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Señor, en Ti yo creo
Author: Juan Bautista Cabrera, 1837-1916 Meter: 7.6.7.6.7.6.7.6 Appears in 11 hymnals Topics: Santo Bautismo Lyrics: 1 Señor, en Ti yo creo
Y siempre creeré;
En mi alma harás que brille
La antorcha de la fe.
Al cielo ¡cuántas veces
Alcé en mi aflicción
La vista, y dulce alivio
Bajaba al corazón!
2 Es grato, si sufrimos
En horas de ansiedad,
Saber que desde el cielo
Nos miras con piedad;
Que cuentas nuestras penas,
Que ves el gran dolor,
Que escuchas nuestros ayes
Y envías tu favor.
3 ¡Señor, bendito seas,
Bendito veces mil!
Pues, aunque el mundo artero
Su red nos arma hostil,
En nuestro pecho enciendes
La llama de la fe,
Y mundo y red podemos
Hollar con nuestro pie.
4 La fe que al hombre anima,
Tu más precioso don,
Es luz en las tinieblas,
Alivio en la aflicción,
Amparo al desvalido,
Al náufrago salud,
Tesoro de alegrías,
Cimiento a la virtud.
5 Por eso yo te adoro,
Por eso creo en Ti,
De quien favores tantos
Sin precio recibí
Confirma y acrecienta,
Señor, mi humilde fe;
Y cual soy tuyo ahora,
Por siempre lo seré.
Used With Tune: ANGEL'S STORY
Señor, en Ti yo creo
Yo Quiero Ser, Señor Amado (I Want to Be Remade in God's Grace)
Author: Anónima; Ronald F. Krisman, n. 1946 Appears in 1 hymnal Topics: Ritos de la Iglesia Christiana/Bautismo First Line: Gracias quiero darte por amarme (Thank you, God most holy) Scripture: Psalm 34:5 Used With Tune: VASO NUEVO
Yo Quiero Ser, Señor Amado (I Want to Be Remade in God's Grace)
Que mi vida entera esté
Author: Vicente Mendoza, 1875-1955; Frances Ridley Havergal, 1836-1879 Meter: 7.7.7.7 Appears in 36 hymnals Topics: Santo Bautismo Lyrics: 1 Que mi vida entera esté
Consagrada a Ti, Señor;
Que a mis manos pueda guiar
El impulso de tu amor.
2 Que mis pies tan sólo en pos
De lo santo puedas ir;
Y que a Ti, Señor, mi voz
Se complazca en bendecir.
3 Que mis labios, al hablar,
Hablen sólo de tu amor;
Que mis bienes dedicar
Yo los quiera a Ti,Señor.
4 Que mi tiempo todo esté
Consagrado a tu loor;
Que mi mente y su poder
Sean usados en tu honor.
5 Toma, ¡oh Dios!, mi voluntad,
Y hazla tuya nada más;
Toma, sí, mi corazón
Y tu trono en él tendrás.
Amén. Used With Tune: PATMOS
Que mi vida entera esté
RESIGNATION
Meter: 8.6.8.6 D Appears in 100 hymnals Composer and/or Arranger: John L. Bell, b. 1949 Topics: Ritos de la Iglesia Christiana/Bautismo Tune Sources: Funk's Compilation of Genuine Church Music, 1832 Tune Key: B Flat Major Incipit: 13532 35165 31351 Used With Text: My Shepherd, you Supply My Need (Señor, Tú Eres Mi Pastor)
RESIGNATION
WINCHESTER NEW
Meter: 8.8.8.8 Appears in 387 hymnals Topics: Bautismo del Señor Tune Sources: Musikalisches Handbuch, Hamburg, 1690, adapt. Tune Key: A Major Incipit: 51566 54334 32554 Used With Text: On Jordan's Banks (Junto al Jordán)
WINCHESTER NEW
Nueva Vida
Author: Cesáreo Gabaráin, 1936-1991 Hymnal: Flor Y Canto (2nd ed.) #512 (2001) Topics: Ritos de la Iglesia Bautismo First Line: Por medio del bautismo renacemos Refrain First Line: Una nueva vida Languages: Spanish Tune Title: [Por medio del bautismo renacemos]
Nueva Vida
Nueva Vida
Author: Cesáreo Gabaráin, 1936-1991 Hymnal: Flor y Canto (3rd ed.) #464 (2011) Topics: Iniciación Cristiana Bautismo First Line: Por media del bautismo renacemos Refrain First Line: Una nueva vida Languages: Spanish Tune Title: [Por media del bautismo renacemos]
Nueva Vida
El bautismo del Señ</Font>or
Author: Joel N. Martínez Hymnal: Mil Voces para Celebrar #126 (1996) Topics: Año Cristiano Bautismo del Señor First Line: Oh Dios, al pasearte sobre las aguas Languages: Spanish
El bautismo del Señor
Edwin Hatch
1835 - 1889 Person Name: Edwin Hatch, 1835-1889 Topics: Ritos de la Iglesia Christiana/Bautismo Author of "O Breathe on Me, O Breath of God (Espíritu Consolador)" in Oramos Cantando = We Pray In Song Hatch, Edwin, D.D., was born at Derby, Sep. 4, 1835, and educated at Pembroke College, Oxford, B.A., in honours, in 1857. After holding important appointments in Canada, he returned to England and became Vice-Principal of St. Mary Hall, Oxford, 1867; and Rector of Purleigh, 1883. (See also Crockford). He died Nov. 10, 1889. His hymn-writing was limited. One, and that a very spirited lyric, is in Allon's Congregational Psalmist Hymnal, 1886 "Breathe on me, Breath of God." (Whitsuntide.) Dr. Hatch's hymns were published in his posthumous Towards Fields of Light, London 1890.
