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The Glorious Gates of Righteousness
Meter: 8.6.8.6.8.6 Appears in 16 hymnals Matching Instances: 16 Lyrics: 1 The glorious gates of righteousness
throw open unto me,
and I will enter them with praise,
O LORD, my God, to Thee,
and I will enter them with praise,
O LORD, my God, to Thee.
2 This is Thy temple gate, O LORD,
the just shall enter there.
My Savior, I will give Thee thanks,
O Thou that hearest pray'r;
my Savior, I will give Thee thanks,
O Thou that hearest prayer.
3 The stone rejected and despised
is now the cornerstone;
how wondrous are the ways of God,
unfathomed and unknown;
how wondrous are the ways of God,
unfathomed and unknown!
4 In this the day that Thou hast made,
triumphantly we sing;
send now prosperity, O LORD;
O LORD, salvation bring;
send now prosperity, O LORD;
O LORD, salvation bring. Topics: Thanksgiving Scripture: Psalm 118 Used With Tune: CORONATION Text Sources: The Psalter, 1912
The Glorious Gates of Righteousness
[The glorious gates of righteousness]
Appears in 3 hymnals Matching Instances: 1 Composer and/or Arranger: Chas. H. Gabriel Incipit: 55667 63355 61677 Used With Text: This is the Day
[The glorious gates of righteousness]
CORONATION
Meter: 8.6.8.6.8.6 Appears in 1,242 hymnals Matching Instances: 1 Composer and/or Arranger: Oliver Holden Tune Key: G Major or modal Incipit: 51133 21232 13212 Used With Text: The Glorious Gates of Righteousness
CORONATION
The Glorious Gates of Righteousness
Author: Anonymous Hymnal: The Cyber Hymnal #1838 Meter: 8.6.8.6 Lyrics: 1. The glorious gates of righteousness
Throw open unto me,
And I will enter them with praise,
O Lord, my God, to Thee,
And I will enter them with praise,
O Lord, my God, to Thee.
2. This is Thy temple gate, O Lord,
The just shall enter there;
My Savior, I will give Thee thanks,
O Thou, that hearest prayer,
My Savior, I will give Thee thanks,
O Thou, that hearest prayer.
3. The stone rejected and despised
Is now the cornerstone;
How wondrous are the ways of God,
Unfathomed and unknown!
How wondrous are the ways of God,
Unfathomed and unknown!
4. In this the day that Thou hast made
Triumphantly we sing;
Send now prosperity, O Lord,
O Lord, salvation bring,
Send now prosperity, O Lord,
O Lord, salvation bring.
5. Hosanna! Ever blest be he
That cometh in God’s name;
The blessing of Jehovah’s house
Upon you we proclaim;
The blessing of Jehovah’s house
Upon you we proclaim.
6. The light of joy to shine on us
The Lord our God has made;
Now be the precious sacrifice
Upon His altar laid;
Now be the precious sacrifice
Upon His altar laid.
7. O Lord, my God, I praise Thy name,
All others names above;
O give Him thanks, for He is good
And boundless is His love;
O give Him thanks, for He is good
And boundless is His love.
8. O praise the Lord, for He is good;
Let all in Heav’n above
And all His saints on earth proclaim
His everlasting love;
And all His saints on earth proclaim
His everlasting love. Languages: English Tune Title: ZERAH
The Glorious Gates of Righteousness
Thoughts for the Sanctuary
Hymnal: The Psalter #318 (1912) Meter: 8.6.8.6 First Line: The glorious gates of righteousness Lyrics: 1 The glorious gates of righteousness
Throw open unto me,
And I will come to them with praise
O Lord, my God, to Thee,
And I will come to them with praise
O Lord, my God, to Thee.
2 This is Thy temple gate, O Lord,
The just shall enter there;
My Saviour, I will give Thee thanks,
O Thou that hearest prayer,
My Saviour, I will give Thee thanks,
O Thou that hearest prayer.
3 The stone rejected and despised
Is now the cornerstone;
How wondrous are the ways of God,
Unfathomed and unknown!
How wondrous are the ways of God,
Unfathomed and unknown!
4 In this the day that Thou hast made
Triumphantly we sing;
Send now prosperity, O Lord,
O Lord, salvation bring,
Send now prosperity, O Lord,
O Lord, salvation bring.
5 Hosanna! Ever blest be He
That cometh in God's Name,
The blessing of Jehovah's house
Upon you we proclaim;
The blessing of Jehovah's house
Upon you we proclaim.
6 The light of joy to shine on us
The Lord our God hath made;
Now be the precious sacrifice
Upon His altar laid,
Now be the precious sacrifice
Upon His altar laid.
