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How Bright Appears the Morning Star

Author: William Mercer; Philipp Nicolai Meter: 8.8.7.8.8.7.4.8.4.8 Appears in 30 hymnals Topics: Biblical Names & Places Jesse; Biblical Names & Places Jesse Lyrics: 1 How bright appears the Morning Star, with mercy beaming from afar; the host of heaven rejoices. O Righteous Branch, O Jesse's Rod, the Son of Man and Son of God! we too will lift our voices: Jesus, Jesus, holy, holy, yet most lowly, come, draw near us; great Immanuel, come and hear us. 2 Though circled by the hosts on high, he deigned to cast a pitying eye upon his helpless creature. The whole creation's head and Lord, by highest seraphim adored, assumed our very nature; Jesus, grant us, through your merit, to inherit your salvation. Hear, O hear our supplication. 3 Rejoice, O heavens, and earth, reply; with praise, O sinners, fill the sky for this, his incarnation. Incarnate God, put forth your power, ride on, ride on, great Conqueror, till all know your salvation. Amen, amen! Alleluia, alleluia! Praise be given evermore by earth and heaven. Scripture: Revelation 22:16 Used With Tune: WIE SCHÖN LEUCHTET

All Glory, Laud, and Honor

Author: Theodulph of Orleans ; John M. Neale Meter: 7.6.7.6.7.6.7.6 Appears in 598 hymnals Topics: Biblical Names & Places David; Biblical Names & Places David Lyrics: 1 All glory, laud, and honor to you, Redeemer, King, to whom the lips of children made sweet hosannas ring. You are the King of Israel and David's royal Son, now in the Lord's name coming, the King and Blessed One. 2 The company of angels is praising you on high; and we with all creation in chorus make reply. The people of the Hebrews with palms before you went; our praise and prayer and anthems before you we present. 3 To you before your passion they sang their hymns of praise; to you, now high exalted, our melody we raise. As you received their praises, accept the prayers we bring, for you delight in goodness, O good and gracious King! Scripture: Matthew 21:1-17 Used With Tune: ST. THEODULPH

What Shall I Render to the LORD

Meter: 8.8.8.8 Appears in 18 hymnals Topics: Biblical Names and Places Jerusalem Lyrics: 1 What shall I render to the LORD for all his benefits to me? How shall my life, by grace restored, give worthy thanks, O LORD, to thee? 2 Salvation's cup of blessing now I take and call upon God's name. Before his saints I pay my vow and here my gratitude proclaim. 3 His saints the LORD delights to save; their death is precious in his sight. He has redeemed me from the grave, and in his service I delight. 4 With thankful heart I offer now my gift and call upon God's name. Before his saints I pay my vow and here my gratitude proclaim. 5 Within his house, the house of prayer, I dedicate myself to God. Let all his saints his grace declare and join to sound his praise abroad. Scripture: Psalm 116 Used With Tune: ROCKINGHAM Text Sources: Psalter, 1912, alt.

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Tunes

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ES IST EIN' ROS' ENTSPRUNGEN

Meter: 7.6.7.6.6.7.6 Appears in 168 hymnals Composer and/or Arranger: Michael Praetorius Topics: Biblical Names and Places Isaiah; Biblical Names and Places Jesse Tune Sources: Alte Catholische Geistliche Kirchengesäng, Cologne, 1599 Tune Key: F Major Incipit: 55565 53432 17155 Used With Text: Lo, How a Rose E'er Blooming

ADESTE FIDELES

Meter: Irregular Appears in 1,310 hymnals Composer and/or Arranger: John Francis Wade Topics: Biblical Names & Places Bethlehem; Biblical Names & Places Bethlehem Tune Sources: Hymns Ancient and Modern Revised (desc.) Tune Key: G Major Incipit: 11512 55323 43211 Used With Text: O Come, All Ye Faithful

