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Text Identifier:"^thou_art_the_way_and_he_who_sighs$"

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Thou art the Way: and he who sighs

Author: Anon. Appears in 35 hymnals Hymnal Title: Good-Will Songs Used With Tune: [Thou art the Way: and he who sighs]

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[Thou art the Way: and he who sighs]

Appears in 694 hymnals Composer and/or Arranger: Beethoven Hymnal Title: Good-Will Songs Incipit: 51712 56711 17627 Used With Text: Thou art the Way: and he who sighs
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LEIPSIC

Appears in 7 hymnals Composer and/or Arranger: Mendelssohn Hymnal Title: The Gospel Psalmist Incipit: 15346 53211 71175 Used With Text: Thou art the Way, and he who sighs

Instances

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Published text-tune combinations (hymns) from specific hymnals
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Thou art the Way; and he who sighs

Author: Anonymous Hymnal: A Collection of Psalms and Hymns for the Sanctuary #255 (1845) Hymnal Title: A Collection of Psalms and Hymns for the Sanctuary Languages: English
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Thou art the Way - and he who sighs

Hymnal: A Collection of Psalms and Hymns for the use of Universalist Societies and Families (13th ed.) #248 (1842) Hymnal Title: A Collection of Psalms and Hymns for the use of Universalist Societies and Families (13th ed.) Languages: English
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Thou art the Way, and he who sighs

Author: Anonymous Hymnal: A Collection of Psalms and Hymns for the Use of Universalist Societies and Families 16ed. #248 (1845) Meter: 8.8.8.8 Hymnal Title: A Collection of Psalms and Hymns for the Use of Universalist Societies and Families 16ed. Languages: English

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Anonymous

Person Name: Anon. Hymnal Title: Good-Will Songs Author of "Thou art the Way: and he who sighs" in Good-Will Songs In some hymnals, the editors noted that a hymn's author is unknown to them, and so this artificial "person" entry is used to reflect that fact. Obviously, the hymns attributed to "Author Unknown" "Unknown" or "Anonymous" could have been written by many people over a span of many centuries.

Ludwig van Beethoven

1770 - 1827 Person Name: Beethoven Hymnal Title: Good-Will Songs Composer of "[Thou art the Way: and he who sighs]" in Good-Will Songs A giant in the history of music, Ludwig van Beethoven (b. Bonn, Germany, 1770; d. Vienna, Austria, 1827) progressed from early musical promise to worldwide, lasting fame. By the age of fourteen he was an accomplished viola and organ player, but he became famous primarily because of his compositions, including nine symphonies, eleven overtures, thirty piano sonatas, sixteen string quartets, the Mass in C, and the Missa Solemnis. He wrote no music for congregational use, but various arrangers adapted some of his musical themes as hymn tunes; the most famous of these is ODE TO JOY from the Ninth Symphony. Although it would appear that the great calamity of Beethoven's life was his loss of hearing, which turned to total deafness during the last decade of his life, he composed his greatest works during this period. Bert Polman

Felix Mendelssohn-Bartholdy

1809 - 1847 Person Name: Mendelssohn Hymnal Title: The Gospel Psalmist Composer of "LEIPSIC" in The Gospel Psalmist Felix Mendelssohn-Bartholdy (b. Hamburg, Germany, 1809; d. Leipzig, Germany, 1847) was the son of banker Abraham Mendelssohn and the grandson of philosopher Moses Mendelssohn. His Jewish family became Christian and took the Bartholdy name (name of the estate of Mendelssohn's uncle) when baptized into the Lutheran church. The children all received an excellent musical education. Mendelssohn had his first public performance at the age of nine and by the age of sixteen had written several symphonies. Profoundly influenced by J. S. Bach's music, he conducted a performance of the St. Matthew Passion in 1829 (at age 20!) – the first performance since Bach's death, thus reintroducing Bach to the world. Mendelssohn organized the Domchor in Berlin and founded the Leipzig Conservatory of Music in 1843. Traveling widely, he not only became familiar with various styles of music but also became well known himself in countries other than Germany, especially in England. He left a rich treasury of music: organ and piano works, overtures and incidental music, oratorios (including St. Paul or Elijah and choral works, and symphonies. He harmonized a number of hymn tunes himself, but hymnbook editors also arranged some of his other tunes into hymn tunes. Bert Polman