7 O Lord, my God, I praise Thy Name,
All other names above;
O give Him thanks, for He is good
And boundless is His love,
O give Him thanks, for He is good
And boundless is His love. Topics: Aspirations For Church Priveleges; Christ Exaltation of; Christ The Saviour; Doxologies; Faith Walking by; God Hearer of Prayer; God Sovereignty of ; Gospel Fulness of ; Gospel Privileges of; Lord's Supper The Hallel, the hymn of Jesus at institution of Supper; Praise For Spiritual Blessings; Prayer Answers to; Prayer confidence in; Royalty of Christ Guarantee of Salvation; Royalty of Christ Mediatorial; The Sabbath; Salvation Prayers for; Salvation Thanksgiving for; Thanksgiving Declared; Thanksgiving In Public Worship; Worship Call to ; Worship Only as God Appoints; Worship public Scripture: Psalm 118 Languages: English Tune Title: ZERAH
Thoughts for the Sanctuary
The Glorious Gates of Righteousness
Hymnal: Psalter Hymnal (Red) #248 (1934) Meter: 8.6.8.6 Lyrics: 1 The glorious gates of righteousness
Throw open unto me,
And I will come to them with praise
O Lord, my God, to Thee,
And I will come to them with praise
O Lord, my God, to Thee.
2 This is Thy temple gate, O Lord,
The just shall enter there;
My Savior, I will give Thee thanks,
O Thou that hearest prayer,
My Savior, I will give Thee thanks,
O Thou that hearest prayer.
3 The stone rejected and despised
Is now the cornerstone;
How wondrous are the ways of God,
Unfathomed and unknown,
How wondrous are the ways of God,
Unfathomed and unknown!
4 In this the day that Thou hast made
Triumphantly we sing;
Send now prosperity, O Lord,
O Lord, salvation bring,
Send now prosperity, O Lord,
O Lord, salvation bring.
5 Hosanna! Ever blest be He
That cometh in God's Name,
The blessing of Jehovah's house
Upon you we proclaim,
The blessing of Jehovah's house
Upon you we proclaim.
6 The light of joy to shine on us
The Lord our God has made;
Now be the precious sacrifice
Upon His altar laid,
Now be the precious sacrifice
Upon His altar laid.
7 O Lord, my God, I praise Thy Name,
All other names above;
O give Him thanks, for He is good
And boundless is His love,
O give Him thanks, for He is good
And boundless is His love.
8 O praise the Lord, for He is good;
Let all in heaven above
And all His saints on earth proclaim
His everlasting love,
And all His saints on earth proclaim
His everlasting love. Topics: Praise for God's Works; Praise in Worship; Prosperity; Resurrection of Christ; Thanksgiving; Triumphal Entry; Wisdom of God Scripture: Psalm 118 Languages: English Tune Title: ZERAH
The Glorious Gates of Righteousness
Lowell Mason
1792 - 1872 Person Name: Lowell Mason, 1792-1872 Composer of "ZERAH " in Psalms for All Seasons Dr. Lowell Mason (the degree was conferred by the University of New York) is justly called the father of American church music; and by his labors were founded the germinating principles of national musical intelligence and knowledge, which afforded a soil upon which all higher musical culture has been founded. To him we owe some of our best ideas in religious church music, elementary musical education, music in the schools, the popularization of classical chorus singing, and the art of teaching music upon the Inductive or Pestalozzian plan. More than that, we owe him no small share of the respect which the profession of music enjoys at the present time as contrasted with the contempt in which it was held a century or more ago. In fact, the entire art of music, as now understood and practiced in America, has derived advantage from the work of this great man.
Lowell Mason was born in Medfield, Mass., January 8, 1792. From childhood he had manifested an intense love for music, and had devoted all his spare time and effort to improving himself according to such opportunities as were available to him. At the age of twenty he found himself filling a clerkship in a banking house in Savannah, Ga. Here he lost no opportunity of gratifying his passion for musical advancement, and was fortunate to meet for the first time a thoroughly qualified instructor, in the person of F. L. Abel. Applying his spare hours assiduously to the cultivation of the pursuit to which his passion inclined him, he soon acquired a proficiency that enabled him to enter the field of original composition, and his first work of this kind was embodied in the compilation of a collection of church music, which contained many of his own compositions. The manuscript was offered unavailingly to publishers in Philadelphia and in Boston. Fortunately for our musical advancement it finally secured the attention of the Boston Handel and Haydn Society, and by its committee was submitted to Dr. G. K. Jackson, the severest critic in Boston. Dr. Jackson approved most heartily of the work, and added a few of his own compositions to it. Thus enlarged, it was finally published in 1822 as The Handel and Haydn Society Collection of Church Music. Mason's name was omitted from the publication at his own request, which he thus explains, "I was then a bank officer in Savannah, and did not wish to be known as a musical man, as I had not the least thought of ever making music a profession." President Winchester, of the Handel and Haydn Society, sold the copyright for the young man. Mr. Mason went back to Savannah with probably $500 in his pocket as the preliminary result of his Boston visit.
The book soon sprang into universal popularity, being at once adopted by the singing schools of New England, and through this means entering into the church choirs, to whom it opened up a higher field of harmonic beauty. Its career of success ran through some seventeen editions. On realizing this success, Mason determined to accept an invitation to come to Boston and enter upon a musical career. This was in 1826. He was made an honorary member of the Handel and Haydn Society, but declined to accept this, and entered the ranks as an active member. He had been invited to come to Boston by President Winchester and other musical friends and was guaranteed an income of $2,000 a year. He was also appointed, by the influence of these friends, director of music at the Hanover, Green, and Park Street churches, to alternate six months with each congregation. Finally he made a permanent arrangement with the Bowdoin Street Church, and gave up the guarantee, but again friendly influence stepped in and procured for him the position of teller at the American Bank.