ST. THEODULPH

Meter: 7.6.7.6.7.6.7.6 Appears in 572 hymnals Composer and/or Arranger: Melchior Teschner; Johann S. Bach, 1685-1750; Randall De Bruyn Topics: Biblical Names & Places David; Biblical Names & Places David Tune Key: B Flat Major Incipit: 15567 11321 17151 Used With Text: All Glory, Laud, and Honor

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Instances

Published text-tune combinations (hymns) from specific hymnals

Songs of Thankfulness and Praise

Author: Christopher Wordsworth Hymnal: Voices United #101 (1996) Meter: 7.7.7.7 D Topics: Biblical Places Bethlehem; Biblical Places Jordan Lyrics: 1 Songs of thankfulness and praise, Jesus Christ, to you we raise, manifested by the star, to the sages from afar; branch of royal David's stem in your birth at Bethlehem; anthems be to you addressed God in flesh made manifest. 2 Manifest at Jordan's stream, Prophet, Priest and King supreme; and at Cana wedding-guest in your Godhead manifest; manifest in power divine, changing water into wine: anthems be to you addressed God in flesh made manifest. 3 Manifest in making whole palsied limbs and fainting soul; manifest in valiant fight, quelling all the devil's might; manifest in gracious will, ever bringing good from ill: anthems be to you addressed God in flesh made manifest. 4 Grant us grace to see you, Lord, mirrored in your holy Word; with your grace our lives endow, grace to imitate you now, that we like to you may be at your great epiphany; anthems be to you addressed God in flesh made manifest. Languages: English Tune Title: SALZBURG (HINTZE)

Angels We Have Heard on High (Les anges dans nos campagnes_

Author: James Chadwick Hymnal: Voices United #38 (1996) Meter: 7.7.7.7 with refrain Topics: Biblical Places Bethlehem First Line: Les anges dans nos campagnes (Angels we have heard on high) Refrain First Line: Gloria in excelsis Deo Lyrics: 1 Les anges dans nos campagnes ont entonné l'hymne des cieux; et l'écho de nos montagnes redit ce chant mélodieux. [Refrain:] Gloria, in excelsis Deo! Gloria, in excelsis Deo! 2 Bergers, pour qui cette fête? Quel est l'objet de tous ces chants? Quel vainqueur, quelle conquête mérite ces cris triomphants? [Refrain] 3 Ils annoncent la naissance du libérateur d'Israël, et pleins de reconnaissance chantent en ce jour solennel. [Refrain] 1 Angels we have heard on high sweetly singing o'er the plains, and the mountains in reply, echoing their joyous strains. [Refrain:] Gloria in excelsis Deo! Gloria in excelsis Deo! 2 Shepherds, why this jubilee? Why your joyous strains prolong? What the gladsome tidings be which inspire your heavenly song? [Refrain] 3 Come to Bethlehem and see Christ whose birth the angels sing; come, adore on bended knee Christ, the Lord, the newborn King. [Refrain] 4 See him in a manger laid, whom the choirs of angels praise; Mary, Joseph, lend your aid, while our hearts in love we raise. [Refrain] Languages: English; French Tune Title: GLORIA

O Sons and Daughters, Let Us Sing

Author: Jean Tisserand; John Mason Neale Hymnal: Voices United #170 (1996) Meter: 8.8.8 with alleluias Topics: Biblical Places Galilee First Line: O sons and daughters, let us sing! Refrain First Line: Hallelujah! Hallelujah! Lyrics: Hallelujah! Hallelujah! Hallelujah! 1 O sons and daughters, let us sing! The King of heaven, the glorious King, o'er death and hell rose triumphing. Hallelujah! Hallelujah! 2 That Easter morn, at break of day, the faithful women went their way to seek the tomb where Jesus lay: Hallelujah! Hallelujah! 3 An angel clad in white they see, who sat and spoke unto the three, "Your Lord doth go to Galilee." Hallelujah! Hallelujah! 4 That night the apostles met in fear; amidst them came their Lord most dear, and said, "My peace be on all here." Hallelujah! Hallelujah! 5 So, on this holy day of days, with faith in God our voices raise, in laud and jubilee and praise. Hallelujah! Hallelujah! [Additional verses for the Second Sunday of Easter:] 1 When Thomas first the tidings heard, how they had seen the risen Lord, he doubted the disciples' word. Hallelujah! Hallelujah! 2 "My piercèd side, O Thomas, see; my hands, my feet, I show to thee; not faithless, but believing be." Hallelujah! Hallelujah! 3 No longer Thomas then denied; he saw the feet, the hands, the side; "Thou art my Lord and God," he cried. Hallelujah! Hallelujah! 4 How blest are they who have not seen, and yet whose faith has constant been, for they eternal life shall win. Hallelujah! Hallelujah! Languages: English Tune Title: O FILII ET FILIAE

