From his Minstrel of Zion, 1845, into the Methodist Scholar's Hymn Book, London, 1870, &c.
2. Joyfully, joyfully onward I [we] move. Pressing towards Heaven. This hymn is usually dated 1843. It was given in his Minstrel of Zion, 1845, and Select Melodies, 1851, and his Songs of Devotion, 1859. It has attained to great popularity. Two forms of the hymn are current, the original, where the second stanza begins "Friends fondly cherished, have passed on before"; and the altered form, where it reads: “Teachers and Scholars have passed on before." Both texts are given in W. F. Stevenson's Hymns for Church & Home, 1873, Nos. 79, 80, c.
3. The [My] heavenly home is bright and fair. Pressing towards Heaven. From his Minstrel of Zion, 1845, into the Cottage Melodies, New York, 1859, and later collections.
4. The Great Physician now is near. Christ the Physician. From his Songs of Devotion, 1859
5. Who shall forbid our grateful[chastened]woe? This hymn, written in 1843, was published in his Minstrel of Zion, 1845, and in his Songs of Devotion, 1859. [ Rev. F. M. Bird, M.A.]
--John Julian, Dictionary of Hymnology (1907)
William Hunter
John H. Stockton
1813 - 1877 Person Name: John H. Stockton (1813-1877) Topics: Jesucristo Alabanza a Cristo Composer of "[La tierna voz del Salvador]" in Himnario Adventista del Séptimo Día Stockton, John Hart, a Methodist minister, was born in 1813, and died in 1877. He was a member of the New Jersey Annual Conference of the Methodist Episcopal Church, and the successive pastoral charges that he filled as a member of that Conference are found in the Conference Journal. He was not only a preacher, but a musician and composer of tunes, as well as hymn writer. He published two gospel song books: Salvation Melodies, 1874, and Precious Songs, 1875.
Hymn Writers of the Church by Charles Nutter, 1911
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Stockton, John Hart, b. April 19, 1813, and d. March 25, 1877, was the author of "Come, every soul by sin oppressed" (Invitation), in I.D. Sankey's Sacred Songs and Solos, 1878, and of "The Cross, the Cross, the blood¬stained Cross" (Good Friday) in the same collection.
--John Julian, Dictionary of Hymnology, Appendix, Part II (1907)
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Stockton, John Hart. (New Hope, Pennsylvania, April 19, 1813--March 25, 1877). Born of Presbyterian parents, he was converted at a Methodist camp meeting in 1838, being received into full membership in the New Jersey Conference in 1857. Because of ill health he twice took the "supernumerary relations." He withdrew from actual pastoral work in 1874 and engaged in compiling and publishing gospel hymn books, issuing Salvation Melodies that year and Precious Songs in 1875, writing both words and music for a number of the songs. He died suddenly after attending a Sunday morning service at Arch Street Church, Philadelphia. Our Hymnody, McCutchan, has, perhaps, the fullest account of him readily available.
--Robert G. McCutchan, DNAH Archives
John H. Stockton
