Search Results

主耶穌，我愛祢名 (Thy name we love, Lord Jesus)

Meter: 7.7.8.7 D Appears in 2 hymnals Hymnal Title: Small Church Music Used With Tune: ST MICHAELS Text Sources: Hymnary, 1984 - 聖徒詩歌

Appears in 189 hymnals Composer and/or Arranger: Johann M. Haydn Hymnal Title: Sheng tu shi ge = Hymnary (聖徒詩歌) Incipit: 55435 43243 16217 Used With Text: 主耶穌，我愛祢名 (Thy name we love, Lord Jesus)

Instances

Published text-tune combinations (hymns) from specific hymnals

主耶穌，我愛祢名 (Thy name we love, Lord Jesus)

Author: W. Yerbury Hymnal: Sheng tu shi ge = Hymnary (聖徒詩歌) #162 (1984) Hymnal Title: Sheng tu shi ge = Hymnary (聖徒詩歌) First Line: 主耶穌，我愛你名！謙卑俯伏在你前 Languages: Chinese Tune Title: [Thy name we love Lord Jesus]

主耶穌，我愛祢名 (Thy name we love, Lord Jesus)

Hymnal: Small Church Music #4998 Meter: 7.7.8.7 D Hymnal Title: Small Church Music Languages: Chinese Tune Title: ST MICHAELS

People

Authors, composers, editors, etc.

W. Yerbury

? - 1863 Hymnal Title: Sheng tu shi ge = Hymnary (聖徒詩歌) Author of "主耶穌，我愛祢名 (Thy name we love, Lord Jesus)" in Sheng tu shi ge = Hymnary (聖徒詩歌) Yerbury, W. His Hymns and Poems for Believers, were published posthumously (so the Preface) but without date. One or two hymns therefrom are in the hymnals of the Plymouth Brethren, including the first, "Thy Name we love, Lord Jesus." (The Name of Jesus). --John Julian, Dictionary of Hymnology, Appendix, Part II (1907)

Michael Haydn

1737 - 1806 Person Name: Johann M. Haydn Hymnal Title: Sheng tu shi ge = Hymnary (聖徒詩歌) Composer of "[Thy name we love Lord Jesus]" in Sheng tu shi ge = Hymnary (聖徒詩歌) Johann Michael Haydn Austria 1737-1806. Born at Rohrau, Austria, the son of a wheelwright and town mayor (a very religious man who also played the harp and was a great influence on his sons' religious thinking), and the younger brother of Franz Joseph Haydn, he became a choirboy in his youth at the Cathedral of St. Stephen in Vienna, as did his brother, Joseph, an exceptional singer. For that reason boys both were taken into the church choir. Michael was a brighter student than Joseph, but was expelled from music school when his voice broke at age 17. The brothers remained close all their lives, and Joseph regarded Michael's religious works superior to his own. Michael played harpsichord, violin, and organ, earning a precarious living as a freelance musician in his early years. In 1757 he became kapellmeister to Archbishop, Sigismund of Grosswardein, in Hungary, and in 1762 concertmaster to Archbishop, Hieronymous of Salzburg, where he remained the rest of his life (over 40 years), also assuming the duties of organist at the Church of St. Peter in Salzburg, presided over by the Benedictines. He also taught violin at the court. He married the court singer, Maria Magdalena Lipp in 1768, daughter of the cathedral choir-master, who was a very pious women, and had such an affect on her husband, trending his inertia and slothfulness into wonderful activity. They had one daughter, Aloysia Josepha, in 1770, but she died within a year. He succeeded Wolfgang Amadeus Mozart, an intimate friend, as cathedral organist in 1781. He also taught music to Carl Maria von Weber. His musical reputation was not recognized fully until after World War II. He was a prolific composer of music, considered better than his well-known brother at composing religious works. He produced some 43 symphonies,12 concertos, 21 serenades, 6 quintets, 19 quartets, 10 trio sonatas, 4 due sonatas, 2 solo sonatas, 19 keyboard compositions, 3 ballets, 15 collections of minuets (English and German dances), 15 marches and miscellaneous secular music. He is best known for his religious works (well over 400 pieces), which include 47 antiphons, 5 cantatas, 65 canticles, 130 graduals, 16 hymns, 47 masses, 7 motets, 65 offertories, 7 oratorios, 19 Psalms settings, 2 requiems, and 42 other compositions. He also composed 253 secular vocals of various types. He did not like seeing his works in print, and kept most in manuscript form. He never compiled or cataloged his works, but others did it later, after his death. Lothar Perger catalogued his orchestral works in 1807 and Nikolaus Lang did a biographical sketch in 1808. In 1815 Anton Maria Klafsky cataloged his sacred music. More complete cataloging has been done in the 1980s and 1990s by Charles H Sherman and T Donley Thomas. Several of Michael Haydn's works influenced Mozart. Haydn died at Salzburg, Austria. John Perry