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People

Authors, composers, editors, etc.

W. H. Havergal

1793 - 1870 Topics: Biblical Places Jordan Arranger of "WINCHESTER NEW" in Voices United Havergal, William Henry, M.A, son of William Havergal, was born at High Wycombe, Buckinghamshire, 1793, and was educated at St. Edmund's Hall, Oxford (B.A. 1815, M.A. 1819). On taking Holy Orders he became in 1829 Rector of Astley, Worcestershire; in 1842, Rector of St. Nicholas, Worcester; and in 1860, Rector of Shareshill, near Wolverhampton. He was also Hon. Canon in Worcester Cathedral from 1845. He died April 18, 1870. His hymns, about 100 in all, were in many instances written for special services in his own church, and printed as leaflets. Several were included in W. Carus Wilson's Book of General Psalmody, 1840 (2nd ed., 1842); and in Metrical Psalms & Hymns for Singing in Churches, Worcester, Deighton, 1849, commonly known as the Worcester Diocesan Hymn Book, and of which he was the Editor. In Life Echoes, 1883, his hymns are given with those of Miss Havergal. Of those in common use the greater part are in Mercer, and Snepp's Songs of Grace & Glory. Although his hymns are all good, and two or three are excellent, it is not as a hymnwriter but as a musician that Canon Havergal is best known. His musical works and compositions included, in addition to numerous individual hymn tunes and chants, the Gresham Prize Service, 1836; the Gresham Prize Anthem, 1845; Old Church Psalmody, 1849; History of the Old 100th Psalm tune, 1854, &c. He also reprinted Ravenscroft’s Psalter of 1611. His hymns in common use include:— 1. Blessed Jesus, lord and Brother. School Festivals, 1833. Published in Life Echoes, 1883. 2. Brighter than meridian splendour. Christ the glory of His Church. 1830. Published in W. C. Wilson's Book of General Psalms, 1840; the Worcester Psalms & Hymns, 1849, &c. 3. Christians, awake to joy and praise. Christmas Carol, c. 1860. Printed on broadsheet, with music by the author, and sold on behalf of the Lancashire Cotton Distress Fund. 4. Come, Shepherds, come, 'tis just a year. Christmas Carol. 1860. Published in Snepp's Songs of Grace & Glory, 5. For ever and for ever, Lord. Missions, 1866, for the Church Mission Society. Published in Snepp's Songs of Grace & Glory, 1872, and the Life Echoes, 1883. 6. Hallelujah, Lord, our voices. Sunday. 1828. Published in W. C. Wilson's Book of General Psalms, 1840; the Worcester Psalms & Hymns, 1849; Life Echoes, 1883, &c. 7. Heralds of the Lord of glory. Missions. First sung in Astley Church, Sep. 23, 1827. Published in Miss Havergal's Starlight through the Shadows, 1880; Snepp's Songs of Grace & Glory, 1872, &c. 8. Hosanna, raise the pealing hymn. Praise to Christ, 1833, and first sung in Astley Church, June 9, 1833. Published in W. C. Wilson's Book of General Psalmody, 1840; the Worcester Psalms & Hymns, 1849; Life Echoes 1883, &c. 9. How vast the field of souls. Missions. 