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Text Identifier:"^we_come_lord_to_thy_feet$"

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We come, Lord, to Thy feet

Meter: 6.6.8.6 Appears in 27 hymnals Matching Instances: 27 Lyrics: 1 We come, Lord, to Thy feet, On this Thy holy day: O come to us, while here we meet To learn, and praise, and pray. 2 Our many sins forgive; The Holy Spirit send! And teach us to begin to live The life that knows no end. 3 Lord, fill our hearts with love; Our teachers' labors own; That we and they may meet above, To sing before Thy Throne. Topics: Worship Opening Used With Tune: FRANCONIA

Tunes

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FRANCONIA

Meter: 6.6.8.6 Appears in 218 hymnals Matching Instances: 1 Tune Sources: Lutheran, ab. 1720 Tune Key: E Flat Major Incipit: 12345 35614 32517 Used With Text: We come, Lord, to Thy feet
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[We come, Lord, to Thy feet]

Meter: 6.6.8.6 Appears in 25 hymnals Matching Instances: 1 Composer and/or Arranger: C. Warwick Jordan, Mus. Doc. Tune Key: D Major Incipit: 55317 65342 34 Used With Text: We come, Lord, to Thy feet
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MAXWELL

Appears in 2 hymnals Matching Instances: 1 Composer and/or Arranger: Jay Deavereaux Incipit: 13343 45465 12343 Used With Text: We Come, Lord, to Thy Feet

Instances

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Published text-tune combinations (hymns) from specific hymnals
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We Come, Lord, to Thy Feet

Hymnal: The Friends' Hymnal, a Collection of Hymns and Tunes for the Public Worship of the Society #a652 (1908) Languages: English Tune Title: MAXWELL
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We Come, Lord, to Thy Feet

Hymnal: Primary School Carols #1 (1914) Languages: English Tune Title: [We come, Lord, to Thy feet]
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We come, Lord, to thy feet

Hymnal: The Children's Hymnal with Tunes #17 (1877)

People

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Authors, composers, editors, etc.

Peter Abelard

1079 - 1142 Person Name: P. Abelard Composer (attributed to) of "GILDAS" in The Church Hymnal Abelard, Peter, born at Pailais, in Brittany, 1079. Designed for the military profession, he followed those of philosophy and theology. His life was one of strange chances and changes, brought about mainly through his love for Heloise, the niece of one Fulbert, a Canon of the Cathedral of Paris, and by his rationalistic views. Although a priest, he married Heloise privately. He was condemned for heresy by the Council of Soissons, 1121, and again by that of Sens, 1140; died at St. Marcel, near Chalons-sur-Saône, April 21, 1142. For a long time, although his poetry had been referred to both by himself and by Heloise, little of any moment was known except the Advent hymn, Mittit ad Virginem, (q.v.). In 1838 Greith published in his Spicihgium Vaticanum, pp. 123-131, six poems which had been discovered in the Vatican. Later on, ninety-seven hymns were found in the Royal Library at Brussels, and pub. in the complete edition of Abelard's works, by Cousin, Petri Abelardi Opp., Paris, 1849. In that work is one of his best-known hymns, Tuba Domini, Paule, maxima (q.v.). Trench in his Sacra Latina Poetry, 1864, gives his Ornarunt terram germina (one of a series of poems on the successive days' work of the Creation), from Du Meril's Poesies Popul. Lat. du Moyen Age, 1847, p. 444. -John Julian, Dictionary of Hymnology (1907)

C. Warwick Jordan

1840 - 1909 Person Name: C. Warwick Jordan, Mus. Doc. Composer of "[We come, Lord, to Thy feet]" in The Hymnal, Revised and Enlarged, as adopted by the General Convention of the Protestant Episcopal Church in the United States of America in the year of our Lord 1892 Born: January 27, 1841, Bristol, Gloucester, England. Died: August 30, 1909, Hayward’s Heath, Sussex, England. Cremated: Golders Green, London, England. Jordan began his musical career as a chorister, first at Bristol Cathedral and later at St. Paul’s Cathedral. He was educated at Oxford (BMus 1869), and received the Lambeth degree of Doctor of Music in 1886. A champion of plainsong, he was an honorary organist of the London Gregorian Association, where he took a prominent part in the annual festivals at St. Paul’s Cathedral. He was a professor of organ and harmony at the Guildhall School of Music, and an honorary fellow, examiner and treasurer of the Royal College of Organists. Jordan held organist positions at St. Paul’s, Bunhill Row (1857); St. Luke’s Holloway (1860); and from 1866 until his death at St. Stephen’s Church, Lewisham (where he was also choir master). His works include: One Hundred and Fifty Harmonies (London: Novello, Ewer & Company, 1880) --www.hymntime.com/tch

Jay Deavereaux

Composer of "MAXWELL" in Gloria Deo