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Text Identifier:"^until_he_come_like_music_tones$"

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Until He come! like music tones

Author: Anon. Appears in 2 hymnals Hymnal Title: Songs for the Service of Prayer Used With Tune: BRADFORD

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BRADFORD

Appears in 178 hymnals Composer and/or Arranger: Handel Hymnal Title: Songs for the Service of Prayer Incipit: 51321 64343 51276 Used With Text: Until He come! like music tones

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Until he come like music tones

Author: Florence S. Craig Hymnal: Gospel Hymns #d594 (1871) Hymnal Title: Gospel Hymns Languages: English
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Until He come! like music tones

Author: Anon. Hymnal: Songs for the Service of Prayer #427 (1880) Hymnal Title: Songs for the Service of Prayer Languages: English Tune Title: BRADFORD

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Florence S. Craig

Hymnal Title: Calvin Hymnary Project Author of "Until He come! like music tones"

Anonymous

Person Name: Anon. Hymnal Title: Songs for the Service of Prayer Author of "Until He come! like music tones" in Songs for the Service of Prayer In some hymnals, the editors noted that a hymn's author is unknown to them, and so this artificial "person" entry is used to reflect that fact. Obviously, the hymns attributed to "Author Unknown" "Unknown" or "Anonymous" could have been written by many people over a span of many centuries.

George Frideric Handel

1685 - 1759 Person Name: Handel Hymnal Title: Songs for the Service of Prayer Composer of "BRADFORD" in Songs for the Service of Prayer George Frideric Handel (b. Halle, Germany, 1685; d. London, England, 1759) became a musician and composer despite objections from his father, who wanted him to become a lawyer. Handel studied music with Zachau, organist at the Halle Cathedral, and became an accomplished violinist and keyboard performer. He traveled and studied in Italy for some time and then settled permanently in England in 1713. Although he wrote a large number of instrumental works, he is known mainly for his Italian operas, oratorios (including Messiah, 1741), various anthems for church and royal festivities, and organ concertos, which he interpolated into his oratorio performances. He composed only three hymn tunes, one of which (GOPSAL) still appears in some modern hymnals. A number of hymnal editors, including Lowell Mason, took themes from some of Handel's oratorios and turned them into hymn tunes; ANTIOCH is one example, long associated with “Joy to the World.” Bert Polman