1858. Printed for Shareshill Church Miss. Anniversary, 1863, and published in Snepp's Songs of Grace & Glory, 1872, and the Life Echoes, 1883. 10. In doubt and dread dismay. Missions. Written in 1837, and published in W. C. Wilson's Book of General Psalmody, 1840; the Worcester Psalms & Hymns, 1849, &c. 11. Jerusalem the golden, The home of saints shall be. Heaven. Published in Life Echoes, 1883. 12. My times are in Thy hand, Their best, &c. 1860. Published in Snepp's Songs of Grace & Glory, 1872, the Records of the author's life and work, and Life Echoes, 1883. The editor of the Records says (p. 159) "this hymn has been much appreciated, and well illustrates the devotional and cheerful spirit of the writer." 13. No dawn of holy light. Sunday. 1825. Printed in 1831 on a leaflet, and published in W. C. Wilson's Book of General Psalmody, 1840; the Worcester Psalms & Hymns, 1849; Life Echoes, 1883, &c. 14. Our faithful God hath sent us. Harvest. Written at Shareshill in 1863, for a Harvest Festival. Published in Snepp's Songs of Grace & Glory 1872, and Life Echoes, 1883. 15. Shout, 0 earth! from silence waking. Praise to Jesus for Redemption. 1841. Published in the Worcester Psalms & Hymns, 1849; Snepp's Songs of Grace & Glory, 1872, &c. 16. So happy all the day. Christmas Carol, c. 1834. Published in Snepp's Songs of Grace & Glory, 1872. 17. Soon the trumpet of salvation. Missions. 1826. Published in Snepp's Songs of Grace & Glory, 1872. 18. To praise our Shepherd's [Saviour's] care. The Good Shepherd. Written after witnessing the death of Elizabeth Edwards, aged 12, of St. Nicholas, Worcester, and printed as a leaflet. Published in W. C. Wilson's Book of General Psalmody, 1840; the Worcester Psalms & Hymns, 1849; Life Echoes, &c, 1883. The author also published a Memoir of the child. 19. Widely 'midst the slumbering nations. Missions. 1828. Published in the Worcester Psalms & Hymns, 1849; Snepp's Songs of Grace & Glory, 1872, &c. In addition to these hymns, his carols, "How grand, and how bright," "Our festal morn is come," and others are annotated under their respective first lines. Most of these carols and hymns were reprinted in Christmas Carols & Sacred Songs, Chiefly by the Rev. W. H. Havergal, London, Nisbet, 1869. --John Julian, Dictionary of Hymnology (1907) ===================== Havergal, W. H., p. 498, i. Other hymns are: — 1. Lord, if judgments now are waking. Second Advent. Published in W. Carus Wilson's Book of General Psalmody, 1840; in Kennedy, 1863, &c. 2. Remember, Lord, Thy word of old displayed. Missions. "Composed for a special prayer-meeting for missionary labourers, held in the author's schoolroom, in the parish of St. Nicholas's, Worcester." (W. F. Stevenson's Hymns for Church and Home, 1873, where the original text is also given.) It must be noted that No. 17, at p. 498, ii., "Soon the trumpet of salvation," was first published in A Collection of Original Airs adapted to Hymns, &c, 1826. --John Julian, Dictionary of Hymnology, Appendix, Part II (1907)