--John Julian, Dictionary of Hymnology, Appendix, Part II (1907)
Edwin Hatch
Johann Sebastian Bach
1685 - 1750 Person Name: J. S. Bach, 1685-1750 Topics: Bautismo del Señor Harmonizer of "SALZBURG" in Oramos Cantando = We Pray In Song Johann Sebastian Bach was born at Eisenach into a musical family and in a town steeped in Reformation history, he received early musical training from his father and older brother, and elementary education in the classical school Luther had earlier attended.
Throughout his life he made extraordinary efforts to learn from other musicians. At 15 he walked to Lüneburg to work as a chorister and study at the convent school of St. Michael. From there he walked 30 miles to Hamburg to hear Johann Reinken, and 60 miles to Celle to become familiar with French composition and performance traditions. Once he obtained a month's leave from his job to hear Buxtehude, but stayed nearly four months. He arranged compositions from Vivaldi and other Italian masters. His own compositions spanned almost every musical form then known (Opera was the notable exception).
In his own time, Bach was highly regarded as organist and teacher, his compositions being circulated as models of contrapuntal technique. Four of his children achieved careers as composers; Haydn, Mozart, Beethoven, Mendelssohn, Schumann, Brahms, and Chopin are only a few of the best known of the musicians that confessed a major debt to Bach's work in their own musical development. Mendelssohn began re-introducing Bach's music into the concert repertoire, where it has come to attract admiration and even veneration for its own sake.
After 20 years of successful work in several posts, Bach became cantor of the Thomas-schule in Leipzig, and remained there for the remaining 27 years of his life, concentrating on church music for the Lutheran service: over 200 cantatas, four passion settings, a Mass, and hundreds of chorale settings, harmonizations, preludes, and arrangements. He edited the tunes for Schemelli's Musicalisches Gesangbuch, contributing 16 original tunes. His choral harmonizations remain a staple for studies of composition and harmony. Additional melodies from his works have been adapted as hymn tunes.
--John Julian, Dictionary of Hymnology (1907)
Johann Sebastian Bach
Ralph Vaughan Williams
1872 - 1958 Person Name: Ralph Vaughan Williams, 1872-1958 Topics: Ritos de la Iglesia Christiana/Bautismo Harmonizer of "KINGSFOLD" in Oramos Cantando = We Pray In Song Through his composing, conducting, collecting, editing, and teaching, Ralph Vaughan Williams (b. Down Ampney, Gloucestershire, England, October 12, 1872; d. Westminster, London, England, August 26, 1958) became the chief figure in the realm of English music and church music in the first half of the twentieth century. His education included instruction at the Royal College of Music in London and Trinity College, Cambridge, as well as additional studies in Berlin and Paris. During World War I he served in the army medical corps in France. Vaughan Williams taught music at the Royal College of Music (1920-1940), conducted the Bach Choir in London (1920-1927), and directed the Leith Hill Music Festival in Dorking (1905-1953). A major influence in his life was the English folk song. A knowledgeable collector of folk songs, he was also a member of the Folksong Society and a supporter of the English Folk Dance Society. Vaughan Williams wrote various articles and books, including National Music (1935), and composed numerous arrangements of folk songs; many of his compositions show the impact of folk rhythms and melodic modes. His original compositions cover nearly all musical genres, from orchestral symphonies and concertos to choral works, from songs to operas, and from chamber music to music for films. Vaughan Williams's church music includes anthems; choral-orchestral works, such as Magnificat (1932), Dona Nobis Pacem (1936), and Hodie (1953); and hymn tune settings for organ. But most important to the history of hymnody, he was music editor of the most influential British hymnal at the beginning of the twentieth century, The English Hymnal (1906), and coeditor (with Martin Shaw) of Songs of Praise (1925, 1931) and the Oxford Book of Carols (1928).
Bert Polman
Ralph Vaughan Williams
