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Text Identifier:"^the_heavens_gods_glory_do_declare$"

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The heavens God's glory do declare

Meter: 8.6.8.6 Appears in 12 hymnals Matching Instances: 12 Scripture: Psalm 19 Used With Tune: CREDITON

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CREDITON

Meter: 8.6.8.6 Appears in 56 hymnals Matching Instances: 1 Composer and/or Arranger: Thomas Clark Tune Key: C Major Incipit: 51715 65435 67 Used With Text: The heavens God's glory do declare
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CHANT

Appears in 10 hymnals Matching Instances: 1 Composer and/or Arranger: T. S. Dupuis Tune Key: B Flat Major Incipit: 17164 32171 22234 Used With Text: The heavens God's glory do declare
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ASPURG

Meter: 8.6.8.6 Appears in 19 hymnals Matching Instances: 1 Composer and/or Arranger: Johann Georg Frech, 1790-1864 Tune Key: D Major Incipit: 51536 55432 13452 Used With Text: The heavens God's glory do declare

Instances

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The heavens God's glory do declare

Hymnal: The Book of Psalms Rendered in Metre and Set to Music #d263 (1929)

The heavens God's glory do declare

Hymnal: Melodies of Salvation #d152 (1899) Languages: English

People

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Thomas Clark

1775 - 1859 Composer of "CREDITON" in The Presbyterian Book of Praise Baptized: Feb­ru­a­ry 5, 1775, Can­ter­bu­ry, Kent, Eng­land. Died: May 30, 1859, at his home in St. George’s Street, Can­ter­bu­ry, Kent, Eng­land. A cob­bler and choir train­er, Clark led the sing­ing of the Psalms at the Wes­ley­an Cha­pel, Can­ter­bu­ry, and lat­er at the Uni­tar­i­an Church in Can­ter­bu­ry. It has been claimed he nev­er ac­tu­al­ly joined the Un­i­tar­i­ans, though he sym­pa­thized with them, and he re­signed from the Meth­od­ists. Clark wrote a num­ber of an­thems, in­clud­ing "Awake Up, My Glo­ry", "Daugh­ter of Zi­on" and "Since I Have Placed My Trust." His other works in­clude: First Sett of Psalm and Hymn Tunes, 1805 Second Sett of Psalm and Hymn Tunes, cir­ca 1810 Congregational Har­mon­ist, 4 vol­umes (1828 to cir­ca 1835) The Sac­red Glean­er, 1830 The Un­ion Tune-Book, 1837 (co-ed­it­or) Union Har­mo­nist, 1841 Harmonized the se­cond edi­tion of the Un­ion Tune Book for the Sun­day School Un­ion, 1842 The Ju­ve­nile Har­mo­nist, 1842 David’s Harp—A Ser­ies of Orig­in­al Tunes Com­posed Exp­ress­ly to the Psalt­er, 1843 The Ser­a­phim or Sac­red Har­mo­nist, 1843 British Psalm­o­dy, with Al­ex­an­der Hume (Ed­in­burgh, Scot­land: 1844) --www.hymntime.com/tch/

Thomas Dupuis

1733 - 1796 Person Name: T. S. Dupuis Composer of "CHANT" in The Presbyterian Book of Praise

Johann Georg Frech

1790 - 1864 Person Name: Johann Georg Frech, 1790-1864 Composer of "ASPURG" in The Irish Presbyterian Hymnbook Johann Georg Frech (* January 17 1790 in Kaltental, † August 23 1864 in Esslingen am Neckar ) was a German music director, composer and organist. Naughty was the son of a watchmaker and organ builder. He visited here until his 13th Age of the school, then high school in Stuttgart and took lessons in music. In 1806 he was teaching assistant in Degerloch while still in Stuttgart, studied music. In 1811 he went as a teaching assistant after Esslingen and in 1812 a music teacher at the newly established Esslinger teacher seminar. In 1820 he received the office of a municipal director of music and organist at the main church in Esslingen, where he remained until his retirement in 1860. His successor was Christian Fink. Naughty took a significant role in the Württemberg church singing together with Konrad Kocher and Friedrich Silcherstraße one. Together with the aforementioned He created "The Württemberg Choral Book" of 1828 and was co-editor of "Württemberg Choral Book" of 1844. Frech has composed six symphonies, many choral works, including 22 chorales for Württembergischen chorale books, 67 cantatas, an opera, the oratorio "Abraham on Moriah" and some organ works. In the district of Stuttgart Kaltental a street was named after naughty. --de.wikipedia.org/wiki/