John Chandler

1806 - 1876 Topics: Biblical Places Jordan Translator of "On Jordan's Bank the Baptist's Cry" in The Worshiping Church John Chandler, one of the most successful translators of hymns, was born at Witley in Surrey, June 16, 1806. He was educated at Corpus Christi College, Oxford, B.A. 1827, M.A. 1830. Ordained deacon in 1831 and priest in 1832, he succeeded his father as the patron and vicar of Whitley, in 1837. His first volume, entitled The Hymns of the Primitive Church, now first Collected, Translated and Arranged, 1837, contained 100 hymns, for the most part ancient, with a few additions from the Paris Breviary of 1736. Four years later, he republished this volume under the title of hymns of the Church, mostly primitive, collected, translated and arranged for public use, 1841. Other publications include a Life of William of Wykeham, 1842, and Horae sacrae: prayers and meditations from the writings of the divines of the Anglican Church, 1854, as well as numerous sermons and tracts. Chandler died at Putney on July 1, 1876. --The Hymnal 1940 Companion =============== Chandler, John, M.A.,one of the earliest and most successful of modern translators of Latin hymns, son of the Rev. John F. Chandler, was born at Witley, Godalming, Surrey, June 16, 1806, and educated at Corpus Christi College, Oxford, where he graduated in 1827. He took Holy Orders in 1831, and became Vicar of Witley in 1837. He died at Putney, July 1, 1876. Besides numerous Sermons and Tracts, his prose works include Life of William of Wykeham, 1842; and Horae Sacrae; Prayers and Meditations from the writings of the Divines of the Anglican Church, with an Introduction, 1844. His translations, he says, arose out of his desire to see the ancient prayers of the Anglican Liturgy accompanied by hymns of a corresponding date of composition, and his inability to find these hymns until he says, "My attention was a short time ago directed to some translations [by Isaac Williams] which appeared from time to time in the British Magazine, very beautifully executed, of some hymns extracted from the Parisian Breviary,with originals annexed. Some, indeed, of the Sapphic and Alcaic and other Horatian metres, seem to be of little value; but the rest, of the peculiar hymn-metre, Dimeter Iambics, appear ancient, simple, striking, and devotional—in a word in every way likely to answer our purpose. So I got a copy of the Parisian Breviary [1736], and one or two other old books of Latin Hymns, especially one compiled by Georgius Cassander, printed at Cologne, in the year 1556, and regularly applied myself to the work of selection and translation. The result is the collection I now lay before the public." Preface, Hymns of the Primitive Church, viii., ix. This collection is:— (1) The Hymns of the Primitive Church, now first Collected, Translated, and Arranged, by the Rev. J. Chandler. London, John W. Parker, 1837. These translations were accompanied by the Latin texts. The trsanslations rearranged, with additional translations, original hymns by Chandler and a few taken from other sources, were republished as (2) The Hymns of the Church, mostly Primitive, Collected, Translated, and Arranged/or Public Use, by the Rev. J. Chandler, M.A. London, John W. Parker, 1841. From these works from 30 to 40 translations have come gradually into common use, some of which hold a foremost place in modern hymnals, "Alleluia, best and sweetest;" "Christ is our Corner Stone;" "On Jordan's bank the Baptist's cry;" "Jesus, our Hope, our hearts' Desire;" "Now, my soul, thy voice upraising;" "Once more the solemn season calls;" and, "O Jesu, Lord of heavenly grace;" being those which are most widely used. Although Chandler's translations are somewhat free, and, in a few instances, doctrinal difficulties are either evaded or softened down, yet their popularity is unquestionably greater than the translations of several others whose renderings are more massive in style and more literal in execution. --John Julian, Dictionary of Hymnology (1907)

John Goss

1800 - 1880 Topics: Biblical Places Bethlehem Composer of "SEE AMID THE WINTER'S SNOW" in Voices United John Goss (b. Fareham, Hampshire, England, 1800; d. London, England, 1880). As a boy Goss was a chorister at the Chapel Royal and later sang in the opera chorus of the Covent Garden Theater. He was a professor of music at the Royal Academy of Music (1827-1874) and organist of St. Paul Cathedral, London (1838-1872); in both positions he exerted significant influence on the reform of British cathedral music. Goss published Parochial Psalmody (1826) and Chants, Ancient and Modern (1841); he edited William Mercer's Church Psalter and Hymn Book (1854). With James Turle he published a two-volume collection of anthems and Anglican service music (1854). Bert Polman

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