In 1827 Lowell Mason became president and conductor of the Handel and Haydn Society. It was the beginning of a career that was to win for him as has been already stated the title of "The Father of American Church Music." Although this may seem rather a bold claim it is not too much under the circumstances. Mr. Mason might have been in the average ranks of musicianship had he lived in Europe; in America he was well in advance of his surroundings. It was not too high praise (in spite of Mason's very simple style) when Dr. Jackson wrote of his song collection: "It is much the best book I have seen published in this country, and I do not hesitate to give it my most decided approbation," or that the great contrapuntist, Hauptmann, should say the harmonies of the tunes were dignified and churchlike and that the counterpoint was good, plain, singable and melodious.
Charles C. Perkins gives a few of the reasons why Lowell Mason was the very man to lead American music as it then existed. He says, "First and foremost, he was not so very much superior to the members as to be unreasonably impatient at their shortcomings. Second, he was a born teacher, who, by hard work, had fitted himself to give instruction in singing. Third, he was one of themselves, a plain, self-made man, who could understand them and be understood of them."
The personality of Dr. Mason was of great use to the art and appreciation of music in this country. He was of strong mind, dignified manners, sensitive, yet sweet and engaging.
Prof. Horace Mann, one of the great educators of that day, said he would walk fifty miles to see and hear Mr. Mason teach if he could not otherwise have that advantage.
Dr. Mason visited a number of the music schools in Europe, studied their methods, and incorporated the best things in his own work. He founded the Boston Academy of Music. The aim of this institution was to reach the masses and introduce music into the public schools. Dr. Mason resided in Boston from 1826 to 1851, when he removed to New York. Not only Boston benefited directly by this enthusiastic teacher's instruction, but he was constantly traveling to other societies in distant cities and helping their work. He had a notable class at North Reading, Mass., and he went in his later years as far as Rochester, where he trained a chorus of five hundred voices, many of them teachers, and some of them coming long distances to study under him. Before 1810 he had developed his idea of "Teachers' Conventions," and, as in these he had representatives from different states, he made musical missionaries for almost the entire country. He left behind him no less than fifty volumes of musical collections, instruction books, and manuals.
As a composer of solid, enduring church music. Dr. Mason was one of the most successful this country has introduced. He was a deeply pious man, and was a communicant of the Presbyterian Church. Dr. Mason in 1817 married Miss Abigail Gregory, of Leesborough, Mass. The family consisted of four sons, Daniel Gregory, Lowell, William and Henry. The two former founded the publishing house of Mason Bros., dissolved by the death of the former in 19G9. Lowell and Henry were the founders of the great organ manufacturer of Mason & Hamlin. Dr. William Mason was one of the most eminent musicians that America has yet produced.
Dr. Lowell Mason died at "Silverspring," a beautiful residence on the side of Orange Mountain, New Jersey, August 11, 1872, bequeathing his great musical library, much of which had been collected abroad, to Yale College.
--Hall, J. H. (c1914). Biographies of Gospel Song and Hymn Writers. New York: Fleming H. Revell Company.
Lowell Mason
Anonymous
Author of "The Glorious Gates of Righteousness" in The Cyber Hymnal In some hymnals, the editors noted that a hymn's author is unknown to them, and so this artificial "person" entry is used to reflect that fact. Obviously, the hymns attributed to "Author Unknown" "Unknown" or "Anonymous" could have been written by many people over a span of many centuries.
Anonymous
Chas. H. Gabriel
1856 - 1932 Composer of "[The glorious gates of righteousness]" in Bible Songs No. 4 Pseudonyms: C. D. Emerson, Charlotte G. Homer, S. B. Jackson, A. W. Lawrence, Jennie Ree
=============
For the first seventeen years of his life Charles Hutchinson Gabriel (b. Wilton, IA, 1856; d. Los Angeles, CA, 1932) lived on an Iowa farm, where friends and neighbors often gathered to sing. Gabriel accompanied them on the family reed organ he had taught himself to play. At the age of sixteen he began teaching singing in schools (following in his father's footsteps) and soon was acclaimed as a fine teacher and composer. He moved to California in 1887 and served as Sunday school music director at the Grace Methodist Church in San Francisco. After moving to Chicago in 1892, Gabriel edited numerous collections of anthems, cantatas, and a large number of songbooks for the Homer Rodeheaver, Hope, and E. O. Excell publishing companies. He composed hundreds of tunes and texts, at times using pseudonyms such as Charlotte G. Homer. The total number of his compositions is estimated at about seven thousand. Gabriel's gospel songs became widely circulated through the Billy Sunday-Homer Rodeheaver urban crusades.
Bert Polman
Chas. H. Gabriel
