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Text Identifier:"^thou_hidden_source_of_calm_repose$"

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Thou Hidden Source of Calm Repose

Author: Charles Wesley Meter: 8.8.8.8.8.8 Appears in 166 hymnals Hymnal Title: Calvin Hymnary Project

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INTERCESSION

Appears in 4 hymnals Composer and/or Arranger: J. Fawcett Hymnal Title: African Methodist Episcopal hymn and tune book Tune Key: B Flat Major Incipit: 11651 23542 171 Used With Text: Thou hidden source of calm repose
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MELITA

Meter: 8.8.8.8.8.8 Appears in 458 hymnals Composer and/or Arranger: J. B. Dykes, 1823-1876 Hymnal Title: Common Praise Tune Key: C Major Incipit: 13355 66551 27554 Used With Text: Thou hidden source of calm repose
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WESLEY

Appears in 1 hymnal Composer and/or Arranger: Thoro Harris Hymnal Title: Echoes of Paradise Incipit: 53217 21765 14326 Used With Text: Thou hidden Source of calm repose

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Thou hidden Source of calm repose

Hymnal: A Collection of Hymns #262 (1859) Hymnal Title: A Collection of Hymns Languages: English

Thou hidden source of calm repose

Author: Charles Wesley, 1707-1788 Hymnal: A Collection of Hymns Adapted to the Use of the Methodist Episcopal Church #d582 (1830) Hymnal Title: A Collection of Hymns Adapted to the Use of the Methodist Episcopal Church Languages: English

Thou hidden source of calm repose

Author: Charles Wesley, 1707-1788 Hymnal: A Collection of Hymns Adapted to the use of the Methodist Episcopal Church Including the Whole Collection of the Rev. J. Wesley #ad582 (1836) Hymnal Title: A Collection of Hymns Adapted to the use of the Methodist Episcopal Church Including the Whole Collection of the Rev. J. Wesley Languages: English

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John Fawcett

1789 - 1867 Person Name: J. Fawcett Hymnal Title: African Methodist Episcopal hymn and tune book Composer of "INTERCESSION " in African Methodist Episcopal hymn and tune book

Henry J. E. Holmes

1852 - 1938 Person Name: H. J. E. Holmes Hymnal Title: Church Hymnal, Mennonite Composer of "PATER OMNIUM" in Church Hymnal, Mennonite Born: March 5, 1852, Burnley, Lancashire, England. Died: October 1938, Burnley, Lancashire, England. Buried: Burnley, Lancashire, England. Son of Richard and Jane Holmes, Henry’s father and great grandfather were both solicitors; his father had offices in Colne and Burnley. Henry was educated at Clitheroe Royal Grammar School. In 1875, he became an Attorney for Common Law and was admitted a Solicitor of the High Court of Chancery. He was articled to his father in November 1869, and practiced in Burnley for over 60 years, first in partnership with his brother Richard Marmaduke as Holmes and Holmes. He continued to practice on his own as Holmes and Holmes after his brother’s death in 1894, and later as Messrs. Holmes, Butterfield and Hartley. Holmes had moved from the family home on Westgate some time after the death of his sister Susannah in 1878. By 1881, he was living at 12 Palatine Square. Holmes was intimately associated with church and Sunday school work all his life. At age 17, he became a teacher and later a lay superintendent of Sandygate Sunday school, connected with Holy Trinity Church, a position he held nearly 20 years. From the 1880’s he took a deep interest in "The Home for Little Boys" at Farningham, Kent. His desire to help in this work led to the formation of the Burnley branch of the National Society for the Prevention of Cruelty to Children. Another organization that Holmes took a great interest in was the Burnley Law Society, which he helped found in 1883; he lived to be the last survivor of the eight founders. Holmes is said to have written over 250 hymn tunes in his life. --www.hymntime.com/tch/

John Bacchus Dykes

1823 - 1876 Person Name: J. B. Dykes, 1823-1876 Hymnal Title: Common Praise Composer of "MELITA" in Common Praise As a young child John Bacchus Dykes (b. Kingston-upon-Hull' England, 1823; d. Ticehurst, Sussex, England, 1876) took violin and piano lessons. At the age of ten he became the organist of St. John's in Hull, where his grandfather was vicar. After receiving a classics degree from St. Catherine College, Cambridge, England, he was ordained in the Church of England in 1847. In 1849 he became the precentor and choir director at Durham Cathedral, where he introduced reforms in the choir by insisting on consistent attendance, increasing rehearsals, and initiating music festivals. He served the parish of St. Oswald in Durham from 1862 until the year of his death. To the chagrin of his bishop, Dykes favored the high church practices associated with the Oxford Movement (choir robes, incense, and the like). A number of his three hundred hymn tunes are still respected as durable examples of Victorian hymnody. Most of his tunes were first published in Chope's Congregational Hymn and Tune Book (1857) and in early editions of the famous British hymnal, Hymns Ancient and Modern. Bert Polman